Thanks to Renzo Duin's annotated translation, the voice of Lodewijk Schmidt-an Afrodiasporic Saramaka Maroon from Suriname-is finally available for Anglophone audiences worldwide. More than anything else, Schmidt's journals constitute meticulous ethnographic accounts telling the tragic story of the Indigenous Peoples of the Eastern Guiana Highlands (northern Brazil and southern French Guiana and Suriname). Schmidt's is a story that takes account of the pathological mechanisms of colonialism in which Indigenous Peoples and African Diaspora communities-both victims of colonialism-vilify each other, falling privy to the divide-and-conquer mentality mechanisms of colonialism. Moreover, silenced in the original 1942 publication, Schmidt was sent on a covert mission to determine if the Nazis had established bases and airfields at the southern border of Suriname. Schmidt described the precariousness of the Amazonian forest and the Indigenous Peoples and African Diasporic people who lived and continue to live there, drawing on language that foreshadows our current anthropic and ecological concerns. Duin's profound knowledge of the history, geography, and ecology of the region contextualizes Schmidt's accounts in a new introduction and in his analysis and afterthought forces us to take account of the catastrophe that is deforestation and ethnocide of the Indigenous Peoples of Amazonian Guiana. Lodewijk J. Schmidt (1898-1992) Saramaka from Gansee (modern Saamaka spelling: Ganze; pronounced Ganze), upper Suriname river, Suriname, South America. The Saramaka are one of the largest African Diaspora communities in Suriname. He was educated by the Herrnhutters in the school of the Moravian Church, and during the mid-twentieth century he took part in several momentous expeditions, such as the 1935-38 Border Expedition between Suriname and Brazil. The present work is the annotated translation of his accounts of a tri-partite expedition conducted between 1940 and 1942 at and across the southern border of Suriname. Renzo S. Duin (1974) obtained a PhD in Anthropology from the University of Florida (USA). Between 1996 and 2019 he conducted over 40 months of fieldwork in the Guianas (Suriname, French Guiana, and Guyana). His research and publications cover a broad range of topics: socio-political landscape studies; material culture; intangible heritage; social memory; oral history; identity; ethno-astronomy; historical ecology; decolonization; and the intertwining nature of these topics, and as such offers an alternative to the twentieth century model of tropical forest cultures in Amazonia.

This impressive and inspiring volume has as its modest origins the documentation of a contemporary collecting project for the British Museum. Informed by curators' critiques of uneven collections accompanied by highly variable information, Sillitoe set out with the ambition of recording the totality of the material culture of the Wola of the southern highlands of Papua New Guinea, at a time when the study of artefacts was neglected in university anthropology departments. His achievements, presented in this second edition of Made in Nuigini with a new contextualizing preface and foreword, brought a new standard of ethnography to the incipient revival of material culture studies, and opened up the importance of close attention to technology and material assemblages for anthropology. The `economy' fundamentally concerns the material aspects of life, and as Sillitoe makes clear, Wola attitudes and behaviour in this regard are radically different to those of the West, with emphasis on `maker users' and egalitarian access to resources going hand in hand with their stateless and libertarian principles. The project begun in Made in Niugini, which necessarily restricted itself to moveable artefacts, is continued and extended by the newly published companion volume Built in Niugini, which deals with immoveable structures and buildings. It argues that the study of material constructions offers an unparalleled opportunity to address fundamental philosophical questions about tacit knowledge and the human condition.

Fitful Histories and Unruly Publics re-examines the relationship between Eurasia's past and its present by interrogating the social construction of time and the archaeological production of culture. Traditionally, archaeological research in Eurasia has focused on assembling normative descriptions of monolithic cultures that endure for millennia, largely immune to the forces of historical change. The papers in this volume seek to document forces of difference and contestation in the past that were produced in the perceptible engagements of peoples, things, and places. The research gathered here convincingly demonstrates that these forces made social life in ancient Eurasia rather more fitful and its publics considerably more unruly than archaeological research has traditionally allowed. Contributors are Mikheil Abramishvili, Paula N. Doumani Dupuy, Magnus Fiskesjoe, Hilary Gopnik, Emma Hite, Jean-Luc Houle, Erik G. Johannesson, James A. Johnson, Lori Khatchadourian, Ian Lindsay, Maureen E. Marshall, Mitchell S. Rothman, Irina Shingiray, Adam T. Smith, Kathryn O. Weber and Xin Wu.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Dialogue and the New Cosmopolitanism: Conversations with Edward Demenchonok stands in opposition to the doctrine that might makes right and that the purpose of politics is to establish domination over others rather than justice and the good life for all. In the pursuit of the latter goal, the book stresses the importance of dialogue with participants who take seriously the views and interests of others and who seek to reach a fair solution. In this sense, the book supports the idea of cosmopolitanism, which-by contrast to empire-involves multi-lateral cooperation and thus the quest for a just cosmopolis. The international contributors to this volume, with their varied perspectives, are all committed to this same quest. Edited by Fred Dallmayr, the chapters take the form of conversations with Edward Demenchonok, a well-known practitioner of international and cross-cultural philosophy. The conversations are structured in parts that stress the philosophical, anthropological, cultural, and ethical dimensions of global dialogue. In our conflicted world, it is inspiring to find so many authors from different places agreeing on a shared vision.

David Rudner's richly detailed ethnographic and historical analysis of a South Indian merchant-banking caste provides the first comprehensive analysis of the interdependence among Indian business practice, social organization, and religion. Exploring noncapitalist economic formations and the impact of colonial rule on indigenous commercial systems, Rudner argues that caste and commerce are inextricably linked through formal and informal institutions. The practices crucial to the formation and distribution of capital are also a part of this linkage. Rudner challenges the widely held assumptions that all castes are organized either by marriage alliance or status hierarchy and that caste structures are incompatible with the "rational" conduct of business. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.

Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.

By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.

Jan Ken Po, Ai Kono Sho"" ""Junk An'a Po, I Canna Show"" These words to a simple child's game brought from Japan and made local, the property of all of Hawaii's people, symbolize the cultural transformation experienced by Hawaii's Japanese. It is the story of this experience that Dennis Ogawa tells so well here.

Atlantic Crossings in the Wake of Frederick Douglass takes its bearings from the Maryland-born former slave Frederick Douglass's 1845 sojourn in Ireland and Britain-a voyage that is understood in editors Mark P. Leone and Lee M. Jenkins' collection as paradigmatic of the crossings between American, African American, and Irish historical experience and culture with which the collection as a whole is concerned. In crossing the Atlantic, Douglass also completed his journey from slavery to freedom, and from political and cultural marginality into subjective and creative autonomy. Atlantic Crossings traces the stages of that journey in chapters on literature, archaeology, and spatial culture that consider both roots and routes-landscapes of New World slavery, subordination, and state-sponsored surveillance, and narratives of resistance, liberation, and intercultural exchange generated by transatlantic connectivities and the transnational transfer of ideas. Contributors Lee M. Jenkins, Mark P. Leone, Katie Ahern, Miranda Corcoran, Ann Coughlan, Kathryn H. Deeley, Adam Fracchia, Mary Furlong Minkoff, Tracy H. Jenkins, Dan O'Brien, Eoin O'Callaghan, Elizabeth Pruitt, Benjamin A. Skolnik and Stefan Woehlke

In gay bars and nightclubs across America, and in gay-oriented magazines and media, the buff, macho, white gay man is exalted as the ideal-the most attractive, the most wanted, and the most emulated type of man. For gay Asian American men, often viewed by their peers as submissive or too 'pretty,' being sidelined in the gay community is only the latest in a long line of racially-motivated offenses they face in the United States.Repeatedly marginalized by both the white-centric queer community that values a hyper-masculine sexuality and a homophobic Asian American community that often privileges masculine heterosexuality, gay Asian American men largely have been silenced and alienated in present-day culture and society. In Geisha of a Different Kind, C. Winter Han travels from West Coast Asian drag shows to the internationally sought-after Thai kathoey, or "ladyboy," to construct a theory of queerness that is inclusive of the race and gender particularities of the gay Asian male experience in the United States. Through ethnographic observation of queer Asian American communities and Asian American drag shows, interviews with gay Asian American men, and a reading of current media and popular culture depictions of Asian Americans, Han argues that gay Asian American men, used to gender privilege within their own communities, must grapple with the idea that, as Asians, they have historically been feminized as a result of Western domination and colonization, and as a result, they are minorities within the gay community, which is itself marginalized within the overall American society. Han also shows that many Asian American gay men can turn their unusual position in the gay and Asian American communities into a positive identity. In their own conception of self, their Asian heritage and sexuality makes these men unique, special, and, in the case of Asian American drag queens, much more able to convey a convincing erotic femininity. Challenging stereotypes about beauty, nativity, and desirability, Geisha of a Different Kind makes a major intervention in the study of race and sexuality in America.