Where the New World Is assesses how fiction published since 1980 has resituated the U.S. South globally and how earlier twentieth-century writing already had done so in ways traditional southern literary studies tended to ignore. Martyn Bone argues that this body of fiction has, over the course of some eighty years, challenged received readings and understandings of the U.S. South as a fixed place largely untouched by immigration (or even internal migration) and economic globalization. The writers discussed by Bone emphasize how migration and labor have reconfigured the region's relation to the nation and a range of transnational scales: hemispheric (Jamaica, the Bahamas, Haiti), transatlantic/Black Atlantic (Denmark, England, Mauritania), and transpacific/global southern (Australia, China, Vietnam). Writers under consideration include Zora Neale Hurston, Nella Larsen, John Oliver Killens, Russell Banks, Erna Brodber, Cynthia Shearer, Ha Jin, Monique Truong, Lan Cao, Toni Morrison, Peter Matthiessen, Dave Eggers, and Laila Lalami. The book also seeks to resituate southern studies by drawing on theories of "scale" that originated in human geography. In this way, Bone also offers a new paradigm in which the U.S. South is thoroughly engaged with a range of other scales from the local to the global, making both literature about the region and southern studies itself truly transnational in scope.

For those interested in continuing the struggle for decolonization, the word "multiculturalism" is mostly a sad joke. After all, institutionalized multiculturalism today is a managerial muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But Decolonize Multiculturalism unearths a buried history. Decolonize Multiculturalism focuses on the story of the student and youth movements of the 1960s and 1970s, inspired by global movements for decolonization and anti-racism, who aimed to fundamentally transform their society, as well as the violent repression of these movements by the state, corporations, and university administrations. Part of the response has been sheer violence-campus policing, for example, only began in the 1970s, paving the way for the militarized campuses of today-with institutionalized multiculturalism acting like the velvet glove around the iron fist of state violence. But this means that today's multiculturalism also contains residues of the original radical demands of the student and youth movements that it aims to repress: to open up the university, to wrench it from its settler colonial, white supremacist, and patriarchal capitalist origins, and to transform it into a place of radical democratic possibility.

Jan Ken Po, Ai Kono Sho"" ""Junk An'a Po, I Canna Show"" These words to a simple child's game brought from Japan and made local, the property of all of Hawaii's people, symbolize the cultural transformation experienced by Hawaii's Japanese. It is the story of this experience that Dennis Ogawa tells so well here.

Taste is recognized as one of the most evocative senses. The flavors of food play an important role in identity, memory, emotion, desire, and aversion, as well as social, religious and other occasions. Yet despite its fundamental role, taste is often mysteriously absent from discussions about food. Now in its second edition, The Taste Culture Reader examines the sensuous dimensions of eating and drinking and highlights the centrality of taste in human experience. Combining both classic and contemporary sources from anthropology, philosophy, sociology, history, science, and beyond, the book features excerpts from texts by David Hume, Immanuel Kant, Pierre Bourdieu, Brillat-Savarin, Marcel Proust, Sidney Mintz, and M.F.K. Fisher as well as original essays by authors such as David Sutton, Lisa Heldke, David Howes, Constance Classen, and Amy Trubek. This edition has been revised substantially throughout to include the latest scholarship on the senses and features new introductions from the editor as well as 10 new chapters. The perfect introduction to the study of taste, this is essential reading for students in food studies, anthropology, sensory studies, philosophy, and culinary arts.

Atlantic Crossings in the Wake of Frederick Douglass takes its bearings from the Maryland-born former slave Frederick Douglass's 1845 sojourn in Ireland and Britain-a voyage that is understood in editors Mark P. Leone and Lee M. Jenkins' collection as paradigmatic of the crossings between American, African American, and Irish historical experience and culture with which the collection as a whole is concerned. In crossing the Atlantic, Douglass also completed his journey from slavery to freedom, and from political and cultural marginality into subjective and creative autonomy. Atlantic Crossings traces the stages of that journey in chapters on literature, archaeology, and spatial culture that consider both roots and routes-landscapes of New World slavery, subordination, and state-sponsored surveillance, and narratives of resistance, liberation, and intercultural exchange generated by transatlantic connectivities and the transnational transfer of ideas. Contributors Lee M. Jenkins, Mark P. Leone, Katie Ahern, Miranda Corcoran, Ann Coughlan, Kathryn H. Deeley, Adam Fracchia, Mary Furlong Minkoff, Tracy H. Jenkins, Dan O'Brien, Eoin O'Callaghan, Elizabeth Pruitt, Benjamin A. Skolnik and Stefan Woehlke

Moroccan garment design and consumption have experienced major shifts in recent history, transforming from a traditional craft-based enterprise to a thriving fashion industry. Influenced by western fashion, dress has become commoditized and has expanded from tailoring to designer labels. This book presents the first detailed ethnographic study of Moroccan fashion. Drawing on interviews with three generations of designers and the lifestyle press, the author provides an in-depth analysis of the development of urban dress, which reveals how traditional dress has not been threatened but rather produced and consumed in different ways. With chapters examining themes such as dress and politics, gender, faith, modernity, and exploring topics from craft to e-fashion, this book will be essential reading for students and scholars of fashion, anthropology, material culture, sociology, cultural studies, gender studies and related fields.

This collection on Byzantine culture in translation, edited by Amelia Brown and Bronwen Neil, examines the practices and theories of translation inside the Byzantine empire and beyond its horizons to the east, north and west. The time span is from Late Antiquity to the present day. Translations studied include hagiography, history, philosophy, poetry, architecture and science, between Greek, Latin, Arabic and other languages. These chapters build upon presentations given at the 18th Biennial Conference of the Australian Association for Byzantine Studies, convened by the editors at the University of Queensland in Brisbane, Australia on 28-30 November 2014. Contributors include: Eva Anagnostou-Laoutides, Amelia Brown, Penelope Buckley, John Burke, Michael Champion, John Duffy, Yvette Hunt, Maria Mavroudi, Ann Moffatt, Bronwen Neil, Roger Scott, Michael Edward Stewart, Rene Van Meeuwen, Alfred Vincent, and Nigel Westbrook.

The focus of Richard Zgusta's The Peoples of Northeast Asia through Time is the formation of indigenous and cultural groups of coastal northeast Asia, including the Ainu, the "Paleoasiatic" peoples, and the Asiatic Eskimo. Most chapters begin with a summary of each culture at the beginning of the colonial era, which is followed by an interdisciplinary reconstruction of prehistoric cultures that have direct ancestor-descendant relationships with the modern ones. An additional chapter presents a comparative discussion of the ethnographic data, including subsistence patterns, material culture, social organization, and religious beliefs, from a diachronic viewpoint. Each chapter includes maps and extensive references.

This volume focuses on today's kibbutz and the metamorphosis which it has undergone. Starting with theoretical considerations and clarifications, it discusses the far-reaching changes recently experienced by this setting. It investigates how those changes re-shaped it from a setting widely viewed as synonymous to utopia, but which has gone in recent years through a genuine transformation. This work questions the stability of that "renewing kibbutz". It consists of a collective effort of a group of specialized researchers who met for a one-year seminar prolonged by research and writing work. These scholars benefitted from resource field-people who shared with them their knowledge in major aspects of the kibbutz' transformation. This volume throws a new light on developmental communalism and the transformation of gemeinschaft-like communities to more gesellschaft-like associations. Contributors are: Havatselet Ariel, Eliezer Ben-Rafael, Miriam Ben-Rafael, Sigal Ben-Rafael Galanti, Yechezkel Dar, Orit Degani Dinisman, Yuval Dror, Sylvie Fogiel-Bijaoui, Alon Gal, Rinat Galily, Shlomo Gans, Sybil Heilbrunn, Michal Hisherik, Meirav Niv, Michal Palgi, Alon Pauker, Abigail Paz-Yeshayahu, Yona Prital, Moshe Schwartz, Orna Shemer, Michael Sofer, Menahem Topel, and Ury Weber.

In gay bars and nightclubs across America, and in gay-oriented magazines and media, the buff, macho, white gay man is exalted as the ideal-the most attractive, the most wanted, and the most emulated type of man. For gay Asian American men, often viewed by their peers as submissive or too 'pretty,' being sidelined in the gay community is only the latest in a long line of racially-motivated offenses they face in the United States.Repeatedly marginalized by both the white-centric queer community that values a hyper-masculine sexuality and a homophobic Asian American community that often privileges masculine heterosexuality, gay Asian American men largely have been silenced and alienated in present-day culture and society. In Geisha of a Different Kind, C. Winter Han travels from West Coast Asian drag shows to the internationally sought-after Thai kathoey, or "ladyboy," to construct a theory of queerness that is inclusive of the race and gender particularities of the gay Asian male experience in the United States. Through ethnographic observation of queer Asian American communities and Asian American drag shows, interviews with gay Asian American men, and a reading of current media and popular culture depictions of Asian Americans, Han argues that gay Asian American men, used to gender privilege within their own communities, must grapple with the idea that, as Asians, they have historically been feminized as a result of Western domination and colonization, and as a result, they are minorities within the gay community, which is itself marginalized within the overall American society. Han also shows that many Asian American gay men can turn their unusual position in the gay and Asian American communities into a positive identity. In their own conception of self, their Asian heritage and sexuality makes these men unique, special, and, in the case of Asian American drag queens, much more able to convey a convincing erotic femininity. Challenging stereotypes about beauty, nativity, and desirability, Geisha of a Different Kind makes a major intervention in the study of race and sexuality in America.