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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
A special issue of New German Critique The posthumous publication
of Theodor W. Adorno's works on music continues to reveal the
special relationship between music and philosophy in his thinking.
These important works have not, however, received as much scholarly
attention as they deserve. Contributors to this issue seek to
provide insight into some of the key themes raised in these works,
including the sociology of musical genre, the historical
transformation of music from the "heroic" or high-bourgeois era to
late modernity, the meaning of both performance and listening in
the era of mass communication, and the specific challenges or
deformations of the radio on musical form, a theme that implicates
many of the digital practices of our own age. There is much left to
discover in these new publications, and they pose again, with
renewed vigor, the question of Adorno's Aktualitat-his polyvalent,
untranslatable term for, among other things, the intellectual
relationship between the present and the past. Contributors Daniel
K. L. Chua, Lydia Goehr, Peter E. Gordon, Martin Jay, Brian Kane,
Max Paddison, Alexander Rehding, Fred Rush, Martin Scherzinger
In Movies with Stanley Cavell in Mind, some of the scholars who
have become essential for our understanding of Stanley Cavell's
writing on film gather to use his landmark contributions to help us
read new films-from Hollywood and elsewhere-that exist beyond his
immediate reach and reading. In extending the scope of Cavell's
film philosophy, we naturally find ourselves contending with it and
amending it, as the case may be. Through a series of interpretive
vignettes, the group effort situates, for the expert and novitiate
alike, how Cavell's writing on film can profitably enrich one's
experience of cinema generally and also inform how we might
continue the practice of serious philosophical criticism of
specific films mindful of his sensibility. The resulting
conversations between texts, traditions, disciplines, genres, and
generations creates propitious conditions for discovering what it
means to watch and listen to movies with Stanley Cavell in mind.
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