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Books > Humanities > Religion & beliefs > Christianity > Protestantism & Protestant Churches > Other Protestant & Nonconformist Churches > General
Ashlee Quosigk explores the diversity of opinions within the
largest religious group in the US - Evangelical Christians - on the
topic of Islam. Evangelicals are often characterized as
monolithically antagonistic toward Muslims. This book challenges
that stereotype, exposing the sharp divides that exist among
Evangelicals on Islam and examines why there is division. Drawing
on qualitative research on two congregations in the US, as well as
on popular Evangelical leaders, this book details the surprisingly
diverse views Evangelicals hold on Muhammad, the Qur'an, interfaith
dialogue, syncretism, and politics. This research is invaluable for
providing a better understanding of what Evangelicals think, and
why. This book also offers insight into why conflict exists and why
Evangelicals differ, while advancing culture war theory and
qualitative methods. Specifically, it explores differences in moral
authority (assumptions that guide one's perceptions of the world)
among Evangelicals and explains how these differences influence
their views on Islam. The findings are relevant to religious
relations worldwide as everyone appeals to moral authority,
irrespective of their geographic location.
They always manage to knock on your door at the worst possible
times. It's difficult to talk to Jehovah's Witnesses because they
test your Bible knowledge and spiritual endurance. But the effort
is worth it, because they need to hear the gospel from you. Reed, a
former JW elder, closely examines the Jehovah's Witnesses' favorite
Bible verses and discusses other important verses they ignore.
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Try Faith
(Hardcover)
Irene Horn-Brown
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R565
R520
Discovery Miles 5 200
Save R45 (8%)
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This book investigates a puzzling and neglected phenomenon - the
rise of English Arminianism during the decade of puritan rule.
Throughout the 1650s, numerous publications, from scholarly folios
to popular pamphlets, attacked the doctrinal commitments of
Reformed Orthodoxy. This anti-Calvinist onslaught came from
different directions: episcopalian royalists (Henry Hammond,
Herbert Thorndike, Peter Heylyn), radical puritan defenders of the
regicide (John Goodwin and John Milton), and sectarian Quakers and
General Baptists. Unprecedented rejection of Calvinist soteriology
was often coupled with increased engagement with Catholic, Lutheran
and Remonstrant alternatives. As a result, sophisticated Arminian
publications emerged on a scale that far exceeded the Laudian era.
Cromwellian England therefore witnessed an episode of religious
debate that significantly altered the doctrinal consensus of the
Church of England for the remainder of the seventeenth century. The
book will appeal to historians interested in the contested nature
of 'Anglicanism' and theologians interested in Protestant debates
regarding sovereignty and free will. Part One is a work of
religious history, which charts the rise of English Arminianism
across different ecclesial camps - episcopal, puritan and
sectarian. These chapters not only introduce the main protagonists
but also highlight a surprising range of distinctly English
Arminian formulations. Part Two is a work of historical theology,
which traces the detailed doctrinal formulations of two prominent
divines - the puritan John Goodwin and the episcopalian Henry
Hammond. Their Arminian theologies are set in the context of the
Western theological tradition and the soteriological debates, that
followed the Synod of Dort. The book therefore integrates
historical and theological enquiry to offer a new perspective on
the crisis of 'Calvinism' in post-Reformation England.
God, as depicted in popular evangelical literature, is loving and
friendly, described in heartfelt, often saccharine prose evocative
of nostalgia, comfortable domesticity, and familial love. This
emotional appeal is a widely-adopted strategy of the writers most
popular among American evangelicals, including such high-profile
pastors as Max Lucado, Rick Warren, and Joel Osteen. Todd M.
Brenneman offers an in-depth examination of this previously
unexplored aspect of American evangelical identity: sentimentality,
which aims to produce an emotional response by appealing to
readers' notions of familial relationships, superimposed on their
relationship with God. Brenneman argues that evangelicals use
sentimentality to establish authority in the public
sphere-authority that is, by its emotional nature, unassailable by
rational investigation. Evangelicals also deploy sentimentality to
try to bring about change in society, though, as Brenneman shows,
the sentimental focus on individual emotion and experience can
undermine the evangelical agenda. Sentimentality not only allows
evangelicals to sidestep intellectual questioning, but sets the
stage for doctrinal change as well as weakening the evangelical
vision of transforming society into the kingdom of God.
Exploring one of the most controversial figures in recent
evangelical theology, this book thoroughly examines core features
of Stanley J. Grenz's Trinitarian vision.
When Art Disrupts Religion opens at London's Tate Modern Museum,
with a young Evangelical man contemplating a painting by Mark
Rothko, an aesthetic experience that proves disruptive to his
religious life. Without those moments with Rothko, he says, "there
never would have been an undoing of my conservative Evangelical
worldview." The memoirs, interviews, and ethnographic field notes
gathered by Philip Francis for this book lay bare the power of the
arts to unsettle and overturn deeply ingrained religious beliefs
and practices. Francis explores the aesthetic disturbances of more
than 80 Evangelical respondants. From the paintings of Rothko to
the films of Ingmar Bergman, from The Brothers Karamozov to The
Freewheelin' Bob Dylan, Francis finds that the arts function as
sites of "defamiliarization," "comfort in uncertainty," "a stand-in
for faith" and a "surrogate transcendence." Bridging the gap
between aesthetic theory and lived religion, this book sheds light
on the complex interrelationship of religion and art in the modern
West, and the role of the arts in education and social life.
In the late nineteenth century, a small community of Native
Hawaiian Mormons established a settlement in heart of The Great
Basin, in Utah. The community was named Iosepa, after the prophet
and sixth president of the Church of Jesus Christ of Latter-day
Saints, Joseph F. Smith. The inhabitants of Iosepa struggled
against racism, the ravages of leprosy, and economic depression, by
the early years of the twentieth century emerging as a modern,
model community based on ranching, farming, and an unwavering
commitment to religious ideals. Yet barely thirty years after its
founding the town was abandoned, nearly all of its inhabitants
returning to Hawaii. Years later, Native Hawaiian students at
nearby Brigham Young University, descendants of the original
settlers, worked to clean the graves of Iosepa and erect a monument
to memorialize the settlers. Remembering Iosepa connects the story
of this unique community with the earliest Native Hawaiian migrants
to western North America and the vibrant and growing community of
Pacific Islanders in the Great Basin today. It traces the origins
and growth of the community in the tumultuous years of colonial
expansion into the Hawaiian islands, as well as its relationship to
white Mormons, the church leadership, and the Hawaiian government.
In the broadest sense, Mathew Kester seeks to explain the meeting
of Mormons and Hawaiians in the American West and to examine the
creative adaptations and misunderstandings that grew out of that
encounter.
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