"Most writers have treated these three groups and the social ferment out of which they grew as simply an American sideshow. . . . In this book, therefore, I have attempted to go beyond the conventional focus on what these groups did; I have also sought to explain why they did what they did and how successful they were in terms of their own objectives. By trying sympathetically to understand these extraordinary experiments in social and religious revitalization, I believe it is possible to come to terms with a broader set of questions that affect all men and women during times of crisis and transition."--From the preface Winner of the Best Book Award, Mormon History Association

The five-volume Oxford History of Dissenting Protestant Traditions series is governed by a motif of migration ('out-of-England'). It first traces organized church traditions that arose in England as Dissenters distanced themselves from a state church defined by diocesan episcopacy, the Book of Common Prayer, the Thirty-Nine Articles, and royal supremacy, but then follows those traditions as they spread beyond England -and also traces newer traditions that emerged downstream in other parts of the world from earlier forms of Dissent. Secondly, it does the same for the doctrines, church practices, stances toward state and society, attitudes toward Scripture, and characteristic patterns of organization that also originated in earlier English Dissent, but that have often defined a trajectory of influence independent ecclesiastical organizations. The Oxford History of Protestant Dissenting Traditions, Volume III considers the Dissenting traditions of the United Kingdom, the British Empire, and the United States in the nineteenth century. It provides an overview of the historiography on Dissent while making the case for seeing Dissenters in different Anglophone connections as interconnected and conscious of their genealogical connections. The nineteenth century saw the creation of a vast Anglo-world which also brought Anglophone Dissent to its apogee. Featuring contributions from a team of leading scholars, the volume illustrates that in most parts of the world the later nineteenth century was marked by a growing enthusiasm for the moral and educational activism of the state which plays against the idea of Dissent as a static, purely negative identity. This collection shows that Dissent was a political and constitutional identity, which was often only strong where a dominant Church of England existed to dissent against.

Born into a traditional culture in 1833, Emanuel Suter cultivated the art of pottery and expanded markets across the Shenandoah Valley of Virginia, creating a thriving company and leaving thousands of examples of utilitarian ceramic ware that have survived down to the present. Drawing on Suter's diary-rich with meticulous descriptions of his ceramic wares, along with glazing recipes and the quotidian details of nineteenth-century business-as well as myriad other primary and secondary sources, Suter's great-great-grandson Scott Hamilton Suter tells the story of how a farmer with a seasonal sideline developed into a technologically advanced entrepreneur who operated a modern industrial company. As a farmer, Emanuel Suter innovated by adopting new time-saving equipment; this progressive thinking bled over into his religious life, as he endeavored to change the traditional way of choosing ministers by lot and advocated for the formation of Sunday schools in the Mennonite Church. But Suter largely made his mark as a potter, and A Potter's Progress is enhanced by nearly two dozen color images and a close study of the techniques (including kilns and jigger wheels), products, shop organization, marketing, and labor of Suter's shops, revealing the revolutionary role they played in the world of Rockingham County, Virginia, pottery manufacture. This tightly focused case study of the trials and triumphs of one craftsman as he moved from a cottage industry to a full-scale industrial enterprise-prefiguring the market economy that would characterize the twentieth century-serves as a microcosm for examining the American spirit of progress in late nineteenth-century America.

Russell Jeung's spiritual memoir shares the difficult, often joyful, and sometimes harrowing account of his life in East Oakland's Murder Dubs neighborhood and of his Chinese-Hakka history. On a journey to discover how the poor and exiled are blessed, At Home in Exile is the story of his integration of social activism and a stubborn evangelical faith. Holding English classes in his apartment (which doubled as a food pantry for a local church) for undocumented Latino neighbors and Cambodian refugees, battling drug dealers who threatened him, exorcising a spirit possessing a teen, and winning a landmark housing settlement against slumlords with a gathering of his neighbors-Jeung's story is, by turns, moving and inspiring, traumatic and exuberant. As Jeung retraces the steps of his Chinese-Hakka family and his refugee neighbors, weaving the two narratives together, he asks difficult questions about longing and belonging, wealth and poverty, and how living in exile can transform your faith: "Not only did relocation into the inner city press me toward God, but it made God's words more distinct and clear to me...As I read Scriptures through the eyes of those around me-refugees and aliens-God spoke loudly to me his words of hope and truth." With humor, humility, and keen insight, he describes the suffering and the sturdiness of those around him and of his family. He relates the stories of forced relocation and institutional discrimination, of violence and resistance, and of the persistence of Christ's love for the poor.

In The Future of Evangelicalism in America, thematic chapters on culture, spirituality, theology, politics, and ethnicity reveal the sources of the movement's dynamism, as well as significant challenges confronting the rising generations. A collaboration among scholars of history, religious studies, theology, political science, and ethnic studies, the volume offers unique insight into a vibrant and sometimes controversial movement, the future of which is closely tied to the future of America.

Raised in a broken family and emotionally overlooked, Sherry Gore grew up without a solid foundation, a prisoner of her own poor choices, and at times without hope. A series of terrible mistakes left her feeling wrecked and alone and a sudden tragedy threw Sherry into an emotional tailspin too powerful to escape. Sherry hangs by a thread, unable to see how she can go on living, until it happens: on a morning of no particular significance, she walks into a church and BAM the truth of Jesus' forgiving love shatters her world and cleaves her life in two: She goes to bed stunned; she wakes up a Christian. Unwilling to return to the darkness of her former life, Sherry attacks her faith head on. Soon the life Sherry Gore remakes for herself and her children as she seeks to follow the teachings of the Bible features head coverings, simple dress, and a focus on Jesus Christ. Only then does she realize, in a fit of excitement, that there are others like her. They are called Amish and Mennonite, and she realizes she has found her people. The plain choice that Sherry makes is not easy - and life still brings unexpected pain and heartache - but it changes everything for her, as she becomes one of the few people on earth to have successfully joined the Amish from the outside. She has found her place. And her story proves that one can return from the darkest depths to the purest light with the power of God.

Sara Moslener sheds light on the contemporary purity movement by examining how earlier movements established the rhetorical and moral frameworks utilized by two of today's leading purity organizations, True Loves Waits and Silver Ring Thing. Her investigation reveals that purity work over the last two centuries has developed in concert with widespread fears of changing traditional gender roles and sexual norms, national decline, and global apocalypse. In Virgin Nation Moslener highlights various points in U.S. history when evangelical beliefs and values have seemed to provide viable explanations for and solutions to widespread cultural crises, resulting in the growth of their cultural and political influence. By asserting a causal relationship between sexual immorality, national decline, and apocalyptic anticipation, leaders have shaped a purity rhetoric that positions Protestant evangelicalism as the salvation of American civilization. Nineteenth-century purity reformers, Moslener shows, utilized a nationalist discourse that drew upon racialized and sexualized fears of national decline and pointed to sexual immorality as the cause of Anglo-Saxon decline, and national decay. In the early to mid-twentieth century, fundamentalist leaders such as Billy Graham and Carl F.H. Henry sought to establish an intellectually sound millennialist theology that linked sexual immorality, national vulnerability, and the expectation of imminent nuclear apocalypse. Then with the resurgence of Christian fundamentalism in the 1970s, formerly apolitical social conservatives found themselves swayed by the nationalist and prophetic ideologies of the Moral Majority, which also linked sexual immorality to national decline and pending apocalypse. However, millennialist theologies, relevant at the height of the cold war, had mostly disappeared from political discourse by the 1970s when the Red Scare began to fade from popular consciousness. For contemporary purity advocates, says Moslener, the main obstacle to moral and national restoration is sexual immorality, a cultural blight traceable to the excesses of the sexual revolution of the 1960s. Today the movement positions the adolescents who embody sexual purity as an embattled sexual minority poised to save America from the repercussions of its own moral turpitude, with or without government assistance.

Bird-Bent Grass chronicles an extraordinary mother-daughter relationship that spans distance, time, and, eventually, debilitating illness. Personal, familial, and political narratives unfold through the letters that Geeske Venema-de Jong and her daughter Kathleen exchanged during the late 1980s and through their weekly conversations, which started after Geeske was diagnosed with Alzheimer's disease twenty years later. In 1986, Kathleen accepted a three-year teaching assignment in Uganda, after a devastating civil war, and Geeske promised to be her daughter's most faithful correspondent. The two women exchanged more than two hundred letters that reflected their lively interest in literature, theology, and politics, and explored ideas about identity, belonging, and home in the context of cross-cultural challenges. Two decades later, with Geeske increasingly beset by Alzheimer's disease, Kathleen returned to the letters, where she rediscovered the evocative image of a tiny, bright meadow bird perched precariously on a blade of elephant grass. That image - of simultaneous tension, fragility, power, and resilience - sustained her over the years that she used the letters as memory prompts in a larger strategy to keep her intellectually gifted mother alive. Deftly woven of excerpts from their correspondence, conversations, journal entries, and email updates, Bird-Bent Grass is a complex and moving exploration of memory, illness, and immigration; friendship, conflict, resilience, and forgiveness; cross-cultural communication, the ethics of international development, and letter-writing as a technology of intimacy. Throughout, it reflects on the imperative and fleeting business of being alive and loving others while they're ours to hold.

In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.

This fascinating book brings more than one hundred previously unpublished Shaker songs to the attention of scholars, performers, and aficionados of folk music. A Shaker Musical Legacy introduces Shaker songs and dances that Brother Ricardo Belden, the last male member of the Hancock Shakers, gave in original manuscript form to Jerry and Sybil Count, the first directors of the Shaker Village Camp. The Opdahls have selected from and transcribed this music and included dance directions to honor Brother Ricardo's hope that doing so would keep alive a part of the Shaker heritage.
The songs are transcribed as modern musical scores for use by contemporary musicians and singers. Many examples are also shown in their original Shaker musical notation. Step-by-step instructions show how to perform the dances as the Shakers themselves danced them. Explanatory notes introduce each of nine musical sections.