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A landmark account of the fall of the Weimar Republic and the rise of Hitler, based on award-winning research, and recently discovered archival material.
In the 1930s, Germany was at a turning point, with many looking to the Nazi phenomenon as part of widespread resentment towards cosmopolitan liberal democracy and capitalism. This was a global situation that pushed Germany to embrace authoritarianism, nationalism and economic self-sufficiency, kick-starting a revolution founded on new media technologies, and the formidable political and self-promotional skills of its leader.
Based on award-winning research and recently discovered archival material, The Death Of Democracy is a panoramic new survey of one of the most important periods in modern history, and a book with a resounding message for the world today.
How an unknown German and an Englishman on opposite sides of WWI created a scientific revolution In 1916, Arthur Eddington, a war-weary British astronomer, opened a letter written by an obscure German professor named Einstein. The neatly printed equations on the scrap of paper outlined his world-changing theory of general relativity. Until then, Einstein's masterpiece of time and space had been trapped behind the physical and ideological lines of battle, unknown. Many Britons were rejecting anything German, but Eddington realized the importance of the letter: perhaps Einstein's esoteric theory could not only change the foundations of science but also lead to international co-operation in a time of brutal war. Few recognize how the Great War, the industrialized slaughter that bled Europe from 1914 to 1918, shaped Einstein's life and work. While Einstein never held a rifle, he formulated general relativity blockaded in Berlin, literally starving. His name is now synonymous with 'genius', but it was not an easy road. This was, after all, the first complete revision of our conception of the universe since Isaac Newton. Its victory was far from sure. Einstein spent a decade creating relativity and his ascent to global celebrity, which saw him on front pages around the world, also owed much to against-the-odds international collaboration, including Eddington's crucial, globe-spanning expedition of 1919 - which was still two years before they finally met - to catch a fleeting solar eclipse for a rare opportunity to confirm Einstein's bold prediction that light has weight. We usually think of scientific discovery as a flash of individual inspiration, but here we see it is the result of hard work, gambles and wrong turns. Einstein's War is a celebration of how bigotry and nationalism can be defeated and of what science can offer when they are. Using previously unknown sources and written like a thriller, it sheds light on science through history: we see relativity built brick-by-brick in front of us, as it happened 100 years ago.
The Europeans is richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their passionate, ambitious lives were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous and genuinely pan-European culture that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, shuttling back and forth across the whole continent from the British Isles to Imperial Russia, as they exploited a new cosmopolitan age. The Europeans is Orlando Figes' masterpiece. Surprising, beautifully written, it describes huge changes through intimate details, little-known stories and through the lens of Turgenev and the Viardots' touching, strange love triangle. Events which we now see as central to European high culture are made completely fresh, allowing the reader to revel in the sheer precariousness with which the great salons, premiers and bestsellers came into existence.
A revelatory new biography of Adolf Hitler from the acclaimed historian Brendan Simms Adolf Hitler is one of the most studied men in history, and yet the most important things we think we know about him are wrong. As Brendan Simms's major new biography shows, Hitler's main preoccupation was not, as widely believed, the threat of Bolshevism, but that of international capitalism and Anglo-America. These two fears drove both his anti-semitism and his determination to secure the 'living space' necessary to survive in a world dominated by the British Empire and the United States. Drawing on new sources, Brendan Simms traces the way in which Hitler's ideology emerged after the First World War. The United States and the British Empire were, in his view, models for Germany's own empire, similarly founded on appropriation of land, racism and violence. Hitler's aim was to create a similarly global future for Germany - a country seemingly doomed otherwise not just to irrelevance, but, through emigration and foreign influence, to extinction. His principal concern during the resulting cataclysm was not just what he saw as the clash between German and Jews, or German and Slav, but above all that between Germans and what he called the 'Anglo-Saxons'. In the end only dominance of the world would have been enough to achieve Hitler's objectives, and it ultimately required a coalition of virtually the entire world to defeat him. Brendan Simms's new book is the first to explain Hitler's beliefs fully, demonstrating how, as ever, it is ideas that are the ultimate source of the most murderous behaviour.
Tyrant, psychopath, and implementer of a ruthless programme of racial extermination, Adolf Hitler was also the charismatic Fuhrer of millions of dedicated followers. In this major new biography, internationally acclaimed German historian Peter Longerich brings Hitler back to centre-stage in the history of Nazism, revealing a far more active and interventionist dictator than we are familiar with from recent accounts, with a flexibility of approach that often surprises. Whether it was foreign policy, war-making, terror, mass murder, cultural and religious affairs, or even mundane everyday matters, Longerich reveals how decisive a force Hitler was in the formulation of policy, sometimes right down to the smallest details, in a way which until now has not been fully appreciated. Consistently and ruthlessly destroying both the people and the power structures that stood in his way, Longerich shows how over time Hitler succeeded in forging his 'Fuhrer dictatorship' - with terrifying and almost limitless power over the German people.
Follow the conflict of the Second World War from 1939 to 1945 in this unique volume, published in association with Imperial War Museums, London, featuring historical maps and photographs from their archives, and fascinating commentary from an expert historian. Over 150 maps tell the story of how this global war was fought. Types of maps featured: * Strategic maps showing theatres of war, frontiers and occupied territories * Maps covering key battles and offensives on major fronts * Planning and operations maps showing defences in detail * Propaganda and educational maps for the armed forces and general public * Maps showing dispositions of Allied and enemy forces * Bomber and V-weapon target maps Descriptions of key historical events accompany the maps, giving an illustrated history of the war from an expert historian. Key topics covered include * 1939: Invasion of Poland * 1940: German invasion of Low Countries & France * 1940: Battle of Britain & German invasion threat * Dec 1941: Pearl Harbor * 1942: Turning points: Midway, Alamein, Stalingrad * 1941-45: Barbarossa and the Eastern Front * The War at Sea * The advances to Jerusalem, Damascus and Baghdad * The War in the Air * 1944: Neptune & Overlord; D-Day & liberation of France
Days after the assassination of his prime minister in the middle of Rome in November 1848, Pope Pius IX found himself a virtual prisoner in his own palace. The wave of revolution that had swept through Europe now seemed poised to put an end to the popes' thousand-year reign over the Papal States, if not indeed to the papacy itself. Disguising himself as a simple parish priest, Pius escaped through a back door. Climbing inside the Bavarian ambassador's carriage, he embarked on a journey into a fateful exile. Only two years earlier Pius's election had triggered a wave of optimism across Italy. After the repressive reign of the dour Pope Gregory XVI, Italians saw the youthful, benevolent new pope as the man who would at last bring the Papal States into modern times and help create a new, unified Italian nation. But Pius found himself caught between a desire to please his subjects and a fear-stoked by the cardinals-that heeding the people's pleas would destroy the church. The resulting drama-with a colorful cast of characters, from Louis Napoleon and his rabble-rousing cousin Charles Bonaparte to Garibaldi, Tocqueville, and Metternich-was rife with treachery, tragedy, and international power politics. David Kertzer is one of the world's foremost experts on the history of Italy and the Vatican, and has a rare ability to bring history vividly to life. With a combination of gripping, cinematic storytelling, and keen historical analysis rooted in an unprecedented richness of archival sources, The Pope Who Would Be King sheds fascinating new light on the end of rule by divine right in the west and the emergence of modern Europe.
After the overwhelming horrors of the first half of the 20th century, described by Ian Kershaw in his previous book as having gone 'to Hell and back', the years from 1950 to 2017 brought peace and relative prosperity to most of Europe. Enormous economic improvements transformed the continent. The catastrophic era of the world wars receded into an ever more distant past, though its long shadow continued to shape mentalities. Europe was now a divided continent, living under the nuclear threat in a period intermittently fraught with anxiety. Europeans experienced a 'roller-coaster ride', both in the sense that they were flung through a series of events which threatened disaster, but also in that they were no longer in charge of their own destinies: for much of the period the USA and USSR effectively reduced Europeans to helpless figures whose fates were dictated to them depending on the vagaries of the Cold War. There were, by most definitions, striking successes - the Soviet bloc melted away, dictatorships vanished and Germany was successfully reunited. But accelerating globalization brought new fragilities. The impact of interlocking crises after 2008 was the clearest warning to Europeans that there was no guarantee of peace and stability. In this remarkable book, Ian Kershaw has created a grand panorama of the world we live in and where it came from. Drawing on examples from all across Europe, Roller-Coaster will make us all rethink Europe and what it means to be European.
Drawing for the first time on Polish, German and Soviet sources, First to Fight is the definitive history of the German invasion of Poland, which opened the war in September 1939. Roger Moorhouse provides a dramatic narrative of military events, brought to life by a select cast of generals and politicians, soldiers and civilians from all sides. In the process, First to Fight explodes many of the myths that still surround the campaign and challenge our understanding of how Britain and France entered the war. Did Britain and France assist their Polish ally to the best of their abilities when the German armies crossed the border on 1 September 1939? While they went to war with Germany, why did they not declare war on the Soviet Union when its troops invaded Poland from the east later in the month? And if the violation of Poland had been the reason to go to war in 1939, how could the Western Allies justify handing the country over on a plate to Stalin in 1945? Published to tie in with the eightieth anniversary of the outbreak of the Second World War, First to Fight explodes many of the myths around what is a shameful chapter in both British and French history, and forensically examines a pivotal moment in the war's history.
'A truly wonderful writer.' Peter James The stunning new novel from bestselling Elizabeth Buchan. The Museum of Broken Promises is a beautiful, evocative love story and heart-breaking journey in to a long-buried past. Paris, today. The Museum of Broken Promises is a place of wonder and sadness, hope and loss. Every object in the museum has been donated - a cake tin, a wedding veil, a baby's shoe. And each represent a moment of grief or terrible betrayal. The museum is a place where people come to speak to the ghosts of the past and, sometimes, to lay them to rest. Laure, the owner and curator, has also hidden artefacts from her own painful youth amongst the objects on display. Prague, 1985. Recovering from the sudden death of her father, Laure flees to Prague. But life behind the Iron Curtain is a complex thing: drab and grey yet charged with danger. Laure cannot begin to comprehend the dark, political currents that run beneath the surface of this communist city. Until, that is, she meets a young dissident musician. Her love for him will have terrible and unforeseen consequences. It is only years later, having created the museum, that Laure can make finally face up to her past and celebrate the passionate love which has directed her life.
The story of poison is the story of power... For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns and antidotes tested on condemned prisoners. Servants licked the royal family's spoons, tried on their underpants and tested their chamber pots. Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications and filthy living conditions. Women wore makeup made with lead. Men rubbed feces on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings and potions of human fat and skull, fresh from the executioner. Gazing at gorgeous portraits of centuries past, we don't see what lies beneath the royal robes and the stench of unwashed bodies; the lice feasting on private parts; and worms nesting in the intestines. The Royal Art of Poison is a hugely entertaining work of popular history that traces the use of poison as a political - and cosmetic - tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today.
The Second World War almost destroyed Stalin's Soviet Union. But victory over Nazi Germany provided the dictator with his great opportunity: to expand Soviet power way beyond the borders of the Soviet state. Well before the shooting stopped in 1945, the Soviet leader methodically set about the unprecedented task of creating a Red Empire that would soon stretch into the heart of Europe and Asia, displaying a supreme realism and ruthlessness that Machiavelli would surely have envied. By the time of his death in 1953, his new imperium was firmly in place, defining the contours of a Cold War world that was seemingly permanent and indestructible - and would last until the collapse of the Berlin Wall in 1989. But what were Stalin's motives in this spectacular power grab? Was he no more than a latter-day Russian tsar, for whom Communist ideology was little more than a smoke-screen? Or was he simply a psychopathic killer? In Stalin's Curse, best-selling historian Robert Gellately firmly rejects both these simplifications of the man and his motives. Using a wealth of previously unavailable documentation, Gellately shows instead how Stalin's crimes are more accurately understood as the deeds of a ruthless and life-long Leninist revolutionary. Far from being a latter day 'Red Tsar' intent simply upon imperial expansion for its own sake, Stalin was in fact deeply inspired by the rhetoric of the Russian revolution and what Lenin had accomplished during the Great War. As Gellately convincingly shows, Stalin remained throughout these years steadfastly committed to a 'boundless faith' in Communism - and saw the Second World War as his chance to take up once again the old revolutionary mission to carry the Red Flag to the world.
The German bestseller - a powerful and deeply affecting graphic memoir that explores identity, guilt and the meaning of home *WINNER of the The National Book Critics Circle Award for Autobiography* One of the Guardian's '50 Biggest Books of Autumn 2018' The New York Times Critics' Top Books of 2018 Nora Krug grew up as a second-generation German after the end of the Second World War, struggling with a profound ambivalence towards her country's recent past. Travelling as a teenager, her accent alone evoked raw emotions in the people she met, an anger she understood, and shared. Seventeen years after leaving Germany for the US, Nora Krug decided she couldn't know who she was without confronting where she'd come from. In Heimat, she documents her journey investigating the lives of her family members under the Nazi regime, visually charting her way back to a country still tainted by war. Beautifully illustrated and lyrically told, Heimat is a powerful meditation on the search for cultural identity, and the meaning of history and home.
Stunning stories about what it was like to be a Soviet child during the upheaval and horror of the Second World War, from Nobel Laureate Svetlana Alexievich I finished first grade in May of 41, and my parents took me for the summer to the Pioneer camp. I came there, went for a swim once, and two days later the war began. German planes flew over, and we shouted "Hurray!" We didn't understand that they could be enemy planes. Until they began to bomb us... Then all colours disappeared. All shades. What did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation. With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in the official narratives, uncovering a powerful, hidden history of one of the most important events of the twentieth century. Published to great acclaim in the USSR in 1985 and now available in English for the first time, this masterpiece offers a kaleidoscopic portrait of the human consequences of the war - and an extraordinary chronicle of the Russian soul.
The leader of the only successful slave revolt in history, Toussaint Louverture is seen by many to be one of the greatest anti-imperialist fighters who ever lived. Born into slavery on a Caribbean plantation, he was able to break from his bondage to lead an army of freed African slaves to victory against the professional armies of France, Spain and Britain in the Haitian Revolution of 1791-1804. In this biography, Louverture's fascinating life is explored through the prism of his radical politics. It champions this `black Robespierre' whose revolutionary legacy had inspired people and movements in the two centuries since his death. For anyone interested in the roots of modern-day resistance movements and black political radicalism, Louverture's extraordinary life provides the perfect starting point.
Far from worrying about the onset of war, in the spring of 1938 the burning question on the French Riviera was whether one should curtsey to the Duchess of Windsor. Few of those who had settled there thought much about what was going on in the rest of Europe. It was a golden, glamorous life, far removed from politics or conflict. Featuring a sparkling cast of artists, writers and historical figures including Winston Churchill, Daisy Fellowes, Salvador Dali, the Duke and Duchess of Windsor, Eileen Gray and Edith Wharton, with the enigmatic Coco Chanel at its heart, CHANEL'S RIVIERA is a captivating account of a period that saw some of the deepest extremes of luxury and terror in the whole of the twentieth century. From Chanel's first summer at her Roquebrune villa La Pausa (in the later years with her German lover) amid the glamour of the pre-war parties and casinos in Antibes, Nice and Cannes to the horrors of evacuation and the displacement of thousands of families during the Second World War, CHANEL'S RIVIERA explores the fascinating world of the Cote d'Azur elite in the 1930s and 1940s. Enriched with much original research, it is social history that brings the experiences of both rich and poor, protected and persecuted, to vivid life.
Migrants have stood at the heart of modern Europe's experience, whether trying to escape danger, to find a better life or as a result of deliberate policy, whether moving from the countryside to the city, or between countries, or from outside the continent altogether. Peter Gatrell's powerful new book is the first to bring these stories together into one place. He creates a compelling narrative bracketed by two nightmarish periods: the great convulsions following the fall of the Third Reich and the mass attempts in the 2010s by migrants to cross the Mediterranean into Europe. The Unsettling of Europe is a new history of the continent, charting the ever-changing arguments about the desirability or otherwise of migrants and their central role in Europe's post-1945 prosperity. Gatrell is as fascinating on the giant movements of millions (such as the epic waves of German migration) to that of much smaller groups, such as the Karelians, Armenians, Moluccans or Ugandan Asians. Above all he has written a book that makes the reader deeply aware of the many extraordinary journeys taken by countless individuals in pursuit of work, safety and dignity, all the time. This is a landmark book on a subject that, decade by decade, will always haunt Europe.
Part of the new Ladybird Expert series, The Battle of Trafalgar is an accessible and authoritative introduction to the battle that marked the defeat of Napoleon's plans to invade Britain. Written by the leading lights and most outstanding communicators in their fields, the Ladybird Expert books provide clear, accessible and authoritative introductions to subjects drawn from science, history and culture. For an adult readership, the Ladybird Expert series is produced in the same iconic small hardback format pioneered by the original Ladybirds. Each beautifully illustrated book features the first new illustrations produced in the original Ladybird style for nearly forty years.
From bestselling and prize-winning author Paddy Ashdown, a revelatory new history of German opposition to Hitler. `Ashdown has a great gift for narrative history. He unearths little known stories and places them in context with great dexterity. His new book throws fresh and important light on a crucial topic.' JONATHAN DIMBLEBY In his last days, Adolf Hitler raged in his bunker that he had been betrayed by his own people, defeated from the inside. In part, he was right. By 1945, his armies were being crushed on all fronts, his regime collapsing with many fleeing retribution for their crimes. Yet, even before the war started, there were Germans very high in Hitler's command committed to bringing about his death and defeat. Paddy Ashdown tells, for the first time, the story of those at the very top of Hitler's Germany who tried first to prevent the Second World War and then to deny Hitler victory. Based on newly released files, the repeated attempts of the plotters to warn the Allies about Hitler's plans are revealed. What is revealed is that the anti-Hitler bomb plots, which have received so much attention are, in fact only a small part of a much wider story; one in which those at the highest levels of the German state used every means possible - conspiracy, assassination, espionage - to ensure that, for the sake of the long-term reputation of their country and the survival of liberal and democratic values, Hitler could not be allowed to win the war. It is a matter of record that the European Union we have today and the nature and central position of Germany within it, is, in very large measure, the future envisaged by the plotters and for which they gave their lives.
Spain has never worked as a democracy. Throughout the country's history only one system of government has ever enjoyed any real success: dictatorship and the use of violence. Violence, in fact, is what Spain is made of, lying at the heart of its culture and identity, far more so than any other western European nation. For well over a thousand years, the country has only ever been forged and then been held together through the use of aggression - brutal, merciless terror and warfare directed against its own people. Without it the country breaks apart and Spain ceases to exist - a fact that recent events in Barcelona confirm. Authoritarianism is the Spanish default setting. Yet Spain has produced many of the most important artists and thinkers in the Western world, from Cervantes, author of the first modern novel, to Goya, the first modern painter. Much of Western artistic expression, in fact, from the Picaresque to Cubism, would be unthinkable without the Spanish contribution. This unique national genius, however, does not exist despite Spain's violent backdrop; it is, in fact, born out of it. Indeed Spain's genius and violent nature go hand in hand, locked together in a macabre, elaborate dance. This is the country's tragedy. Violencia unveils this truth for the first time, exposing the bloody heart of Spain - from its origins in the ancient past to the Civil War and the current crisis in Catalonia. Violencia will be in the tradition of those books which come to define our understanding of a country.
It is easy to see bicycles as commonplace machines, but at the end of the nineteenth-century there was no other piece of technology which attracted the same level of excitement, discussion or controversy. Significant societal shifts followed the invention of the modern bicycle and with cycling's ever-increasing popularity there has never been a better time to tell this story. Revolution delves into the social history of cycling in 1890s Britain while exploring international parallels that existed in countries such as the US, France and Australia. Drawing on a range of sources from cycling club journals to the writings of H.G. Wells, the book illuminates the major impact the bicycle had on the day-to-day lives of people across the social spectrum with millions experiencing a cheap and personalised means of transport for the first time. Particularly for women it was known as the great emancipator from crib, kitchen and convention. Affordable to the working class, cycling dramatically increased the number of potential marriage partners, bridging the gaps between villages, to the extent that leading biologist Steve Jones has ranked the invention of the bicycle as the most important event in recent human evolution. From cycling as a source of fashion and socialising in sporting clubs, to travel around the British countryside, to its importance for widening the gene pool and its role in the women's liberation movement Revolution presents the bicycle as a marvel of modern technology that transformed Britain and the world over.
Patrick Bishop looks at the lives and the extraordinary risks that the painfully young pilots of Bomber Command took during the air-offensive against Germany from 1940-1945. As featured on the BBC 1 documentary BOMBER BOYS, presented by Ewan McGregor. They came from every corner of Britain and its Empire. They were the best of their generation...heading for one of the worst tasks of WWII. Like RAF pilots, the thousands of brave young men who joined Bomber Command took to the air to help Britain triumph in World War Two. But in the glow of victory, the fighter pilots were lauded for their efforts while the Bomber Boys faded in national memory. Crucial in the heat of combat, they were politically awkward afterwards. Yet with an average life expectancy shorter than that of soldiers on the Western front in WWI, these men faced death, injury and capture time and again to send bombs through the shrieking flak onto enemy territory. `Bomber Boys' is a tribute to their strength, courage and heroism - filling in the historical blanks and immortalising their memory.
WINNER OF THE 2013 SAMUEL JOHNSON PRIZE FOR NON-FICTION WINNER OF THE 2013 DUFF COOPER PRIZE WINNER OF THE POLITICAL BOOK AWARDS POLITICAL BIOGRAPHY OF THE YEAR 2014 WINNER OF THE 2013 COSTA BOOK AWARDS BIOGRAPHY OF THE YEAR The story of Gabriele D'Annunzio, poet, daredevil - and Fascist. In September 1919 Gabriele D'Annunzio, successful poet and occasional politician, declared himself Commandante of the city of Fiume in modern day Croatia. His intention - to establish a utopia based on his fascist and artistic ideals. It was the dramatic pinnacle to an outrageous career. Lucy Hughes-Hallett charts the controversial life of D'Annunzio, the debauched artist who became a national hero. His evolution from idealist Romantic to radical right-wing revolutionary is a political parable. Through his ideological journey, culminating in the failure of the Fiume endeavour, we witness the political turbulence of early 20th century Europe and the emergence of fascism. In `The Pike', Hughes-Hallett addresses the cult of nationalism and the origins of political extremism - and at the centre of the book stands the charismatic D'Annunzio: a figure as deplorable as he is fascinating.
In this account of the origins of World War II, Taylor provides a narrative of the years and events preceding Hitler's invasion of Poland on 1st of September 1939.
"We Greeks are one in blood and one in language; we have temples to the gods and religious rites in common, and a common way of life." Herodotus Throughout the course of ancient Greek civilization, there always existed a sense of shared culture among the many Greek communities scattered throughout the Mediterranean. During the Classical (479-338) and Hellenistic (338-30) periods, the countless individual poleis of the Archaic period gradually came together in leagues and alliances, and finally were more or less united when they fell under the Roman empire. But what is fascinating about this process is how much resistance there was to it. The Greeks found it impossible to unify when faced with common enemies. Even under Roman rule the Greek cities still bickered. Acts of union - going back to the legendary Trojan War - were widely celebrated, but made little practical difference. If the Greeks knew that they were kin, why is Greek history so often the history of their internecine wars and other forms of competition with one another? This is the question acclaimed historian Robin Waterfield sets out to explore in Creators, Conquerors, and Citizens. This extraordinary contradiction - the recognition that they were all Greeks, but the deep-seated reluctance to unify - is at the heart of this ambitious new history. The culmination of a lifetime of research, Waterfield gives a comprehensive account of seven hundred years, from the emergence of the Greeks around 750 BCE to the downfall of the last of the Greco-Macedonian kingdoms in 30 BCE, looking at political, military, social, and cultural history.
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