Ethology, or how animals relate to their environments, is currently enjoying increased academic attention. A prominent figure in this scholarship is Gilles Deleuze and yet, the significance of his relational metaphysics to ethology has still not been scrutinised. Jason Cullen's book is the first text to analyse Deleuze's philosophical ethology and he prioritises the theorist's examination of how beings relate to each other. For Cullen, Deleuze's Cinema books are integral to this investigation and he highlights how they expose a key Deleuzian theme: that beings are fundamentally continuous with each other. In light of this continuity then, Cullen reveals that how beings understand each other shapes them and allows them to transform their shared worlds.

What does it mean to see time in the visual arts and how does art reveal the nature of time? Paul Atkinson investigates these questions through the work of the French philosopher Henri Bergson, whose theory of time as duration made him one of the most prominent thinkers of the fin de siecle. Although Bergson never enunciated an aesthetic theory and did not explicitly write on the visual arts, his philosophy gestures towards a play of sensual differences that is central to aesthetics. This book rethinks Bergson's philosophy in terms of aesthetics and provides a fascinating and original account of how Bergsonian ideas aid in understanding time and dynamism in the visual arts. From an examination of Bergson's influence on the visual arts to a reconsideration of the relationship between aesthetics and metaphysics, Henri Bergson and Visual Culture explores what it means to reconceptualise the visual arts in terms of duration. Atkinson revisits four key themes in Bergson's work - duration; time and the continuous gesture; the ramification of life and durational difference - and reveals Bergsonian aesthetics of duration through the application of these themes to a number of 19th and 20th-century artworks. This book introduces readers and art lovers to the work of Bergson and contributes to Bergsonian scholarship, as well as presenting a new of understanding the relationship between art and time.

George Berkeley's investigation of human epistemology remains one of the most respected of its time - this edition contains the treatise in full, complete with the author's preface. One of Berkeley's most important beliefs was that of immaterialism. The meaning being that nothing material exists unless it is perceived by something or someone. Distinct from solipsism - the belief that only the self exists - Berkeley's view is that material items are ideas formed by distinct conscious minds; the concept of reality being simply the summation of shared ideas rather than physical objects fascinated philosophers of the era. Much of Berkeley's philosophy is framed by then-new discoveries in the field of physics. The concepts of color and light thus have a frequent bearing on the overall thesis; disagreeing with Isaac Newton on the subject of space, it was later that Berkeley's contrarian opinions on matters such as calculus and free-thinking gained him further renown.

A critique of theory through literature that celebrates the diversity of black being, The Desiring Modes of Being Black explores how literature unearths theoretical blind spots while reasserting the legitimacy of emotional turbulence in the controlled realm of reason that rationality claims to establish. This approach operates a critical shift by examining psychoanalytical texts from the literary perspective of black desiring subjectivities and experiences. This combination of psychoanalysis and the politics of literary interpretation of black texts helps determine how contemporary African American and black literature and queer texts come to defy and challenge the racial and sexual postulates of psychoanalysis or indeed any theoretical system that intends to define race, gender and sexualities. The Desiring Modes of Being Black includes essays on James Baldwin, Sigmund Freud, Melvin Dixon, Essex Hemphill, Assotto Saint, and Rozena Maart. The metacritical reading they unfold interweaves African American Culture, Fanonian and Caribbean Thought, South African Black Consciousness, French Theory, Psychoanalysis, and Gender and Queer Studies.

This is a unique collection presenting work by Alain Badiou and commentaries on his philosophical theories. It includes three lectures by Badiou, on contemporary politics, the infinite, cinema and theatre and two extensive interviews with Badiou - one concerning the state of the contemporary situation and one wide ranging interview on all facets of his work and engagements. It also includes six interventions on aspects of Badiou's work by established scholars in the field, addressing his concept of history, Lacan, Cinema, poetry, and feminism; and four original essays by young and established scholars in Australia and New Zealand addressing the key concerns of Badiou's 2015 visit to the Antipodal region and the work he presented there. With new material by Badiou previously unpublished in English this volume is a valuable overview of his recent thinking. Critical responses by distinguished and gifted Badiou scholars writing outside of the European context make this text essential reading for anyone interested in the development and contemporary reception of Badiou's thought.

The question of humanness requires a philosophical anthropology and we need a revision of what philosophical anthropology means in light of contemporary efforts in speculative realism and object-oriented ontology. This is the main claim of the book which expands into the smaller supporting claims that 1) contemporary work in speculative realism indicates that Heidegger's analytic of Dasein needs to be rethought in consideration of certain Kantian values 2) recent philosophical anthropology offers an incomplete look at the central concern of philosophical anthropology, namely, the question of humanness 3) current ontological models do not account adequately for humanness, because they do not begin with humanness. From these considerations, a new ontological model better suited to account for humanness is proposed, spectral ontology. Under spectral ontology, Being is treated as a spectrum consisting of beings, nonbeings, and hyperbeings. Nonbeings, or nonrelational entities, and hyper-beings, are spectral insofar as they are like a specter which haunts the being that manifests in the world. Thus, spectral in this sense refers to both the nonrelational status of nonbeings and to an ontology which reflects such a spectrum of Being.