A seminal figure in late antique Christianity and Christian orthodoxy, Saint Gregory of Nazianzus published a collection of more than 240 letters. Whereas these letters have often been cast aside as readers turn to his theological orations or autobiographical poetry for insight into his life, thought, and times, Self-Portrait in Three Colors focuses squarely on them, building a provocative case that the finalized collection constitutes not an epistolary archive but an autobiography in epistolary form-a single text composed to secure his status among provincial contemporaries and later generations. Shedding light on late-ancient letter writing, fourth-century Christian intelligentsia, Christianity and classical culture, and the Christianization of Roman society, these letters offer a fascinating and unique view of Gregory's life, engagement with literary culture, and leadership in the church. As a single unit, this autobiographical epistolary collection proved a powerful tool in Gregory's attempts to govern the contours of his authorial image as well as his provincial and ecclesiastical legacy.

This book examines community identity in the post-exilic temple community in Ezra-Nehemiah, and explores the possible influences that the Achaemenids, the ruling Persian dynasty, might have had on its construction. In the book, David Janzen reads Ezra-Nehemiah in dialogue with the Achaemenids' Old Persian inscriptions, as well as with other media the dynasty used, such as reliefs, seals, coins, architecture, and imperial parks. In addition, he discusses the cultural and religious background of Achaemenid thought, especially its intersections with Zoroastrian beliefs. Ezra-Nehemiah, Janzen argues, accepts Achaemenid claims for the necessity and beneficence of their hegemony. The result is that Ezra-Nehemiah, like the imperial ideology it mimics, claims that divine and royal wills are entirely aligned. Ezra-Nehemiah reflects the Achaemenid assertion that the peoples they have colonized are incapable of living in peace and happiness without the Persian rule that God established to benefit humanity, and that the dynasty rewards the peoples who do what they desire, since that reflects divine desire. The final chapter of the book argues that Ezra-Nehemiah was produced by an elite group within the Persian-period temple assembly, and shows that Ezra-Nehemiah's pro-Achaemenid worldview was not widely accepted within that community.

Theme park studies is a growing field in social and cultural studies. Nonetheless, until now little attention has been dedicated to the choice of the themes represented in the parks and the strategies of their representation. This is particularly interesting when the theme is a historical one, for example ancient Greece. Which elements of classical Greece find their way into a theme park and how are they chosen and represented? What is the "entertainment" element in ancient Greek history, culture and myth, which allows its presence in commercial structures aiming to people's fun? How does the representation of Greece change against different cultural backgrounds, e.g. in different European countries, in the USA, in China? This book frames a discussion of these representations within the current debates about immersive spaces, uses of history and postmodern aesthetics, and analyses how ancient Greece has been represented and made "enjoyable" in seven different theme parks across the world, providing an original and ground-breaking contribution to theme park studies and classical reception.

Daniel McCool not only chronicles the history of water development agencies in America and the way in which special interests have abused rather than preserved the country's rivers, he also narrates the second, brighter act in this ongoing story: the surging, grassroots movement to bring these rivers back to life and ensure they remain pristine for future generations.

The culmination of ten years of research and observation, McCool's book confirms the surprising news that America's rivers are indeed returning to a healthier, free-flowing condition. The politics of river restoration demonstrates how strong grassroots movements can challenge entrenched powers and win. Through passion and dedication, ordinary people are reclaiming the American landscape, forming a "river republic" of concerned citizens from all backgrounds and sectors of society. As McCool shows, the history, culture, and fate of America is tied to its rivers, and their restoration is a microcosm mirroring American beliefs, livelihoods, and an increasing awareness of what two hundred years of environmental degradation can do.

McCool profiles the individuals he calls "instigators," who initiated the fight for these waterways and, despite enormous odds, have succeeded in the near-impossible task of challenging and changing the status quo. Part I of the volume recounts the history of America's relationship to its rivers; part II describes how and why Americans "parted" them out, destroying their essence and diminishing their value; and part III shows how society can live in harmony with its waterways while restoring their well-being -- and, by extension, the well-being of those who depend on them.

Judith Hadley deploys recent archaeological discoveries, alongside biblical material and nonbiblical inscriptions, to examine the evidence for the worship of Asherah as the partner of God in the Bible. She asks how Israelites construed the relationship between "Yahweh and his Asherah," and whether in fact the term referred to an object of worship rather than a female deity. This is a well-crafted study that promises to make a significant contribution to the debate about the exact nature of Asherah and her significance in pre-exilic Israel and Judah.

"Primitive Man as Philosopher" is influential anthropologist and ethnologist Paul Radin's enduringly relevant survey of an array of aboriginal cultures and belief systems, including those of the Winnebago, Oglala Sioux, Maori, Banda, the Buin of Melanesia, Tahitian, Hawaiian, Zuni, and Ewe. Radin examines the conditioning of thought and religion practiced among the members of each society and the freedom of individuals to deviate from the group and to affect change. Written in a straightforward, almost conversational style, Radin's discourse is rooted in firsthand accounts. He allows his subjects to speak for themselves by quoting extensively from interviews (many of which he conducted in the course of his own fieldwork), and includes a veritable anthology of poems and songs from the varied traditions. Radin, known in his field for his honesty and integrity, offers brilliant interpretations of myth and symbolism in his exploration of their deeper meanings in each culture. Readers both in and out of the field will appreciate the rich and varied insights of this classic of anthropology. Celebrated anthropologist Neni Panourgiá provides a new introduction to this landmark and pioneering work.