Heroes and heroines in antiquity inhabited a space somewhere between gods and humans. In this detailed, yet brilliantly wide-ranging analysis, Christopher Jones starts from literary heroes such as Achilles and moves to the historical record of those exceptional men and women who were worshiped after death. He asks why and how mortals were heroized, and what exactly becoming a hero entailed in terms of religious action and belief. He proves that the growing popularity of heroizing the dead--fallen warriors, family members, magnanimous citizens--represents not a decline from earlier practice but an adaptation to new contexts and modes of thought. The most famous example of this process is Hadrian's beloved, Antinoos, who can now be located within an ancient tradition of heroizing extraordinary youths who died prematurely. This book, wholly new and beautifully written, rescues the hero from literary metaphor and vividly restores heroism to the reality of ancient life.

A seminal figure in late antique Christianity and Christian orthodoxy, Saint Gregory of Nazianzus published a collection of more than 240 letters. Whereas these letters have often been cast aside as readers turn to his theological orations or autobiographical poetry for insight into his life, thought, and times, Self-Portrait in Three Colors focuses squarely on them, building a provocative case that the finalized collection constitutes not an epistolary archive but an autobiography in epistolary form-a single text composed to secure his status among provincial contemporaries and later generations. Shedding light on late-ancient letter writing, fourth-century Christian intelligentsia, Christianity and classical culture, and the Christianization of Roman society, these letters offer a fascinating and unique view of Gregory's life, engagement with literary culture, and leadership in the church. As a single unit, this autobiographical epistolary collection proved a powerful tool in Gregory's attempts to govern the contours of his authorial image as well as his provincial and ecclesiastical legacy.

This title contains a selection of papers by leading scholars which were presented at a two-day conference at the British Museum in November 2010. The breadth of coverage across archaeology, anthropology, history and geo-archaeology makes this book an important source for readers seeking to understand Andean concepts of the sacred and how they were, and are, present within the landscape, at particular sites and through ritual performance. The papers focus on one of the most significant manifestations of Inca sacred space - the ushnu - a place of sacrifice, ritual and celebration, reviewing its concept from pre-Inca origins through interpretation in Tawantinsuyu, the Inca empire into its current Andean cultural context. The authors in this book examine the practical and symbolic principles underlying the construction of ushnus, the rationale for their placement, their function within the landscape and the activities that took place on them.

Saint Gregory of Nazianzus, also known as Gregory the Theologian, lived an illustrious life as an orator, poet, priest, and bishop. Until his death, he wrote scores of letters to friends and colleagues, clergy members and philosophers, teachers of rhetoric and literature, and high-ranking officials at the provincial and imperial levels, many of which are preserved in his self-designed letter collection. Here, for the first time in English, Bradley K. Storin has translated the complete collection, offering readers a fresh view on Gregory's life, social and cultural engagement, leadership in the church, and literary talents. Accompanying the translation are an introduction, a prosopography, and annotations that situate Gregory's letters in their biographical, literary, and historical contexts. This translation is an essential resource for scholars and students of late antiquity and early Christianity.

In the centuries following the conquests of Alexander the Great the dramatic unification of the Mediterranean world created exceptionally fertile soil for the growth of new religions. Christianity, for example, was one of the innovative religious movements that arose during this time. However, Christianity had many competitors, and one of the most remarkable of these was the ancient Roman "mystery religion" of Mithraism.
Like the other "mystery cults" of antiquity, Mithraism kept its beliefs strictly secret, revealing them only to initiates. As a result, the cult's teachings were never written down. However, the Mithraists filled their temples with an enigmatic iconography, an abundance of which has been unearthed by archaeologists. Until now, all attempts to decipher this iconography have proven fruitless. Most experts have been content with a vague hypothesis that the iconography somehow derived from ancient Iranian religion.
In this groundbreaking work, David Ulansey offers a radically different theory. He argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery. As his investigation proceeds, Ulansey penetrates step by step the mysteries concealed in Mithraic iconography, until finally he is able to reveal the central secret of the cult: a secret consisting of an ancient vision of the ultimate nature of the universe.
Brimming with the excitement of discovery--and reading like an intellectual detective story--Ulansey's compelling book will intrigue scholars and general readers alike.

Winner of the Runciman Award Winner of the Charles J. Goodwin Award "Tells the story of how the Seleucid Empire revolutionized chronology by picking a Year One and counting from there, rather than starting a new count, as other states did, each time a new monarch was crowned...Fascinating." -Harper's In the aftermath of Alexander the Great's conquests, his successors, the Seleucid kings, ruled a vast territory stretching from Central Asia and Anatolia to the Persian Gulf. In 305 BCE, in a radical move to impose unity and regulate behavior, Seleucus I introduced a linear conception of time. Time would no longer restart with each new monarch. Instead, progressively numbered years-continuous and irreversible-became the de facto measure of historical duration. This new temporality, propagated throughout the empire and identical to the system we use today, changed how people did business, recorded events, and oriented themselves to the larger world. Some rebellious subjects, eager to resurrect their pre-Hellenic past, rejected this new approach and created apocalyptic time frames, predicting the total end of history. In this magisterial work, Paul Kosmin shows how the Seleucid Empire's invention of a new kind of time-and the rebellions against this worldview-had far reaching political and religious consequences, transforming the way we organize our thoughts about the past, present, and future. "Without Paul Kosmin's meticulous investigation of what Seleucus achieved in creating his calendar without end we would never have been able to comprehend the traces of it that appear in late antiquity...A magisterial contribution to this hitherto obscure but clearly important restructuring of time in the ancient Mediterranean world." -G. W. Bowersock, New York Review of Books "With erudition, theoretical sophistication, and meticulous discussion of the sources, Paul Kosmin sheds new light on the meaning of time, memory, and identity in a multicultural setting." -Angelos Chaniotis, author of Age of Conquests

Prometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic poetry. Kerenyi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley; he moves on to consider the myth from the perspective of Jungian psychology, as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice."

Throughout history, the relationship between Jews and their land has been a vibrant, much-debated topic within the Jewish world and in international political discourse. Identity and Territory explores how ancient conceptions of Israel-of both the land itself and its shifting frontiers and borders-have played a decisive role in forming national and religious identities across the millennia. Through the works of Second Temple period Jews and rabbinic literature, Eyal Ben-Eliyahu examines the role of territorial status, boundaries, mental maps, and holy sites, drawing comparisons to popular Jewish and Christian perceptions of space. Showing how space defines nationhood and how Jewish identity influences perceptions of space, Ben-Eliyahu uncovers varied understandings of the land that resonate with contemporary views of the relationship between territory and ideology.

Jane Harrison examines the festivals of ancient Greek religion to identify the primitive "substratum" of ritual and its persistence in the realm of classical religious observance and literature. In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.

What did people in the early Christian period think about the pagan inscriptions filling their late antique cities? Like public advertisements lining our streets today, these inscriptions were everywhere and communicated specific messages to literate late Roman viewers, often providing a very different view of the classical past than that being preached from early Christian church pulpits. In Pagan Inscriptions, Christian Viewers, Anna M. Sitz provides a fresh perspective on the Christianization of the Roman empire from the fourth to the seventh century CE by analyzing a previously overlooked body of evidence: the many ancient, pagan inscriptions, written in Greek or other languages, which were reused, preserved, or even partially erased in this period. This volume brings together for the first time the literary and archaeological evidence for attitudes towards these ancient inscriptions in the eastern Mediterranean, from Greece to Asia Minor, Syria to Egypt. Pagan Inscriptions, Christian Viewers illustrates how early Christians, late pagans, and Jews in the eastern Mediterranean interpreted older inscriptions in Greek and other languages through their own worldviews in order to build the late antique present.