Jane Harrison examines the festivals of ancient Greek religion to identify the primitive "substratum" of ritual and its persistence in the realm of classical religious observance and literature. In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.

What did people in the early Christian period think about the pagan inscriptions filling their late antique cities? Like public advertisements lining our streets today, these inscriptions were everywhere and communicated specific messages to literate late Roman viewers, often providing a very different view of the classical past than that being preached from early Christian church pulpits. In Pagan Inscriptions, Christian Viewers, Anna M. Sitz provides a fresh perspective on the Christianization of the Roman empire from the fourth to the seventh century CE by analyzing a previously overlooked body of evidence: the many ancient, pagan inscriptions, written in Greek or other languages, which were reused, preserved, or even partially erased in this period. This volume brings together for the first time the literary and archaeological evidence for attitudes towards these ancient inscriptions in the eastern Mediterranean, from Greece to Asia Minor, Syria to Egypt. Pagan Inscriptions, Christian Viewers illustrates how early Christians, late pagans, and Jews in the eastern Mediterranean interpreted older inscriptions in Greek and other languages through their own worldviews in order to build the late antique present.

Christian Satanism will make you turn many heads. It is a religion composed of Christian and Satanic thinking. People refute it but those that follow it are only saying they accept both sides and use both sides for fuller a better purposes. And it is like taking on an anti- title title.

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.

Eusebius's groundbreaking History of the Church, remains the single most important source for the history of the first three centuries of Christianity and stands among the classics of Western literature. His iconic story of the church's origins, endurance of persecution, and ultimate triumph-with its cast of martyrs, heretics, bishops, and emperors-has profoundly shaped the understanding of Christianity's past and provided a model for all later ecclesiastical histories. This new translation, which includes detailed essays and notes, comes from one of the leading scholars of Eusebius's work and offers rich context for the linguistic, cultural, social, and political background of this seminal text. Accessible for new readers and thought-provoking for specialists, this is the essential text for anyone interested in the history of Christianity.