Urban Avant-Gardes and Social Transformation explores one of the key issues of the present avant-gardes: how they challenge and change urban conditions. Comprehensive and insightful, this is a timely and much appreciated publication -o Iain Borden, University College London A timely rallying call. Miles shows how critical cultural practices can even now be agents of social transformation -o Paul Usherwood, Northumbria University Can art or architecture change the world? Is it possible, despite successive failures, to think of a new cultural avant-garde today? What would this mean? Urban Avant-Gardes and Social Transformation attempts to contribute to debate on these questions, by looking back to past avant-gardes from the nineteenth and twentieth centuries, by examining the theoretical and critical terrain around avant-garde cultural interventions, and by profiling a range of contemporary cases of radical cultural practices. Urban Avant-Gardes and Social Transformation brings together material from a wide range of disciplines to argue for cultural intervention as a means to radical change, while recognizing that most such efforts in the past have not delivered the dreams of their perpetrators.

This eye-catching second edition picks up where the first left off, spotlighting garments and illustrations for eveningwear, menswear, children's wear, sportswear, and more. Included is a collection of bright and original designs by 60 recent graduates from 12 premier fashion design programs in the United States. The wide range of work in this anthology is augmented with a brief dossier on each young designer, including inspiration and materials. These dossiers provide deeper insight into the choices these up-and-coming designers are making when they create their trendsetting garments. This easy to navigate resource has garments organized alphabetically by designer and indexed graphically by school. It is an essential reference to the newest talent and trends in fashion. For anyone fascinated with the fashion industry and fashion trends, this bookthe second in a growing seriesis required reading!

Style Legends, Rebels, and Visionaries is an inclusive and eclectic collection of 50 illustrated portraits by the immensely talented artist Bijou Karman. This curated collection of portraits features vintage and contemporary style legends such as Cher, Harry Styles, Grace Jones, Tilda Swinton, Diana Ross, Timothee Chalamet, and many more. Featuring a range of style luminaries-drawn from the heights of Hollywood glamour, the shining stars of the music industry, and the elite of fame and fashion-this collection is sure to delight a broad audience of fashion lovers. Each colorful and detailed portrait evokes the distinct sensibility of the unique and influential icon featured and includes an illuminating bio focusing on the sartorial choices of that legend, rebel, or visionary. Additionally, fashion insider Booth Moore provides an insightful introduction to this curated list of one-of-a-kind style icons. A FASHION BOOK WITH A UNIQUE VIEWPOINT: Bijou Karman's colorful and visually stunning illustrations and her distinct aesthetic bring a fresh perspective to viewing these celebrated individuals and their contributions to modern fashion. ARTUL FASHION ILLUSTRATION BOOK: A dazzling departure from fashion photography books or designer retrospectives, this gender- and age-inclusive collection is a curated take of iconoclasts known for their distinctive style. Includes Harry Styles, Tilda Swinton, Timothee Chalamet, Rihanna, Iris Apfel, David Bowie, Yayoi Kusama, and many more, celebrating the distinct fashion sensibility of each of these unique and beloved icons from the fields of music, fashion, art, cinema, and more. THE ULTIMATE GIFT FOR STYLE LOVERS: An introduction by a noted fashion industry insider gives additional insight into the style preferences and influences of each of the featured individuals. This text, paired with a sophisticated design package, makes this a beautiful gift or self-purchase to feature on a coffee table or shelve alongside favorite fashion design books. Perfect for: • Fashionistas • Art book lovers • Design enthusiastsl

In 2002, Oskar Blues Brewery founder and owner Dale Katechis made a decision that would have a resounding impact on craft beer manufacturing for years to come. By putting his Dale's Pale Ale, a bold and flavorful brew, in a can, he dared venture where only the big corporate brands had gone before. A decade later the canning movement is in full swing, with hundreds of craft breweries now canning their beers. This volume provides a close look at the original artwork on 600 different modern beer cans from 40 states. Get to know the story behind your favorite beer's name and can design, with examples from breweries such as Sierra Nevada, Ska, Midnight Sun, Maui, New Belgium, Oskar Blues, and nearly 200 others. The craft breweries featured in this book turned canning beer into an art form!

Author Biography:
Robert Jerrard is Professor of Design Studies at the Institute of Art and Design, University of Central England. He has published widely and his research interests include risk assessment in design, ethnicity and entrepreneurship, and work based learning.
David Hands is Senior Research Assistant at the Istitute of Art and Design, University of Central England. He has worked and published widely in the area of design policy analysis.
Jack Ingram is Chair of the Programme of Postgraduate Design courses at the institute of Art and Design, University of Central England. He has published widely and is co-founder and executive editor of The Design Journal.

Hats finish an outfit - they make a statement, provide panache and lift your spirits. This book explains how to make your own hats, using traditional construction methods with both specialist millinery foundation materials and a range of fabrics and trimmings. It showcases twenty-six hats and headpieces, each with step-by-step photographs and instructions, some using ready-made elements, others that are made from scratch. Celebrating the versatility of hats, it introduces the wide range of styles and shapes that modern millinery has embraced.

Official art book of the PS5 launch game Marvel's Spider-Man: Miles Morales, featuring concept art created during the development of the game.

Be greater, be yourself as Miles Morales swings onto the scene in his own video game for the first time. Learning the ropes as Spider-Man in Peter Parker s absence, Miles must find the balance between keeping his new home, Harlem, safe and rising up to take on new challenges and enemies that test his abilities and loyalties to the limit.

The creative process of this much-anticipated game is captured in Marvel s Spider-Man: Miles Morales The Art of the Game. This lush, hardback book showcases the remarkable concept art and in-game renderings created by the talented development team creating the game in collaboration with Marvel. Characters, locations, tech, gadgets, Spider suits and much more are presented in all their incredible detail, accompanied by unique insights from the artists and developers behind the game.

On the one hand clothes can supposedly help you out with embodied life by concealing the bits you feel ashamed of and accentuating the bits you're proud of. However, fashion isn't really about clothes in any practical sense, but rather the endless replacement of clothes by other clothes, and especially the vilification of certain styles and the extreme elevation of others. Like gambling, fashion is a system that keeps us captivated by treating us badly, trapping us in a cycle of promises and dashed hopes by suggesting that new clothes will help us to like ourselves more. And while it's easy to dismiss fashion as elitist and wasteful, isn't it also fascinating, exciting and perhaps sometimes even radical - not to mention surprisingly egalitarian? Rather than insisting we give up on the pleasures that clothes have to offer, this brilliant new book by psychoanalyst and writer Anouchka Grose puts forward a post-fashion logic that rejects the parade of manufactured novelties in favour of more idiosyncratic forms of sartorial imitation. Taking us on a journey from the court of Louis XIV to TikTok's avant apocalypse, Fashion: A Manifesto scrutinises fashion from a number of angles: historically, psychologically, politically, environmentally, even linguistically, to open up questions about the ways in which it works both for and against us and looks forward to a future where our clothes treat us - not to mention the planet - a great deal more kindly.

Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an appealing and accessible guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers learn how garments were constructed and where their inspiration stemmed from at key points in history – as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This new edition includes additional styles to illustrate and explain the journey between one style and another; larger images to allow closer investigation of details of dress; examples of lower and working-class, as well as middle-class, clothing; and a completely new chapter covering the 1980s to 2020. The latter demonstrates how the late 20th century and early 21st century firmly left the dress behind as a requirement, but retained it as a perennially popular choice and illustrates how far the traditional boundaries of ‘the dress’ have been pushed (even including reference to a newly non-binary appreciation of the garment), and the intellectual shifts in the way women’s fashion is both inspired and inspires. With these new additions, How to Read a Dress, revised edition, presents a complete and up-to-date picture of ‘the dress’ in all its forms, across the centuries, and taking into account different sartorial and social experiences. It is the ideal tool for anyone who has ever wanted to know their cartridge pleats from their Récamier ruffles. Equipping the reader with all the information they need to 'read' a dress, this is the ultimate guide for students, researchers, and anyone interested in historical fashion.

Exam Board: SQA Level: Higher Subject: Art & Design First Teaching: August 2018 First Exam: May 2019 Get your best grade with comprehensive course notes and advice from Scotland's top experts, fully updated for the latest changes to SQA Higher assessment. How to Pass Higher Art & Design Second Edition contains all the advice and support you need to revise successfully for your Higher exam. It combines an overview of the course syllabus with advice from top experts on how to improve exam performance, so you have the best chance of success. - Revise confidently with up-to-date guidance tailored to the latest SQA assessment changes - Refresh your knowledge with comprehensive, tailored subject notes - Prepare for the exam with top tips and hints on revision techniques - Get your best grade with advice on how to gain those vital extra marks

In this inventive interpretation of the popular colouring book concept, Islamic design expert Eric Broug helps readers to create their own patterns, based on compositions from across the Islamic world. The book opens up the world of intricate Islamic patterns, allowing artists, designers and doodlers alike to learn about these works of art as they produce their own. With 48 Islamic geometric compositions from around the world to choose from, artists at all skill levels will relish the myriad opportunities to replicate these intricate patterns or create their own. The workbook's clever design invites the pattern-maker to consider a composition in the book, take a corresponding loose leaf from the back of the book and figure out which sections of lines to trace to make the composition. Readers will have the unique satisfaction of making patterns appear where previously none were visible. Compositions - including a mix of more familiar geometric compositions and those that have scarcely been documented - are categorized by region and have various levels of complexity, making it possible for beginners to get started and artists or designers to develop their skills.

The science of pigments, hues, and dyes has a long and ancient history. From the 40000-years-old caves at Lascaux and the medieval cloth trade that enriched Europe to the synthetic chemistry of modern times, colour making has had a central place in our lives. This book surveys the history of dyes and pigments, the invention of new colours, and the industries that fuelled them. It explores colouring and dyeing methods through history and asks questions relating to this, such as: what were the colours of Ancient Egypt?; what did artists use to paint their magnificent frescoes?; where do indigo and ochre come from?; why is purple the colour of royalty?; what are pastels?; how many colours are their?; why do we dye our food?; who invented ink?; what are white and black made of?; and what is the symbolism of yellow? This comprehensive text offers information and insights into many colours ranging from cerise to heliotrope, and gamboge to periwinkle.

Design Realities explores a wide range of topics on creativity, design and spiritual well-being. Using critique, rational inquiry and personal reflection, Stuart Walker looks squarely at our contemporary condition, demonstrates how current assumptions and material expectations are becoming untenable and, most importantly, offers constructive new directions that are feasible, spiritually enriching, and hopeful. Comprising short essays, lyrical pieces, photo studies and longer discourses, this book takes us on a highly readable and enjoyable journey through some of the most pressing issues of our time. The innovative, intuitive format makes these topics readily accessible, while providing much food for thought about the changing nature of creativity in today's world. Written by a leading thinker in the field, this highly original book offers readers something to ponder, discuss, contest and build upon.

Bob Marley died in 1981, but the interest he generated in the raggae, blues, and world beat music continued to grow. Around the world local bands sprang up and clubs began to feature the music to ever-increasing numbers of patrons. To advertise these events hundreds of posters were hung on telephone poles, vacant walls, and shop windows. Made on photocopiers and litho presses, by local artists, they have the edge that comes from needing to catch one's attention with a minimum of expense. The result is raw, "in-your-face" street art that captures the spirit of a generation. Victor Burleigh has gathered together more than 500 original posters dating from 1977 to 1989, from San Francisco, a city on the cutting edge of the music world and a haven for raggae, blues, and world beat music. Nearly every night one of the many music clubs would offer a live concert of an up-and-coming group. Since every club produced its own posters, there is a wide variety of styles and graphic images, as well as a history of the music scene captured in these posters. They are reproduced in this large volume that is a must for graphic designers, rock historians, and collectors. It is a perfect companion to Burleigh's first book, Great Rock & Roll Street Art.

"These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function." This book, opening with these words, presents an entirely new theory of the process of design.

In the first part of the book, Mr. Alexander discusses the process by which a form is adapted to the context of human needs and demands that has called it into being. He shows that such an adaptive process will be successful only if it proceeds piecemeal instead of all at once. It is for this reason that forms from traditional unselfconscious cultures, molded not by designers but by the slow pattern of changes within tradition, are so beautifully organized and adapted. When the designer, in our own self-conscious culture, is called on to create a form that is adapted to its context he is unsuccessful, because the preconceived categories out of which he builds his picture of the problem do not correspond to the inherent components of the problem, and therefore lead only to the arbitrariness, willfulness, and lack of understanding which plague the design of modern buildings and modern cities.

In the second part, Mr. Alexander presents a method by which the designer may bring his full creative imagination into play, and yet avoid the traps of irrelevant preconception. He shows that, whenever a problem is stated, it is possible to ignore existing concepts and to create new concepts, out of the structure of the problem itself, which do correspond correctly to what he calls the subsystems of the adaptive process. By treating each of these subsystems as a separate subproblem, the designer can translate the new concepts into form. Theform, because of the process, will be well-adapted to its context, non-arbitrary, and correct.

The mathematics underlying this method, based mainly on set theory, is fully developed in a long appendix. Another appendix demonstrates the application of the method to the design of an Indian village.

Learning, Unlearning and Re-learning Curves (Volume IV of the Working Guides to Estimating & Forecasting series) focuses in on Learning Curves, and the various tried and tested models of Wright, Crawford, DeJong, Towill-Bevis and others. It explores the differences and similarities between the various models and examines the key properties that Estimators and Forecasters can exploit. A discussion about Learning Curve Cost Drivers leads to the consideration of a little used but very powerful technique of Learning Curve modelling called Segmentation, which looks at an organisation's complex learning curve as the product of multiple shallower learning curves. Perhaps the biggest benefit is that it simplifies the calculations in Microsoft Excel where there is a change in the rate of learning observed or expected. The same technique can be used to model and calibrate discontinuities in the learning process that result in setbacks and uplifts in time or cost. This technique is compared with other, better known techniques such as Anderlohr's. Equivalent Unit Learning is another, relative new technique that can be used alongside traditional completed unit learning to give an early warning of changes in the rates of learning. Finally, a Learning Curve can be exploited to estimate the penalty of collaborative working across multiple partners. Supported by a wealth of figures and tables, this is a valuable resource for estimators, engineers, accountants, project risk specialists, as well as students of cost engineering.

Manufacturers are becoming more aware of human factors in product design as a major competitive issue. In many product areas manufacturers have reached a technology ceiling making it increasingly difficult to get ahead of the competition in terms of, for example, functionality, technical reliability or manufacturing costs. As a consequence, design has become a major battleground for manufacturers, and usability is recognised as being a central tenet of good design.
The book provides a unique snapshot of current practice in human factors, identifying methods and techniques that work well under tight constraints and providing case study evidence of their effectiveness. The commercial implications of usability are discussed and special attention is paid to two very important trends-inclusive design and smart products. Inclusive design is about meeting the needs of all users within one design, which includes the increasing elderly population and the disabled. Smart products, meanwhile, are multi-functional products with electronic interfaces containing a vast array of `helpful' functions.

This compendium of product design methods focuses on functional, aesthetically pleasing, mechanically reliable, and easily made products that improve profitability for manufacturers and provide long-term satisfaction for customers. Offers concrete, practical insight immediately applicable to new product design and development projects A useful resource for practicing design and manufacturing professionals who wish to improve their products and their realization processes, Product Design Methods and Practices integrates fundamental engineering design principles with management "best practices" discusses modern design techniques, including design for assembly, analytical optimization, the Taguchi method, and probabilistic design presents numerous case studies and practical examples to illustrate design methods and concepts considers the complex interplay between product performance, product quality, and manufacturing productivity clarifies how to design for cost, quality, and delivery provides original design methods such as process-driven design, manufacturability improvement, standardization and rationalization, and design review checklist emphasizes basing design requirements on customer need stresses the importance of predicting and preventing failure to ensure reliability and durability describes how robustness is achieved by designing products to be tolerant of change and variation in manufacturing, operating, and business conditions shows that low life-cycle cost is attained by designing products to be easily manufactured, assembled, tested, serviced, and maintained and more Organized into concise, self-contained chapters that can be read and applied independently, Product Design Methods and Practices is an essential guide for mechanical, manufacturing, automotive, industrial and product design engineers; production and quality control specialists; and upper-level undergraduate and graduate students in these

A journey for the senses across five continents, A Perfume Atlas traces the origins of the precious essences that create Louis Vuitton's exclusive perfumes.

Louis Vuitton: A Perfume Atlas offers a rare look at the time-honoured crafts of the perfumer, with specially commissioned illustrations, photographs and texts revealing the stories of the precious natural elements that form the basis of the house’s unique perfumes.

With exclusive, first-hand access to Louis Vuitton’s master perfumer Jacques Cavallier-Belletrud, A Perfume Atlas explores how the flowers are cultivated, the growing seasons and techniques used to harvest the blossoms, and how essential oils are extracted, distilled and composed to create new and complex fragrances. From Chinese magnolia and osmanthus to India’s tuberose and jasmine, each seed pod, berry, woody stem, fruit, leaf and flower opens a world that evokes the thrill of far-off places and names, trade routes, sea journeys and the rhythms of the seasons.

A poetic celebration of a most mysterious art, Louis Vuitton: A Perfume Atlas is the perfect gift for lovers of nature, luxury, travel and beauty.

Wigging Out is a stunning visual journey through the fascinating history of wigs and hairpieces, covering thousands of years of hair worn by everyone from Cleopatra and Louis XIV to Naomi Campbell and Lady Gaga. Starting in ancient Egypt and ending on the red carpet of the Met Gala, Wigging Out features capsule fashion histories set alongside spectacular images of real and synthetic wigs worn by everyone from Roman emperors and nineteenth-century Gibson Girls to twenty-first-century drag queens and London street punks. Including interviews with modern wigmakers, stylists, and braiders, Wigging Out is a revelatory mash-up of styles, stories, and personalities that takes readers on a joyful romp through fake-hair history.