"This little red book presents a pocket guide to meaningful design. Seven stepping stones that inspire you to cross the stream of change, and get you to the other side, firm and dry . . . " --Brent Richards, creative chef and architect

"Make Design Matter" is an accessible book about a complex subject. It proposes strategic design guidelines based on holistic concepts. The guidelines facilitate convergence across different fields, inspiring designers and laypersons, companies and institutions, teachers and students of design to envision and apply more meaningful solutions. This book will help you to design better . . . and to make design matter

David Carlson is an influential facilitator, cross-pollinator, and design thought leader. Internationally sought after as a speaker at conferences, seminars, schools, and corporate events, David tells stories in an informed and inspiring manner about his holistic approach at the intersection of design, culture, and business. David is the founder of The David Report, the Designboost conference series, Carlson Ahnell, and David Design. His social life reflects his cross-pollinating mindcast: president of a nature conservation organization; guitar player in bands since the early '80s, most recently with the band Miller Moon; and last but not least, a deeply dedicated gardener, more specifically, of old roses with unmatched aromas.

What began as a spontaneous enthusiasm for a photo turned out to be a long-lasting fascination with one of the world's best-selling products: the Monobloc, as it is known in specialist circles. It's the simple plastic chair that exists all over the world, as director Hauke Wendler discovered during his research trip. In November 2021, a documentary film will be released in cinemas, which is about this chair and its countless contexts. Hauke Wendler sees the piece of furniture, which is made from a single cast - hence the name - as a stand-in for stories, anecdotes and snapshots. Although the Monobloc is never the centre of attention, it is always a supporting actor and somehow "present" on all five continents the director has travelled to. The piece of furniture, of which there are supposed to be a billion copies, is as universal as hardly any other object. The photobook "Monobloc", which traces Hauke Wendler's journey alongside the documentary film, is a declaration of love for the world's most famous plastic chair.

-A remarkable book, dedicated to the intricacies of Tibetan costume -This book takes a textile-centric viewpoint, but also branches out into the lives of local Tibetan people who share their stories through interviews Exploring the vast range of materials and techniques used in the making of Tibetan clothing and ornaments, this book takes a closer, more intimate look at the different cultural groups within this diverse country, discussing how national costume relates to their everyday life. The technical approach will appeal to spinners, weavers, felt makers, braiders, embroiderers, jewellers and costume enthusiasts. The book will also interest many general readers in Europe and America who are fascinated by the aura of the Tibetan Region; the lifestyle of the people who live amongst Tibet's high peaks, emerald forests, and stunning lakes command world-wide interest. Richly illustrated with the author's evocative contemporary high quality photographs, dating from the mid 1980s, this book is a visual journey into the heart of the country. It documents the people, and their costumes and related crafts, focussing on the historical Tibetan regions of Amdo and Kham. Tibetan Clothing and Jewellery is unique in its reflection of historical material. It combines this academic knowledge base with original observations and wide-ranging interviews with nomads and farmers, all of which centre around costumes locally possessed and worn by Tibetans today.

How Venetian glass influenced American artists and patrons during the late nineteenth century Sargent, Whistler, and Venetian Glass presents a broad exploration of American engagement with Venice's art world in the late nineteenth century. During this time, Americans in Venice not only encountered a floating city of palaces, museums, and churches, but also countless shop windows filled with dazzling specimens of brightly colored glass. Though the Venetian island of Murano had been a leading center of glass production since the Middle Ages, productivity bloomed between 1860 and 1915. This revival coincided with Venice's popularity as a destination on the Grand Tour, and resulted in depictions of Italian glassmakers and glass objects by leading American artists. In turn, their patrons visited glass furnaces and collected museum-quality, hand-blown goblets decorated with designs of flowers, dragons, and sea creatures, as well as mosaics, lace, and other examples of Venetian skill and creativity. This lavishly illustrated book examines exquisitely crafted glass pieces alongside paintings, watercolors, and prints of the same era by American artists who found inspiration in Venice, including Thomas Moran, Maria Oakey Dewing, Robert Frederick Blum, Charles Caryl Coleman, Maurice Prendergast, and Maxfield Parrish, in addition to John Singer Sargent and James McNeill Whistler. Italian glass had a profound influence on American art, literature, and design theory, as well as the period's ideas about gender, labor, and class relations. For artists such as Sargent and Whistler, and their patrons, glass objects were aesthetic emblems of history, beauty, and craftsmanship. From the furnaces of Murano to American parlors and museums, Sargent, Whistler, and Venetian Glass brings to life the imaginative energy and unique creations that beckoned tourists and artists alike. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC October 8, 2021-May 8, 2022 Amon Carter Museum of American Art, Fort Worth, Texas June 25-September 11, 2022

WINNER! NCA Diane Hope Book of the Year Award. Dangerous. Sexy. All-American-or rather All-World-Girl. Pin Up! The Subculture is the first book to explore the contemporary international subculture of pin up, women (and men) who embrace vintage style, but not vintage values. Award-winning filmmaker and author Kathleen M. Ryan spent more than five years in the subculture. It's a world of cat eye makeup, carefully constructed hairstyles, and retro-inspired fashions. But it's also a world that embraces the ideals of feminism. Beauty, according to the pin up, is found not in body type or skin color, but in the confidence and sexual agency of the individual. Pin ups see their subculture as a way to exert empowerment and control of their own sexual and social identities-something that is part of the pin up's historical legacy. This lavishly illustrated book includes interviews with more than fifty international pin ups and helps readers to understand how they use social media and personal interactions to navigate thorny issues such as racism, sexism, homophobia, sizeism, and other difficult topics. Ryan demonstrates how even within subcultures, identity is far from homogeneous. Pin ups use the safety of their shared subcultural values to advocate for social and political change. A fascinating combination of cultural history, media studies, and oral history, Pin Up! The Subculture is the story about how a subculture is subverting and reviving an historic aesthetic for the twenty-first century.

An Introduction to Applied Semiotics presents nineteen semiotics tools for text and image analysis. Covering a variety of different schools and approaches, together with the author's own original approach, this is a full and synthetic introduction to semiotics. This book presents general tools that can be used with any semiotic product. Drawing on the work of Fontanille, Genette, Greimas, Hebert, Jakobson, Peirce, Rastier and Zilberberg, the tools deal with the analysis of themes and action, true and false, positive and negative, rhythm narration and other elements. The application of each tool is illustrated with analyses of a wide range of texts and images, from well-known or distinctive literary texts, philosophical or religious texts or images, paintings, advertising and everyday signs and symbols. Each chapter has the same structure - summary, theory and application, making it ideal for course use. Covering both visual and textual objects, this is a key text for all courses in semiotics and textual analysis within linguistics, communication studies, literary theory, design, marketing and related areas.

Following on the acclaimed success of its inaugural SFP LookBook, Schiffer Fashion Press's style guide extraordinaire kicks off its second season with Spring 2014 runway looks from Mercedes-Benz Fashion Week. Ideal for identifying trends in color, fabric, embellishment, styling, and silhouette, here are images of more than 3,200 looks from more than 125 of today's top designers, including Carolina Herrera, Mara Hoffman, Nicole Miller, Noon by Noor, Pamella Roland, Rebecca Minkoff, and more. This exhaustive compilation showcases high-end ready-to-wear, sportswear, menswear, swimwear, resort, and eveningwear presentations, but also offers comprehensive looks at styling trends for hair, beauty, and accessories. The SFP LookBook compiles everything that the Spring 2014 collections have to offer in one volume of high-quality images--it is a must have for designers, trend spotters, students, stylists, buyers, and fashion enthusiasts everywhere.

_Victorian Fashions_ _for Women_ explores the British styles and clothing throughout the long reign of Queen Victoria, from the late 1830s to the first years of the 20th century. Within are a superb overview of the dresses, hats, hair styles, corsetry, undergarments shoes and boots that combined to present the prevailing styles for each decade. From those who had enough money to have day and evening wear and clothes for sports and outdoor activities, to those with limited income and wardrobes or labouring folk with little more than the clothes they stood up in. All decades are illustrated with original photographs, adverts and contemporary magazine features from the authors' own remarkable collections, accompanied by a knowledgeable and informative text that describes the fashions, their social history context and influences reflected in the clothes of the time. Laid out in a clear and easy-to-follow chronological order, the key features of styles, decoration and accoutrements will help family historians to date family photographs and will provide a useful resource for students and costume historians or for anyone with a love of fashion and style to enjoy.

Paul Cezanne's Still Life with Apples is striking and colourful example of his impressionist style of fine art painting, reproduced here for our 500-Piece Puzzle. A visual pleasure and fun to put together. This box looks just as beautiful on the mantle or desk. * 500-piece jigsaw puzzle * Durable, compact, 2-piece box * Gift box: 198 x 152 x 50mm. * Completed puzzle: 355 x 482mm.

Aside from the occasional nod to epaulets or use of camouflage, war and fashion seem to be strange partners. Not so, argue the contributors to this book, who connect military industrial practices as well as military dress to textile and clothing in new ways. For instance, the book includes a series of commentaries on the impact of military dress in the airline industry, in illustrated wartime comics, and even considers today's muscled soldier's body as a new type of uniform. Elsewhere, the impacts of conquest introduce a new set of postcolonial aesthetics; this is because military and colonial regimes disrupted local textile production and garment making. In another chapter, it is argued that textiles and fashion are important because they reflect a core practice, one that bridges textile artists and designers in an expressive, creative, and deeply physical way to matters of cultural significance. And the book concludes by calling the very mode of "military chic" into ethical question.
The premier text to illustrate the impact of war on textiles, bodies, costume, art, and design, "Fashion and War in Popular Culture "will be warmly welcomed by scholars of fashion design and theory, historians of fashion, and those interested in theories of warfare and military science.

A lavishly illustrated, large-format reference book highlighting the work of 101 essential children's illustrators The illustrated children's book came of age in the 18th century alongside the rising middle-class demand for economic and social advancement. Inspired by philosopher John Locke's prescient insights into child development, London publisher John Newbery established the first commercial market for illustrated "juveniles" in the West, and the impact of the model he set for books tailored to the interests and capabilities of young readers has spanned the globe, spurring higher literacy rates, cultural enfranchisement, and a better life for generations of children. In Pictured Worlds, renowned historian Leonard S. Marcus shares his incomparable knowledge of this global cultural phenomenon in the definitive reference work on children's book illustration. The author of more than 25 award-winning books, Marcus here highlights an international roster of 101 artists of the last 250 years whose touchstone achievements collectively chart the major trends and turning points in the history of children's book illustration. While some illustrators explored in this lively volume (John Tenniel, Maurice Sendak) have become household names, Marcus's wide-ranging survey also shines a light on several lesser-known figures whose unique contributions merit a closer look. The result is a sweeping chronicle of a vibrant art form and cultural driver that has touched the lives of literate peoples everywhere. Over 400 illustrations showcase landmark books from Great Britain, the United States, France, Germany, Austria, Italy, Sweden, Czech Republic, Russia, Japan, China, Korea, Bulgaria, Argentina, Cameroon, and more. Each illustrated entry is comprised of an artist's biography and career overview and a deep-dive look at a pivotal book and its legacy. Featured books include Ivan Bilibin's The Golden Cockerel, Leo Lionni's Inch by Inch, Richard Doyle's In Fairyland, Kveta Pacovska's One, Five, Many, Helen Oxenbury's We're Going On a Bear Hunt, Mitsumasa Anno's Anno's Journey, and Zhu Chengliang's A New Year's Reunion, and the books that introduced such iconic characters as Alice, Max, Struwwelpeter, the Little Prince, and Winnie-the-Pooh. At once a celebration of illustrated children's books and an essential reference work, Pictured Worlds encapsulates, in the author's words, "the special nature of the illustrated children's book as a cultural enterprise that is at once a rewarding art form, a bridge across cultures, and a ladder between generations."

In Data Sketches, Nadieh Bremer and Shirley Wu document the deeply creative process behind 24 unique data visualization projects, and they combine this with powerful technical insights which reveal the mindset behind coding creatively. Exploring 12 different themes - from the Olympics to Presidents & Royals and from Movies to Myths & Legends - each pair of visualizations explores different technologies and forms, blurring the boundary between visualization as an exploratory tool and an artform in its own right. This beautiful book provides an intimate, behind-the-scenes account of all 24 projects and shares the authors' personal notes and drafts every step of the way. The book features: Detailed information on data gathering, sketching, and coding data visualizations for the web, with screenshots of works-in-progress and reproductions from the authors' notebooks Never-before-published technical write-ups, with beginner-friendly explanations of core data visualization concepts Practical lessons based on the data and design challenges overcome during each project Full-color pages, showcasing all 24 final data visualizations This book is perfect for anyone interested or working in data visualization and information design, and especially those who want to take their work to the next level and are inspired by unique and compelling data-driven storytelling.

Roots for Radicals is a distillation of the IAF (Industrial Areas Foundation) philosophy and its unique approach to community organizing. The IAF is the oldest and largest institution for community organizing in the United States. For sixty years, its mission has been to train people to take responsibility for solving the problems in their own communities and to renew the interest of citizens in public life. The IAF, now headed by the author, Edward T. Chambers, has taken founder Saul Alinsky's original vision, refined it, and created a sophisticated national network of citizens' organizations. One of the key activities is its 10-day training sessions for community organizers.

Is it impossible to schedule enough time to include users in your design process? Is it difficult to incorporate elaborate user-centered design techniques into your own standard design practices? Do the resources needed seem overwhelming?
This handbook introduces Rapid CD, a fast-paced, adaptive form of Contextual Design. Rapid CD is a hands-on guide for anyone who needs practical guidance on how to use the Contextual Design process and adapt it to tactical projects with tight timelines and resources.
Rapid Contextual Design provides detailed suggestions on structuring the project and customer interviews, conducting interviews, and running interpretation sessions. The handbook walks you step-by-step through organizing the data so you can see your key issues, along with visioning new solutions, storyboarding to work out the details, and paper prototype interviewing to iterate the design-all with as little as a two-person team with only a few weeks to spare!
*Includes real project examples with actual customer data that illustrate how a CD project actually works.
*Covers the entire scope of a project, from deciding on the number and type of interviews, to interview set up and analyzing collected data. Sample project schedules are also included for a variety of different types of projects.
*Provides examples of how-to write affinity notes and affinity labels, build an affinity diagram, and step-by-step instructions for consolidating sequence models.
*Shows how to use consolidated data to define a design within tight time frames with examples of visions, storyboards, and paper prototypes.
*Introduces CDTools(TM), the first application designed to supportcustomer-centered design.

This volume is a technical and operative contribution to the United Nations "Decade on Education for Sustainable Development" (2005-2014), aiding the development of a new generation of designers, responsible and able in the task of designing environmentally sustainable products. The book provides a comprehensive framework and a practical tool to support the design process. This is an important text for those interested in the product development processes.

Innovate your business by incorporating design thinking Organizations that can innovate have an advantage over competitors who stick to old processes, models, and products. Design Thinking For Dummies walks would-be intrapreneurs through the steps of incorporating design thinking principles into their organizations. Written by a recognized expert in the field of design thinking, the book guides readers through the steps of adapting to a design thinking culture, identifying customer problems, creating and testing solutions, and making innovation an ongoing process. The book covers the crucial and central topics in design thinking, including: Adopting a design thinking mindset Building creative environments Facilitating design thinking workshops Working through the design thinking cycle Implementing your solutions And many more Design Thinking For Dummies is a great starting place for people joining design-oriented teams and organizations, as well as small businesses and start-ups seeking to take advantage of the same methods and techniques that large firms have used to grow and succeed.

Interior Design for Small Dwellings addresses the onrush of interest in smaller homes and the possibility that small dwellings might be the answer to housing needs and sustainability. The book explores key principles essential to residing and designing small interiors with emphasis on client involvement and implementation of participatory, inclusive design as advocated by the Council for Interior Design Accreditation. Does living in a small space mean living small? The authors believe that by simplifying one's life intelligently and applying certain principles of design, planning and organization, one can actually live a meaningful life in a smaller space. These tenets are based on the authors' professional experiences and living in small homes. To this end, the book provides discussion, images, case studies, interviews, worksheets, activities and suggested explorations. Interior Design for Small Dwellings is a teaching guide and provides information and exercises that help professional designers utilize design theory, space planning and programming techniques. Throughout, the text affords sustainability, biophilic design and wellness methodologies.

This text introduces and provides instruction on the design and analysis of experiments for a broad audience. Formed by decades of teaching, consulting, and industrial experience in the Design of Experiments field, this new edition contains updated examples, exercises, and situations covering the science and engineering practice. This text minimizes the amount of mathematical detail, while still doing full justice to the mathematical rigor of the presentation and the precision of statements, making the text accessible for those who have little experience with design of experiments and who need some practical advice on using such designs to solve day-to-day problems. Additionally, an intuitive understanding of the principles is always emphasized, with helpful hints throughout.

Unlike other dry business books, this refreshing, straightforward guide from Logo Design Love author and international designer David Airey answers the questions all designers have when first starting out on their own. In fact, the book was inspired by the many questions David receives every day from the more than 600,000 designers who visit his three blogs (Logo Design Love, Identity Designed, and DavidAirey.com) each month. How do I find new clients? How much should I charge for my design work? When should I say no to a client? How do I handle difficult clients? What should I be sure to include in my contracts? David's readers-a passionate and vocal group-regularly ask him these questions and many more on how to launch and run their own design careers. With this book, David finally answers their pressing questions with anecdotes, case studies, and sound advice garnered from his own experience as well as those of such well-known designers as Ivan Chermayeff, Jerry Kuyper, Maggie Macnab, Eric Karjaluoto, and Von Glitschka. Designers just starting out on their own will find this book invaluable in succeeding in today's hyper-networked, global economy.

At one time Great Britain clothed the world. In the 1880s, when the British textile industry was at its height, 85 percent of the world’s population wore clothing made from fabric produced in the mills of Lancashire. From 1910 to 1913 alone, seven billion yards of cloth were folded, stamped, labeled, and baled. Most of this output was for export, and 30 percent of it went to India. British textile manufacturers selling into the competitive Indian market were dealing with a largely illiterate population. In order to differentiate their goods, they stamped their cloth with distinctive images—a crouching tiger or perhaps an elephant standing on top of a globe. When chromolithography came into widespread use in the late 1800s, illustrated paper labels (known in the trade as “shipper’s tickets”) made to appeal to the local people were added. Designed, printed, and registered in Manchester, these brightly colored images were pasted onto the pieces of cloth being sold, further helping to establish a company’s brand. Hindu gods, native animals, scenes from the great Indian epics—the Mahabharata and Ramayana—and views of everyday life were common subjects. In a sense a form of premium, they provided the consumer with an additional incentive to buy the goods of a particular firm. Labels of Empire begins with the late 19th-century heyday of British textile manufacturing and closes with Indian independence in 1947. By combining visual narrative, popular culture, and magical realism in a way never done before, this book offers an unprecedented look at the British textile industry in the time of the Raj—and its remarkably successful use of paper labels as trademarks.

These photographs are not about the t-shirt per se. The messages are combinations of pictures and words that reveal much about the identity of the wearer. They tell who these people are and who they aren't, who they want to be and what they want us to know about them. They advertise their hopes, ideals, political views, and personal mantras.

Begun in 2009, "TEE" has taken Susan Barnett to cities and tourist spots throughout the United States and Europe to record the ever-changing messages.