This book investigates how international air terminals organize passenger movement and generate spending. It offers a new understanding of how their architecture and artworks operate visually to guide people through the space and affect their behaviour. Menno Hubregtse's research draws upon numerous airport visits and interviews with architects and planners, as well as documents and articles that address these terminals' development, construction, and renovations. The book establishes the main concerns of architects with respect to wayfinding strategies and analyzes how air terminal architecture, artworks, and interior design contribute to the airport's operations. The book will be of interest to art historians, architectural historians, practising architects, urban planners, airport specialists, and geographers.

This fifth volume of ABBB (Annual bibliography of the history of the printed book and libraries) contains about 2700 entries and added entries, selected from some 4000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Italy Australia Austria Luxembourg Belgium The Netherlands Bulgaria Norway Canada Poland Denmark Portugal Finland Rumania France South Africa German Democratic Republic Switzerland German Federal Republic USA Great Britain USSR Hungary Yugoslavia Ireland (Republic of) From next volume on, there is some reasonable expectation that India will collaborate to this bibliography. Benevolent readers are requested to signal the names of bibliographers not mentioned above, who would be willing and historians from countries to co-operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. VIII INTRODUCTION Subject As has been said in the introduction to the previous volumes, this bibli ography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain. However, it is the policy of this publication to include missing items as much as possible in the forthcoming volumes. The same applies to countries newly added to the bibliography."

Bookbinding is a unique and essential reference guide for designers, explaining industrial bookbinding techniques with a focus on the design and conception of print products. Packed full of insights from the world's best bookbinders, it contains everything you need to know about folding, stitching and binding to create beautiful books.

In May 1970 the 25th anniversary of the liberation of the Netherlands was celebrated in the King's Library of the British Museum with an ex hibition of Dutch clandestine printing. The books shown were part of the considerable collection assembled in the intervening years by Miss Anna Simoni in the course of her official duties in the Department. It has been decided that the size and quality of this collection justify the publication of a catalogue. For this, and the full indexes which have been provided, credit is also due to Miss Simoni. The British Library Board wishes to express its deep appreciation of the generosity of the donors and helpers whose names are mentioned in the introduction. K. B. Gardner Principal Keeper Department of Printed Books INTRODUCTION The Second World War saw German rule extended over many countries where most of the people were fundamentally opposed to the Nazi ide ology. In all these enslaved nations Resistance movements sprang up and they took various forms, one of the most important of which was the work of the illegal press. In the Netherlands, as elsewhere, under ground newspapers were of the greatest political importance. At the same time a large number of pamphlets helped to strengthen the peo ple's will to continue the struggle and to form public opinion on future developments."

This fourth volume of our Annual bibliography of the history of the printed books and libraries contains more than 3400 entries and added entries, i.e. some six hundred more than the preceding volume. This increase is due mainly to the collaboration of the new members, Portugal, USA and Yugo slavia. The items recorded in this volume have been selected by the National Committees of the following countries: Austria J.Juxembourg Belgium The Netherlands Bulgaria Norway Denmark Poland Finland Portugal France Rumania German Democratic Republic South Africa German Federal Republic Switzerland Great Britain USA Hungary USSR Ireland (Republic of) Yugoslavia Italy From next volume on, there is some reasonable expectation that Canada and Australia will collaborate to this bibliography. Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co-operate to this scheme of international bibliographic collaboration. The editor will greatly appreciate any communication on this matter. VIII INTRODUCTION Subject As has been said in the introduction to the previous volumes, this bibli ography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, this ideal of a complete coverage is impossible to attain."

Bridging theory and practice, this accessible text considers fashion from both cultural studies and fashion studies perspectives, and addresses the growing interaction between the two fields. Kaiser and Green use a wide range of cross-cultural case studies to explore how race, ethnicity, class, gender and other identities intersect and are produced through embodied fashion. Drawing on intersectionality in feminist theory and cultural studies, Fashion and Cultural Studies is essential reading for students and scholars. This revised edition includes updated case studies and two new chapters. The first new chapter explores religion, spirituality, and faith in relation to style, fashion, and dress. The second offers a critique of “beauty” and considers dressed embodiment inclusive of diverse sizes, shapes and dis/abilities. Throughout the text, Kaiser and Green use a range of examples to interrogate the complex entanglements of production, regulation, distribution, consumption, and subject formation within and through fashion.

A cultural history of modern lifestyle viewed through film and multimedia experiments of midcentury designers Charles and Ray Eames For the designers Charles and Ray Eames, happiness was both a technical and ideological problem central to the future of liberal democracy. Being happy demanded new things but also a vanguard life in media that the Eameses modeled as they brought film into their design practice. Midcentury modernism is often considered institutionalized, but Happiness by Design casts Eames-era designers as innovative media artists, technophilic humanists, change managers, and neglected film theorists. Happiness by Design offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, Laszlo Moholy-Nagy, and Gyoergy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century's exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age. Eames-era modernism, Nieland shows, fueled novel techniques of culture administration, spawning new partnerships between cultural and educational institutions, corporations, and the state. From the studio, showroom floor, or classroom to the stages of world fairs and international conferences, the midcentury multimedia experiments of Charles and Ray Eames and their circle became key to a liberal democratic lifestyle-and also anticipated the look and feel of our networked present.

This third volume of our Annual bibliography of the history of the printed books and libraries contains about 2800 entries and added entries, i.e. some two hundred more than the preceding volume. They have been selected and recorded by the National Committees of the following countries: Austria Ireland (Republic of) Belgium Luxembourg Bulgaria The Netherlands Denmark Norway Finland Poland France Rumania German Democratic Republic South Africa German Federal Republic Switzerland Great Britain USSR Hungary The editor deplores that despite frequent personal and epistolary contact, a number of other countries have up to now failed to join this scheme of international bibliographic collaboration. It should be obvious that their very absence has impaired the coverage of the present bibliography. To infer, however, that it should therefore not be published would imply an underestimation of the domain already covered by the collaborating National Committees. It would also indicate a rather premature pessimism and a certain lack of belief in the possibility of international collaboration. On the contrary, the collaboration of Portugal, Yugoslavia, and of the United States from the next volume onwards, would seem VIII INTRODUCTION to justify the expectation of a gradual enlargement of the geographical coverage of this pUblication. Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co-operate. The editor will greatly appreciate any communication on this matter.

This book explores 'spatial practices', a loose and expandable set of approaches that embrace the political and the activist, the performative and the curatorial, the architectural and the urban. Acting upon and engaging with the public realm, the field of spatial practices allows people to reconnect with their own sense of agency through engagement in space and place, exploring and prototyping alternative futures in the here and now. The 24 chapters contain essays, visual essays and interviews, featuring contributions from an international set of experimental practitioners including Jeanne van Heeswijk (Netherlands), Teddy Cruz (Estudio Teddy Cruz + Fonna Forman, San Diego), Hector (USA), The Decorators (London) and OOZE (Netherlands). Beautifully designed with full colour illustrations, Spatial Practices advances dialogue and collaboration between academics and practitioners and is essential reading for students, researchers and professionals in architecture, urban planning and urban policy.

The history of printing, books, and libraries, is confined only to a limited extent within the boundaries of individual countries. There are, indeed, few historical developments which have played a more universal role, in reaction against all kinds of particularism, than type design, printing, book production, publishing, illustration, binding, librarianship, journal ism, and related subjects. Their history should be assessed and studied primarily in an international, not in a local, context. The bibliographical resources, however, which the historian of these sub jects has at his disposal correspond hardly at all to the essentially inter national character of the object of his studies. Since the appearance of the retrospective bibliography of BIG MORE and WYMAN, covering the subject comprehensively up to 1880, the only current bibliography has been the lnternatwnale Bibliographie des Buch-und Bi bliothekswesens. Covering a representative part of newly published liter ature, it appeared from 1928, but did not survive the Second World War. More recently, several useful, but limited, bibliographies have appeared."

This second volume of our Annual bibliography of the history of the printed books and libraries contains about 2600 entries, i. e. some one hundred more than the preceding volume. by the National Committees of the They have been selected and recorded following countries: Austria Hungary Belgium Luxembourg Bulgaria The Netherlands Denmark Norway Finland Poland France Rumania Germany (Democratic Republic) South Africa Germany (Federal Republic) Switzerland Great Britain USSR is a reasonable expectation that beginning with the next volume, There the literature published in following countries will also be included: Czechoslovakia Spain Iceland Sweden Italy USA Portugal Yugoslavia The editor will, of course, continue his endeavours to persuade other countries than those mentioned above, to enter in this joint venture of international scientific collaboration. VIII INTRODUCTION Subject As has been said in the introduction to the previous volume, this bibli ography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Excluded are books and articles on modern technical processes. The history of techniques not primarily connected with book production is only admitted if the publication in question has a bearing on the history of the book, e. g. engraving is only admitted in its book-illustration context. Only items of a scholarly nature are recorded."

It takes more than just a design school education and a killer portfolio to succeed in a creative career. Burn Your Portfolio teaches the real-world practices, professional do's and don'ts, and unwritten rules of business that most designers, photographers, web designers, copy writers, programmers, and architects only learn after putting in years of experience on the job. Michael Janda, owner of the Utah-based design firm Riser, uses humor to dispense nugget after nugget of hard-won advice collected over the last decade from the personal successes and failures he has faced running his own agency. In this surprisingly funny, but incredibly practical advice guide, Janda's advice on teamwork and collaboration, relationship building, managing clients, bidding work, production processes, and more will resonate with creative professionals of all stripes.

Creative Truth is your playbook for starting, building, and enjoying a profitable design business. Whether you're a solo freelancer working from home or a small group of creative entrepreneurs ready to get to the next level, this is your roadmap to success. You're the CEO, CFO, CTO, Secretary, Janitor, Office Manager, and everything in between. Finding a balance between running the business and doing great creative work is a constant struggle. From learning how to price your work and manage your time, to setting up your business and defining your market, Brad Weaver covers everything designers need to know to run a studio without losing heart. Highlights: * Real numbers, real tools, and best practices in a toolkit that you can start using immediately in your business. * A companion website that offers up-to-date resources, articles, tools, and discussions, allowing readers to continue learning as they grow. * Practical tips for getting clients, being more profitable, building your network, managing your operations, getting things done, hiring help, managing contractors, and finding joy along the way.

"Dimensions. Journal of Architectural Knowledge" is an academic journal in, on and from the discipline of architecture, addressing the creation, constitution and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures and results of knowledge creation and practice are esteemed coequally, with particular attentiveness to the architectural design and epistemologies of aesthetic practice and research. Dimensions Issue 02/2021, edited by Katharina Voigt and Virginie Roy, investigates lived experience as source for the constitution of knowledge. This edition is concerned with the movements of exploration and the inner sensations of being moved by experience. Addressing situational experience allows bringing implicit dimensions of perception to attention, enabling a tangible understanding to emerge - for the actual encounter, as well as connected to memory and imagination. Practitioners and scholars from various disciplines open the realm for theoretical, applied and practice-related forms of research, whilst all contributions are aligned to enrich the discourse of architecture and its versatile dimensions.

A guiding principle of Eastern art and design, focusing on the interaction between positive and negative space, demonstrated in 6 problems of progressive difficulty. Solutions will fascinate artists and designers of every calling and level of expertise, from painters and sculptors, potters and textile designers to architects and interior designers. 101 illustrations.

SEE the amazing vintage book covers featuring well-dressed skeletons, evil dolls, knife-wielding killer crabs! READ the shocking plots involving devil worship, satanic children, and haunted real estate! LEARN the stories of long-forgotten creators as well as familiar names like V.C. Andrews and Anne Rice. Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary s Baby. It s an affectionate, nostalgic, and unflinching tour through the horror fiction boom of the seventies and eighties, complete with story summaries and artist and author profiles. Plus recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried.

Being a professional designer is one of the most intellectually rewarding careers. Learning to become a designer can be tremendous fun but it can also be frustrating and at times painful. What you have to do to become a designer is not often clearly laid out and can seem mysterious. Over the past 50 years or so we have discovered a great deal about how designers think. This book relies upon that knowledge but presents it in a way specifically intended to help the student and perhaps the teacher. Bryan Lawson's classic book How Designers Think has been in print since 1980 and has gone through four editions to keep it up to date. This book can be seen as a companion volume for the design student.

The notion of data is increasingly encountered in spatial, creative and cultural studies. Big data and artificial intelligence are significantly influencing a number of disciplines. Processes, methods and vocabularies from sciences, architecture, arts are borrowed, discussed and tweaked, and new cross-disciplinary fields emerge. More and more, artists and designers are drawing on hard data to interpret the world and to create meaningful, sensuous environments. Architects are using neurophysiological data to improve their understanding of people's experiences in built spaces. Different disciplines collaborate with scientists to visualise data in different and creative ways, revealing new connections, interpretations and readings. This often demonstrates a genuine desire to comprehend human behaviour and experience and to - possibly - inform design processes accordingly. At the same time, this opens up questions as to why this desire and curiosity is emerging now, how it relates to recent technological advances and how it converses with the cultural, philosophical and methodological context of the disciplines with which it engages. Questions are also raised as to how the use of data and data-informed methods may serve, support, promote and/or challenge political agendas. Data, Architecture and the Experience of Place provides an overview of new approaches on this significant subject and is ideal for students and researchers in digital architecture, architectural theory, design, digital media, sensory studies and related fields.

This book examines cosplay from a set of groundbreaking disciplinary approaches, highlighting the latest and emerging discourses around this popular cultural practice. Planet Cosplay is authored by widely published scholars in this field, examining the central aspects of cosplay ranging from sources and sites to performance and play, from sex and gender to production and consumption. Topics discussed include the rise of cosplay as a cultural phenomenon and its role in personal, cultural and global identities. Planet Cosplay provides a unique, multifaceted examination of the practice from theoretical bases including popular cultural studies, performance studies, gender studies and transmedia studies. As the title suggests, the book's purview is global, encompassing some of the main centres of cosplay throughout the United States, Asia, Europe and Australasia. Each of the chapters offers not only a set of entry points into its subject matter, but also a narrative of the development of cosplay and scholarly approaches to it.

Ethics is one of the most important and least understood aspects of design practice. In his latest book, Thomas Fisher shows how ethics are inherent to the making of architecture - and how architecture offers an unusual and useful way of looking at ethics. The Architecture of Ethics helps students in architecture and other design disciplines to understand the major approaches to ethics and to apply them to the daily challenges they face in their work. The book covers each of the four dominant approaches to ethics: virtue ethics, social contract ethics, duty ethics, and utilitarian ethics. Each chapter examines the dilemmas designers face from the perspective of one of these categories. Written in an accessible, jargon-free style, the text also features 100 illustrations to help integrate these concepts into the design process and to support visual understanding. Ethics is now a required part of accredited architecture programs, making this book essential reading for all students in architecture and design.

In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design using the concept of the 'reading-image' to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences-including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)-Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media.

Interior Design for Small Dwellings addresses the onrush of interest in smaller homes and the possibility that small dwellings might be the answer to housing needs and sustainability. The book explores key principles essential to residing and designing small interiors with emphasis on client involvement and implementation of participatory, inclusive design as advocated by the Council for Interior Design Accreditation. Does living in a small space mean living small? The authors believe that by simplifying one's life intelligently and applying certain principles of design, planning and organization, one can actually live a meaningful life in a smaller space. These tenets are based on the authors' professional experiences and living in small homes. To this end, the book provides discussion, images, case studies, interviews, worksheets, activities and suggested explorations. Interior Design for Small Dwellings is a teaching guide and provides information and exercises that help professional designers utilize design theory, space planning and programming techniques. Throughout, the text affords sustainability, biophilic design and wellness methodologies.

What feeds the inspiration of the designer? Observation. In Jasper Morrison's collection

of pictures, the icons of design history meet up with the unassuming objects of

everyday life, and curious findings with the archetypes of modernism. Every picture

tells a story and creates a new one in juxtaposition with its neighbor without words,

in the language of form.

Morrison responds to the arbitrariness of form with simplicity and complexity, poetry

and humor in a repertoire of compelling designs. "a world without words" is a school

of seeing that addresses designers and consumers alike, who wish to explore the

universe

of goods.