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Books > Arts & Architecture > Industrial / commercial art & design > General
577 copyright-free, authentic Art Nouveau designs specially selected for artists and designers. Ranging in size from full-page illustrations to borders, headpieces, tailpieces, and initials; all clearly reproduced in black-and-white line. Designs include: florals, landscapes, figures, etc. from artists such as Klimt, Bradley, Auriol, Larcombe, and many more.
Attractive selection of illustrations, reprinted from rare late-19th-century German collection of designs for surface decoration, textiles, other uses. Includes 124 stylized representations of lush blossoms, tropical fruits and graceful foliage. Inspirational, copyright-free, low-cost sourcebook for artists and craftworkers.
Probability, Statistics and Other Frightening Stuff (Volume II of
the Working Guides to Estimating & Forecasting series)
considers many of the commonly used Descriptive Statistics in the
world of estimating and forecasting. It considers values that are
representative of the 'middle ground' (Measures of Central
Tendency), and the degree of data scatter (Measures of Dispersion
and Shape) around the 'middle ground' values. A number of
Probability Distributions and where they might be used are
discussed, along with some fascinating and useful 'rules of thumb'
or short-cut properties that estimators and forecasters can exploit
in plying their trade. With the help of a 'Correlation Chicken',
the concept of partial correlation is explained, including how the
estimator or forecaster can exploit this in reflecting varying
levels of independence and imperfect dependence between an output
or predicted value (such as cost) and an input or predictor
variable such as size. Under the guise of 'Tails of the unexpected'
the book concludes with two chapters devoted to Hypothesis Testing
(or knowing when to accept or reject the validity of an assumed
estimating relationship), and a number of statistically-based tests
to help the estimator to decide whether to include or exclude a
data point as an 'outlier', one that appears not to be
representative of that which the estimator is tasked to produce.
This is a valuable resource for estimators, engineers, accountants,
project risk specialists as well as students of cost engineering.
This volume is a technical and operative contribution to the United
Nations "Decade on Education for Sustainable Development"
(2005-2014), aiding the development of a new generation of
designers, responsible and able in the task of designing
environmentally sustainable products. The book provides a
comprehensive framework and a practical tool to support the design
process. This is an important text for those interested in the
product development processes.
The landscape of contemporary research is characterized by growing
interdisciplinarity, and disciplinary boundaries are blurring
faster than ever. Yet while interdisciplinary methods, and
methodological innovation in general, are often presented as the
'holy grail' of research, there are few examples or discussions of
their development and 'behaviour' in the field. This Routledge
Handbook of Interdisciplinary Research presents a bold intervention
by showcasing a diversity of stimulating approaches. Over 50
experienced researchers illustrate the challenges, but also the
rewards of doing and representing interdisciplinary research
through their own methodological developments. Featured projects
cover a variety of scales and topics, from small art-science
collaborations to the 'big data' of mass observations. Each section
is dedicated to an aspect of data handling, from collection,
classification, validation to communication to research audiences.
Most importantly, Interdisciplinary Methods presents a distinctive
approach through its focus on knowledge as process, defamiliarising
and reworking familiar practices such as experimenting, archiving,
observing, prototyping or translating.
A third-generation traditional bookbinder gives easy-to-follow
instructions for making all the major, historically important
styles of Japanese bindings as well as traditional book cases--the
custom-made folding boxes that afford handsome protection for
Japan's exquisite books.
The authoritative text, written by one of Japan's leading
professional bookbinders, has been fully adapted for Western
readers. Both American and Japanese suppliers of traditional tools
and materials are provided and substitutes are recommended for
items not readily available.
For centuries the West has admired Japanese books, but only now
can we make them ourselves and take full advantage of their
creative possibilities. Stunning and practical, these bindings are
ideal for preserving calligraphy, letters, artwork, and poems, for
adding a distinctive touch to limited-edition books, and for use as
diaries or gifts.
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Henry at Home
(Paperback)
Nancy Shaver; Introduction by Lucy Raven; Interview of Steel Stillman
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R467
Discovery Miles 4 670
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Ships in 10 - 15 working days
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Literary Nonfiction. Art. Photography. Design. HENRY AT HOME
presents photographs of objects from Henry--a shop in Hudson, NY,
run by Nancy Shaver--as they appear in the homes of the people who
purchased them. In addition to these photographs, taken by the
objects' owners, HENRY AT HOME includes artwork by Nancy Shaver, an
introduction by Lucy Raven, and an interview between Shaver and
Steel Stillman. "Houses and interiors have played a huge role in my
life. Though they've taken a lot of my time, working on them has
been a vital part of my art work. They've taught me a great deal
about space and light and color. And because I've never had any
money, but have always wanted to have art, my houses have taught me
about looking. My houses have been laboratories where I've had
visual encounters that I wouldn't have had any other way. Henry
comes out of that experience"--Nancy Shaver.
Celebrating the rich, deep partnership between the British car
industry and Italian design, this book is packed with coachbuilt
cars, design classics and concept cars from the 1920s to the
current day. The story starts with the early days of coachbuilt
cars on separate chassis from illustrious marques like Bentley,
Frazer Nash and Rolls-Royce, which were bodied by such Italian
coachbuilders as Pinin Farina, Viotti and Zagato. After World War
Two came the golden era of coachbuilt cars, with Italian companies
creating some of the world's most beautiful shapes of all time on
chassis from the likes of Aston Martin, Austin-Healey, Bristol,
Jaguar, Jowett, MG, Riley and Rover. Then came the era when Italian
carrozzerie morphed into design houses, penning shapes for
mass-produced cars like the BMC 1100/1300 and Triumph Herald, and
crafting what are widely recognised to be some of the world's most
beautiful cars, such as the Aston Martin DB4, AC 428 and Lotus
Esprit. Finally came the era of the 'concept car', with incredible
show designs based on British marques such as Jaguars by Bertone,
the BMC 1800 Berlina Aerodinamica by Pininfarina and Lotus by
Italdesign. This book reveals the full stories behind the intense,
diverse, sometimes surprising and always fascinating links between
British cars and Italian design: the characters, the deals, the
designs and above all the cars themselves. Over 40 British marques
are included, from AC to Wolseley, and from major names like Jaguar
down to smaller operations such as Jensen, TVR, Elva and
Gordon-Keeble. These are matched by more than 40 Italian
carrozzerie, from Allemano to Zagato. As well as major
collaborations - such as Pininfarina and BMC, Michelotti and
Triumph, Touring and Aston Martin - myriad never-before-told
stories of small operators really make this book special: the likes
of Frua, Boano, Fissore, Monviso, Sibona-Basano and Schiaretti.
Richly illustrated with hundreds of period images, high-quality
modern photography and dozens of sketches by the designers
themselves - many never seen in print before - this is a book to
relish for both lovers of design and enthusiasts of British and
Italian cars.
This text introduces and provides instruction on the design and
analysis of experiments for a broad audience. Formed by decades of
teaching, consulting, and industrial experience in the Design of
Experiments field, this new edition contains updated examples,
exercises, and situations covering the science and engineering
practice. This text minimizes the amount of mathematical detail,
while still doing full justice to the mathematical rigor of the
presentation and the precision of statements, making the text
accessible for those who have little experience with design of
experiments and who need some practical advice on using such
designs to solve day-to-day problems. Additionally, an intuitive
understanding of the principles is always emphasized, with helpful
hints throughout.
This book is the perfect gift for all design students who embark
on their most stressful year in design education: graduation
year.
This guide helps the student to graduate as a designer by giving
practical advice, design advice, and by suggesting ways to make
graduation less stressful and more enjoyable. The advice is always
very much on point and presented as double-page spread posters with
smart and funny illustrations and short handwritten texts. You
would want many of the spreads to hang on the door of your student
room or studio.
The dust jacket is a fold-out poster that you can actually put
on your wall. It is maybe the most important advice for the final
exam student: "Work Hard, Have Fun & Nooo Drama "
Popular culture in the latter half of the twentieth century
precipitated a decisive change in style and body image. Postwar
film, television, radio shows, pulp fiction and comics placed
heroic types firmly within public consciousness. This book
concentrates on these heroic male types as they have evolved from
the postwar era and their relationship to fashion to the present
day. As well as demonstrating the role of male icons in
contemporary society, this book's originality also lies in showing
the many gender slippages that these icons help to effect or
expose. It is by exploring the somewhat inviolate types accorded to
contemporary masculinity that we see the very fragility of a stable
or rounded male identity.
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