Das Internet existiert nicht zum Selbstzweck seiner Macher. Der Nutzer steht im Mittelpunkt. Er verlangt Fakten, Unterhaltung, Ablenkung, BestellmAglichkeit - genau das, was er will, und dies so schnell wie mAglich. Kundengewinnung und Kundenbindung kann daher nur gelingen, wenn die Nutzerfreundlichkeit bei der Entwicklung einer Website im Mittelpunkt steht. Usability - das Testen der Nutzerfreundlichkeit - ist die Grundlage dafA1/4r. In diesem Buch wird das Thema Usability in seinen verschiedenen Aspekten systematisch vorgestellt, sowohl wissenschaftlich als auch praxisrelevant analysiert und durch Fallstudien veranschaulicht. Der inhaltliche Bogen reicht von der strategischen Konzeption einer Usability-orientierten Site bis zu Design, Technik und Betrieb.

The Maurits Sabbe Library of the Faculty of Theology and Religious Studies of the University of Leuven (KU Leuven) holds an exceptional treasury of manuscripts and printed books dating from the 10th to the 19th century. As part of KU Leuven Libraries it is recognised as a Heritage Library of the Flemish Community. This beautifully illustrated volume explores fourty-five remarkable books representing the immense variety and richness of the collections in the Maurits Sabbe Library. The described Bibles, missals, atlases, religious, devotional, historical, botanical, and medical works are all reflecting the wealth of one of the most distinctive rare book collections in the Low Countries.

Draping for Apparel Design, Fourth Edition is the fully updated and revised edition of the seminal book pioneered by fashion education luminary Helen Joseph-Armstrong. This comprehensive guide provides step-by-step instruction for the beginning patternmaker and advanced techniques for the more experienced. Maintaining the vast array of examples and the book’s easy-to-read style, revising author Susan Ashdown reflects current industry standards, both metric and imperial measurements, images of diverse body types, and information about half scale forms. New material on jackets, coats, and loose-fitted knitwear add to this book’s breadth of knowledge. STUDIO Features: - Study smarter with self-quizzes featuring scored results and personalized study tips - Review concepts with flashcards of essential vocabulary - Watch videos that bring chapter topics and concepts to life - Expand your knowledge with draping instructions for additional designs and downloadable templates Instructor’s Resources: - PowerPoint® slides featuring key concepts from each chapter - Instructor’s Guide to help instructors integrate the text into their courses

Idealistic visions of the Soviet capital that were never realised. Published at the centenary of the Russian Revolution, Imagine Moscow: Architecture, Propaganda, Revolution portrays Moscow as it was envisioned by a bold generation of architects in the 1920s and early 1930s. Through evocative imagery and a wealth of rarely seen material, this book provides a window into an idealistic fantasy of the Soviet capital that was never realised and has since been largely forgotten. Focusing on six unbuilt architectural landmarks, Imagine Moscow explores how these projects reflected changes in everyday life and society following the revolution, during one of the most fascinating periods of the twentieth century. Large-scale architectural plans, models and drawings are placed alongside propaganda posters, textiles and porcelain, contextualising the transformation of a city reborn as the new capital of the USSR and the international centre of socialism.

Over 175 dynamic, copyright-free motifs-in a wide range of styles-.taken from the metalwork, woodwork, textiles, carving, and ceramics of the Viking homelands. Sinuously intertwined patterns, mythological animals, dragon-slaying heroes on horseback and many more. Now available in this inexpensive volume, these authentic images will provide endless inspiration and striking embellishments to graphic projects for artists, illustrators and craftspeople.

Casual clothing, swimwear in particular, is strongly associated with the California lifestyle, and the design and manufacture of casual clothing has long been the foundation of California's garment industry. This book explores that industry as it developed in California from the 1930s through the 1970s, with emphasis on clothing and textile designs suffused with the sunshine spirit. Included are fashions from major swimwear companies such as Catalina, Cole, and Rose Marie Reid; sportswear from leaders like Koret and Alice of California; and a wonderful chapter paying tribute to that most western of fabrics, blue denim. More than 330 photographs and advertisements illustrate the colorful, cheerful, and charming nature of vintage casual clothing. Collectors, designers, and fashion historians will appreciate the profiles of California artisans and their influence on fabric technology. Includes price guide and a helpful glossary of fashion and fabric terminology.

From cinema’s silent beginnings, fashion and interior design have been vital to character development and narrative structure. Despite spectacular technological advancements on screen, stunning silhouettes and striking spaces still have the ability to dazzle to dramatic effect. This book is the first to consider the significant interplay between fashion and interiors and their combined contribution to cinematic style from early film to the digital age. With examples from Frank Lloyd Wright inspired architecture in Hitchcock’s North by Northwest, to Coco Chanel’s costumes for Gloria Swanson and a Great Gatsby film-set turned Ralph Lauren flagship, Cinematic Style describes the reciprocal relationship between these cultural forms. Exposing the bleeding lines between fashion and interiors in cinematic and real-life contexts, Berry presents case studies of cinematic styles adopted as brand identities and design movements promoted through filmic fantasy. Shedding light on consumer culture, social history and gender politics as well as on fashion, film and interior design theory, Cinematic Style considers the leading roles domestic spaces, quaint cafes, little black dresses and sharp suits have played in 20th and 21st-century film.

THE PERCEPTION, UNDERSTANDING, AND USES OF COLOR EXPANDED AND REFRESHED Understanding Color is an essential resource for those needing to become proficient in color for business applications. The peerless treatment of this critical subject is beautifully illustrated with real-world examples. Designers have turned to this guide for nearly a generation for its authoritative and accessible instruction. The knowledge contained in this book sets you apart from other designers by enabling you to: * Contribute more effectively to discussions on color harmony, complete with a vocabulary that enables in-depth understanding of hue, value, and saturation * Apply the most-up-to-date information on digital color to your projects * Address issues involved when colors must be translated from one medium to another * Troubleshoot and overcome today's most common challenges of working with color Full-color images showcase real design examples and a companion website features a digital workbook for reinforcing color concepts. From theory and practical implementation to the business and marketing aspects, Understanding Color helps you gain a deep and discriminating awareness of color.

Charlotte Ribeyrol presents a fascinating (book)case study exploring the story of an extraordinary object, William Burges’s (1827–1881) Great Bookcase. No fewer than 13 major artists, including Edward Burne-Jones, Edward Poynter, and Albert Moore, took part in the painting of this unique piece of furniture, which has now returned to the Ashmolean Museum after an absence of over 80 years. Ribeyrol throws new light on the chromophilia of the “Pre-Raphaelite� architect William Burges and his key role in shaping aesthetic debates about color in the 1860s. This crucial decade, which saw the advent of the first synthetic dyes, transformed the experience of color for many painters and poets in Burges’s circle. Interweaving art, literature, and chemistry, Ribeyrol reads the eight painted panels of the Great Bookcase in the context of this ‘color revolution’, which brought to the fore new approaches to color while simultaneously triggering a revival of the polychromy of the Pagan and Christian past. Drawing on pioneering interdisciplinary research and featuring new photography throughout, this book provides a definitive account of one of Burges’s most cherished and complex artworks.   Exhibition Schedule: Ashmolean Museum, Oxford (September 2023–February 2024) 'The Colour Revolution: From Turner to Whistler'

Edward Gordon Duff (1863 1924) was a bibliographer and librarian with a particular interest in early printed books. He was librarian of the John Rylands Library, Manchester, from 1893 to 1900, and Sandars Reader in Bibliography at Cambridge in 1899, 1904 and 1911. Alongside research and writing he also did freelance cataloguing. Duff's work set new standards of accuracy in bibliography, which he considered a science. This study of the early London book trade contains the text of Duff's 1899 Sandars Lectures. William Caxton began printing in England in 1476 at Westminster, but most printers and booksellers working in England at that time were foreigners. Duff covers Westminster and London printing separately, and devotes individual chapters to the related trades of bookselling and bookbinding, which were often carried out by the same person. This reissue also contains Duff's lecture English Printing on Vellum, delivered in 1900.

"Carrying through Alina Wheeler's trademark of beautiful layout and design, the book takes you on a journey through just about every important element of branding you could think of, from passion to positioning."
--The Influential Marketing Blog (May 2011)

A company's brand is its most valuable asset. Wheeler takes the most seminal tools used by a wide variety of thought leaders and practitioners and makes the information understandable, visible, relevant, exportable and applicable. With her best-selling debut book, "Designing Brand Identity" (Wall Street Journal, Best-Seller, Spotlight 1/23/2011), now in its third edition, Alina Wheeler reinvented the marketing textbook using a straightforward style to help demystify the branding process. This new offering from Wheeler, "Brand Atlas," builds on this user-friendly approach to aggregate and simplify the science behind branding with a unique visual teaching method suited for time-crunched professionals.

"Brand Atlas" follows the recent YouTube-iPhone-Pecha Kucha era trend toward fast-paced visual instruction by neglecting needless jargon and combining vivid, full-color images and easy-to-follow diagrams to break down branding principles into basic step-by-step concepts that can be immediately applied. This handy reference: Speaks to a broad range of stakeholders in the branding process--from CEOs to designers to brand managersProvides tools to integrate brand throughout the entire customer experience, build relationships based on brand, measure a brand's value, and define a brand strategyContains essential information illustrated through the use of diagrams

With diagrams designed by Joel Katz, an internationally known information designer and a global authority on the visualization of complex information, "Brand Atlas" is a compact, no-nonsense guide that shows how tactical innovation in the design process is crucial to building brand assets.

Written with beautiful clarity, Art in Consumer Culture: Mis-Design asks the contemporary art world to be honest about the pervasive effects of commodification and the difficulty of staging critique. The book examines the collusion of 'art' and 'design' in contemporary artistic practices in order to find avenues of critique in a commercially driven cultural landscape. Grace McQuilten focuses on the work of Takashi Murakami, Andrea Zittel, Adam Kalkin and Vito Acconci, four contemporary artists who claim to be working in the field of design rather than the traditional art world. McQuilten argues that Zittel, Acconci and Kalkin engage with 'design' only to reactivate the critical practice of art in a more direct engagement with capital - and conceives of and affirms a future for art, outside of the art world, as a parasite in the complex beast of late capitalism. This book is an important and timely provocation to a cynical and apathetic consumer culture, and a call to arms for creative freedom and critical thought.

During the late 17th and early 18th centuries, Boston was both a colonial capital and the third most important port in the British empire, trailing only London and Bristol. Boston was also an independent entity that pursued its own interests and articulated its own identity while selectively appropriating British culture and fashion. This revelatory book examines period dwellings, gravestones, furniture, textiles, ceramics, and silver, revealing through material culture how the inhabitants of Boston were colonial, provincial, metropolitan, and global, all at the same time. Edward S. Cooke, Jr.'s detailed account of materials and furnishing practices demonstrates that Bostonians actively filtered ideas and goods from a variety of sources, combined them with local materials and preferences, and constructed a distinct sense of local identity, a process of hybridization that, the author argues, exhibited a conscious desire to shape a culture as a means to resist a distant, dominant power.

Althoughtheprinciplesofoperationofhelicalscrewmachines, ascompressors or expanders, have been well known for more than 100 years, it is only during the past 30 years that these machines have become widely used. The main reasons for the long period before they were adopted were their relatively poor e?ciency and the high cost of manufacturing their rotors. Two main developments led to a solution to these di?culties. The ?rst of these was the introduction of the asymmetric rotor pro?le in 1973. This reduced the bl- hole area, which was the main source of internal leakage by approximately 90%, and thereby raised the thermodynamic e?ciency of these machines, to roughly the same level as that of traditional reciprocating compressors. The second was the introduction of precise thread milling machine tools at - proximately the same time. This made it possible to manufacture items of complex shape, such as the rotors, both accurately and cheaply. From then on, as a result of their ever improving e?ciencies, high rel- bility and compact form, screw compressors have taken an increasing share of the compressor market, especially in the ?elds of compressed air production, and refrigeration and air conditioning, and today, a substantial proportion of compressors manufactured for industry are of this type. Despite, the now wide usage of screw compressors and the publication of many scienti?c papers on their development, only a handful of textbooks have been published to date, which give a rigorous exposition of the principles of their operation and none of these are in English

Driven by 'simple, remarkable ideas', Stockholm Design Lab (SDL) has been transforming brands and businesses as one of the leading forward-thinking design agencies in the world since 1998. From developing visual identities for the NIO Formula E race car and the Nobel Prize to defining creative approaches for adidas and IKEA, its works are as diverse as they are distinct and delightful; spanning various mediums and methods to capture hearts and minds across all walks of life. To mark its 21st year in the industry, SDL has compiled a special monograph with over 500 pages of exclusive insight into its creative inspiration, processes, and portfolio. Categorised by industry, the book's contents include behind-the-scenes anecdotes, early-stage mock-ups, and never-seen-before images for some of its best client projects so far; serving as a valuable source of reference and reflection for designers at any level.

The work of renowned firm McALPINE has always communicated the power of romanticism, speaking directly to the heart through the beauty and poetry of the home. Tapping diverse influences, the residences draw from architectural languages ranging from Elizabethan and Dutch to colonial Caribbean and agrarian American. The book opens with Bobby McAlpine s own newly designed house, featuring exquisite spaces that are modern in expression but classical in order and balance. Other projects include a white-on-white neoclassical pavilion-by-the-sea in the Bahamas; a masonry dwelling in the rolling hills of Virginia; a quintessential American country house in Tennessee that combines the familiarity of a farmhouse with crisp minimalism; and an exuberant house sited on the edge of a pastoral golf course in Alabama. Freely choosing from architecture s treasury, the assembly of houses is familiar, bold, and surprising, all at the same time reflecting the complexity of the human experience.

A history of design that is often overlooked-until we need it Have you ever hit the big blue button to activate automatic doors? Have you ever used an ergonomic kitchen tool? Have you ever used curb cuts to roll a stroller across an intersection? If you have, then you've benefited from accessible design-design for people with physical, sensory, and cognitive disabilities. These ubiquitous touchstones of modern life were once anything but. Disability advocates fought tirelessly to ensure that the needs of people with disabilities became a standard part of public design thinking. That fight took many forms worldwide, but in the United States it became a civil rights issue; activists used design to make an argument about the place of people with disabilities in public life. In the aftermath of World War II, with injured veterans returning home and the polio epidemic reaching the Oval Office, the needs of people with disabilities came forcibly into the public eye as they never had before. The US became the first country to enact federal accessibility laws, beginning with the Architectural Barriers Act in 1968 and continuing through the landmark Americans with Disabilities Act in 1990, bringing about a wholesale rethinking of our built environment. This progression wasn't straightforward or easy. Early legislation and design efforts were often haphazard or poorly implemented, with decidedly mixed results. Political resistance to accommodating the needs of people with disabilities was strong; so, too, was resistance among architectural and industrial designers, for whom accessible design wasn't "real" design. Bess Williamson provides an extraordinary look at everyday design, marrying accessibility with aesthetic, to provide an insight into a world in which we are all active participants, but often passive onlookers. Richly detailed, with stories of politics and innovation, Williamson's Accessible America takes us through this important history, showing how American ideas of individualism and rights came to shape the material world, often with unexpected consequences.

One of the most influential photographers working today, Juergen Teller creates images that are instantly recognisable. Raw, often overexposed and displaying a spontaneity and candour, Teller s visual language reflects a measured yet uncompromising sense of rebellion. This book includes landmark editorials with nearly every important fashion label of the era and celebrities from Kate Moss to Charlotte Rampling and Kurt Cobain to Yves Saint Laurent. Outtakes of iconic shoots (including infamous ones with Courtney Love, Cindy Sherman, Marc Jacobs, Victoria Beckham, and Bjork) that have never been published will be included in this volume. Teller first broke into fashion in 1996 with a magazine cover of a naked Kristen McMenamy with the word Versace scrawled across her chest. Since then, his fashion photography has been featured in all the international Vogues, AnOther Magazine, Index, Self-Service, W, Details, Purple, i-D, and 032c, among others. A highly sought-after cult hero and the author of many iconic campaigns, Teller has collaborated with the likes of Helmut Lang, Raf Simons, Hedi Slimane, Nicolas Ghesquiere, Phoebe Philo, Vivienne Westwood, Miuccia Prada, and Isabel Marant, and shot every season of Marc Jacobs s ready-to-wear collections from 1998 to 2014.

Traces the pagan-Christian link of the symbolism of the axis-mundi from standing stones and market crosses to the inscribed slabs and free-standing crosses of the Celtic-Christian era. Examines the ornamented Celtic crosses from such places as Brittany, Wales, Scotland, the Isle of Man, Cumbria, Ireland, and Cornwall.

Following on the acclaimed success of its inaugural SFP LookBook, Schiffer Fashion Press's style guide extraordinaire kicks off its second season with Spring 2014 runway looks from Mercedes-Benz Fashion Week. Ideal for identifying trends in color, fabric, embellishment, styling, and silhouette, here are images of more than 3,200 looks from more than 125 of today's top designers, including Carolina Herrera, Mara Hoffman, Nicole Miller, Noon by Noor, Pamella Roland, Rebecca Minkoff, and more. This exhaustive compilation showcases high-end ready-to-wear, sportswear, menswear, swimwear, resort, and eveningwear presentations, but also offers comprehensive looks at styling trends for hair, beauty, and accessories. The SFP LookBook compiles everything that the Spring 2014 collections have to offer in one volume of high-quality images--it is a must have for designers, trend spotters, students, stylists, buyers, and fashion enthusiasts everywhere.

At the turn of the 20th century, Art Nouveau design blossomed with undulating patterns of luxurious swirls, curves, and highly stylized images. This collection of 203 Vector-based illustrations beautifully captures the period in an amazing assortment of functional forms. Includes a gallery of design ideas and a complete tutorial section.

Richard Minsky is known for his conceptual approach to the book as an art object. He combines a background in economics with an innovative use of traditional methods and new materials to create sculptural, often political, bookworks. Minsky's blending of an eclectic mix of interests, from musical and theater performance to social issues and virtual worlds, remains a hallmark of his career. This is an artist's book, designed by Minsky with an autobiographical introduction and descriptive texts about each work. Not only a gorgeous picture book with over 100 full-color photographs, this volume informs the artworks with the evolution of the artist from a 13-year-old printer in 1960 to a leader of the Book Art Movement. It showcases Minsky's unique works in private and institutional collections as well as his editioned multiples.

This book collects a set of reflections concerning the planning of contemporary cities by urban design, with a special emphasis on some needs and shortcomings emerged during the coronavirus pandemic. With the ultimate goal of designing accessible, inclusive and welcoming green cities, it discusses the urgent need for new systems of public spaces across the city, together with alternative solutions for individual mobility (especially slow mobility) and social interaction. It is intended for a broad readership, including designers, engineers, architects, social scientists, stakeholders, and public administrators, who deal with various aspects of the realization of the City 4.0.