Design academics and practitioners are facing a multiplicity of challenges in a dynamic, complex, world moving faster than the current design paradigm which is largely tied to the values and imperatives of commercial enterprise. Current education and practice need to evolve to ensure that the discipline of design meets sustainability drivers and equips students, teachers and professionals for the near-future. New approaches, methods and tools are urgently required as sustainability expands the context for design and what it means to be a 'designer'. Design activists, who comprise a diverse range of designers, teachers and other actors, are setting new ambitions for design. They seek to fundamentally challenge how, where and when design can catalyse positive impacts to address sustainability. They are also challenging who can utilise the power of the design process. To date, examination of contemporary and emergent design activism is poorly represented in the literature. This book will provide a rigorous exploration of design activism that will re-vitalise the design debate and provide a solid platform for students, teachers, design professionals and other disciplines interested in transformative (design) activism. Design Activism provides a comprehensive study of contemporary and emergent design activism. This activism has a dual aim - to make positive impacts towards more sustainable ways of living and working; and to challenge and reinvigorate design praxis, . It will collate, synthesise and analyse design activist approaches, processes, methods, tools and inspirational examples/outcomes from disparate sources and, in doing so, will create a specific canon of work to illuminate contemporary design discourse. Design Activism reveals the power of design for positive social and environmental change, design with a central activist role in the sustainability challenge. Inspired by past design activists and set against the context of global-local tensions, expressions of design activism are mapped. The nature of contemporary design activism is explored, from individual/collective action to the infrastructure that supports it generating powerful participatory design approaches, a diverse toolbox and inspirational outcomes. This is design as a political and social act, design to enable adaptive societal capacity for co-futuring.

The work of renowned firm McALPINE has always communicated the power of romanticism, speaking directly to the heart through the beauty and poetry of the home. Tapping diverse influences, the residences draw from architectural languages ranging from Elizabethan and Dutch to colonial Caribbean and agrarian American. The book opens with Bobby McAlpine s own newly designed house, featuring exquisite spaces that are modern in expression but classical in order and balance. Other projects include a white-on-white neoclassical pavilion-by-the-sea in the Bahamas; a masonry dwelling in the rolling hills of Virginia; a quintessential American country house in Tennessee that combines the familiarity of a farmhouse with crisp minimalism; and an exuberant house sited on the edge of a pastoral golf course in Alabama. Freely choosing from architecture s treasury, the assembly of houses is familiar, bold, and surprising, all at the same time reflecting the complexity of the human experience.

Making Disability Modern: Design Histories brings together leading scholars from a range of disciplinary and national perspectives to examine how designed objects and spaces contributes to the meanings of ability and disability from the late 18th century to the present day, and in homes, offices, and schools to realms of national and international politics. The contributors reveal the social role of objects - particularly those designed for use by people with disabilities, such as walking sticks, wheelchairs, and prosthetic limbs - and consider the active role that makers, users and designers take to reshape the material environment into a usable world. But it also aims to make clear that definitions of disability-and ability-are often shaped by design.

100 garden favorites rendered in black-and-white line illustrations will suggest numerous design and artistic uses to artists, designers, craftsmen, needleworkers. Amaryllis, anemone, begonia, cinquefoil, peony, snapdragon flow and weave, many forming borders and frames. All drawings copyright-free.

Praise for the first edition:

Gold Medal Winner for Design Explorations
–Business Week’s Annual Design Awards

"The Measure of Man and Woman is a critical reference that is a must for every design school and office. It is elegant in its simplicity and usability. Once again, the Henry Dreyfuss team makes a major contribution to the profession!"
–Herb Tyrnauer, FIDSA

"The Measure of Man and Woman is a major contribution to the understanding of anthropometric and ergonomic realities that influence the design process. It is a vital reference document that not only informs, but provokes an awareness of and a sensitivity to complex and composite issues. Not since Le Corbusier’s more subjective and interpretive Le Modulor has there been a comprehensive reevaluation of man and woman’s occupation of space and the subsequent implications, responsibilities, and possibilities."
–Charles Gwathmey, FAIA, architect

The Measure of Man and Woman provides a comprehensive resource of critical information for creating products and environments that will suit the physical dimensions of people across the globe and with varying abilities. The revised edition of this classic volume includes more than 200 color drawings, up-to-date information on designing for the digital workplace, measurements for ADA compliance, a demo disk for ErgoForms–an ergonomic CAD program on CD-ROM–and much more.

The first-ever, comprehensive and authorized showcase of legendary fashion designer Bob Mackie’s fabulous life and work, featuring hundreds of photos and dozens of never-before-seen sketches from his personal collection. Cher, Carol Burnett, Bette Midler, P!nk, Tina Turner, Elton John, Liza Minnelli, Angela Lansbury, Diana Ross, Beyoncé, RuPaul, and Madonna...what do they all have in common? All have been dressed by Bob Mackie. For nearly six decades, the iconic and incomparable Bob Mackie has been designing stunning, unforgettable clothing. His unique, glamorous—sometimes hilarious—creations have appeared on Broadway stages, TV screens, runways, and red carpets worldwide. For his pioneering genius and continual reinvention, he is a Tony Award and nine-time Emmy Award winner, a three-time Oscar nominee, and recipient of the Geoffrey Beene Lifetime Achievement Award from the Council of Fashion Designers of America. For the first time, he has granted full access to his archives and personal memories to the authors of this lavish celebration of his achievements. The Art of Bob Mackie is the first-ever comprehensive and fully authorized book showcasing Mackie’s work, from his early days as a sketch artist for the legendary Edith Head at Paramount to his current, cutting-edge costumes for pop stars and line of accessible, wearable clothing for QVC. In addition to hundreds of glorious photos and dozens of dishy recollections from Mackie and his many muses, this gorgeous volume features never-before-seen sketches from throughout his prolific career, from Marilyn Monroe’s iconic “Happy Birthday, Mr. President� gown to Carol Burnett’s “Went with the Wind� curtain-rod dress, to Cher’s show-stopping 1986 Oscar look. As other designers have burst onto the scene and faded out of fashion, Mackie has soared from success to success, always remaining relevant because he has always been spectacularly fashion-forward. With a foreword by Carol Burnett and an afterword by Cher, The Art of Bob Mackie is a stunning must-have for lovers of sequins, beads, and feathers; Broadway shows and classic television; pop music and pop culture; and fashion with incomparable flair.

Today's tea aficionado is looking to imbibe tea within a meaningful space, be it at home or in a tea shop. Customers of tea shops enjoy the idea of "tea" as being "an experience", inclusive of art, cultural themes, and strong design aesthetics. Better still if these motifs are found within a tea-shop that aligns with the shop's branding and is able to mix modern tea products with new interior design styles, further increasing the customer's sense of enjoyment of the entire shopping experience. Coupled with tea consumption needs across the world gradually increasing and the tea market expanding at higher rates than previously, the tea industry's retail environment faces fierce competition. There's a strong trend toward marrying a better awareness of the importance of effective interior design of a tea shop while striving to express a complete brand image and providing efficient service. In this magnificently illustrated book, a lead designer and tea brand consultant analyses the new design trends and brand management styles of a carefully selected group of tea shops from around the world. This book explores close to fifty fashionable tea shops that are successful in the experimentation of mixing brand-new products with unique space experiences and providing excellent customer-focused interior designs. An excellent volume for those looking to enrich the retail environment of this diverse and fast-evolving industry.

Craft is at the very heart of British identity, from stained-glass windows in country churches to the Enid Blyton charm of thatched houses; from Harris Tweed (R) (famously poached by Coco Chanel) to the ceremonial livery worn by horses at Buckingham Palace. The burgeoning of digital craftsmanship is also enriching ground-breaking technologies, including microbial weaving and bespoke-made vessels for growing human tissue. Craft Britain brings together watchmakers with saddlers; bell casters with neon benders; shoemakers with silversmiths; potters with orrery-makers; stonemasons with weavers; embroiderers with basket-makers - and a myriad other craft traditions. This book aims to beat the drum for craft, waking people up to the fact that they need to support the country's rich seam of incredible craftspeople and so encourage new generations to master the skills needed to preserve and continue craft traditions. Craft Britain proves that craftsmanship in Britain is neither dying nor dead, but is a continuing and exciting exploration of process, materials and ideas spanning architecture, interiors, fashion, art and design.

Jannik Goetz develops a treatment concept for sufferers of Seasonal Affective Disorder, commonly known as winter depression. Unlike existing solutions that focus on medical remission only, the author aims at creating a user experience that is alleviating symptoms of this disease in a motivating and hassle-free way. By utilizing a variety of research techniques, the author gains valuable user-driven insights that are directly transformed into a novel approach to light therapy. The result is a light lamp that resolves shortcomings and issues of current treatment approaches. A business plan and its associated requirements complement the overall concept.

What began as a spontaneous enthusiasm for a photo turned out to be a long-lasting fascination with one of the world's best-selling products: the Monobloc, as it is known in specialist circles. It's the simple plastic chair that exists all over the world, as director Hauke Wendler discovered during his research trip. In November 2021, a documentary film will be released in cinemas, which is about this chair and its countless contexts. Hauke Wendler sees the piece of furniture, which is made from a single cast - hence the name - as a stand-in for stories, anecdotes and snapshots. Although the Monobloc is never the centre of attention, it is always a supporting actor and somehow "present" on all five continents the director has travelled to. The piece of furniture, of which there are supposed to be a billion copies, is as universal as hardly any other object. The photobook "Monobloc", which traces Hauke Wendler's journey alongside the documentary film, is a declaration of love for the world's most famous plastic chair.

Design Philosophy is becoming increasingly important as the nature of design practice and design education change. "The Design Philosophy Reader" presents and explains the recent emergence of Design Philosophy, illustrates the main concerns of Design Philosophy and demonstrates why Design Philosophy has emerged in recent years, why it is needed, what it can do, how it can be done and where it is going. Comprised of an eight thematic sections, each with a short introduction, to contextualise theory and highlight its implications, and annotated bibliographies, the Reader presents both an argument for the need for Design Philosophy and an overview of its emergence. With texts ranging from writing on design that is informed by philosophy; philosophically informed writing on culture, relevant to the thinking of design; ancient and contemporary philosophy that directly, or by implication, addresses design; and exegesis and commentary on philosophical texts relevant to design.

Before the age of the paper book jacket, publishers issued their books in cloth-covered boards, which were stamped with designs in golf leaf and color. From around 1860, artists of the Arts and Crafts movement supplied many of the best designs. Dante Gabriel Rossetti, William Morris and Walter Crane led the way, and they were followed in the 1890s by Laurence Housman, Charles Ricketts and Selwyn Image, among others. Prominent Arts and Crafts architects, such as Philip Webb and C.F.A. Voysey, also designed book covers. Malcolm Haslam explores this uncharted territory, investigating not only the designs and designers, but the publishers and binders as well. He introduces some artists, little known today, whose designs filled the bookshops and bookshelves of late Victorian and Edwardian Britain, and he shows how designers in Europe and America were influenced by British book covers decorated in the Arts and Crafts style. Ninety-nine of the best covers are illustrated and described, and details are given of over fifty Arts and Crafts designers who worked in commercial book production, and their marks and monograms are shown."

Dressed to Kill is a unique and detailed analysis of naval uniform and its historical, social and economic contexts in the eighteenth and nineteenth centuries. This fully updated and expanded second edition examines the significance of male fashion and uniform in the forging of a national, hierarchical and gendered identity. By drawing upon extensive archival research, Amy Miller provides a greater explanation of the political and social changes that impacted not only what the Royal Navy wore, but why. Parliamentary records, newspapers and museum archives give a greater contextualisation of the relationship that naval uniform represented - that of a confluence of politics and economics, fashion and popular culture. Beautifully illustrated throughout, Dressed to Kill 2nd Edition is accompanied by an extensive catalogue of uniforms from the rich collection of the National Maritime Museum and a selection of patterns that examine the construction of the garments.This new edition contains additional research that provides a greater understanding of the political and social changes that impacted not only what the Royal Navy wore, but why they wore it. Parliamentary records, newspapers and museum archives give a greater contextualisation of the relationship that naval uniform represented - that of a confluence of politics and economics, fashion and popular culture.

After over two years of COVID-19, there is now a bright light at the end of the tunnel: most events can take place again. New formats and digital approaches have become established and professionalised and the industry has gathered a wealth of valuable experience. But despite the waning pandemic and the tangible delight about every event, the restart is not proving easy, due to a lack of personnel, and a war, along with many still unanswered questions surrounding digital and hybrid experiences. Previous developments and many of the 45 projects in this edition show new approaches, but in some respects still no overall ideal answers. And that is quite alright - because we are in the middle of a learning process! Text in English and German.

What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts-page numbers and running heads, copyright statements and errata lists-each possessed of particular conventions, each with their own lively histories. To consider these paratexts-recalling them from the margins, letting them take centre stage-is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others-binders, librarians, lawyers-parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot Book Parts is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes-and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.

A gloriously illustrated book which sheds new light on the Puccini era and the roots of the modern music industry.

After Mozart and Verdi, Giacomo Puccini is the third most performed opera composer in the world today. On the centenary of his death, Bertelsmann and the Archivio Storico Ricordi present Opera Meets New Media, a richly illustrated volume published to accompany the multimedia exhibition of the same name at the Scala Museum in Milan, Italy. Puccini celebrated his greatest successes at a time of disruptive media innovations.

The age of mechanical reproduction brought with it the development of new entertainment technology, above all film and sound recordings, which soon became mainstream. These technological advancements represented a revolution for society and musical culture in the early twentieth century, fundamentally challenging the traditional business model of opera. How could music publishers rise to this challenge?

Puccini and his publisher Ricordi provide a fascinating case study on the subject. In this book, edited by Gabriele Dotto, ten experts shed light on different aspects of the topic. The book showcases historical records, costumes, choreography, gramophones, photographs, posters, postcards, sheet music, and set designs and will be a delight to any opera fan.