Design academics and practitioners are facing a multiplicity of challenges in a dynamic, complex, world moving faster than the current design paradigm which is largely tied to the values and imperatives of commercial enterprise. Current education and practice need to evolve to ensure that the discipline of design meets sustainability drivers and equips students, teachers and professionals for the near-future. New approaches, methods and tools are urgently required as sustainability expands the context for design and what it means to be a 'designer'. Design activists, who comprise a diverse range of designers, teachers and other actors, are setting new ambitions for design. They seek to fundamentally challenge how, where and when design can catalyse positive impacts to address sustainability. They are also challenging who can utilise the power of the design process. To date, examination of contemporary and emergent design activism is poorly represented in the literature. This book will provide a rigorous exploration of design activism that will re-vitalise the design debate and provide a solid platform for students, teachers, design professionals and other disciplines interested in transformative (design) activism. Design Activism provides a comprehensive study of contemporary and emergent design activism. This activism has a dual aim - to make positive impacts towards more sustainable ways of living and working; and to challenge and reinvigorate design praxis, . It will collate, synthesise and analyse design activist approaches, processes, methods, tools and inspirational examples/outcomes from disparate sources and, in doing so, will create a specific canon of work to illuminate contemporary design discourse. Design Activism reveals the power of design for positive social and environmental change, design with a central activist role in the sustainability challenge. Inspired by past design activists and set against the context of global-local tensions, expressions of design activism are mapped. The nature of contemporary design activism is explored, from individual/collective action to the infrastructure that supports it generating powerful participatory design approaches, a diverse toolbox and inspirational outcomes. This is design as a political and social act, design to enable adaptive societal capacity for co-futuring.

An extraordinary monograph created by Christian Louboutin, renowned for his beautifully crafted handmade shoes, in particular his elegantly sexy stilettos. This stunning volume, with a fanciful and intricate pop-up, an elaborate foldout cover, and dramatic still-life photography, evokes the artistry and theatricality of Louboutin's shoe designs. Celebrated for his vertiginously high stilettos with their signature lacquer-red soles, Louboutin has achieved cult status with celebrities as well as fashionistas. His eclectic and exotic designs, often incorporating feathers, beads, and sequins, are a constant and dramatic presence on the red carpet and in nightclubs and restaurants the world over. Louboutin's first book, this monograph highlights the extraordinary range of his couture, from his iconic and glamorous creations to his fetishistic pieces, including his collaborations with David Lynch, meant more for the bedroom than the street. New photography captures Louboutin's artistic sensibilities, while an in-depth interview reveals Louboutin's life, travels, and inspirations, presenting a very personal look at the man behind the shoes. A work of art in itself, with a five-piece foldout binding and a pop-up, Christian Louboutin is an enticing and revelatory look at the most important luxury shoe designer of our day. The book is divided into six chapters. The first chapter covers Louboutin's biography, his start as a designer from his work for Chanel and Yves Saint Laurent to his first boutique in 1992, and his early creations and influences illustrated with many never-seen-before photos from his personal archives; chapter two features the Louboutin boutiques around the world showcasing the varied and extravagant interior designs and displays; chapter three is "20 years of design" and highlights his shoe designs from over the years with all-new still-life photography, as well as editorial art; chapter four features the spectacular interiors of Louboutin's homes in Paris and Luxor, Egypt, and behind-the-scenes shots from his studios and workshops; chapter five focuses on his creative collaborations with David Lynch, of a series called "Fetish," of limited-edition shoes by Louboutin and limited-edition photos by Lynch; chapter six is a complete catalogue raisonne of his work, with photos of all 120 shoe designs.

During the 19th and early 20th centuries the production of dress shifted dramatically from being predominantly hand-crafted in small quantities to machine-manufactured in bulk. The increasing democratization of appearances made new fashions more widely available, but at the same time made the need to differentiate social rank seem more pressing. In this age of empire, the coding of class, gender and race was frequently negotiated through dress in complex ways, from fashionable dress which restricted or exaggerated the female body to liberating reform dress, from self-defining black dandies to the oppressions and resistances of slave dress. Richly illustrated with over 100 images and drawing on a plethora of visual, textual and object sources, A Cultural History of Dress and Fashion in the Age of Empire presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.

Praise for the first edition:

Gold Medal Winner for Design Explorations
–Business Week’s Annual Design Awards

"The Measure of Man and Woman is a critical reference that is a must for every design school and office. It is elegant in its simplicity and usability. Once again, the Henry Dreyfuss team makes a major contribution to the profession!"
–Herb Tyrnauer, FIDSA

"The Measure of Man and Woman is a major contribution to the understanding of anthropometric and ergonomic realities that influence the design process. It is a vital reference document that not only informs, but provokes an awareness of and a sensitivity to complex and composite issues. Not since Le Corbusier’s more subjective and interpretive Le Modulor has there been a comprehensive reevaluation of man and woman’s occupation of space and the subsequent implications, responsibilities, and possibilities."
–Charles Gwathmey, FAIA, architect

The Measure of Man and Woman provides a comprehensive resource of critical information for creating products and environments that will suit the physical dimensions of people across the globe and with varying abilities. The revised edition of this classic volume includes more than 200 color drawings, up-to-date information on designing for the digital workplace, measurements for ADA compliance, a demo disk for ErgoForms–an ergonomic CAD program on CD-ROM–and much more.

The natural Japanese affinity for decorative art is apparent in this striking collection of 104 exquisite stencil designs, reproduced from a rare 19th-century publication. Motifs depict -- among other subjects -- lush florals, bamboo branches, birds on the wing, and rustic country homes. Captions identify the patterns.
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Jannik Goetz develops a treatment concept for sufferers of Seasonal Affective Disorder, commonly known as winter depression. Unlike existing solutions that focus on medical remission only, the author aims at creating a user experience that is alleviating symptoms of this disease in a motivating and hassle-free way. By utilizing a variety of research techniques, the author gains valuable user-driven insights that are directly transformed into a novel approach to light therapy. The result is a light lamp that resolves shortcomings and issues of current treatment approaches. A business plan and its associated requirements complement the overall concept.

Foreword by Kaffe Fassett A visual journey through the decades, Vintage Knitwear takes a close look at the key periods, significant styles, iconic designers and cultural influences in fashion knitwear. Organized chronologically, this book enables the reader to identify the unique constructions, innovative finishes and technical developments that determine the most influential knitwear designs of the decades of the twentieth century. Individual pieces that epitomize the defining characteristic of each designer or era are analyzed in detail.

The technical Become a Pattern Drafter series presents garment construction bases for the different sectors of ready-to-wear: Men, Women and Children. Using a simple, clear, logical, precise method, these books are conceived through a rational technique known as Flat Patternmaking which gives valid, key formulas to help construct any conceivable garment. The methods are accessible to everyone : those wanting to make unique creations for their family or those who wish to pursue a creative career in fashion as patternmakers, designers, product managers or clothing manufacturers.

Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

2012 Reprint of 1960 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. In this unique and fascinating book, two collectors of pictorial symbols tell the story of flower symbolism, explaining its religious, magical and legendary significance and revealing hundreds of curious and little know facts. This is an essential work for folklorists, for artists and designers in all fields, for botanical and gardening specialists, and for all those who would be familiar with the hidden language of flowers, plants and trees. Profusely illustrated.

Before the age of the paper book jacket, publishers issued their books in cloth-covered boards, which were stamped with designs in golf leaf and color. From around 1860, artists of the Arts and Crafts movement supplied many of the best designs. Dante Gabriel Rossetti, William Morris and Walter Crane led the way, and they were followed in the 1890s by Laurence Housman, Charles Ricketts and Selwyn Image, among others. Prominent Arts and Crafts architects, such as Philip Webb and C.F.A. Voysey, also designed book covers. Malcolm Haslam explores this uncharted territory, investigating not only the designs and designers, but the publishers and binders as well. He introduces some artists, little known today, whose designs filled the bookshops and bookshelves of late Victorian and Edwardian Britain, and he shows how designers in Europe and America were influenced by British book covers decorated in the Arts and Crafts style. Ninety-nine of the best covers are illustrated and described, and details are given of over fifty Arts and Crafts designers who worked in commercial book production, and their marks and monograms are shown."

After over two years of COVID-19, there is now a bright light at the end of the tunnel: most events can take place again. New formats and digital approaches have become established and professionalised and the industry has gathered a wealth of valuable experience. But despite the waning pandemic and the tangible delight about every event, the restart is not proving easy, due to a lack of personnel, and a war, along with many still unanswered questions surrounding digital and hybrid experiences. Previous developments and many of the 45 projects in this edition show new approaches, but in some respects still no overall ideal answers. And that is quite alright - because we are in the middle of a learning process! Text in English and German.

Design is all around us, it is impossible to avoid. Everything that surrounds us has been designed - from the paperclip and the iPod, to our homes and the way we live. Design: Intelligence Made Visible forms the definitive statement on design for this century. Written by Stephen Bayley, one of the world's best known commentators on modern culture and Terence Conran, one of the world's leading designers and arbiters of taste, this new mini edition pays tribute to the leading names, movements, materials and processes such as furniture, fashion, cars, graphics, products, signs and symbols. The book combines essential facts with authoritative opinions - everything, as the industrial designer Raymond Loewy once said, from a lipstick to a steamship - but brought right up to date.A series of essays begin by introducing how design has its place in modern cultural history including Terence Conran's definition of design. The main section of the book comprises an A-Z of iconic people, products and processes from 20th century to the present day with biographies of leading designers from past and present, as well as corporate histories, product appraisals, and witty accounts of relevant management, cultural and social theories.This is simply the indispensable guide to the contents of the modern world in a pocket-sized format.

Literary Nonfiction. Art. Photography. Design. HENRY AT HOME presents photographs of objects from Henry--a shop in Hudson, NY, run by Nancy Shaver--as they appear in the homes of the people who purchased them. In addition to these photographs, taken by the objects' owners, HENRY AT HOME includes artwork by Nancy Shaver, an introduction by Lucy Raven, and an interview between Shaver and Steel Stillman. "Houses and interiors have played a huge role in my life. Though they've taken a lot of my time, working on them has been a vital part of my art work. They've taught me a great deal about space and light and color. And because I've never had any money, but have always wanted to have art, my houses have taught me about looking. My houses have been laboratories where I've had visual encounters that I wouldn't have had any other way. Henry comes out of that experience"--Nancy Shaver.

Hats finish an outfit - they make a statement, provide panache and lift your spirits. This book explains how to make your own hats, using traditional construction methods with both specialist millinery foundation materials and a range of fabrics and trimmings. It showcases twenty-six hats and headpieces, each with step-by-step photographs and instructions, some using ready-made elements, others that are made from scratch. Celebrating the versatility of hats, it introduces the wide range of styles and shapes that modern millinery has embraced.

Good habits are found in every part of the design process, from promoting yourself well in order to land the client, to working with that client, to achieving the desired results on press. "100 Habits of Successful Freelance Designers" reveals solutions from a wide range of freelance designers whose years of experience have helped them find not only the most creative solutions for their clients' design needs, but also the most successful solutions. This book also focuses on the daily habits that inspire these designers to stay creative and business strategies to be successful when working on your own.

Perhaps no other object of our daily environment has had the enduring cultural significance of the ever-present chair, unconsciously yet forcefully shaping the physical and social dimensions of our lives. With over ninety illustrations, this book traces the history of the chair as we know it from its crudest beginnings up through the modern office variety. Drawing on anecdotes, literary references, and famous designs, Galen Cranz documents our ongoing love affair with the chair and how its evolution has been governed not by a quest for comfort or practicality, but by the designation of status.Relating much of the modern era's rampant back pain to an increasingly sedentary lifestyle spent in traditional seating, Cranz goes beyond traditional ergonomic theory to formulate new design principles that challenge the way we think and live. A farsighted and innovative approach to our most intimate habitat, this book offers guidelines that will assist readers in choosing a chair-and designing a lifestyle-that truly suits our bodies. Praise for The Chair " A] concise, multidisciplinary gem." Publishers Weekly "Cranz is no sedentary historian. The Chair is a call to action." Jonathan Levi, Los Angeles Times "Galen Cranz has written a provocative book. Pull up a comfortable chair-if you can find one-and read it." Witold Rybczynski"

DesignA" is not only skill oriented but based on concept development and the correct thought process. This book explains the true perspective of Design, its meaning and what it demands, and how Design is placed in our Everyday Life, Society and Industry.

This book contains everything you need to know about suits, from the traditional designs of the early 1900s, to innovative contemporary variations. It was awarded Financial Times' Fashion Book of the Year. Clothes maketh the man. For millions of men across the world the common denominator that identifies them is the suit. Just three and a half metres of fabric, some internal shaping elements, lining, buttons and several metres of thread are all it takes to produce the jacket-and-trouser combination that can be seen from boardrooms to bars, wherever men gather. In Sharp Suits we examine the fascinating history and evolution of the modern suit from the late seventeenth century to date. From eighteenth-century bespoke to the mass industrialization of the twentieth century, we see how the uniform of the ruling classes became the utilitarian outfit of the worker. A series of thematic chapters also illustrate how the universal staple of a man's wardrobe can play many different roles and, chameleon-like, can mean different things in different situations. From the Duke of Windsor to The Thin White Duke, David Bowie; from James Brown to The Jamel from Guys and Dolls to The Godfather, movie stars, rock stars, heroes and villains, philanthropists, presidents and gangsters - all these men and many more have dressed to impress in a matching jacket and trousers and have found that a suit will suit them very well. `Clothes can `do a job'. A well-cut suit can make you slimmer, taller, sexier, more elegant or business-like.' Sir Paul Smith Chapters include: Convention or Fashion? The single-breasted suit A Question of Balance the Double-breasted suit Princes Among Men The striped suit The Italian Job The checked suit US Male The white suit Passion from Paris The Dormeuil suits Lost in Music The Bowie suits The Magic of the Movies

A book about little-known (un)useful facts from the creative field. Structured as a dictionary, it includes meaningful information, idle gossip and anecdotes from A to Z. This is where Coco Chanel, David Carson and Chupa Chups come together on a spread and create inspirational connections and knowledge. It's a perfect handbook for design students, designers, architects and everybody that works in the creative industry. 'Hotchpotch' is structured as a dictionary, making it easy to follow or to look up information on a certain subject. The main objective of the book is to create inspirational connections and to supply knowledge.