Produit de la conference Translatio et Histoire des idees, troisieme du cycle Translatio, ce livre reunit des contributions refletant l'actualisation des recherches sur la Translatio et son role dans la marche des idees. Nous y voyons diverses conceptualisations de l'image de l'Autre et de son univers, dues aux determinants ideologiques et politiques du processus du transfert langagier. L'objectif des investigations est de mesurer les inflechissements induits par la Translatio, ce passage d'une culture a l'autre. Les auteurs abordent aussi bien des cas qui autorisent a identifier motifs et elements recurrents accompagnant le processus de la Translatio. La recurrence de ces aspects permet des formuler certaines regles concernant le transfert langagier. This book, a product of the "Translatio and the History of Ideas" conference and the third volume in the Translatio cycle, brings together contributions reflecting the advances in research on the Translatio and its role in the march of ideas. We see various conceptualizations of the image of the Other and his universe, due to the ideological and political determinants of the language transfer process. The objective of the investigations is to measure the inflections induced by the Translatio, this passage from one culture to another. The authors approach the cases that allow to identify certain patterns and recurring elements accompanying the process of the Translatio. The recurrence of these aspects makes it possible to formulate certain rules and principles concerning language transfer.

Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs's Tarzan novels to the 'black Zion' of Garvey's Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of 'Africa' as it exists in the American mindset.

The aspiration to relate the past 'as it really happened' has been the central goal of American professional historians since the late nineteenth century. In this remarkable history of the profession, Peter Novick shows how the idea and ideal of objectivity were elaborated, challenged, modified, and defended over the last century. Drawing on the unpublished correspondence as well as the published writings of hundreds of American historians from J. Franklin Jameson and Charles Beard to Arthur Schlesinger, Jr., and Eugene Genovese, That Noble Dream is a richly textured account of what American historians have thought they were doing, or ought to be doing, when they wrote history - how their principles influenced their practice and practical exigencies influenced their principles.

In the first half of the 20th century, many Polish philosophers focused on defining scientific concepts that could lead to the development of a philosophical synthesis of reality. Benedykt Bornstein elaborated an algebraic logic and developed novum organum philosophiae in the form of geometrical logic, a mathematical system of universal science. It can also be stated that Bornstein was unquestionably the forerunner of philosophers who started research into spatial logic in the second half of the 20th century. The aim of this study on Bornstein's Geometrical Logic is to draw readers' attention not only to the algebraic and geometrical tools used in philosophical research, but also to demonstrate its importance for contemporary philosophical discussions which use mathematical tools in topology and category theory.

A New Scientist Book of the Year Prehistory is all around us. We just need to know where to look. Juan Jose Millas has always felt like he doesn't quite fit into human society. Sometimes he wonders if he is even a Homo sapiens at all. Perhaps he is a Neanderthal who somehow survived? So he turns to Juan Luis Arsuaga, one of the world's leading palaeontologists and a super-smart sapiens, to explain why we are the way we are and where we come from. Over the course of many months the two visit different places, many of them common scenes of our daily lives, and others unique archaeological sites. Arsuaga tries to teach the Neanderthal how to think like a sapiens and, above all, that prehistory is not a thing of the past: that traces of humanity through the millennia can be found anywhere, from a cave or a landscape to a children's playground or a toy shop. Millas and Arsuaga invite you on a journey of wonder that unites scientific discovery with the greatest human invention of all: the art of storytelling.

This volume, first published in 1988, offers a comprehensive and authoritative account of the history of a complex and varied body of ideas over a period of more than a thousand years. A work of both synthesis and assessment, The Cambridge History of Medieval Political Thought presents the results of several decades of critical scholarship in the field, and reflects in its breadth of enquiry precisely that diversity of focus which characterised the medieval sense of the 'political', preoccupied with universality at some levels, and with almost minute particularity at others. Thus among the vital questions explored by the distinguished team of contributors are the nature of authority, of justice, of property; the problem of legitimacy, of allegiance, of resistance to the powers that be; the character and function of law, and the role of custom in sustaining a social structure. While the predominant emphasis of the volume is necessarily upon those ideas that developed within Latin Christendom, full weight is also given to the impact of Byzantine, Jewish, and Islamic thought, and the whole comprises a unique distillation of knowledge upon a multi-faceted screen.

James Mill's (1773-1836) role in the development of utilitarian thought in the nineteenth century has been overshadowed both by John Stuart Mill (1806-1873) and by Jeremy Bentham (1748-1832). Of the three, the elder Mill is considered to be the least original and with the least important, if any, contributions to utilitarian theory. True as this statement may be, even those who have tried to challenge some of its aspects take the common portrayal of Mill - "the rationalist, the maker of syllogisms, the geometrician" - as given. This book does not. Studying James Mill's background has surprising results with reference to influences outside the Benthamite tradition as well as unexpected implications for his contributions to debates of his time. The book focuses on his political ideas, the ways in which he communicated them and the ways in which he formed them in an attempt to reveal a portrait of Mill unencumbered from the legacy of Thomas Babington Macaulay's (1800-1859) brilliant essay "Utilitarian Logic and Politics".

This collection is the first of its kind on the topic of media development. It brings together luminary thinkers in the field-both researchers and practitioners-to reflect on how advocacy groups, researchers, the international community and others can work to ensure that media can continue to serve as a force of democracy and development. But that mission faces considerable challenges. Media development paradigms are still too frequently associated with Western prejudices, or out of touch with the digital age. As we move past Western blueprints and into an uncertain digital future, what does media development mean? If we are to act meaningfully to shape the future of our increasingly mediated societies, we must answer this question.

This book tells the story of how madness came to play a prominent part in America's political and cultural debates. It argues that metaphors of madness rise to unprecedented popularity amidst the domestic struggles of the early Cold War and become a pre-eminent way of understanding the relationship between politics and culture in the United States. In linking the individual psyche to society, psychopathology contributes to issues central to post-World War II society: a dramatic extension of state power, the fate of the individual in bureaucratic society, the political function of emotions, and the limits to admissible dissent. Such vocabulary may accuse opponents of being crazy. Yet at stake is a fundamental error of judgment, for which madness provides welcome metaphors across US diplomacy and psychiatry, social movements and criticism, literature and film. In the process, major parties and whole historical eras, literary movements and social groups are declared insane. Reacting against violence at home and war abroad, countercultural authors oppose a sane madness to irrational reason-romanticizing the wisdom of the schizophrenic and paranoia's superior insight. As the Sixties give way to a plurality of lifestyles an alternative vision arrives: of a madness now become so widespread and ordinary that it may, finally, escape pathology.

This collection is the first of its kind on the topic of media development. It brings together luminary thinkers in the field-both researchers and practitioners-to reflect on how advocacy groups, researchers, the international community and others can work to ensure that media can continue to serve as a force of democracy and development. But that mission faces considerable challenges. Media development paradigms are still too frequently associated with Western prejudices, or out of touch with the digital age. As we move past Western blueprints and into an uncertain digital future, what does media development mean? If we are to act meaningfully to shape the future of our increasingly mediated societies, we must answer this question.

This volume consists of a selection of scholarly essays from literature, philosophy and history on the conception of reality as understood by Rabindranath Tagore and Albert Einstein. The nature of reality has been a long-debated issue among scientists and philosophers. Tagore (1861-1941) met Einstein (1879-1955) at the latter's house in Kaputh, Germany on 14 July 1930 and had a long conversation on this issue. This conversation has been widely quoted and discussed by scientists, philosophers and scholars from the literary world. The important question that Tagore and Einstein discussed was whether the world is a unity dependent on humanity, or the world is a reality independent of the human factor. Einstein believed that reality is independent of the mind and the human factor. On the other hand, Tagore adopted the opposite view. Nevertheless, both Einstein and Tagore claimed to be realists - their conceptions of reality were obviously fundamentally different. Where does the difference lie? Can it be harmonized at a deeper level? This volume brings together for the first time a gamut of views on this subject from eminent scholars. It presents some key reflections on reality, language, poetry, truth, science, personality, human sciences, virtue ethics, intelligibility and creativity. It will be useful to scholars and researchers of philosophy, literature, history and political studies, as also to those interested in Tagore.

Congregationalist ministers Charles Chauncy and Jonathan Mayhew were among the most influential social and religious thinkers in Boston in the mid-eighteenth century. This 1987 study argues that Chauncy and Mayhew produced a complex but coherent body of ideas and that these ideas were organized closely and self-consciously around the principle of 'balance'. Writings on society and government are treated alongside theological works, rather than separate from them, and each man's corpus is placed against the background of English ideas as well as within the context of intellectual and social life in Boston. Investigation of the ideas of Chauncy and Mayhew in this way leads to the conclusion that although the two men believed that a cosmic principle of 'balance' organized social and religious life, they believed as well that full philosophical comprehension of this principle was beyond human capability. In order to express their understanding of cosmic order, Chauncy and Mayhew appropriated the metaphor of the 'great chain of being'.

David Hume (1711-1776) is one of the greatest of philosophers. Today he probably ranks highest of all British philosophers in terms of influence and philosophical standing. His philosophical work ranges across morals, the mind, metaphysics, epistemology, religion, and aesthetics; he had broad interests not only in philosophy as it is now conceived but in history, politics, economics, religion, and the arts. He was a master of English prose. The Clarendon Hume Edition will include all of his works except his History of England and minor historical writings. It is the only thorough critical edition, and will provide a far more extensive scholarly treatment than any previous editions. This edition (which has been in preparation since the 1970s) offers authoritative annotation, bibliographical information, and indexes, and draws upon the major advances in textual scholarship that have been made since the publication of earlier editions-advances both in the understanding of editorial principle and practice and in knowledge of the history of Hume's own texts. In this volume, Tom Beauchamp presents two essays from Four Dissertations (1757), the last philosophical work written by Hume, which was subsequently revised by the philosopher in the remaining years of his life. Whilst the bulk of A Dissertation on the Passions was extracted from passages in A Treatise of Human Nature, The Natural History of Religion was an original work when published in 1757, as well as the only major work devoted exclusively to the subject of religion that Hume published in his lifetime. Together with Hume's earlier work on religious topics, this essay drew considerable philosophical commentary from his contemporaries. The last edition of the two works in this volume seen through the press by Hume himself appeared in 1772. It provides the copy-text for this critical edition. The Editor's primarily historical Introduction discusses the genesis, revision, and reception of these two dissertations, which went into ten editions at the author's hand. It will appeal to scholars across many disciplines. General Editors of the Clarendon Hume: Professors T. L. Beauchamp (Georgetown University, USA), D. F. Norton (McGill University, Canada), M. A. Stewart (University of Lancaster, England). The Edition comprises (or will comprise): Vols. 1 and 2: A Treatise of Human Nature, edited by D. F. Norton Vol. 3: An Enquiry concerning Human Understanding, edited by T. L. Beauchamp Vol. 4: An Enquiry concerning the Principles of Morals, edited by T. L. Beauchamp Vol. 5: The Natural History of Religion and A Dissertation on the Passions, edited by T. L. Beauchamp Vols. 6 and 7: Essays, edited by T. L. Beauchamp and M. Box Vol. 8: Dialogues concerning Natural Religion and other posthumous publications, edited by M. A. Stewart

Aspirations for a better - even a perfect - society have existed throughout history, often imagined in intricate detail by philosophers, poets, social reformers, architects and artists. This book explores a perennially powerful idea: the quest for the ideal society. Gregory Claeys surveys the influence of the idea of Utopia on history. Central to his exploration of ideal worlds are creation myths; archetypes of heaven and the afterlife; new worlds and voyages of discovery; ages of revolution and technological progress; model communities and kibbutzim; political and ecological dystopias; space travel and science fiction. The most significant utopias throughout history - whether envisaged or attempted - are covered, including visions of the ideal society in the West as well as American, Asian, African and the Arab worlds. From classical times to the present day, this compelling book traces the enduring human need to imagine and construct ideal worlds.

Previously published as a special issue of British Journal of Middle East Studies, this volume focuses on leading figures within Iran between 1997-2007 and their visions and works that are related to Iranian society.

A cross section of opinion is investigated, including the clerical ( Ali Khameneh i, Muhammad Khatami and Mohsen Kadivar), the dissident (Mohsen Makhmalbaf), and the poetic (Qaysar Aminpour) and cinematic. The past decade has been a traumatic one in Iran, and the essays in this volume testify to the vibrancy of the responses from Iranian thinkers. It may be a surprise to some observers that in some senses, Ali Khameneh i may be considered a liberal whereas Muhammad Khatami s own credentials as an advocate of rapprochement with the West needs to be qualified. Responses to Western culture continue to remain centre-stage, and this is also nowhere more apparent than in the complex relationship between the directors of Iranian films (perhaps Iran s most celebrated export these days) and their audiences, both Iranian and Western. Despite some viewing Iran as a pariah state, it remains firmly connected to the West and to modern technology, typified in the practice of blogging that is enjoyed by so many Iranians, which has provided a new space for expression and thinking."

Beginning with a sustained analysis of Seneca's theory of monarchy in the treatise De clementia, in this text Peter Stacey traces the formative impact of ancient Roman political philosophy upon medieval and Renaissance thinking about princely government on the Italian peninsula from the time of Frederick II to the early modern period. Roman Monarchy and the Renaissance Prince offers a systematic reconstruction of the pre-humanist and humanist history of the genre of political reflection known as the mirror-for-princes tradition - a tradition which, as Stacey shows, is indebted to Seneca's speculum above all other classical accounts of the virtuous prince - and culminates with a comprehensive and controversial reading of the greatest work of renaissance political theory, Machiavelli's The Prince. Peter Stacey brings to light a story which has been lost from view in recent accounts of the Renaissance debt to classical antiquity, providing a radically revisionist account of the history of the Renaissance prince.

This book address the relationship between utopian and radical thought, particularly in the early modern period, and puts forward alternatives approaches to imagined 'realities'. Alternative Worlds Imagined, 1500-1700 explores the nature and meaning of radicalism in a traditional society; the necessity of fiction both in rejecting and constructing the status quo; and the circumstances in which radical and utopian fictions appear to become imperative. In particular, it closely examines non-violence in Gerrard Winstanley's thought; millennialism and utopianism as mutual critiques; form and substance in early modern utopianism/radicalism; Thomas More's utopian theatre of interests; and James Harrington and the political necessity of narrative fiction. This detailed analysis underpins observations about the longer term historical significance and meaning of both radicalism and utopianism.

This volume's unifying theme is the question: Is a concept of development relevant to art? Bringing together contributions from the perspectives of philosophical aesthetics, psychoanalysis, architecture and design, and the practicing artist, as well as developmental theory in psychology, this volume provides a unique assembly of voices from different disciplines. The twelve chapters span artistic production in childhood, transformations in the work of the individual artist, and historical changes in art, thus establishing a broad canvas for examining how concepts of development are used in relation to the arts. The contributors consider specific phenomena and questions against the background of theoretical issues, taking markedly different views on whether change in artistic work can be aptly characterized as development and, if so, what modulations of the concept may be required in light of accompanying assumptions and implications. Given the nature of this discourse, this richly illustrated book should lead to a radical rethinking among those who apply developmental concepts to artistic phenomena and aesthetic movements, and to reconsideration of the role of art in optimal human development within the individual and within social orders.

The gens, a key social formation in archaic Rome, has given rise to considerable interpretative problems for modern scholarship. In this comprehensive exploration of the subject, Professor Smith examines the mismatch between the ancient evidence and modern interpretative models influenced by social anthropology and political theory. He offers a detailed comparison of the gens with the Attic genos and illustrates, for the first time, how recent changes in the way we understand the genos may impact upon our understanding of Roman history. He develops a concept of the gens within the interlocking communal institutions of early Rome, which touches on questions of land ownership, warfare and the patriciate, before offering an explanation of the role of the gens and the part it might play in modern political theory. This significant work makes an important contribution not only to the study of archaic Rome, but also to the history of ideas.

Worlds Apart traces the history of our concepts of the marketplace and the theater and the ways in which these concepts are bound together. Focusing on Britain and America in the years 1550-1750, the book discusses the forms and conventions that structured both commerce and theater. Drawing on a variety of disciplines and documents, Professor Agnew illuminates one of the most fascinating chapters in the formation of Anglo-American market culture.

This book explores intellectual discourse in reform era China by analysing the so-called "debate on the spirit of the Humanities", which occurred in the years 1993-95, and which is recognised by scholars as one of the most interesting, influential and important debates of the 1990s. This debate, in which Chinese intellectuals reflected on reform-era mass culture and on their role in society, was the first debate in China after the crackdown of 1989 and the launch of new economic reforms after Deng Xiaoping's 1992 "southern tour". The book, drawing on a large corpus of texts and a wide range of individual positions, demonstrates how Chinese intellectuals, having to face the combination of political repression and economic liberalisation, conceptualised and reacted to both. The book reveals the scale and complexity of the debate, the nature of intellectual life in China, the status and relevance of intellectual voices in society, the divisions within the intellectual sphere as well as shared concepts and ideals, and how the key factors of political repression and economic liberalisation which remain central in China today were defined and articulated.

Exploring how the face and body of America were imagined both physically and metaphorically during the Civil War, this book shows how visual iconography affected changes in postbellum gendered and racialised identifications of the nation.

Mendacity in Early Modern Literature and Culture examines the historical, cultural, and epistemological underpinnings of lying and deception in early modern England, including the political, religious, aesthetic, and philosophical discourses that governed the codes of lying and truth-telling from the sixteenth to the early eighteenth centuries. The contributions to this collection draw on a wide range of early modern English literature from Shakespeare to Swift, and from travel writing to poetry, in order to explore the extent to which plays, poems, and narrative texts in this period were sites of negotiation, and, at times, of ideological warfare between the moral imperative of truth-telling and the expediency of telling lies. What were the cultural norms of truthfulness and lying, and on what basis were they constructed? What were the consequences when someone did not share the assumed common project of truth-telling? And which forms of communication were exempt from the pragmatic strictures on mendacious discourse? This book was originally published as a special issue of the European Journal of English Studies.

It was only in the sixteenth century that texts began to refer to the significance of "economic activity"--of sustaining life. This was not because the ordinary business of life was thought unimportant, but because the principles governing economic conduct were thought to be obvious or uncontroversial. The subsequent development of economic writing thus parallels the development of capitalism in Western Europe. From the seventeenth to the twenty-first century there has been a constant shift in content, audience, and form of argument as the literature of economic argument developed. This book proposes that to understand the various forms that economic literature has taken, we need to adopt a more literary approach in economics specifically, to adopt the instruments and techniques of philology. This way we can conceive the history of economic thought to be an on-going work in progress, rather than the story of the emergence of modern economic thinking. This approach demands that we pay attention to the construction of particular texts, showing the work of economic argument in different contexts. In sum, we need to pay attention to the economy of the word. l The Economy of the Word is divided into three parts. The first explains what the term economy has meant from Antiquity to Modernity, coupling this conceptual history with an examination of how the idea of national income was turned into a number during the first half of the twentieth century. The second part is devoted to Adam Smith's Wealth of Nations, considering first the manner in which Smith deals with international trade, and then the way in which the book was read in the course of the nineteenth century. Part III examines the sources used by Karl Marx and Leon Walras in developing their economic analysis, drawing attention to their shared intellectual context in French political economy.

SELECTED AS A 2018 SUMMER READ BY THE SUNDAY TIMES, OBSERVER, I-PAPER AND THE BIG ISSUE 'Enormously entertaining' SUNDAY TIMES 'Fascinating' NEW STATESMAN 'Excoriating, brilliant' ALI SMITH 'Enthralling' GUARDIAN 'My number one contributor when it comes to US politics' DAN SNOW 'The American dream is dead,' Donald Trump said when announcing his candidacy for president in 2015. How would he revive it? By putting 'America First'. The 'American Dream' and 'America First' are two of the most loaded phrases in America today - and also two of the most misunderstood. As divides within America widen, Sarah Churchwell looks to the past to reveal what the surprising history of these two phrases can tell us about today.