Examining the role of memory in the transition from totalitarian to democratic systems, this book makes an important contribution to memory studies. It explores memory as a medium of and impediment to change, looking at memory's biological, cultural, narrative and socio-psychological dimensions.

Called by Heinrich Heine a city of dull and culturally limited merchants where poets only go to die, Hamburg would seem an improbable setting for a major new intellectual movement. Yet it was there, at a new university in an unintellectual banking city at the end of World War I, that a trio of innovative thinkers emerged. Together, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues of thought in cultural theory, art history, and philosophy, changing the course of cultural and intellectual history not just in Weimar Germany, but throughout the world. In Dreamland of Humanists, Emily J. Levine considers not just these men, but the historical significance of the time and place where their ideas first took form. Shedding light on the origins of their work in the Renaissance and the Enlightenment, Levine clarifies the social, political, and economic pressures faced by German-Jewish scholars on the periphery of Germany's intellectual world. And by examining the role that this context plays in our analysis of their ideas, Levine confirms that great ideas - like great intellectuals - must come from somewhere.

While political systems may change comparatively quickly, the social and cultural processes of adaptation and transformation take considerably longer. This volume explores memory as both a medium of and an impediment to change, offering an inroad into the problems, mechanisms and patterns involved in the complex processes that accompany the transition from authoritarian to democratic structures. Written by authors from different cultural and disciplinary backgrounds, the essays chart the terrain and supply well-documented case studies to extend knowledge on the relationship between social and political memory and the transition process.

When Jean-Luc Nancy first encountered the work of Jacques Derrida in the 1960s, he knew he was hearing something new, a voice genuinely of its time. Thinking with and against each other over the course of their long friendship, the two thinkers reshaped the European intellectual landscape. Nancy’s writings on Derrida, collected in this volume, reflect on the elements of their shared concerns with politics, the arts, religion, the fate of deconstruction, and the future of sense. Rather than studies, commentaries, or interpretations of Derrida’s thought, they are responses to his presence—not exactly a presence to self, but a presence in the world.

This volume inscribes an innovative domain of inquiry, bringing museum and heritage studies to bear on questions of transitional justice, memory and post-conflict reconciliation. As practitioners, artists, curators, activists and academics, the contributors explore the challenges of bearing witness to past conflicts.

Environmentalists today debate whether ecological harmony means we must manage the natural world or appreciate its incomprehensible complexity. This argument has a long history, beginning with Francis Bacon's claim that through science, humanity could make Nature bend to its will. This timely book unearths the challenge voiced by John Donne, Andrew Marvell, and the Earl of Rochester to Bacon's endeavor to make Nature subservient.

"Based on impressive research in a wide variety of sources, including popular literature, advertisements, true confession and physique magazines, advice columns, sex surveys, vice investigation reports, and personal letters, "The First Sexual Revolution" offers a provocative interpretation of the impact of the sexual revolution on men. White's boldly-stated criticism of sexual liberalism is sure to arouse controversy. Yet his view of men confused by new expectations of attractiveness and sexiness, threatened by women's demands for sexual satisfaction, yet essentially still in control, is compelling."
--Leila J. Rupp Ohio State University, Co-author of "Survival in the Doldrums: The American Women's Rights Movement, 1945 to the 1960s,"

In the early 1900s, a sexual revolution took place that was to define social relations between the sexes in America for generations. As Victorian values gradually faded, and a commercialized consumer culture emerged, the female figure of the flapper came to embody early-twentieth century femininity. Simultaneously, masculine ideals were also undergoing radical change. Who then was this New Man to accompany the New Woman? Who was the flapper's boyfriend?

In this remarkable book, Kevin White draws on a vast array of sources to examine the ideology--spread through movies, advertisements, sex confession magazines, social hygienists, sex manuals, and Freudian popularizers --that has defined modern American manhood. Examining attitudes toward masturbation, homosexuality, violence against women, feminism, free love, and the emerging dating system, "The First Sexual Revolution" shows how American men in the Jazz Age were subjected to a barrage ofinformation and advice about their sexuality that stressed not character but personality and sex appeal. Repression was out; sexual expression--performance--was in.

This New Man was more egalitarian and more sexual than the Victorian patriarch. But the diffusion to the middle class of the Victorian underworld ethos of primitivism and violence against women, and the flight from commitment to relationships, heralded instability and tensions that continues to define American sexual relations. To illustrate this point, Dr. White takes a close look--through letters and diaries--at the successes and failures of nine marriages involving actively feminist women, demonstrating the pressures that this revolution in values caused. Dr. White concludes that the return to primitivism characterized by the men's movement marks the most recent aftershock of the revolution that has shaped us all.

"Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is "saturated with style." It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, Remy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Valery, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of "pure" style and rejecting a literature that is "purely" style. Between these two poles, style emerges, in the words of John Middleton Murry, not as "an isolable quality of writing, but as writing itself.""--

Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is "saturated with style." It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, Remy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Valery, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of "pure" style and rejecting a literature that is "purely" style. Between these two poles, style emerges, in the words of John Middleton Murry, not as "an isolable quality of writing, but as writing itself."

"This book unites research in philosophy and cognitive science with cultural history to re-examine memory in early modern religious practices. Offering an ecological approach to memory and culture, it argues that models derived from Extended Mind and Distributed Cognition can bridge the gap between individual and social models of memory"--

"Medicinal Cannibalism in Early Modern English Literature and Culture" examines an important moment in the long history of the medical use and abuse of the human body. In early modern Protestant England, the fragmented corpse was processed, circulated, and ingested as a valuable drug in a medical economy underpinned by a brutal judicial system. In a meticulous engagement with an extensive range of medical, religious, and literary texts, Louise Noble shows how early modern writers became obsessed with medicinal cannibalism and its uncanny link to the contested Eucharist sacrament. In the process, Noble points out startling continuities between early modern and contemporary medical consumptions of the body.

The human body, traded, fragmented and ingested is at the centre of Medicinal Cannibalism in Early Modern English Literature and Culture , which explores the connections between early modern literary representations of the eaten body and the medical consumption of corpses.

This volume brings together twenty original essays on the changes and continuities in gender relations and intersecting politics of sexuality, race, class and location. The book is located in debates about contemporary culture at a moment of rapid technological change, global interconnectedness and the growing cultural dominance of neoliberalism and postfeminism. The collection traverses disciplines, spaces and approaches. It is marked by an extraordinarily wide focus, ranging from analyses of celebrity magazines and makeover shows to examinations of the experiences of young female migrants, 'mail order brides' and young women who repudiate feminism. The contributions are united by their attempts to think through the ways in which experiences and representations of femininity are changing in the twenty-first century. Are we seeing new femininities? Are neoliberalism and postfeminism constructing new identities and subjectivities? What kinds of analytic tools and cultural politics are needed to critically engage with the current moment? This book will be of interest to everyone studying gender, media or cultural studies.

W. E. B. Du Bois was one of the great African American intellectuals of the early twentieth century. He was a prominent civil rights leader, sociologist, historian, educator, author of several works of fiction, and one of the founding figures of Pan-Africanism. Du Bois's works are filled with allusions to the classical mythology, philosophy, and history that permeated his education. In the first book-length discussion of the topic, David Withun examines the influence of classical authors on Du Bois's thoughts about education, the arts, government, and society. The influence of classical philosophy, particularly that of Plato and Cicero, is apparent in some of Du Bois's most distinctive ideas, such as the concept of the Talented Tenth, his opposition to Booker T. Washington's industrial education, and in his support of propaganda through art. Withun also explores Du Bois's critique of the classical tradition in his responses to modern racism and colonialism. While Du Bois adopted a number of ideas from the classical tradition, he also used them to critique what he saw as a tradition gone awry. Alongside Du Bois's critique of the classical tradition, he also exhibited an increasing interest in the history-ancient and modern-of Africa and Asia. In his attempts to combat modern prejudice, Du Bois appealed to the long traditions of thought of peoples outside of Europe, in several instances pioneering the research of non-European history. Withun argues that Du Bois's absorption of the classical tradition and simultaneous appreciation of the history of Africa and Asia culminated in a modern cosmopolitanism, one that calls for a more inclusive appreciation of global culture.

Irish culture is obsessed with the past, and this book asks why and how. In an innovative reading of Irish culture since 1980, Emilie Pine provides a new analysis of theatre, film, television, memoir and art, and interrogates the anti-nostalgia that characterizes so much of contemporary Irish culture.

This volume inscribes an innovative domain of inquiry, bringing museum and heritage studies to bear on questions of transitional justice, memory and post-conflict reconciliation. As practitioners, artists, curators, activists and academics, the contributors explore the challenges of bearing witness to past conflicts.

This book critically assessesthird-wave feminist strategies for advancing a feminist 'politics of the self' within the late modern, postfeminist gender order - a context where gender equality has been mainstreamed, feminism has been dismissed, and a neoliberal culture of self-management has become firmly entrenched.

This book studies the complementary features of the thought of David Hume and Edward Gibbon in the complete range of its confrontation with eighteenth-century Christianity. The ten chapters explore the iconoclasm of these two philosophical historians - Hume as the premier philosopher, Gibbon as the consummate historian - as they labored to naturalize' the study of Christianity, particularly with attention to its social and political dimensions. No other work deals as comprehensively or thoroughly with the attempt of philosophical history's challenge to Christianity. Belief in miracles and the afterlife, the dimensions of fanaticism and superstition, and the nature of religious persecution were the themes that occupied Hume and Gibbon in the making of their critique of Christianity. This book makes a valuable contribution to scholarship in a number of fields including the history of ideas, religious studies, and philosophy. It will be of interest to philosophers of religion, historians of ideas, eighteenth-century intellectual historians, scholars of the Scottish Enlightenment, and Hume and Gibbon scholars.

In the early 1980s the late Charles B. Schmitt and I discussed the fact that so much new research and new interpretations were taking place concerning various areas of modem skepticism that we, as pioneers, ought to organize a conference where these new findings and outlooks could be presented and discussed. Charles and I had both visited the great library at Wolfenbiittel, and were most happy when the Herzog August Bibliothek agreed to host the first conference on the history of skepticism, in 1984 (published as Skepticism from the Renaissance to the Enlightenment, ed. R. H. Popkin and Charles B. Schmitt Wiesbaden, 1987, Wolfenbiitteler For schungen, vol. 35]) Charles and I projected a series of later conferences, the first of which would deal with skepticism and irreligion in the seventeenth and eighteenth centuries. Unfortunately, however, Charles died suddenly in 1986, while lecturing in Padua. Subsequent to his death Constance Blackwell, his companion of many years, established the Foundation for Intellectual History to support research and publica tion on topics in the history of ideas that continued Schmitt's interests. One of the first ventures was to arrange and fund the already planned conference on skepticism and irreligion in the seventeenth and eighteenth centuries. After many difficulties and problems, the conference was sponsored and funded by the Foundation for Intel lectual History, one of its first public activities. It was held at the lovely facilities of the Netherlands Institute for Advanced Studies in Wassenaar in 1990."

This interdisciplinary volume reflects on the effects of recent discoveries in genetics on a broad range of scientific fields. It shows the way in which those discoveries influence genetics itself and many other fields, and explains the impact of genetics on contemporary culture. The volume contains the most recent views of the Nobel Laureate Francois Jacob on genetics and the nature of living things."

Irish culture is obsessed with the past, and this book asks why and how. In an innovative reading of Irish culture since 1980, Emilie Pine provides a new analysis of theatre, film, television, memoir and art, and interrogates the anti-nostalgia that characterizes so much of contemporary Irish culture.

New perspectives on the iconic physicist's scientific and philosophical formation At the end of World War II, Albert Einstein was invited to write his intellectual autobiography for the Library of Living Philosophers. The resulting book was his uniquely personal Autobiographical Notes, a classic work in the history of science that explains the development of his ideas with unmatched warmth and clarity. Hanoch Gutfreund and Jurgen Renn introduce Einstein's scientific reflections to today's readers, tracing his intellectual formation from childhood to old age and offering a compelling portrait of the making of a philosopher-scientist. Einstein on Einstein features the full English text of Autobiographical Notes along with incisive essays that place Einstein's reflections in the context of the different stages of his scientific life. Gutfreund and Renn draw on Einstein's writings, personal correspondence, and critical writings by Einstein's contemporaries to provide new perspectives on his greatest discoveries. Also included are Einstein's responses to his critics, which shed additional light on his scientific and philosophical worldview. Gutfreund and Renn quote extensively from Einstein's initial, unpublished attempts to formulate his response, and also look at another brief autobiographical text by Einstein, written a few weeks before his death, which is published here for the first time in English. Complete with evocative drawings by artist Laurent Taudin, Einstein on Einstein illuminates the iconic physicist's journey to general relativity while situating his revolutionary ideas alongside other astonishing scientific breakthroughs of the twentieth century.

Orland Bishop is a remarkable man who has combined extensive study of medicine, naturopathy, psychology and indigenous cosmologies with a deep dedication to human rights, Founder of the ShadeTree foundation which works with at-risk young people in Los Angeles, Bishop's primary work is around supporting individuals to be open to the higher purpose of their lives. In this fascinating book he reveals the influences on his life and work, in particular the spiritual tradition of African Gnosis, and significant individuals from the history of the African experience in America. Drawing on anthroposophy and other spiritual traditions, he explores the nature of the soul journey, and the quest for community and prosperity.

This book offers a critique of the dominant conceptualization of heritage found in policy, which tends to privilege the white, middle and upper classes. Using Britain as an illustration, Waterton explores how and why recent policies continue to lean towards the predictable melding of cultural diversity with tendencies of assimilation.

An engaging look at the aphorism, the shortest literary form, across time, languages, and cultures Aphorisms-or short philosophical sayings-appear everywhere, from Confucius to Twitter, the Buddha to the Bible, Heraclitus to Nietzsche. Yet despite this ubiquity, the aphorism is the least studied literary form. What are its origins? How did it develop? Were the enigmatic sayings of charismatic sages the original "social media"? And why do some of our most celebrated modern philosophers use aphoristic fragments to convey their deepest ideas? In A Theory of the Aphorism, Andrew Hui crisscrosses histories and cultures to answer these questions and more. Encompassing literature, philology, and philosophy, A Theory of the Aphorism invites us to reflect anew on the meaning of this pithiest of literary forms.