To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken. Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she shows that error is both a given and a gift--one that can transform our worldviews, our relationships, and ourselves.

This book investigates the relationship of the work of Walter Benjamin and Sigmund Freud, centered around Benjamin's fractured subject. Through a reading of Benjamin's work on sovereignty and myth, it establishes the emergence of this fractured subject in the Baroque. It then links these themes to 'Mourning and Melancholia' and two of Freud's case studies, showing that melancholia and possession emerge as two responses to the baroque loss of a cosmological horizon. Turning to Benjamin's work on the nineteenth century in the Arcades Project, it then delineates the persistence of this fractured subject, showing how Benjamin conceptualises its development over the course of modernity. Investigating the change of memory and experience in modernity, it discusses the resurfacing of melancholia as spleen, and the refracting of the fractured subject into types. Having introduced the importance of the dream in the Arcades Project and associated work, the book then examines Benjamin's dream theory, establishing the ways it draws from Freud's dream interpretation. Finally, it examines Benjamin's concept of awakening as a therapeutic, collective, political gesture that points beyond the fractured subject.

Towards a Realist Philosophy of History argues for the radical-at least in contemporary historical theory-view that historians are by and large successful in their goal of providing accurate knowledge and understanding about the historical past. Adam Timmins provides a philosophical framework that supports this endeavor, as well as highlighting some of the issues with the "strong constructivist" accounts common in contemporary historical theory. Among other things, the book provides a realist construal of colligatory concepts, historiographical reference and the use of narrative, as well as examining the mechanisms of historiographical progress. The work also provides some much-needed criticism of aspects of the strong constructivist position, such as the contemporary adoption of "irrealism" and the idealist implications of this, that has have yet failed to make their way into the existing literature. The book proves that historical theory has not "moved on" from the realism-idealism debate and that realism with regards to the products of historiography is still very much a live option.

The title of this collection, The Logic of Racial Practice, pays homage to the work of Pierre Bourdieu, who coined the term habitus to name the pretheoretical, embodied dispositions that orient our social interactions and meaningfully frame our lived experience. The language of habit uniquely accounts for not only how we are unreflectively conditioned by our social environments but also how we responsibly choose to enact our habits and can change them. Hence, this collection of essays edited by Brock Bahler explores how white supremacy produces a racialized modality by which we live as embodied beings, arguing that race-and racism-is performative, habituated, and enacted. We do not regularly have to "think" about race, since race is a praxis, producing embodied habits that have become sedimented into our ways of being-in-the-world, and that instill within us racialized (and racist) dispositions, postures, and bodily comportments that inform how we interact with others. The construction of race produces a particular bodily formation in which we are shaped to viscerally perceive through a racialized lens images, words, activities, and events without any self-reflective conceptualization, and which we perpetuate throughout our day-to-day choices. The contributors argue that eradicating racism in our society requires unlearning these racialized habitus and cultivating new anti-racist habits.

Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.

This book examines the seventeenth-century project for a "real" or "universal" character: a scientific and objective code. Focusing on the Essay towards a real character, and a philosophical language (1668) of the polymath John Wilkins, Fleming provides a detailed explanation of how a real character actually was supposed to work. He argues that the period movement should not be understood as a curious episode in the history of language, but as an illuminating avatar of information technology. A non-oral code, supposedly amounting to a script of things, the character was to support scientific discourse through a universal database, in alignment with cosmic truths. In all these ways, J.D. Fleming argues, the world of the character bears phenomenological comparison to the world of modern digital information-what has been called the infosphere.

Thomas Aquinas (1224-74) was born in Naples of a powerful Italian family. He took part in the major philosophical and theological controversies of his day and fought the decisive battle which re-admitted the study of the works of Aristotle. In his work he attempted to harmonise the rational insights of the classical world with revealed Christian truths. [He reinterpreted the Augustinian view of history and politics by concluding that the state did have positive value in itself, as an expression of God's providence and will for mankind. Man fulfilled himself in two ways - as a good citizen and as a Christian seeking salvation. Aquinas is therefore seen as reconciling the views of the pagan Aristotle with the teachings of Christianity.] Aquinas' theory of the state helped to put European political thought on a new plane. This wide-ranging collection of papers investigates and illuminates various aspects of Aquinas' thought regarding Church and State, society, natural law, justice and political authority.

Hugo Grotius (1583-1645), the Dutch jurist and philosopher, is a key theorist of the post-mediaeval state. According to Grotius, the state is not subject to any terrestrial superior, either political or ecclesiastical. His political writings develop the consequences of this condition including the construction of state authority in terms of 'natural rights', acknowledging the right to self-protection and the needs of individuals. A further development is the idea that the state is the instrument of justice beyond its own boundaries. He asserted that there were universal moral standards that could be used to judge questions of international conflict. This universal morality was based on two prinicples: that self-preservation is always legitimate; and that wanton injury of another is always illegitimate. [On this foundation, rules for reconciling conflict could be erected and the existence of civil society explained.] These views have characterised much political thought from Grotius' day to the present and have played their part in the history of international law. This collection of articles presents in chronological order the writings of 20th century authors on Grotius and covers such topics as the life of Grotius, the evolution of his ideas, his contribution to the theory of 'natural law' and his wider significance as a political thinker.

Thomas Hobbes (1588-1679) is best known for his development of the concept of sovereignty, which was treated most clearly in his great work, Leviathan. Whilst Hobbes was not the first theorist of sovereignty, he remains perhaps the most thorough exponent of the concept. His accounts of morality and religion, as well as of government, are set out in a way that precludes legitimate challenge to the sovereign's authority: and the soovereign, whether monarchical or republican or parliamentary, was taken by Hobbes to be fundamental to civil life. Much of the literature on Hobbes has been devoted to his work on sovereignty. However, this does not exhaust the interest of Hobbes' thought, and recent scholars have also investigated such topics as his conception of historiography, his natural philosophy and his account of religion, and considered how these relate to his political thought. The articles selected in these three volumes reflect these concerns and offer an exploration of Hobbes' political philosophy.

Thomas More (1478-1535), English statesman, author and saint, was a lawyer, politician and diplomat, a leading member of the Renaissance of northern Europe and a defender of the Roman Catholic faith. In the history of political thought More is remembered as the author of Utopia, a little book which gave rise to a genre of literature and a name for a mode of theorising, which explicitly criticises existing political and social arrangements from a radical perspective and also offers new ideals and illustrates how these might be realised in an imaginery society. For over four hundred years the meaning of More's Utopia has confounded scholars. Many of the ideas advanced in the book, e.g. on rational religion and religious toleration, seem to be at odds with the events of More's political career and his practical religious position. Moreover there is much disagreement about the meaning and importance of the substantial satiric elements it contains. This collection contains a great variety of authoritative articles which not only investigate More's life and the influences on his work, but also offer the reader a selection of the various interpretations and comparisons of his writings that scholars have made in the course of this century.

The work of David Hume (1711-76), the Scottish historian and philosopher, constitutes a break with the assumptions of his predecessors who suggested that our ideas and practices answered to a rational design, whether divine or human. Instead Hume emphasized the origins of our ideas in sensation, suggested that reason was properly the slave of the passions, and located the origins of social and political institutions in utility and sentiment. Hume's philosophy found its complement in his political essays and History of England, which emhphasized unintended results and the complexity of the historical process. Altogether Hume's work constitutes the first thoroughgoing attempt since the rise of Christianity to characterize human experience in terms that offered an alternative to theologically-based or para-theological theories. As such, its importance for subsequent developments, like that of Kant's work, is not to be underestimated. This significant anthology contains articles on different aspects of his thought - his historical works, his political scepticism, his concepts of justice, liberty and property and moral evaluation.

'Fear God, honour the king.' Sixteenth-century people were supposed to do both. But what was the king entitled to command? And what if he ordered one thing and God's law said another? In this fascinating and original study, James Burns examines these questions by focusing on a neglected area of study: the Scottish experience. The sixteenth century in Scotland was a time of intense political and religious conflict, which generated a substantial literature of political debate. This debate was of such intensity that James VI, the first king to rule over Scotland and England, wrote his own book on the subject: 'The True Lawe of Free Monarchies'. Some of the substantial literature of political debate has long been recognized as important in the wider history of European political thought. Knox and Buchanan as exponents of 'resistance theory', Blackwood and Barclay as defenders of 'absolute' monarchy, have had that recognition. James VI, uniquely expounding 'divine right' principles from the throne, has likewise had his place. More recently, the significance of the late-scholastic theory of John Mair has been increasingly acknowledged. This book, however, is the first attempt to bring together systematically these and less familiar elements in a rich and varied body of political thought. The Scottish response to monarchical government not only provides a microcosmic view of European thinking on the subject, it also contributes substantially to our understanding of the Scottish element in the new 'British' polity which was emerging at the end of the period.

What is critique? How is it used and abused? At a moment when popular discourse is saturated with voices confronting each other about not being critical enough, while academic discourses proclaim to have moved past critique, this provocative book reawakens the foundational question of what 'critique' is in the first place. Roy Ben-Shai inspects critique as an orientation of critical thinking, probing its structures and assumptions, its limits and its risks, its history and its possibilities. The book is a journey through a landscape of ideas, images, and texts from diverse sources-theological, psychological, etymological, and artistic, but mainly across the history of philosophy, from Plato and Saint Augustine, through Kant and Hegel, Marx and Heidegger, up to contemporary critical theory. Along the way, Ben-Shai invites the reader to examine their own orientation of thought, even at the moment of reading the book; to question popular discourse; and to revisit the philosophical canon, revealing affinities among often antagonistic traditions, such as Catholicism and Marxism. Most importantly, Critique of Critique sets the ground for an examination of alternative orientations of critical thinking, other ways of inhabiting and grasping the world.

One of Victorian England s most famous philosophers harbored a secret: Herbert Spencer suffered from an illness so laden with stigma that he feared its revelation would ruin him. He therefore went to extraordinary lengths to hide his malady from the public. Exceptionally, he drew two of his closest friends the novelist George Eliot and her partner, G. H. Lewes into his secret. Years later, he also shared it with a remarkable neurologist, John Hughlings-Jackson, better placed than anyone else in England to understand his illness. Spencer insisted that all three support him without betraying his condition to others and two of them did so. But George Eliot, still smarting from Spencer s rejection, years earlier, of her offer of love, did not. Ingeniously, she devised a means both of nominally respecting (for their contemporaries) and of violating (for our benefit) Spencer s injunction. What she hid from her peers she reveals to us in an act of deferred, but audacious literary revenge. It s here decoded for the first time. Indeed The Complicity of Friends comprises the first disclosure of Spencer s hidden frailty but also, more importantly, of the responses it generated in the lives and works of his three notable friends. This book provides a complete rethinking of its principal figures. The novelist who emerges in these pages is a more sinuous and passionate George Eliot than the oracular Victorian we are used to hearing about. The significance of the friendship between Lewes, her irrepressible partner, and the inventive Hughlings-Jackson is outlined for the first time. And in an ironic twist, even his three farsighted confidants could not anticipate that, late in the twentieth century, certain of Spencer s own intuitions about the nature and provenance of his illness would be vindicated. Those with any interest in George Eliot, Lewes, Hughlings-Jackson, or Spencer will be compelled to re-envision their personalities after reading The Complicity of Friends."

Current studies in disciplinarity range widely across philosophical and literary contexts, producing heated debate and entrenched divergences. Yet, despite their manifest significance for us today seldom have those studies engaged with the Victorian origins of modern disciplinarity. Victorian Culture and the Origin of Disciplines adds a crucial missing link in that history by asking and answering a series of deceptively simple questions: how did Victorians define a discipline; what factors impinged upon that definition; and how did they respond to disciplinary understanding? Structured around sections on professionalization, university curriculums, society journals, literary genres and interdisciplinarity, Victorian Culture and the Origin of Disciplines addresses the tangled bank of disciplinarity in the arts, humanities, social sciences and natural sciences including musicology, dance, literature, and art history; classics, history, archaeology, and theology; anthropology, psychology; and biology, mathematics and physics. Chapters examine the generative forces driving disciplinary formation, and gauge its success or failure against social, cultural, political, and economic environmental pressures. No other volume has focused specifically on the origin of Victorian disciplines in order to track the birth, death, and growth of the units into which knowledge was divided in this period, and no other volume has placed such a wide array of Victorian disciplines in their cultural context.

The Western Devaluation of Knowledge is an exploration of the causes and effects of Western cultural changes that have evolved during the past half millennium of industrialization to diminish the value of knowledge as process. Western culture has developed a conceptualization and valuation of knowledge that reverses the traditional knowledge continuum that connects data (information) to understanding. As a result, we displace the subjective and human features of knowledge with automated systems that conforms with information and devalues the knowledge process. This book explains this change as a result of the industrial influences that began to gain strength in the 15th century and continued on that path through today s economic and cultural globalization. The author shows that science and technology, while bringing good on many fronts have also: .Weakened or replaced traditional sources of cultural authority, .Advanced a materialistic outlook; .Hastened the broad spread of capitalist values, principles, and strategies; .Fostered a pervasive dependence on technological innovation; and .Nurtured an extreme rationality. Osburn shows that while any one of the above cultural currently would have been sufficient to cause deep and generalized change, their confluence was the deciding inspiration for a different epistemology, one that has altered the generally accepted meaning and valuation of knowledge.

In Newspaper City, Phillip Gordon Mackintosh scrutinizes the reluctance of early Torontonians to pave their streets. He demonstrates how Toronto's two liberal newspapers, the Toronto Globe and Toronto Daily Star, nevertheless campaigned for surface infrastructure as the leading expression of modern urbanity, despite the broad resistance of property owners to pay for infrastructure improvements under local improvements by-laws. To boost paving, newspapers used their broadsheets to fashion two imagined cities for their readers: one overrun with animals, dirt, and marginal people, the other civilized, modern, and crowned with clean streets. However, the employment of capitalism to generate traditional public goods, such as concrete sidewalks, asphalt roads, regulated pedestrianism, and efficient automobilism, is complicated. Thus, the liberal newspapers' promotion of a city of orderly infrastructure and contented people in actual Toronto proved strikingly illiberal. Consequently, Mackintosh's study reveals the contradictory nature of newspapers and the historiographical complexities of newspaper research.

This history of ideas in American psychology divides 11 decades into three periods, marked out by specific themes central to psychologists over the years. Initially, the legacy of mind-body dualism challenged scientists to make coherent a single universe of mental and physical phenomena, but efforts were hampered by languages that embody mental, physical, and metaphysical commitments. This struggle began with James, whose work remains enormously relevant, is exacerbated by Titchener, whose mentalism provokes a reaction by Watson, whose physicalistic bias provoked a vastly expanded realm opened by Gestalt.

The second period, from Freud to Skinner, shifted the focus from mind and body to experimental and clinical settings for the acquisition and application of psychological knowledge. Tolman, Hebb, Rogers, Hull, Piaget, and Skinner each sought to create a psychology that could bridge these two settings, often reducing one to the other, but often inventing ideas for psychology that vastly changed the earlier preoccupation with mind-body dualism. In the third period, feminists, phenomenologists, and post modern thinkers recentered psychology. The cultural acceptance of psychology as a point of view on virtually any issue led to a proliferation of diversity even greater than in the second period. The integration of psychology into employment roles in most segments of society made psychology more diverse and less unified than ever. An important resource for all scholars, students, and researchers involved with the history of ideas and American psychology.

As climate change becomes an increasingly important part of public discourse, the relationship between time in nature and history is changing. Nature can no longer be considered a slow and immobile background to human history, and the future can no longer be viewed as open and detached from the past. Times of History, Times of Nature engages with this historical shift in temporal sensibilities through a combination of detailed case studies and synthesizing efforts. Focusing on the history of knowledge, media theory, and environmental humanities, this volume explores the rich and nuanced notions of time and temporality that have emerged in response to climate change.

The collection covers the foundations of business cycle theory from the mid-nineteenth century through to the work immediately affected by the publication of Keynes's General Theory.With the revival of interest in real business cycles in the last ten years, these volumes provide a substantial selection of the intellectual achievements in this area developed by previous generations; any of such achievements were temporarily obscured by the success of Keynes's work.

In The Deconstruction of Sex, Jean-Luc Nancy and Irving Goh discuss how a deconstructive approach to sex helps us negotiate discourses about sex and foster a better understanding of how sex complicates our everyday existence in the age of #MeToo. Throughout their conversation, Nancy and Goh engage with topics ranging from relation, penetration, and subjection to touch, erotics, and jouissance. They show how despite its entrenchment in social norms and centrality to our being-in-the-world, sex lacks a clearly defined essence. At the same time, they point to the potentiality of literature to inscribe the senses of sex. In so doing, Nancy and Goh prompt us to reconsider our relations with ourselves and others through sex in more sensitive, respectful, and humble ways without bracketing the troubling aspects of sex.

"The likeness of form between Chinese and English sentences," writes the American Sinologist Ernest Fenollosa around 1906, "renders translation from one to the other exceptionally easy." If Babel Had a Form asks not if his claim may be true, but what its phantasmic surprise may yet do. In twentieth-century intersections of China and Asia with the United States, translations did more than communicate meaning across politicized and racializing differences of language and nation. Transpacific translation breached the regulative protocols that created those very differences of human value and cultural meaning. The result, Tze-Yin Teo argues, saw translators cleaving to the sounds and shapes of poetry to imagine a translingual "likeness of form" but not of meaning or kind. At stake in this form without meaning is a startling new task of equivalence. As a concept, equivalence has been rejected for its colonizing epistemology of value, naming a broken promise of translation and false premise of comparison. Yet the writers studied in this book veered from those ways of knowing to theorize a poetic equivalence: negating the colonial foundations of the concept, they ignited aporias of meaning into flashpoints for a radical literary translation. The book's transpacific readings glean those forms of equivalence from the writing of Fenollosa, the vernacular experiments of Boxer Scholar Hu Shi, the trilingual musings of Shanghai-born Los Angeles novelist Eileen Chang, the minor work of the Bay Area Korean American transmedial artist Theresa Cha, and a post-Tiananmen elegy by the exiled dissident Yang Lian. The conclusion returns to the deconstructive genealogy of recent debates on translation and untranslatability, displacing the axiom of radical alterity for a no less radical equivalence that remains-pace Fenollosa-far from easy or exceptional. Ultimately, If Babel Had a Form illuminates the demanding force of even the slightest sameness entangled in the translator's work of remaking our differences.

Bruce Haddock's lucid and original textbook combines historical and theoretical analysis, setting political thought in the context of the emerging institutional, cultural and economic framework of the modern world. From the colossal impact of the French and American revolutions, through reaction and constitutional consolidation, the book traces the contrasting criteria invoked to justify particular forms of political order from 1789 to the present day. Its chapters are organized around key themes such as liberty, welfare, the nation-state and totalitarianism, focusing on the response of theorists to fundamental ideological and political controversies. Major thinkers covered include Kant, Burke, Hegel, Tocqueville, Marx, Mill, Mazzini, Lenin, Schmitt, Hayek, Oakeshott and Rawls.

The book also confronts challenging questions about the status of moral and political principles. Cultural and moral controversy is characteristic of our everyday experience. In recent decades, however, the foundations of political and ethical theory have been widely questioned. Haddock highlights the emergence of a dilemma that faces all citizens: how we make judgements of value from embedded positions in social and cultural communities.

A History of Political Thought: 1789 to the Present will be of interest to students and scholars of politics, history and philosophy.

What connects Shiite passion plays with Brecht's drama? Which of Goethe's poems were inspired by the Quran? How can Ibn Arabi's theology of sighs explain the plays of Heinrich von Kleist? And why did the Persian author Sadeq Hedayat identify with the Prague Jew Franz Kafka? 'One who knows himself and others will here too understand: Orient and Occident are no longer separable': in this new book, the critically acclaimed author and scholar Navid Kermani takes Goethe at his word. He reads the Quran as a poetic text, opens Eastern literature to Western readers, unveils the mystical dimension in the works of Goethe and Kleist, and deciphers the political implications of theatre, from Shakespeare to Lessing to Brecht. Drawing striking comparisons between diverse literary traditions and cultures, Kermani argues for a literary cosmopolitanism that is opposed to all those who would play religions and cultures against one another, isolating them from one another by force. Between Quran and Kafka concludes with Kermani's speech on receiving Germany's highest literary prize, an impassioned plea for greater fraternity in the face of the tyranny and terrorism of Islamic State. Kermani's personal assimilation of the classics gives his work that topical urgency that distinguishes universal literature when it speaks to our most intimate feelings. For, of course, love too lies 'between Quran and Kafka'.