Memphis is equal parts music and food--the products of a community marked with grit and resiliency. The city's blues and soul music have lifted spirits, while barbecue has been a serious business ever since pork first entered the culinary landscape of Memphis with Spanish explorer Hernando de Soto, who brought the New World its first herd of pigs. Succulent pulled pork and ribs have become part of the fabric of life in the River City, and today they are cooked up in kitchens ranging from the internationally acclaimed, like Corky's, to the humblest of roadside dives. Told through the history of its barbecue is the story of the city of Memphis, from legendary joints like Leonard's Barbecue, where Elvis Presley hosted private parties, to lesser-known places like William's Bar-B-Q in the West Memphis, Arkansas neighborhood where wild, late-night blues juke joints served as a red-light district across the river from Beale Street in the 1950s and '60s. Sink your teeth into this rich history chock-full of interviews and insights from the city's finest pitmasters and 'cue gurus who continue the long tradition of creating art with meat and flame.

Katja Maria Vogt's Belief and Truth: A Skeptic Reading of Plato explores a Socratic intuition about the difference between belief and knowledge. Beliefs - doxai - are deficient cognitive attitudes. In believing something, one accepts some content as true without knowing that it is true; one holds something to be true that could turn out to be false. Since our actions reflect what we hold to be true, holding beliefs is potentially harmful for oneself and others. Accordingly, beliefs are ethically worrisome and even, in the words of Plato's Socrates, "shameful." As Vogt argues, this is a serious philosophical proposal and it speaks to intuitions we are likely to share. But it involves a notion of belief that is rather different from contemporary notions. Today, it is a widespread assumption that true beliefs are better than false beliefs, and that some true beliefs (perhaps those that come with justifications) qualify as knowledge. Socratic epistemology offers a genuinely different picture. In aiming for knowledge, one must aim to get rid of beliefs. Knowledge does not entail belief - belief and knowledge differ in such important ways that they cannot both count as kinds of belief. As long as one does not have knowledge, one should reserve judgment and investigate by thinking through possible ways of seeing things. According to Vogt, the ancient skeptics and Stoics draw many of these ideas from Plato's dialogues, revising Socratic-Platonic arguments as they see fit. Belief and Truth retraces their steps through interpretations of the Apology, Ion, Republic, Theaetetus, and Philebus, reconstructs Pyrrhonian investigation and thought, and illuminates the connections between ancient skepticism and relativism, as well as the Stoic view that beliefs do not even merit the evaluations "true" and "false."

Jeffrey L. Broughton offers an annotated translation of the Whip for Spurring Students Onward Through the Chan Barrier Checkpoints, which he abbreviates to Chan Whip. This anthology is a classic of Chan (Zen) Buddhism that has served as a Chan handbook in both China and Japan since its publication in 1600. It is a compendium of extracts, over eighty percent of which are drawn from an enormous Chan corpus dating from the late 800s to about 1600-a survey that covers most of the history of Chan literature. The rest of the text consists of complementary extracts from Buddhist sutras and treatises. The extracts, many of which are accompanied by Chan master Dahui Zhuhong's commentary, deliberately eschew abstract discussions of theory in favor of sermons, exhortations, sayings, autobiographical narratives, letters, and anecdotal sketches dealing frankly and compassionately with the concrete experiences of lived practice.
While there are a number of publications in English on Zen practice, none contain the vivid descriptions found within the Chan Whip. This translation thus fills a large gap in the English-language literature on Chan, and by including the original Chinese text as well Broughton has produced an invaluable tool for scholars and practitioners alike.

In late July 1910, a shocking number of African Americans in Texas were slaughtered by white mobs in the Slocum area of Anderson County and the Percilla-Augusta region of neighboring Houston County. The number of dead surpassed the casualties of the Rosewood Massacre in Florida and rivaled those of the Tulsa Riots in Oklahoma, but the incident--one of the largest mass murders of blacks in American history--is now largely forgotten. Investigate the facts behind this harrowing act of genocide in E.R. Bills's compelling inquiry into the Slocum Massacre.

From the US Capitol to the Lincoln Memorial and the 9/11 Memorial Museum, classical forms and ideas have been central to an American nationalist aesthetic. Beginning with an understanding of this centrality of the classical tradition to the construction of American national identity and the projection of American power, Empire of Ruin describes a mode of black classicism that has been integral to the larger critique of American politics, aesthetics, and historiography that African American cultural production has more generally advanced. While the classical tradition has provided a repository of ideas and images that have allowed white American elites to conceive of the nation as an ideal Republic and the vanguard of the idea of civilization, African American writers, artists, and activists have characterized this dominant mode of classical appropriation as emblematic of a national commitment to an economy of enslavement and a geopolitical project of empire. If the dominant forms of American classicism and monumental culture have asserted the ascendancy of what Thomas Jefferson called an "empire for liberty," for African American writers and artists it has suggested that the nation is nothing exceptional, but rather another iteration of what the radical abolitionist Henry Highland Garnet identified as an "empire of slavery," inexorably devolving into an "empire of ruin."

The Garden State has made innumerable contributions to our nation's military history, on both battlefield and homefront, but many of those stories remain hidden within the larger national narrative. Perhaps the most crucial one-day battle of the Revolution was fought in Monmouth County, and New Jersey officers engineered the conquest of California in the Mexican War. During the Civil War, a New Jersey unit was instrumental in saving Washington, D.C., from Confederate capture. In World War II, New Jersey women flocked to war production factories and served in the armed forces, and a West Orange girl helped ferry Spitfire fighters in England. War came home to the coast in 1942 with the sinking of the SS "Resor" by a German submarine, but the state's citizens reacted by contributing everything they could to the war effort. Uncover these and other stories from New Jersey's hidden wartime history.

Step across the threshold of a haunted hotel in California's renowned Gold Country and encounter phantom figures of yesteryear. Wispy apparitions of gentleman guests in Victorian coats and ladies in fashionable flapper gowns glide through the walls, while unexplained sobs and choking gasps disturb the night. There's Stan, the Cary House's eternal desk clerk, and bachelor ghost Lyle, who tidies the Groveland Hotel. Flo tosses pots and pans in the National's kitchen, while the once-scorned spirit of Isabella ties the Sierra Nevada House's curtains in knots. From suicidal gamblers to murdered miners, the Mother Lode's one-time boomtowns are crowded with characters of centuries past. Book your stay with author Nancy Williams as she explores the history and haunts of the Gold Country's iconic hotels.

First populated by the Huron, Iroquois and Chippewa Nations, Orillia is now a well-loved, year-round recreation destination. Its history is deeply tied to its water. Situated in the narrows where Lake Simcoe flows into Lake Couchiching, Orillia was a gathering place for centuries before Europeans used it to bring furs to market. Sir John Simcoe, first governor of Upper Canada, fostered permanent settlement of the area. A gateway to the Muskoka region, it has been home to lumber, manufacturing, and artistic endeavours. Today, summer cottagers and winter athletes alike enjoy the Sunshine City and its more than twenty annual festivals. Local author Dennis Rizzo tells the fascinating and diverse history of Orillia, Ontario.

While all but gone today, Jamestown's furniture industry was once the second-largest producer of furniture in the United States. Manufacturing boomed from 1816, when William Breed and Royal Keyes opened their shops, to the 1920s, when Jamestown was still one of the top wood furniture producers in the country. In the nineteenth century, the thriving railroad industry allowed Jamestown's quality creations to be distributed nationwide. After the Civil War, an influx of Swedish immigrants brought their craftsmanship and skills to Jamestown, forming Morgan Manufacturing, Empire Furniture Company and many others. Then, their pieces were valued for quality and durability; today, they're coveted by collectors as beautiful antiques. Local expert Clarence Carlson uncovers the fascinating story of Jamestown furniture.

A strike gripped Winnipeg from May 15 to June 26, 1919. Some twenty-five thousand workers walked out, demanding better wages and union recognition. Red-fearing opponents insisted labour radicals were attempting to usurp constitutional authority and replace it with Bolshevism. Newspapers like the "Manitoba Free Press" claimed themselves political victims and warned of Soviet infiltration. Supporters of the general sympathetic strike like the "Toronto Daily Star" maintained that strikers were not Reds; they were workers fighting for their fair rights. What was really happening in Winnipeg? In an information age dominated by newspapers and magazines, the public turned to reporters and editors for answers.

On July 11, 1864, some residents cheered and others watched in horror as Confederate troops spread across the fields and orchards of Silver Spring, Maryland. Many fled to the capital while General Jubal Early's troops ransacked their property. The estate of Lincoln's postmaster general, Montgomery Blair, was burned, and his father's home was used by Early as headquarters from which to launch an attack on Washington's defenses. Yet the first Civil War casualty in Silver Spring came well before Early's raid, when Union soldiers killed a prominent local farmer in 1862. This was life in the shadow of the Federal City. Drawing on contemporary accounts and memoirs, Dr. Robert E. Oshel tells the story of Silver Spring over the tumultuous course of the Civil War.

Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith. Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.

Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination.
Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Durrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature.
Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readersinterested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.

Blues history is steeped in Chicago's sidewalks; it floats out of its restaurants, airport lounges and department stores. It is a fundamental part of the city's heritage that every resident should know and every visitor should be afraid to miss. Allow Rosalind Cummings-Yeates to take you inside the Checkerboard and Gerri's Palm Tavern, where folks like Muddy Waters, Howlin' Wolf, Willie Dixon and Ma Rainey transformed Chicago into the blues mecca. Continue on to explore the contemporary blues scene and discover the best spots to hear the purest sounds of Sweet Home Chicago.

Luther and Liberation recovers the liberating and revolutionary impact of Luther's theology, read afresh from the perspective of the Latin American context. Altmann provides a much-needed reassessment of Luther's significance today through a direct engagement of Luther's historical situation with an eye keenly situated on the deeply contextual situation of the contemporary reader, giving a localized reading from the author's own experience in Latin America. The work examines with fresh vigor Luther's central theological commitments, such as his doctrine of God, Christology, justification, hermeneutics, and ecclesiology, and his forays into economics, politics, education, violence, and war. This new edition greatly expands the original text with fresh scholarship and updated sources, footnotes, and bibliography, and contains several additional new chapters on Luther's doctrine of God, theology of the sacraments, his controversial perspective on the Jews, and a new comparative account with the Latin American liberation theology tradition.

Discover the unique history of the Abenaki in New Hampshire.

The writers of the Bible speak to us with their words, and the Bible's characters speak to us with their lives. Their powerful examples reveal the spiritual inspiration and brilliant insight the human writers and the divine Writer intended. Times, cultures, traditions, and societal values may change from century to century, but human nature does not.

We value people whose words and actions reflect their true thoughts and intentions. People of integrity purposely integrate their own thoughts, words, and behaviors. They work at making their own hearts and minds, thoughts and ideas consistent with the godly character portrayed in Scripture.

These twenty-five Bible personalities in Choose Your Character cultivate a desire to deepen the commitment to live a life of unfailing integrity. Their examples teach us how to increase our personal satisfaction and effectiveness while strengthening our ability to influence others.

Paid in Full, a riveting account of Jesus' final hours, takes you on a journey that does just that. It powerfully explains the significance--for every person ever born--of each step Jesus willingly took along the way of His suffering, His death, and His resurrection. Noted Bible teacher Rick Renner draws a brilliant backdrop to the passion of Jesus Christ, interjecting fresh insights into the human and divine drama that took place in Jerusalem more than 2,000 years ago.

Each Vermont country store carries its own particular stock of special wares and memorable characters. From the Connecticut River to Lake Champlain, country stores and their dedicated owners offer warmth against the blizzard, advice and a friendly ear or a stern word. Neighbors meet and communities are forged beside these feed barrels and bottomless coffee urns. Author Dennis Bathory-Kitsz returns once again to the Green Mountain State with this updated and revised history and guide to its beloved country stores. When Hurricane Irene threatened many of these local institutions and communities in 2011, Vermonters came together, often at their country stores. Explore the very heart of communities big and small, where locals have been keeping their house keys behind the counter and solving the world's problems on the front stoop for more than two hundred years.

Afrikaanse 1983-vertaling, mediumgrootte, volledige Bybel. Gepubliseer met 'n sagteband, randindeks en voetnote.

• 8.5-punt lettergrootte
• Grootte: 135 x 210mm

In fifteen essays-one new, two newly revised and expanded, three with new postscripts-Kendall L. Walton wrestles with philosophical issues concerning music, metaphor, empathy, existence, fiction, and expressiveness in the arts. These subjects are intertwined in striking and surprising ways. By exploring connections among them, appealing sometimes to notions of imagining oneself in shoes different from one's own, Walton creates a wide-ranging mosaic of innovative insights.

Through its extensive use of primary source materials and invaluable contextual notes, this book offers a documented history of one of the most famous adventures in early American history: the Lewis and Clark expedition. This book is the first to situate the Lewis and Clark expedition within the political and scientific ambitions of Thomas Jefferson. It spans a forty-year period in American history, from 1783–1832, covering Jefferson's early interest in trying to organize an expedition to explore the American West through the difficult negotiations of the Louisiana Purchase, the formation of the "Corps of Discovery," the expedition's incredible journey into the unknown, and its aftermath. The story of the expedition is told not just through the journals and letters of Lewis and Clark, but also through the firsthand accounts of the expedition's other members, which included Sacagawea, a Native American woman, and York, an African American slave. The book features more than 100 primary source documents, including letters to and from Jefferson, Benjamin Rush, and others as the expedition was being organized; diary excerpts during the expedition; and, uniquely, letters documenting the lives of Lewis, Clark, Sacagawea, and York after the expedition.

When the Christian Right burst onto the scene in the late 1970s, many political observers were shocked. But, God's Own Party demonstrates, they shouldn't have been. The Christian Right goes back much farther than most journalists, political scientists, and historians realize. Relying on extensive archival and primary source research, Daniel K. Williams presents the first comprehensive history of the Christian Right, uncovering how evangelicals came to see the Republican Party as the vehicle through which they could reclaim America as a Christian nation. The conventional wisdom has been that the Christian Right arose in response to Roe v. Wade and the liberal government policies of the 1970s. Williams shows that the movement's roots run much deeper, dating to the 1920s, when fundamentalists launched a campaign to restore the influence of conservative Protestantism on American society. He describes how evangelicals linked this program to a political agenda-resulting in initiatives against evolution and Catholic political power, as well as the national crusade against communism. Williams chronicles Billy Graham's alliance with the Eisenhower White House, Richard Nixon's manipulation of the evangelical vote, and the political activities of Jerry Falwell, Pat Robertson, and others, culminating in the presidency of George W. Bush. Though the Christian Right has frequently been declared dead, Williams shows, it has come back stronger every time. Today, no Republican presidential candidate can hope to win the party's nomination without its support. A fascinating and much-needed account of a key force in American politics, God's Own Party is the only full-scale analysis of the electoral shifts, cultural changes, and political activists at the movement's core-showing how the Christian Right redefined politics as we know it.