Die geliefde dominee Barend Vos se sketse oor die lewe van ’n predikant en sy gesin in ’n plattelandse gemeente het tot op hede in vyf bundels verskyn. Dié sketse verskyn die afgelope tien jaar elke maand in die tydskrif LIG, met illustrasies deur Fred Mouton.

In Liefdegroete, Grootseun word ’n dertigtal van Vos se Grootseun-stukke wat die afgelope jare in Lig verskyn het, byeen gebring as keur van die meer as 100 wat sedert sy laaste versameling verskyn het. Elke rubriek word aangebied as ’n brief wat deur “Grootseun” geskryf word aan sy ouers. Die sketse het meestal ’n sterk humoristiese aanslag en gefokus op ’n plattelandse kerkgemeenskap waarvolgens “Grootseun” die Jongdominee van die gemeente is. Die ruimte is dus plattelands, kerklik en geskryf met ’n deernisvolle aanbod wat eie is aan Vos se skryfstyl.

Everyone can use a daily wake-up call.
Now in bite-size mantras, the abridged empathetic wit and wisdom of the number one "New York Times" bestseller "He's Just Not That Into You" will recharge and inspire your dating outlook one wake-up call at a time.
For ages women have come together over coffee, cocktails, or late-night phone chats to analyze the puzzling behavior of men. Greg Behrendt and Liz Tuccillo are here to say that -- despite good intentions -- you're wasting your time. Men are not complicated, although they'd like you to think they are. And there are no mixed messages.
The truth may be, "He's just not that into you."
"He's Just Not That Into You" -- based on a popular episode of "Sex and the City" -- educates otherwise smart women on how to tell when a guy just doesn't like them "enough, " so they can stop wasting time making excuses for a dead-end relationship. This book knows you're a beautiful, smart, funny woman who deserves better

A modern retelling of Aesop and Beatrix Potter's classic tale, this version finds the Town Mouse sent to the country for moral improvement after being excluded from school for dealing in class 'C' cheese. Meanwhile, the Country Mouse marches on London to protest at the recent ban on stag beetle hunting.

Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later. Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone. Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair. Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.