Desperate Times is the unmissable new collection of sketches of contemporary political life by The Times's master of satire, Peter Brookes. Within these pages, the multiple winner of the British Press Awards Cartoonist of the Year showcases the stand-out pieces from his daily cartoons in The Times, up to the minute and breath-taking in their bite and wit. Desperate Times catalogues one of the most eventful years on record with Brooke's usual satire and unsparing critique of political leaders at home and abroad. From Trump to Biden (literally), and from COVID-19 19 to Brexit, this peerless collection of hilarious and beautiful cartoons provides a peerless tonic for these torrid times!

Andy Darlington has been interviewing Rock's luminaries and legends for several decades-spurred on as a child in the late-sixties by testosterone, the napalm that was Elvis and hopes to bed hippie chicks. "I Was Elvis Presley's Bastard Love-Child "collects together his timeless and engaging conversations with a diverse selection of artists and band members, amongst whom are included: Led Zeppelin, Fleetwood Mac, Country Joe McDonald, Grace Slick, Kraftwerk, Cabaret Voltaire, The Byrds, Can, The Kinks, Mott The Hoople, The Fall, Siouxie And The Banshees, The Stone Roses, and Skunk Anansie.

Artist Norman Thelwell is best known for his cartoons depicting plump, petulant ponies and their young riders, but The Effluent Society shows another aspect of his work and character. Thelwell was passionate about the countryside and nature. During his life he became increasingly concerned about the impact of development, pollution and society's treatment of the environment. When The Effluent Society was first published in 1971, his concerns were way ahead of their time. Today, environmental and conservation issues are in the mainstream and have become a global priority. Although the cartoons focus on a serious topic there is no mistaking Thelwell's inimitable style. He used his talent and humour to convey a powerful message: the need to protect the environment. He also takes a wry look at modern life and so-called progress. Thelwell admitted that out of all his books, The Effluent Society was the one that gave him the greatest 'personal satisfaction' and, as such, the re-issue of this title is a fitting tribute to the artist.

Has this ever happened to you? You're reading Romeo and Juliet but you keep getting frustrated because there's no bank heists and barely any surfing. You're halfway through watching Point Break on your laptop when you slam it shut, shouting "this doesn't even rhyme!" You're trying to hold a copy of a Shakespeare play and your Point Break DVD in the same hand so you can pick up a cup of coffee with your other hand but they don't fit together and they slip out of your hand so you try to catch them with your other hand but that spills coffee all over your white t-shirt and the play and the DVD and the cup hit your toe and you cry out in pain but then you glance at the title of the play and it's Much Ado About Nothing which just adds insult to injury so you throw your head to the heavens and scream "there has to be a better way!" Well now there is. Point Break and Shakespeare, together at last.

Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later. Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone. Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair. Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.