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Books > Language & Literature > Language teaching & learning (other than ELT)
This student edition is available in two levels (Beginning and
Intermediate/Advanced), aligned to Reading/Writing Workshop
selections with additional scaffolding and support for speaking,
listening, reading, and writing. 1 Intermediate/Advanced Worktext
per grade and 6 unitized Beginner per grade (in a 4/c consumable).
No other description available.
In 1903, W. E. B. Du Bois wrote about the Talented Tenth in an
influential essay of the same name. The concept exalted
college-educated Blacks who Du Bois believed could provide the race
with the guidance it needed to surmount slavery, segregation, and
oppression in America. Although Du Bois eventually reassessed this
idea, the rhetoric of the Talented Tenth resonated, still holding
sway over a hundred years later. In Rethinking Racial Uplift:
Rhetorics of Black Unity and Disunity in the Obama Era, author
Nigel I. Malcolm asserts that in the post-civil rights era, racial
uplift has been redefined not as Black public intellectuals lifting
the masses but as individuals securing advantage for themselves and
their children. Malcolm examines six best-selling books published
during Obama's presidency-including Randall Kennedy's Sellout, Bill
Cosby's and Alvin Poussaint's Come on People, and Ta-Nehisi
Coates's Between the World and Me-and critically analyzes their
rhetorics on Black unity, disunity, and the so-called "postracial"
era. Based on these writings and the work of political and social
scientists, Malcolm shows that a large, often-ignored, percentage
of Blacks no longer see their fate as connected with that of other
African Americans. While many Black intellectuals and activists
seek to provide a justification for Black solidarity, not all
agree. In Rethinking Racial Uplift, Malcolm takes contemporary
Black public intellectual discourse seriously and shows that
disunity among Blacks, a previously ignored topic, is worth
exploring.
Norme vir Afrikaans (nou reeds in 'n sesde uitgawe) het sedert 1989
bewys gelewer dat dit 'n besonder effektiewe bron is vir gebruik in
taalkundeklaskamers van tersiere instellings en selfs in skole. Die
boek is aan die een kant 'n praktiese naslaanbron wat as basis vir
eie taalontwikkeling kan dien. Aan ander kant word in die aanpak
probeer om taalteorie en taalpraktyk te versoen. Dat die outeur
hierin geslaag het, is bewys deur die gereelde bywerk van die boek
en die wye gebruik daarvan. In die besonder fokus die boek op die
verskeidenheid "norme" wat 'n mens in gedagte moet hou by die
praktiese gebruik van Afrikaans, onder meer die beginsels
onderliggend aan hierdie norme, en dan ook die identifisering van
belangrike en nuttige bronne van taaladvies oor problematiese
taalsake. Die doel van die boek is nie om streng "normatief" te
probeer voorskryf nie, maar eerder om leiding te gee in die
hantering van praktiese taalkwessies met as vertrekpunt gefundeerde
taalteoretiese kennis oor die Afrikaanse taalkunde. Die boek is nou
al deeglik gevestig as 'n omvattende en uiters bruikbare hulpmiddel
vir sowel student as dosent en is die vrug van die outeur se
jarelange ondervinding as taaldosent en navorser. Daar word ook
rekening gehou met die geleidelike herstandaardisering van
Afrikaans, vandaar die nuwe subtitel "Moderne Standaardafrikaans",
wat 'n aanduiding is dat Afrikaans in die proses is om te
moderniseer vir 'n nuwe geslag gebruikers. Die riglyne van die
elfde uitgawe van die Afrikaanse Woordelys en Spelreels (AWS)
(2017) is volledig in hierdie uitgawe verreken.
No other description available.
This book explains why and how drama works as an enjoyable, social,
and emotionally engaging way for young people and adults to learn
and use a second language within imagined worlds and develop their
21st century skills. A flexible teachers' toolbox of drama
strategies is offered and guidance on how to start using drama for
learning with language students. Each strategy is presented in
detail and used within the exemplar lessons. The authors refer to
relevant educational, psychological and neurological theories and
cite research that helps account for drama's efficacy in motivating
talk and supporting second language acquisition, whilst developing
important life skills such as communication, collaboration,
critical thinking, creativity and resilience.
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