The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.

How did a single genre of text have the power to standardise the English language across time and region, rival the Bible in notions of authority, and challenge our understanding of objectivity, prescription, and description? Since the first monolingual dictionary appeared in 1604, the genre has sparked evolution, innovation, devotion, plagiarism, and controversy. This comprehensive volume presents an overview of essential issues pertaining to dictionary style and content and a fresh narrative of the development of English dictionaries throughout the centuries. Essays on the regional and global nature of English lexicography (dictionary making) explore its power in standardising varieties of English and defining nations seeking independence from the British Empire: from Canada to the Caribbean. Leading scholars and lexicographers historically contextualise an array of dictionaries and pose urgent theoretical and methodological questions relating to their role as tools of standardisation, prestige, power, education, literacy, and national identity.

Chaucer's best-known poem, The Canterbury Tales, is justly celebrated for its richness and variety, both literary - the Tales include fabliaux, romances, sermons, hagiographies, fantasies, satires, treatises, fables and exempla - and thematic, with its explorations of courtly love and scatology, piety and impiety, chivalry and pacifism, fidelity and adultery. Students new to Chaucer will find in this Companion a lively introduction to the poem's diversity, depth, and wonder. Readers returning to the Tales will appreciate the chapters' fresh engagement with the individual tales and their often complicated critical histories, inflected in recent decades by critical approaches attentive to issues of gender, sexuality, class, and language.

The yearbook Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions.

It is the not-too-distant future, and the rapture has occurred. Every born-again Christian on the planet has, without prior warning, been snatched from the earth to meet Christ in the heavens, while all those without the requisite faith have been left behind to suffer the wrath of the Antichrist as the earth enters into its final days.

This is the premise that animates the enormously popular cultural phenomenon that is the Left Behind series of prophecy novels, co-written by Tim LaHaye and Jerry Jenkins and published between 1995 and 2007. But these books are more than fiction: it is the sincere belief of many evangelicals that these events actually will occur--soon. "Plotting Apocalypse" delves into the world of rapture, prophecy, and tribulation in order to account for the extraordinary cultural salience of these books and the impact of the world they project. Through penetrating readings of the novels, Chapman shows how the series offers a new model of evangelical agency for its readership. The novels teach that although believers are incapable of changing the course of a future that has been preordained by God, they "can" become empowered by learning to read the prophetic books of the Bible--and the signs of the times--correctly. Reading and interpretation become key indices of agency in the world that Left Behind limns.

"Plotting Apocalypse" reveals the significant cultural work that Left Behind performs in developing a counter-narrative to the passivity and fatalism that can characterize evangelical prophecy belief. Chapman's arguments may bear profound implications for the future of American evangelicalism and its interactions with culture, society, and politics.

In this book, Jaime Harker uncovers a largely forgotten literary Renaissance in Southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade Southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors-including Dorothy Allison and Alice Walker-as well as overlooked writers, publishers, and editors, Harker reconfigures the Southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the South in a formative role.

Every bookshop has a story.

We're not talking about rooms that are just full of books. We're talking about bookshops in barns, disused factories, converted churches and underground car parks. Bookshops on boats, on buses, and in old run-down train stations. Fold-out bookshops, undercover bookshops, this-is-the-best-place-I've-ever-been-to-bookshops.

Meet Sarah and her Book Barge sailing across the sea to France; meet Sebastien, in Mongolia, who sells books to herders of the Altai mountains; meet the bookshop in Canada that's invented the world's first antiquarian book vending machine. And that's just the beginning.

From the oldest bookshop in the world, to the smallest you could imagine, The Bookshop Book examines the history of books, talks to authors about their favourite places, and looks at over three hundred weirdly wonderful bookshops across six continents (sadly, we've yet to build a bookshop down in the South Pole).

The Bookshop Book is a love letter to bookshops all around the world.

The Bobbio Missal was copied in south-eastern Gaul around the end of the seventh and beginning of the eighth century. It contains a unique combination of a lectionary and a sacramentary, to which a plethora of canonical and non-canonical material was added. The Missal is therefore highly regarded by liturgists; but, additionally, medieval historians welcome the information to be derived from material attached to the codex, which provides valuable data about the role and education of priests in Francia at that time, and indeed on their cultural and ideological background. The breadth of specialist knowledge provided by the team of scholars writing for this book enables the manuscript to be viewed as a whole, not as a narrow liturgical study. Collectively, the essays view the manuscript as physical object: they discuss the contents, they examine the language, and they look at the cultural context in which the codex was written.

When it was first published in 1927, The Cambridge Book of Lesser Poets was intended by its compiler, Sir John Collings Squire, to complement the well-known poetry anthologies of Francis Turner Palgrave and Sir Arthur Quiller-Couch. Squire began the task of assembling his anthology by deliberately omitting over one hundred greater poets, giving precedence to Nicholas Breton and John Clare in the place of Shakespeare and Tennyson. Although some familiar names such as Thomas Dekker, John Bunyan, Washington Irving, and Herman Melville appear in the collection, the focus remains on those who lack prominence in the canon, including many medieval poets whose identities are unknown. Drawing together a considerable number of first-rate and undervalued poets, The Cambridge Book of Lesser Poets is an essential supplement to the traditional anthologies of English verse of the past.

Broadway productions of musicals such as The King and I, Oliver!, Sweeney Todd, and Jekyll and Hyde became huge theatrical hits. Remarkably, all were based on one-hundred-year-old British novels or memoirs. What could possibly explain their enormous success? Victorians on Broadway is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Bronte, Christina Rossetti, Robert Louis Stevenson, and others, Sharon Aronofsky Weltman reveals what these musicals teach us about the Victorian books from which they derive and considers their enduring popularity and impact on our modern culture. Providing a front row seat to the hits (as well as the flops), Weltman situates these adaptations within the history of musical theater: the Golden Age of Broadway, the concept musicals of the 1970s and 1980s, and the era of pop mega-musicals, revealing Broadway's debt to melodrama. With an expertise in Victorian literature, Weltman draws on reviews, critical analyses, and interviews with such luminaries as Stephen Sondheim, Polly Pen, Frank Wildhorn, and Rowan Atkinson to understand this popular trend in American theater. Exploring themes of race, religion, gender, and class, Weltman focuses attention on how these theatrical adaptations fit into aesthetic and intellectual movements while demonstrating the complexity of their enduring legacy.

"The essential guide to the wild uncharted world of contemporary and 20th century writing." Robert McCrum, The Observer Deciding what to read next when you've just finished an unputdownable novel can be daunting. The Bloomsbury Good Reading Guide features hundreds of authors and thousands of titles, with navigation features to lead you on a rich journey through some of the best literature to grace our shelves. This greatly expanded edition features 40 new author entries including more recently established authors with a proven body of work: Monica Ali, Anne Enright, Jonathan Franzen and Marina Lewycka, more non-fiction writers (Roger Deakin, Robert Macfarlane, Graham Robb, Kate Summerscale), new sections including 'New Writers to Watch' and 'Forgotten Classics' and major revisions throughout. An accessible and authoritative guide that no serious book lover should be without.

"In All Stories Are True," Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes-history, myth, and trauma-throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism.

Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, particularly as that history relates to African American experience in his hometown of Pittsburgh, Pennsylvania. The fusion of fiction, national history, and Wideman's personal life is characteristic of his style, which-due to its complexity and smudging of genre distinctions-has presented analytic difficulties for literary scholars. Despite winning the PEN/Faulkner award twice, for Sent for You Yesterday (1984) and Philadelphia Fire (1990), Wideman remains under-studied.

Of particular value is Guzzio's analysis of the many ways in which Wideman alludes to his previous works. This intertextuality allows Wideman to engage his books in direct, intentional dialogue with each other through repeated characters, images, folktales, and songs. In Wideman's challenging of a monolithic view of history and presenting alternative perspectives to it, and his allowing past, present, and future time to remain fluid in the narratives, Guzzio finds an author firm in his notion that all stories and all perspectives have merit.

The first African American to win the Nobel Prize in Literature, Toni Morrison is one of the most celebrated women writers in the world. In Bodily Evidence: Racism, Slavery, and Maternal Power in the Novels of Toni Morrison, Geneva Cobb Moore explores how Morrison captures and mirrors the tragedy experienced by and transformation of African Americans, using parody and pastiche, semiotics and metaphors, and allegory to portray black life in the United States, teaching untaught history to liberate Americans.In this short and accessible book, originally published as part of Moore's Maternal Metaphors of Power in African American Women's Literature, she covers each of Morrison's novels, from The Bluest Eye to Beloved to God Help the Child. With a new introduction and added coverage of Morrison's final book, The Source of Self-Regard: Selected Essays, Speeches, and Meditations, Bodily Evidence will be essential reading for scholars, students, and readers of Morrison's novels.

"A book to be plundered and raided." -- "New York Times Book Review"
"A portal into a world of timeless travel literature curated by one of the greatest travel writers of our day." -- "USA Today"
Paul Theroux celebrates fifty years of wandering the globe in this collection of the best writing from the books that have shaped him as a reader and a traveler. Part philosophical guide, part miscellany, part reminiscence, "The Tao of Travel "contains excerpts from the best of Theroux's own work interspersed with selections from travelers both familiar and unexpected:
"Vladimir Nabokov Eudora Welty
Evelyn Waugh James Baldwin
Charles Dickens Pico Iyer
Henry David Thoreau Anton Chekhov
Mark Twain John McPhee
Freya Stark Ernest Hemingway
Graham Greene and many others"
"Dazzling . . . Like someone panning for gold, Theroux reread hundreds of travel classics and modern works, shaking out the nuggets." -- "San Francisco Chronicle"

Despite publishing endeavours such as the Ballantine Adult Fantasy Series in the 1970s and Fantasy Masterworks in the early 2000s, the canon of modern fantasy is still very much in flux. This Element examines four key questions raised by the prospect of a fantasy canon: the way in which canon and genre influence each other; the overwhelming presence of Tolkien in any discussion of the classics of fantasy; the multi-media and transmedia nature of the field; and the push for a more inclusive and diverse canon.

Atlanta writer Margaret Mitchell (1900-1949) wrote Gone With the Wind (1939), one of the best-selling novels of all time. The Pulitzer Prize Winning novel was the basis of the 1949 film, the first movie to win more than five Academy Awards. Margaret Mitchell did not write another novel after Gone With the Wind. Supporting the troops during World War II, assisting African-American students financially, serving in the American Red Cross, selling stamps and bonds, and helping others--usually anonymously--consumed her. This book reveals little-known facts about her. The Margaret Mitchell Encyclopedia documents her work and her life--her effect on Atlanta and the city's memorials to her, her residences, details of her death, and information about her family, the establishment of The Margaret Mitchell House against great odds, and her relationship with the Daughters of the Confederacy and the Junior League. It includes little-known photographs of Margaret Mitchell from about 1902 to 1949.

As a novelist who has spent years crafting and refining his intense and oft outrageous ""Demon Dog of American Crime Fiction"" persona, James Ellroy has used interviews as a means of shaping narratives outside of his novels. Conversations with James Ellroy covers a series of interviews given by Ellroy from 1984 to 2010, in which Ellroy discusses his literary contribution and his public and private image.Born Lee Earle Ellroy in 1948, James Ellroy is one of the most critically acclaimed and controversial contemporary writers of crime and historical fiction. Ellroy's complex narratives, which merge history and fiction, have pushed the boundaries of the crime fiction genre: American Tabloid, a revisionist look at the Kennedy era, was Time magazine's Novel of the Year 1995, and his novels L.A. Confidential and The Black Dahlia were adapted into films. Much of Ellroy's remarkable life story has served as the template for the personal obsessions that dominate his writing. From the brutal, unsolved murder of his mother, to his descent into alcohol and drug abuse, his sexual voyeurism, and his stints at the Los Angeles County Jail, Ellroy has lived through a series of hellish experiences that few other writers could claim.In Conversations with James Ellroy, Ellroy talks extensively about his life, his literary influences, his persona, and his attitudes towards politics and religion. In interviews with fellow crime writers Craig McDonald, David Peace, and others, including several previously unpublished interviews, Ellroy is at turns charismatic and eloquent, combative and enigmatic.

A trustworthy record is one that is both an accurate statement of facts and a genuine manifestation of those facts. Record trustworthiness thus has two qualitative dimensions: reliability and authenticity. Reliability means that the record is capable of standing for the facts to which it attests, while authenticity means that the record is what it claims to be. This study explores the evolution of the principles and methods for determining record trustworthiness from antiquity to the digital age, and from the perspectives of law and history. It also examines recent efforts undertaken by researchers in the field of archival science to develop methods for ensuring the trustworthiness of records created and maintained in electronic systems. Audience: The target audience for this study is legal scholars working in the field of evidence law, historians working in the field of historical methodology, and recordkeeping professionals (records managers, information technology specialists, archivists) working on the design and implementation of contemporary organizational recordkeeping systems.

The study of prosody is perhaps the area of speech research which has undergone the most noticeable development during the past ten to fifteen years. As an indication of this, one can note, for example, that at the latest International Conference on Spoken Language Processing in Philadelphia (October 1996), there were more sessions devoted to prosody than to any other area. Not only that, but within other sessions, in particular those dealing with dialogue, several of the presentations dealt specifically with prosodic aspects of dialogue research. Even at the latest Eurospeech meeting in Rhodes (September 1997), prosody, together with speech recognition (where several contributions dealt with how prosodic cues can be exploited to improve recognition processes) were the most frequent session topics, despite the fact that th'ere was a separate ESCA satellite workshop on intonation in conjunction with the main Eurospeech meeting which included over 80 contributions. This focus on prosodic research is partly due to the fact that developments in speech technology have made it possible to examine the acoustic parameters associated with prosodic phenomena (in particular fundamental frequency and duration) to an extent which has not been possible in other domains of speech research. It is also due to the fact that significant theoretical advances in linguistics and phonetics have been made during this time which have made it possible to obtain a better understanding of how prosodic parameters function in expressing different kinds of meaning in the languages of the world.

This collection of essays places Flannery O'Connor's work in constructive and collaborative dialogue with Spanish literature and literary aesthetics. The international scholars who contributed to this volume explore the ways in which O'Connor's literary and religious vision continues to work in the imaginations of both American and European-mostly Spanish-authors. The subtitle of the collection-From Andalusia to Andalucia-is a play on the name of O'Connor's family farm in Milledgeville, Georgia-Andalusia-where she spent the last sixteen years of her life living with her mother. It is said that the farm's name was chosen because its location in Milledgeville was the farthest north the Spanish explorers of the sixteenth century traveled in the eastern U.S. before returning to Florida to establish permanent Spanish settlements. While perhaps colloquial in its origins, it is, nevertheless, a fitting and emblematic link between the Southern Gothic aesthetics of O'Connor's Andalusia and the baroque heritage of southern Spain's Andalucia. The essays in this collection explore O'Connor's literary vision through three interpretive lenses: first, through the relationship of the literary grotesque (a genre that often defines her work) with the Spanish baroque aesthetics that have come to define Spain's artistic heritage; second, through the relationship between O'Connor's literary imagination and the literature of other European writers that broaden the intellectual conversation about her work; and, third, through comparisons with other writers whose Catholic imaginations made their work-as the Jesuit poet Gerard Manley Hopkins puts it-"counter, original, spare, strange." As the essays contained in this volume show, the work of Flannery O'Connor continues to bear rich intellectual and spiritual fruit when engaging with enculturated literary and aesthetic traditions.

Ars Topica is the first full-length study of the nature and development of topoi, the conceptual ancestors of modern argument schemes, between Aristotle and Cicero.

Aristotle and Cicero configured topoi in a way that influenced the subsequent tradition. Their work on the topos-system grew out of an interest in creating a theory of argumentation which could stand between the rigour of formal logic and the emotive potential of rhetoric. This system went through a series of developments and transformations resulting from the interplay between the separate aims of gaining rhetorical effectiveness and of maintaining dialectical standards.

Ars Topica presents a comprehensive treatment of Aristotle s and Cicero s methods of topoi and, by exploring their relationship, it illuminates an area of ancient rhetoric and logic which has been obscured for more than two thousand years.

Through an interpretation which is philologically rooted in the historical context of topoi, the book lays the ground for evaluating the relevance of the classical approaches to modern research on arguments, and at the same time provides an introduction to Greek and Roman theory of argumentation focussed on its most important theoretical achievements."

Searching for perfect book lovers gifts? Rejoice! Bibliophile: An Illustrated Miscellany, is a love letter to all things bookish. Author Jane Mount brings literary people, places, and things to life through her signature and vibrant illustrations. It's a must-have for every book collection, and makes a wonderful literary gift for book lovers, writers, and more. Readers of Jane Mount's Bibliophile will delight in: Touring the world's most beautiful bookstores Testing their knowledge of the written word with quizzes Finding their next great read in lovingly curated stacks of books Sampling the most famous fictional meals Peeking inside the workspaces of their favorite authors A source of endless inspiration, literary facts and recommendations: Bibliophile is pure bookish joy and sure to enchant book clubbers, English majors, poetry devotees, aspiring writers, and any and all who identify as book lovers. If you have read or own: I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life; The Written World: The Power of Stories to Shape People, History, and Civilization; or How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines; then you will want to read and own Jane Mount's Bibliophile.

Wordsworth's Reading 1800-1815, first published in 1996, lists all of the authors and (where possible) books known to have been read by William Wordsworth during the years which saw the composition of some of his greatest poetry, including Poems, in Two Volumes, The Thirteen-Book Prelude, The White Doe of Rylstone and The Excursion. The information is presented in an easy-to-use form, and includes dates of reading and full discussions of evidence. It draws on analyses of Wordsworth's manuscripts contained in current and forthcoming scholarly editions of his works, and incorporates hitherto unpublished research into the poet's intellectual development, including a thorough survey of manuscript materials. Together with Duncan Wu's companion-volume, Wordsworth's Reading 1770-1799, this is a most complete study of Wordsworth's reading, and it will be an essential reference tool for all scholars and students of his work.

The figures of Michael Robartes and Owen Aherne appear throughout the writing of the great Irish poet W.B. Yeats, featuring in his poems, short fictions, dialogues and as authorities in notes to his work. Bringing together into one volume published and unpublished writings featuring these two enigmatic figures, W.B. Yeats's Robartes-Aherne Writings traces their history and the development of Yeats's mystical thought that culminated (twice) in the publication of his visionary work A Vision (1925, 1937). Including reproductions of manuscript and notebook pages as well as transcriptions and extracts from a wide range of Yeats's mystical writings and substantial commentary and annotation throughout, this book is an essential resource for scholars of Yeats's thought, his stylistic evolution and the esoteric influences on modernist writing in the early 20th century.