Now in its 29th edition, this title is a comprehensive and practical source of biographical information on the key personalities and organizations of the literary world, whether world-famous or lesser known. This descriptive directory is revised annually by our editorial team and all entrants are given the opportunity to update their career details, publications and contact information. International in scope and covering all literary genres, this title will prove an invaluable acquisition for public and academic libraries, journalists, television and radio companies, PR companies, literary organizations and anyone needing up-to-date information in this field. Entries: Biographical details are listed for writers of all kinds, including novelists, playwrights, screenwriters, essayists, editors, columnists, journalists, as well as literary agents and publishers. Each entry provides personal information, career details, works published, literary awards and prizes, memberships and contact information, where available. Key Features: - nearly 8,000 entries, including hundreds of new entries for this edition - an additional directory section that includes current and detailed lists of major literary awards and prizes, literary organizations, literary festivals and national libraries from around the world.

Provides new definitions of the Gothic in a variety of artistic contexts Explores a range of Gothic from architecture through literature to music and the technological arts Provides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholars Highlights new definitions of the Gothic from a wide variety of perspectives The Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts.

Allusions form a colourful extension to the English language, drawing on our collective knowledge of literature, mythology, and the Bible to give us a literary shorthand for describing people, places, and events. So a cunning crook is an Artful Dodger, a daydreamer is like Billy Liar, a powerful woman is a modern-day Amazon - we can suffer like Sisyphus, fail like Canute, or linger like the smile of the Cheshire Cat. This absorbing and accessible A to Z explains the meanings of allusions in modern English, from Adonis to Zorro, Tartarus to Tarzan, and Rubens to Rambo. Fascinating to browse through, the book is based on an extensive reading programme that has identified the most commonly-used allusions. Now available in paperback, this new edition includes within each entry a short summary definition for the allusion or reference, ideal for quick reference, and at least one illustration citation from a wide range of source materials in almost every entry: from Aldous Huxley to Philip Roth, Emily Bronte to The Guardian Unlimited. A useful thematic index allows searching for allusions related to a specific topic, e.g. under Intelligence find Aristotle, Einstein, and Spock, and under Hair find Medusa, Samson, and Shirley Temple. The Oxford Dictionary of Reference and Allusion is both a useful and user-friendly reference work for students of English Literature and Language, as well as for non-native English speakers for aid with unusual references, and an absorbing volume for all lovers of literature and culture in general.

Chaucer's best-known poem, The Canterbury Tales, is justly celebrated for its richness and variety, both literary - the Tales include fabliaux, romances, sermons, hagiographies, fantasies, satires, treatises, fables and exempla - and thematic, with its explorations of courtly love and scatology, piety and impiety, chivalry and pacifism, fidelity and adultery. Students new to Chaucer will find in this Companion a lively introduction to the poem's diversity, depth, and wonder. Readers returning to the Tales will appreciate the chapters' fresh engagement with the individual tales and their often complicated critical histories, inflected in recent decades by critical approaches attentive to issues of gender, sexuality, class, and language.

For all those who journey to Middle Earth, here is the complete guide to its lands, legends, histories, languages, and people. "The Complete Tolkien Companion" explains, translates, and links every single reference--names, dates, places, facts, famous weapons, even food and drink--to be found in J. R. R. Tolkien's world, which includes not only "The Hobbit" and "The Lord of the Rings" but also "The Simarillion" and many other posthumously published works. A detailed explanation of the various Elvish writing systems, together with maps, charts, and genealogical tables, bring the remarkable genius of Tolkien and the unforgettable world and wonder of Middle Earth to life with focus and accuracy. First published in 1976, this is an indispensable accompaniment for anyone who embarks on the reading journey of a lifetime.

This volume offers new insight into the breadth of contexts that inform Norman Mailer's body of work. It examines important literary, critical, theoretical, cultural, and historical frameworks for Mailer's writing, highlighting the ways his work reflects the concerns of twentieth and twenty-first century America. This book traces Mailer's literary influences; his contributions to a variety of literary genres; his participation in the American political sphere; the philosophical, religious, and gendered contexts that shape his work; and the iconic American figures he profiled. The book concludes with reflections on Mailer's literary and cultural legacy, emphasizing his advocacy for literary freedom and the contemporary resonance of his work.

This book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.

How did a single genre of text have the power to standardise the English language across time and region, rival the Bible in notions of authority, and challenge our understanding of objectivity, prescription, and description? Since the first monolingual dictionary appeared in 1604, the genre has sparked evolution, innovation, devotion, plagiarism, and controversy. This comprehensive volume presents an overview of essential issues pertaining to dictionary style and content and a fresh narrative of the development of English dictionaries throughout the centuries. Essays on the regional and global nature of English lexicography (dictionary making) explore its power in standardising varieties of English and defining nations seeking independence from the British Empire: from Canada to the Caribbean. Leading scholars and lexicographers historically contextualise an array of dictionaries and pose urgent theoretical and methodological questions relating to their role as tools of standardisation, prestige, power, education, literacy, and national identity.

Chaucer's best-known poem, The Canterbury Tales, is justly celebrated for its richness and variety, both literary - the Tales include fabliaux, romances, sermons, hagiographies, fantasies, satires, treatises, fables and exempla - and thematic, with its explorations of courtly love and scatology, piety and impiety, chivalry and pacifism, fidelity and adultery. Students new to Chaucer will find in this Companion a lively introduction to the poem's diversity, depth, and wonder. Readers returning to the Tales will appreciate the chapters' fresh engagement with the individual tales and their often complicated critical histories, inflected in recent decades by critical approaches attentive to issues of gender, sexuality, class, and language.

"That is the thing about New York," wrote Dorothy Parker in 1928. "It is always a little more than you had hoped for. Each day, there, is so definitely a new day." Now you can journey back there, in time, to a grand city teeming with hidden bars, luxurious movie palaces, and dazzling skyscrapers. In these places, Dorothy Parker and her cohorts in the Vicious Circle at the infamous Algonquin Round Table sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker's best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, an occasional member of the group, wrote the Pulitzer-winning bestseller So Big as well as Show Boat and Cimarron. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Neysa McMein, reputedly "rode elephants in circus parades and dashed from her studio to follow passing fire engines." Dorothy Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. Alexander Woollcott, the centerpiece of the group, worked as drama critic for the Times and the World, wrote profiles of his friends for The New Yorker, and lives on today as Sheridan Whiteside in The Man Who Came to Dinner. Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images--including never-before-published material--this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you'll discover that the golden age of Gotham still surrounds us.

A History of American Working-Class Literature sheds light not only on the lived experience of class but the enormously varied creativity of working-class people throughout the history of what is now the United States. By charting a chronology of working-class experience, as the conditions of work have changed over time, this volume shows how the practice of organizing, economic competition, place, and time shape opportunity and desire. The subjects range from transportation narratives and slave songs to the literature of deindustrialization and globalization. Among the literary forms discussed are memoir, journalism, film, drama, poetry, speeches, fiction, and song. Essays focus on plantation, prison, factory, and farm, as well as on labor unions, workers' theaters, and innovative publishing ventures. Chapters spotlight the intersections of class with race, gender, and place. The variety, depth, and many provocations of this History are certain to enrich the study and teaching of American literature.

Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses.

The book focuses on popular genres of romance, fantasy, science fiction, dystopia, thriller, and What-if historical fiction in popular books, in artistic literature and on the borderline between the two. The author analyses the work of writers such as Jennifer Greene, Barbara Delinsky, and Lilian Darcy, Jennifer Lee Carrel, Michael Crichton, Ursula Le Guin, C. S. Lewis, Michel Faber and William Golding. She applies an analytical approach based on semiotics, structuralism and narratology and discusses genre mixture, adaptation and intertextuality, as well as world modelling.

When Romantic Religion was first published thirty-five years ago, no one dreamed that Lord of the Rings and The Chronicles of Narnia would one day be boxoffice hits and that their authors, J.R.R. Tolkien and C.S. Lewis, would be household names. R.J. Reilly's remarkably readable and perceptive book about the two writers and their two brilliant friends, Owen Barfield and Charles Williams, was soon treasured by fans as the best book on their circle of writer-philosophers, the Inklings. Romantic Religion went out of print and commanded high prices on the rare-book market. Now it has finally been republished so that a new generation of readers can delve into this book, whose relevance has kept pace with the growing reputations of its subjects. The title Romantic Religion reflects Reilly's premise that these four thinkers share a "matured romanticism." For them, creative imagination is central, with literary and religious views intimately related. Reilly devotes an insightful chapter to each of the writers and, in his conclusion, discusses their differences and similarities. Barfield fans will be especially impressed by the author's ability to clarify Barfield's famously condensed prose. In a compelling new preface, Reilly considers the changing reputations of the four writers and their relevance for today's readers. The book was first published, he tells us, during a war and horrendous societal dilemmas, not very different from those that plague the world today. Now, as then, says Reilly, the four writers remind us of "the possibility of a higher and saner life." They remind us that "if we belong to the party not of memory but of hope, it is because we are imaginative beings and can imagine better beings and better worlds." This is the first study to examine in depth the theological and philosophic implications of the work of that remarkable group of writers now called the Oxford Christians. In focusing on the central religious concern of the group, R.J.Reilly provides and approach that is destined to become normative. This is not a work of convention literary biography (even less hagiography) or conventional literary history. Rather, it is intellectually informed criticism that makes possible a deep understanding of the enduring dimensions of the work of four of the most attractive and challenging writers of our time. With the republication of Romantic Religion, this wise, penetrating picture of our own possibilities is put before us once more.

Una coleccion de ensayos escogidos del critico John Beverley en el campo del Latinoamericanismo literario, atento a los conexiones entre literatura, hegemonia, y conflicto social. Abarca el periodo que va desde los ochenta del siglo pasado hasta hoy. Los temas incluyen el barroco colonial y su fuerza hegemonica en la cultura latinoamericana, el testimonio como genero emergente, la literatura militante, el postmodernismo, la relacion entre critica literaria y cultural y el desarrollo de la llamada Marea Rosada, y en general el impacto de los estudios postcoloniales y subalternos. La coleccion proporciona una vision critica de la ciudad letrada latinoamericana y una defensa del campo de la critica literaria como un lugar de constituir y reconstituir la hegemonia. En este sentido, se situa a la vez contra la llamada "crisis de las humanidades" inducida por los efectos ideologicos del neoliberalismo, pero tambien contra posiciones criticas, como la desconstruccion, que aspiran a una trascendencia de la critica literaria como tal, y del proyecto del Latinoamericanismo en terminos generales.

This book constitutes the thoroughly revised selected papers from the 18th International Symposium, FACS 2022, which was held online in November 2022.The 12 full papers and 1 short paper were carefully reviewed and selected from 25 submissions. FACS 2021 is focusing on the areas of component software and formal methods in order to promote a deeper understanding of how formal methods can or should be used to make component-based software development succeed.

French thinkers have revolutionized European thought about knowledge, religion, politics, and society. Delivering a comprehensive history of thought in France from the Middle Ages to the present, this book follows themes and developments of thought across the centuries. It provides readers with studies of both systematic thinkers and those who operate less systematically, through essays or fragments, and places them all in their many contexts. Informed by up-to-date research, these accessible chapters are written by prominent experts in their fields who investigate key concepts in non-technical language. Chapters feature treatments of specific thinkers as individuals including Voltaire, Rousseau, Descartes and Derrida, but also more general movements and schools of thought from humanism to liberalism, via the Enlightenment, Romanticism, Marxism, and feminism. Furthermore, the influence of gender, race, empire and slavery are investigated to offer a broad and fulfilling account of French thought throughout the ages.

Ordinary Masochisms reveals how literary works from the nineteenth and twentieth centuries frequently challenged the prevailing view of masochism as a deviant behavior, an opinion supported by many sexologists and psychoanalysts in the 1800s. In these texts, Jennifer Mitchell highlights everyday examples of characters deriving pleasure from pain in encounters and emotions such as flirtations, courtships, betrothals, lesbian desires, religious zeal, marital relationships, and affairs.Mitchell begins by examining the archetypal tale of Samson and Delilah together with Leopold von Sacher-Masoch's Venus in Furs, from which masochism gets its name. Through close readings, Mitchell then argues that Charlotte Bronte's Villette, George Moore's A Drama in Muslin, D. H. Lawrence's The Rainbow, and Jean Rhys's Quartet all experiment with masochistic relationships that are more complex than they seem. Mitchell shows that, far from being victimized, the characters in these works achieve self-definition and empowerment by pursuing and performing pain and that masochism is a generative response rather than a destructive force beyond their control. Including readings of Octave Mirbeau's The Torture Garden and Ian McEwan's The Comfort of Strangers, Mitchell traces shifts in public consciousness regarding sex and gender and discusses why masochism continues to be categorized as a perversion today. The literary world, she asserts, has repeatedly questioned this notion as well as masochism's associations with passivity and femininity, using the behavior to defy heteronormative and heteropatriarchal gender dynamics.

Adoption, Memory, and Cold War Greece is the first book to study the biopolitics of the mass adoption movement of children and youngsters from Greece to the U.S. starting in the 1950s. The children of Greece were caught in the crossfire of a tumultuous civil war, as both sides of the conflict effected the forced removal of children to internment camps and schools of various kinds. The book presents a committed quest to unravel and document the postwar adoption networks that placed more than 3,000 Greek children in the U.S.United States, in a movement accelerated by the aftermath of the Greek Civil War and by the new conditions of the global Cold War. Greek-to-American adoptions and, regrettably, their transgressions, provided the blueprint for the first large-scale international adoptions, before a mass phenomenon typically associated with Asian children. The story of these Greek postwar and Cold War adoptions, whose procedures ranged from legal to highly irregular, has never been told or analyzed before. This book aims to fill that gap, also for the uncounted adoptees and their descendants whose lives are still affected today.

This book deals with the traditional problem of the classification of linguistic units, with a primary focus on word classes. The approach is descriptive rather than theoretical, and is based on the use of distinctive features analogous to the ones used in phonology, which entails a radical reworking of the traditional classification. The first part presents some basic notions such as the use of distinctive features and the role of word classes in grammar; classification by prototypes; and the use of world knowledge as a resource to assign thematic relations to constituents in the sentence. In the second part, some descriptive problems are examined, namely the classification of verbs according to valency; connectives, adverbs, and the internal constituents of the NP; and the classification of units larger than words. This book will be of use as a guide for linguists working on the description of natural languages, as well as a resource for students on courses in linguistic theory and description.

Despite publishing endeavours such as the Ballantine Adult Fantasy Series in the 1970s and Fantasy Masterworks in the early 2000s, the canon of modern fantasy is still very much in flux. This Element examines four key questions raised by the prospect of a fantasy canon: the way in which canon and genre influence each other; the overwhelming presence of Tolkien in any discussion of the classics of fantasy; the multi-media and transmedia nature of the field; and the push for a more inclusive and diverse canon.

In recent decades, the international recognition of Nobel Laureate Gabriel Garcia Marquez has placed Colombian writing on the global literary map. A History of Colombian Literature explores the genealogy of Colombian poetry and prose from the colonial period to the present day. Beginning with a comprehensive introduction that charts the development of a national literary tradition, this History includes extensive essays that illuminate the cultural and political intricacies of Colombian literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Jose Eustacio Rivera, Tomas Carrasquilla, Alvaro Mutis, and Dario Jaramillo Agudelo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Colombian literature. This book is of pivotal importance to the development of Colombian writing and will serve as an invaluable reference for specialists and students alike.

Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This Companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate.