George R. R. Martin's A Song of Ice and Fire has sparked a renewed interest in all things medieval. The pseudo-historical world of Westeros delights casual fans while offering a rich new perspective for medievalists and scholars of medievalism. This work is the first comprehensive study of Martin's Westeros as a reflection of the medieval concept of chivalry. It explores how Martin crafts a Westerosi chivalric code that intersects with and can illuminate well-known medieval texts, including both romance and heroic epic. Through characters such as Brienne of Tarth, Sandor Clegane, and Jaime Lannister, Martin variously challenges, upholds, and deconstructs chivalry as depicted in the literature of the Middle Ages. This book is primarily directed to scholars of medievalism, students of medieval literature, and teachers who are interested in including works of medievalism in their classes or developing courses solely devoted to medievalism. Casual readers of the novels and fans of the HBO series will also gain new insight into Martin's Westeros.

This special edition of The Oxford Companion to the Brontes commemorates the bicentenary of Emily Bronte's birth in July 1818 and provides comprehensive and detailed information about the lives, works, and reputations of the Brontes - the three sisters Charlotte, Emily, and Anne, their father, and their brother Branwell. Expanded entries surveying the Brontes' lives and works are supplemented by entries on friends and acquaintances, pets, literary and political heroes; on the places they knew and the places they imagined; on their letters, drawings and paintings; on historical events such as Chartism, the Peterloo Massacre, and the Ashantee Wars; on exploration, slavery, and religion. Selected entries on the characters and places in the Bronte juvenilia provide a glimpse into their early imaginative worlds, and entries on film, ballet, and musicals indicate the extent to which their works have inspired others. A new foreword to the text has been also penned by Claire Harman, award-winning writer and literary critic, and recent biographer of Charlotte Bronte. This is a unique and authoritative reference book for the research student and the general reader. The A-Z format, extensive cross-referencing, classified contents, chronologies, illustrations, and maps, both facilitate quick reference and encourage further exploration. This Companion is not only invaluable for quick searches, but a delight to browse, and an inspiration to further reading.

When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This Companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate.

Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women's engagement in children's literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women's orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women - some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including "Signatures" under which the author published, and a "List of Works" accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust "Works Cited" includes all texts mentioned or quoted in the essay.

Food is a signifier of power for both adults and children, a sign of both inclusion and exclusion and of conformity and resistance. Many academic disciplines - from sociology to literary studies - have studied food and its function as a complex social discourse, and the wide variety of approaches to the topic provides multidisciplinary frames for understanding the construction and uses of food in all types of media, including children's literature.Table Lands: Food in Children's Literature is a survey of food's function in children's texts, showing how the sociocultural contexts of food reveal children's agency. Authors Kara K. Keeling and Scott T. Pollard examine texts that vary from historical to contemporary, noncanonical to classics, and Anglo-American to multicultural traditions, including a variety of genres, formats, and audiences: realism, fantasy, cookbooks, picture books, chapter books, YA novels, and film. Table Lands offers a unified approach to studying food in a wide variety of texts for children. Spanning nearly 150 years of children's literature, Keeling and Pollard's analysis covers a selection of texts that show the omnipresence of food in children's literature and culture and how they vary in representations of race, region, and class, due to the impact of these issues on food. Furthermore, they include not only classic children's books, such as Winnie-the-Pooh, but recent award-winning multicultural novels as well as cookbooks and even one film, Pixar's Ratatouille.

"At Home Abroad" brings attention to a little known period in the career of America's most notable humorist. It follows the writer-performer Down Under on a journey through thirty lectures in colonial Australia and New Zealand.

This appealing book is a daily account of Twain's activities and is based upon his notebooks his letters, and newspaper reports that appeared both in cities and in the provinces. Shillingsburg offers serious evaluation of Australasian criticism that appeared in reviews of Twain's performances, in editorials about humor, and in the critical reception of his last travel book, "More Tramps Abroad." She shows this world famous literary man in his posturing and performing as he delights the audiences Down Under.

She begins with a discussion of Twain's accumulating debt and his bankruptcy in the early nineties, and provides biographical details during the last fifteen weeks of 1895. The cultural and intellectual context in which she places this information clarifies Twain's mystifying comments to reporters, the puzzling responses to some of his jokes, and his unique notebook entries.

She shows that Twain's interest in geography and local history illuminates comments he made in his travel book. Her discussion of the distinctive political and economic matters in the colonies gives a clue to the enormously popular reception he received, for on this tour Twain captivated nearly everyone. Not only glamorous but also the ordinary folk paid their "splendid shilling" to hear him. Looking like a "graven image," he spun out his seemingly spontaneous yarns.

The questions they asked him reveal how well they knew American literature in 1895 and show their earnest groping to find their own native literature. Those questions and the articles written from them, in turn, drew Twain's compliments and demonstrated a mutual respect between the master humorist and his audience.

Shillingsburg shows that ideas on wit and humor were articulated most clearly in interviews in Sydney and his thoughts on "American" humor were most specifically stated in Auckland. She examines these in context of the Australasian comments both on Twain's formal and informal speeches.

A detailed assessment of D. H. Lawrence's wide-ranging engagements across the verbal, visual and performance arts Offers the most comprehensive assessment yet of Lawrence's relationship with the arts Places Lawrence in the context of the latest developments in fields including life writing, posthumanism, queer theory, and technology studies Considers Lawrence's continued reception in other people's art, and the nature of his relevance today This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, sculpture, music, architecture, dance, historiography, life writing and queer aesthetics. The Companion presents original research on topics such as Lawrence's politics in his art, his representations of technology, his practice of revising and rewriting, and the relationship between his criticism and creation of prose, poetry and painting. This interdisciplinary Companion also makes a strong case for Lawrence's continuing relevance and aesthetic power, as represented by case studies of his afterlives in biofiction, cinema, musical settings and portraiture.

In Approximate Gestures, Anthony Stewart argues that the writing of Percival Everett, the acclaimed author of Erasure and more than twenty other works of fiction, compels readers to retrain their thinking habits and to value uncertainty. Stewart maintains that Everett's fiction challenges its interpreters to question their assumptions, consider the spaces in between categories, and embrace the potential of a larger, more uncertain world in an effort to confront bigotry and similarly limiting patterns of thought. Drawing on the work of Gilles Deleuze and FA (c)lix Guattari, Stewart proposes that their notion of the schizorevolutionary figure captures the in-between status of many of Everett's characters as they refuse the constraints of the binary, categorical structures that govern so much of human life. Approximate Gestures engages specifically with the vexed question of discussing race in Everett's fiction. Stewart frames the stakes of analyzing such subject matter in the writing of an African American novelist whose work rigorously questions critical approaches to race. Requiring readers to engage with black males who are hydrologists, ranchers, college professors, romance novelists, and in one case, a toddler, means entering a world released from habitual frames of reference. Through an examination of a broad selection of novels, Stewart demonstrates the extent to which Everett's characters inhabit ""infinite spaces in between conventional categories"" and understand themselves as subjects attempting to navigate social and psychological worlds. Approximate Gestures: Infinite Spaces in the Fiction of Percival Everett encourages readers and critics to think more deeply about how they position themselves in and engage with the world around them. As one of the first books of literary criticism devoted to Everett's fiction, Stewart's pathbreaking study models a method for reading the formidable body of work being produced by a major contemporary writer.

When Defoe published The Life and Strange Surprizing Adventures of Robinson Crusoe and The Farther Adventures of Robinson Crusoe in 1719, he could not have imagined that Crusoe, Friday, and a footprint in the sand would enjoy global recognition 300 years later. Why-and how-does Crusoe's story resonate today? There is no shortage of explanations for the longevity of Defoe's creation, which has been interpreted as both religious allegory and frontier myth, with Crusoe seen as an example of the self-sufficient adventurer and the archetypal colonizer and capitalist. Defoe's original has been reimagined multiple times in legions of Robinsonade or castaway stories. But there is still much more to say-the Crusoe myth is far from spent. This wide-ranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about this most familiar of works, and who ask us to consider the enduring appeal of 'Crusoe,' more recognizable today than ever before.

Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage. -- .

The American Adrenaline Narrative considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability. To explore these themes, Kristin J. Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself. Jacobson maps the American eco-imagination via adrenaline narratives, grounding them in the traditional literary practice of close reading analysis and in ecofeminism. She surveys a range of popular and lesser-known primary texts by American authors, including best-selling books, such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place, and lesser-known texts, such as Patricia C. McCairen's Canyon Solitude, Eddy L. Harris's Mississippi Solo, and Stacy Allison's Beyond the Limits. She also discusses such narratives as they appear in print and online articles and magazines, feature-length and short films, television shows, amateur videos, social networking site posts, fiction, advertising, and blogs. Jacobson contends that these stories constitute a distinctive genre because - unlike traditional nature, travel, and sports writing - adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure - knowledge that helps us grasp the current climate crisis and how narrative understanding provides a needed intervention.

The American Adrenaline Narrative considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability. To explore these themes, Kristin J. Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself. Jacobson maps the American eco-imagination via adrenaline narratives, grounding them in the traditional literary practice of close reading analysis and in ecofeminism. She surveys a range of popular and lesser-known primary texts by American authors, including best-selling books, such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place, and lesser-known texts, such as Patricia C. McCairen's Canyon Solitude, Eddy L. Harris's Mississippi Solo, and Stacy Allison's Beyond the Limits. She also discusses such narratives as they appear in print and online articles and magazines, feature-length and short films, television shows, amateur videos, social networking site posts, fiction, advertising, and blogs. Jacobson contends that these stories constitute a distinctive genre because - unlike traditional nature, travel, and sports writing - adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure - knowledge that helps us grasp the current climate crisis and how narrative understanding provides a needed intervention.

This Dictionary is part of the Oxford Reference Collection: using sustainable print-on-demand technology to make the acclaimed backlist of the Oxford Reference programme perennially available in hardback format. What is a ham-and-egger? What are Anglo-Saxon attitudes? Who or what is liable to jump the shark? Who first tried to nail jelly to the wall? The answers to these and many more questions are in this fascinating book. Here in one volume you can track down the stories behind the names and sayings you meet, whether in classic literature or today's news. Drawing on Oxford's unrivalled bank of reference and language online resources, this dictionary covers classical and other mythologies, history, religion, folk customs, superstitions, science and technology, philosophy, and popular culture. Extensive cross referencing makes it easy to trace specific information, while every page points to further paths to explore. A fascinating slice of cultural history, and a browser's delight from start to finish. What is the fog of war? Who first wanted to spend more time with one's family? When was the Dreamtime? How long since the first cry of Women and children first? Where might you find dark matter? Would you want the Midas touch? Should you worry about grey goo?

Seamus Deane was one of the most vital and versatile authors of our time. Small World presents an unmatched survey of Irish writing, and of writing about Irish issues, from 1798 to the present day. Elegant, polemical, and incisive, it addresses the political, aesthetic, and cultural dimensions of several notable literary and historical moments, and monuments, from the island's past and present. The style of Swift; the continuing influence of Edmund Burke's political thought in the USA; the echoing debates about national character; aspects of Joyce's and of Elizabeth Bowen's relation to modernism; memories of Seamus Heaney; analysis of the representation of Northern Ireland in Anna Burns's fiction - these topics constitute only a partial list of the themes addressed by a volume that should be mandatory reading for all those who care about Ireland and its history. The writings included here, from one of Irish literature's most renowned critics, have individually had a piercing impact, but they are now collectively amplified by being gathered together here for the first time between one set of covers. Small World: Ireland, 1798-2018 is an indispensable collection from one of the most important voices in Irish literature and culture.

Within the realm of American culture and its construction of its citizenry, geography, and ideology, who are southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining the intersections of queerness, regionalism, and identity depicted in film, television, and other visual media about the South during the twentieth and twenty-first centuries. Southern queers on screen often reflect the fantasy of cultural stereotypes. Editor Tison Pugh contends that when southern queers appear in films and on television, and when southern queers watch these portrayals, the inherent contradictions of these cultural depictions reveal the fault lines of gender, geography, and desire. These underlying schisms point to the infinite, if infrequently portrayed, possibilities of actual queer southern life. Examining a range of materials, including gothic horror films and drag queens on public-access television, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct ideological fantasies of southerners regardless of the complexity of their lives.

This user-friendly resource is the perfect reference for English-language readers who are eager to explore fiction from around the world. Profiling hundreds of titles and authors from 1945 to today, with an emphasis on fiction published in the past two decades, this guide introduces the styles, trends, and genres of the world's literatures, from Scandinavian crime thrillers and cutting-edge Chinese works to Latin American narco-fiction and award-winning French novels. The book's critical selection of titles defines the arc of a country's literary development. Entries illuminate the fiction of individual nations, cultures, and peoples, while concise biographies sketch the careers of noteworthy authors. Compiled by M. A. Orthofer, an avid book reviewer and the founder of the literary review site the Complete Review, this reference is perfect for readers who wish to expand their reading choices and knowledge of contemporary world fiction.

The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.