The site of a thriving literary tradition, Washington, DC, has been the home to many of our nation's most acclaimed writers. From the city's founding to the beginnings of modernism, literary luminaries including Walt Whitman, Paul Laurence Dunbar, Alice Dunbar-Nelson, Henry Adams, Langston Hughes, and Zora Neale Hurston have lived and worked at their craft in our nation's capital. In A Literary Guide to Washington, DC, Kim Roberts offers a guide to the city's rich literary history. Part walking tour, part anthology, A Literary Guide to Washington, DC is organized into five sections, each corresponding to a particularly vibrant period in Washington's literary community. Starting with the city's earliest years, Roberts examines writers such as Hasty-Pudding poet Joel Barlow and ""Star-Spangled Banner"" lyricist Francis Scott Key before moving on to the Civil War and Reconstruction and touching on the lives of authors such as Charlotte Forten Grimke and James Weldon Johnson. She wraps up her tour with World War I and the Jazz Age, which brought to the city some writers at the forefront of modernism, including the first American to win the Nobel Prize for Literature, Sinclair Lewis. The book's stimulating tours cover downtown, the LeDroit Park and Shaw neighborhoods, Lafayette Square, and the historic U Street district, bringing the history of the city to life in surprising ways. Written for tourists, literary enthusiasts, amateur historians, and armchair travelers, A Literary Guide to Washington, DC offers a cultural tour of our nation's capital through a lierary lens.

A History of English Autobiography explores the genealogy of autobiographical writing in England from the medieval period to the digital era. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of English autobiography. Organized thematically, these essays survey the multilayered writings of such diverse authors as Chaucer, Bunyan, Carlyle, Newman, Wilde and Woolf. Written by a host of leading scholars, this History is the definitive, single-volume collection on English autobiography and will serve as an invaluable reference for specialists and students alike.

Get lost in a thousand great books. Fourteen years in the making and fifth in the series that has over 4.4 million copies in print, 1,000 Books to Read Before You Die is an eclectic and extraordinary book about books, as compulsively readable, entertaining, surprising, and enlightening as the 1,000-plus volumes it recommends. The author, James Mustich, has been a bookseller for decades, including two running the acclaimed independent book catalog A Common Reader, and 1,000 Books is like his personal store, where every book is excellent. Mustich's incomparable writing - lively, informed, erudite yet with an undisguised enthusiasm - not only reveals why the particular title you're reading about is vital but also gives you the urgent feeling that you need to drop everything, right now, and read that book. The expected pillars are here - Dante, Proust, Shakespeare, Faulkner, Woolf, Joyce, Kafka - but made completely fresh in these animated essays. And in between, the unexpected titles - from Harold and the Purple Crayon to Fun Home, Do Androids Dream of Electric Sheep? to Tell Me a Riddle - are made completely essential. Aeschylus is here, and so is Nancy Drew, Herman Melville, and Edwidge Danticat. The alphabetical listing by last name results in the joy of juxtaposition - Grimm next to Grisham, Clarice Lispector followed by Hugh Lofting - prompting a rich appreciation for the gorgeous mosaic that is our literary heritage, whether poetry, science fiction, memoir, travel writing, biography, children's literature, the novel. Because ultimately what this book is not is a canon. It is, rather, an uncommon celebration of the best that our authors have put into words - and, as one of the entrants, the critic David Denby, put it, that "special character of solitude and rapture" that is the act of reading.

From the earliest slave narratives to modern fiction by the likes of Colson Whitehead and Jesmyn Ward, African American authors have drawn on African spiritual practices as literary inspiration, and as a way to maintain a connection to Africa. This volume has collected new essays about the multiple ways that African American authors have incorporated Voodoo, Hoodoo and Conjure in their work. Among the authors covered are Frederick Douglass, Shirley Graham, Jewell Parker Rhodes, Zora Neale Hurston, Richard Wright, Ntozake Shange, Rudolph Fisher, Jean Toomer, and Ishmael Reed.

In this elegant but pocketable edition in the Ross's Discoveries series, passionate bibliophile Michael Ross has curated his favorite literary quotes from the collection of over 1500 well-read books on his shelves-but this isn't your typical rehashing of Bartlett's quotations. In Ross's Key Discoveries Michael Ross brings together quotes on wisdom, money, and happiness from such a new perspective even the authors themselves will probably find this book useful and insightful.

The first chronological overview of O'Connor criticism from the publication of her first novel, Wise Blood, in 1952 to the present. Flannery O'Connor is one of the most widely read, discussed, and taught of all American authors. She is immensely popular with students, general readers, and literary critics. Her work, often characterized as "Southern Gothic," betrays in its focus on morality her devout Roman Catholic faith even as it displays a wicked sense of humor. She has been the subject of numerous articles and books, and indeed an entire journal devoted to her writings has existedfor decades. There is not, however, any chronological overview of the history of O'Connor criticism. The present volume fills that very conspicuous gap. It is the sort of book that practically every college and university library,as well as many public libraries, will need to own, and it will appeal not only to scholars and students but to non-academic readers of O'Connor, whose numbers are legion. A particular value of the book is that it synthesizes criticism and commentary that is now only available in individual essays that are widely scattered. Robert C. Evans is Professor of English at Auburn University Montgomery. Among his many books is Critical Insights: ShortFiction of Flannery O'Connor (2016).

Margaret Cohen s careful editorial revision modernizes and renews Flaubert s stylistic masterpiece. In addition, Cohen has added to the Second Edition a new introduction, substantially new annotations, and twenty-one striking images, including photographs and engravings, that inform students understanding of middle-class life in nineteenth-century provincial France. In Madame Bovary, Flaubert created a cogent counter discourse that exposed and resisted the dominant intellectual and social ideologies of his age. The novel s subversion of conventional moral norms inevitably created controversy and eventually led to Flaubert s prosecution by the French government on charges of offending "public and religious morality." This Norton edition is the only one available that includes the complete manuscript from Flaubert s 1857 trial. "Criticism" includes sixteen studies regarding the novel s central themes, twelve of them new to the Second Edition, including essays by Charles Baudelaire, Henry James, Roland Barthes, Jonathan Culler, and Naomi Schor. A Chronology and Selected Bibliography are also included."

Texts from the papyrus collection of Washington University have already appeared in Veme B. Schuman, Washington University Papyri 1: Non Literary Texts (American Studies in Papyrology 17), Chico (Califomia) 1980. This new volume is intended as a continuation, and the texts appearing in it have been numbered accordingly, subsequent to Schuman's. We divided our texts at an early stage, and while we have consulted each other extensively since then, we retain chief responsibility each for the pieces we began with: Maresch for 69-72, 77, 78, 80, 83, 86, 88, 90-94, 101, 102, 104, 107, and 108; Packman for 62-68, 73-76, 79, 81, 82, 84, 85, 87, 89, 95-100, 103, 105, and 106. The editors of P.Wash.Univ. II were brought together by Reinhold Merkelbach, to whom they are grateful for his continuing support and advice. Our thanks are due to the Deutsche Forschungsgemeinschaft, whose suppon enabled Maresch to visit St. Louis in 1988, and the American Council of Leamed Societies, whose fellowship brought Packman to Cologne in 1989- 90. An ACLS grant in 1966 made possible the photographs on which has depended most of the work done on the collection since: Some of them appear in the plates of this volume.

Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This Companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate.

A new critical edition of Sutton Griggs's turn-of-the-twentieth-century novel, which continues to shed light on understandings of Black politics. Sutton E. Griggs's first novel, originally published in 1899, paints a searing picture of the violent enforcement of disfranchisement and Jim Crow racial segregation. Based on events of the time, including US imperial policies, revolutionary movements, and racial protests, Imperium in Imperio introduces the fictional Belton Piedmont and Bernard Belgrave as "future leaders of their race" and uses these characters to make sense of the violence that marked the dawn of the twentieth century. Taking on contemporary battles over separatism and integration, Griggs's novel continues to play a crucial role in understandings of Black politics. Edited and introduced by Tess Chakkalakal and Kenneth W. Warren, this new critical edition offers not only an incisive biographical and historical introduction to the novel and its author but also a wealth of references that make the events and characters of Griggs's Imperium in Imperio, and its aftermath, accessible to readers today.

Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium - and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The yearbook Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. Zutot covers Jewish Culture in its broadest sense, i.e. encompassing various academic disciplines - literature, languages and linguistics, philosophy, art, sociology, politics and history - and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.

"I cannot suppose any situation more distressing than for a woman of sensibility with an improving mind to be bound to such a man as I have described." Mary Wollstonecraft's response to one of her early critics points to the fact that fiction has long been employed by authors to cast a vision for social change. Less acknowledged, however, has been the role of the Christian faith in such works. In this Studies in Theology and the Arts volume, literary scholar Dalene Joy Fisher explores the work of four beloved female novelists: Jane Austen, Anne Bronte, Elizabeth Gaskell, and Mary Wollstonecraft. Each of these authors, she argues, appealed to the Christian faith through their heroines to challenge cultural expectations regarding women, especially in terms of marriage. Although Christianity has all too often been used to oppress women, Fisher demonstrates that in the hands of these novelists and through the actions of their characters, it could also be a transformative force to liberate women. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

Focusing on the core assessment objectives for GCSE English Literature 9-1, The Quotation Bank takes 25 of the most important quotations from the text and provides detailed material for each quotation, covering interpretations, literary techniques and detailed analysis. Also included is a sample answer, detailed essay plans, revision activities and a comprehensive glossary of relevant literary terminology, all in a clear and practical format to enable effective revision and ultimate exam confidence.

It is the not-too-distant future, and the rapture has occurred. Every born-again Christian on the planet has, without prior warning, been snatched from the earth to meet Christ in the heavens, while all those without the requisite faith have been left behind to suffer the wrath of the Antichrist as the earth enters into its final days.

This is the premise that animates the enormously popular cultural phenomenon that is the Left Behind series of prophecy novels, co-written by Tim LaHaye and Jerry Jenkins and published between 1995 and 2007. But these books are more than fiction: it is the sincere belief of many evangelicals that these events actually will occur--soon. "Plotting Apocalypse" delves into the world of rapture, prophecy, and tribulation in order to account for the extraordinary cultural salience of these books and the impact of the world they project. Through penetrating readings of the novels, Chapman shows how the series offers a new model of evangelical agency for its readership. The novels teach that although believers are incapable of changing the course of a future that has been preordained by God, they "can" become empowered by learning to read the prophetic books of the Bible--and the signs of the times--correctly. Reading and interpretation become key indices of agency in the world that Left Behind limns.

"Plotting Apocalypse" reveals the significant cultural work that Left Behind performs in developing a counter-narrative to the passivity and fatalism that can characterize evangelical prophecy belief. Chapman's arguments may bear profound implications for the future of American evangelicalism and its interactions with culture, society, and politics.

Bob Dylan has helped transform music, literature, pop culture, and even politics. The World of Bob Dylan chronicles a lifetime of creative invention that has made a global impact. Leading rock and pop critics and music scholars address themes and topics central to Dylan's life and work: the Blues, his religious faith, Civil Rights, Gender, Race, and American and World literature. Incorporating a rich array of new archival material from never before accessed archives, The World of Bob Dylan offers a comprehensive, uniquely informed and wholly fresh account of the songwriter, artist, filmmaker, and Nobel Laureate whose unique voice has permanently reshaped our cultural landscape.

The yearbook Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions.

This collection of essays places Flannery O'Connor's work in constructive and collaborative dialogue with Spanish literature and literary aesthetics. The international scholars who contributed to this volume explore the ways in which O'Connor's literary and religious vision continues to work in the imaginations of both American and European-mostly Spanish-authors. The subtitle of the collection-From Andalusia to Andalucia-is a play on the name of O'Connor's family farm in Milledgeville, Georgia-Andalusia-where she spent the last sixteen years of her life living with her mother. It is said that the farm's name was chosen because its location in Milledgeville was the farthest north the Spanish explorers of the sixteenth century traveled in the eastern U.S. before returning to Florida to establish permanent Spanish settlements. While perhaps colloquial in its origins, it is, nevertheless, a fitting and emblematic link between the Southern Gothic aesthetics of O'Connor's Andalusia and the baroque heritage of southern Spain's Andalucia. The essays in this collection explore O'Connor's literary vision through three interpretive lenses: first, through the relationship of the literary grotesque (a genre that often defines her work) with the Spanish baroque aesthetics that have come to define Spain's artistic heritage; second, through the relationship between O'Connor's literary imagination and the literature of other European writers that broaden the intellectual conversation about her work; and, third, through comparisons with other writers whose Catholic imaginations made their work-as the Jesuit poet Gerard Manley Hopkins puts it-"counter, original, spare, strange." As the essays contained in this volume show, the work of Flannery O'Connor continues to bear rich intellectual and spiritual fruit when engaging with enculturated literary and aesthetic traditions.

"In All Stories Are True," Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes-history, myth, and trauma-throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism.

Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, particularly as that history relates to African American experience in his hometown of Pittsburgh, Pennsylvania. The fusion of fiction, national history, and Wideman's personal life is characteristic of his style, which-due to its complexity and smudging of genre distinctions-has presented analytic difficulties for literary scholars. Despite winning the PEN/Faulkner award twice, for Sent for You Yesterday (1984) and Philadelphia Fire (1990), Wideman remains under-studied.

Of particular value is Guzzio's analysis of the many ways in which Wideman alludes to his previous works. This intertextuality allows Wideman to engage his books in direct, intentional dialogue with each other through repeated characters, images, folktales, and songs. In Wideman's challenging of a monolithic view of history and presenting alternative perspectives to it, and his allowing past, present, and future time to remain fluid in the narratives, Guzzio finds an author firm in his notion that all stories and all perspectives have merit.

The figures of Michael Robartes and Owen Aherne appear throughout the writing of the great Irish poet W.B. Yeats, featuring in his poems, short fictions, dialogues and as authorities in notes to his work. Bringing together into one volume published and unpublished writings featuring these two enigmatic figures, W.B. Yeats's Robartes-Aherne Writings traces their history and the development of Yeats's mystical thought that culminated (twice) in the publication of his visionary work A Vision (1925, 1937). Including reproductions of manuscript and notebook pages as well as transcriptions and extracts from a wide range of Yeats's mystical writings and substantial commentary and annotation throughout, this book is an essential resource for scholars of Yeats's thought, his stylistic evolution and the esoteric influences on modernist writing in the early 20th century.

As a novelist who has spent years crafting and refining his intense and oft outrageous ""Demon Dog of American Crime Fiction"" persona, James Ellroy has used interviews as a means of shaping narratives outside of his novels. Conversations with James Ellroy covers a series of interviews given by Ellroy from 1984 to 2010, in which Ellroy discusses his literary contribution and his public and private image.Born Lee Earle Ellroy in 1948, James Ellroy is one of the most critically acclaimed and controversial contemporary writers of crime and historical fiction. Ellroy's complex narratives, which merge history and fiction, have pushed the boundaries of the crime fiction genre: American Tabloid, a revisionist look at the Kennedy era, was Time magazine's Novel of the Year 1995, and his novels L.A. Confidential and The Black Dahlia were adapted into films. Much of Ellroy's remarkable life story has served as the template for the personal obsessions that dominate his writing. From the brutal, unsolved murder of his mother, to his descent into alcohol and drug abuse, his sexual voyeurism, and his stints at the Los Angeles County Jail, Ellroy has lived through a series of hellish experiences that few other writers could claim.In Conversations with James Ellroy, Ellroy talks extensively about his life, his literary influences, his persona, and his attitudes towards politics and religion. In interviews with fellow crime writers Craig McDonald, David Peace, and others, including several previously unpublished interviews, Ellroy is at turns charismatic and eloquent, combative and enigmatic.

Since the late 1960s, the novels of Sjowall and Wahloo's Martin Beck detective series, along with the works of Henning Mankell, Hakan Nesser and Stieg Larsson, have sparked an explosion of Nordic crime fiction - grim police procedurals treating urgent sociopolitical issues affecting the contemporary world. Steeped in noir techniques and viewpoints, many of these novels are reaching international audiences through film and television adaptations. This reference guide introduces the world of Nordic crime fiction to English-speaking readers. Caught between the demands of conscience and societal strictures, the detectives in these stories - like the heroes of Norse mythology - know that they and their world must perish, but fight on regardless of cost. At a time of bleak eventualities, Nordic crime fiction interprets the bitter end as a celebration of the indomitable human spirit.