This book is divided into five parts and covers: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history.

This wide-ranging and unique collection of documents on one of the most enduring of literary genres, Tragedy, offers a radical revaluation of its significance in the light of the critical attention that it has received during the past one-hundred and fifty years. The foundations of much contemporary thinking about Tragedy are to be found in the writings of Hegel, Nietzsche, and Kierkegaard; in addition, the dialectical tradition emanating from Marxism, and the psycho-analytical writings of Freud, have extended significantly the horizons of the subject. With the explosion of interest in the areas of post-structuralism, sociology of culture, social anthropology, feminism, deconstruction, and the study of ritual, new questions are being asked about this persistent artistic exploration of human experience. This book seeks to represent a full selection of these divergent interests, in a series of substantial extracts which display the continuing richness of the debate about a genre which has provoked, and challenged categorical discussion since the appearance of Aristotle's Poetics.

Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work - from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels- has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.

This second edition of a unique companion to Thackeray's great novel enables the reader to follow the novelist step by step through the maze of his erudition, clarifying the immense range of references in the novel. Since these annotations are keyed to Thackeray's chapters, not to the page numbers of any particular edition of the novel, they can be consulted in connection with any edition of Vanity Fair the reader happens to own. Within each chapter of this book, the entries follow the order in which they appear in the novel. In addition to the words, phrases, and allusions which obviously or possibly require annotation, the compilers have occasionally commented upon subtleties of narrationowithout intruding critical opinions upon the readeroand entered a few remarks on Thackeray's own illustrations. They have also addressed textual matters, questions of composition and publication, connections with other areas of Thackeray's oeuvre, and the influence of other works of literature on the novel. Intended for undergraduate and graduate students studying the English Novel. Also of interest to scholars in the field of Victorian Literature as well as general readers."

Lessing's Spinozism looms up out of the numerous intellectual riddles of the past. Almost everything has been tried in an effort to sound and weigh the exact amount of Spinozism Lessing betrayed in his conversations with Jacobi. This volume contains in translation the main writings relative to the famous 'pantheism debate' between Jacobi and Mendelssohn, which was prompted by Jacobi's revelation of the Spinozist leanings of the late Lessing. The Introduction provides the context of the debate and draws upon recent studies of 'Lessing's Spinozism' in an attempt to unravel the murky question of Lessing's philosophical legacy. Co-published with McMaster University

Between 1899 and 1908, five long works of fiction by the Nashville-based black Baptist minister Sutton E. Griggs appeared in print, making him the most prolific African American novelist at the turn of the twentieth century. Brought out by Griggs's own Orion Publishing Company in three distinct printings in 1905 and 1906, The Hindered Hand; or, the Reign of the Repressionist addresses the author's key themes of amalgamation, emigration, armed resistance, and US overseas expansion; includes a melodramatic love story; and features two of the most sensational scenes in early African American fiction-a harrowingly graphic lynching of an innocent black couple based on actual events and the elaboration of a plot to wipe out white Southerners by introducing yellow fever germs into the water supply. Written in response to Thomas Dixon's recently published race-baiting novel The Leopard's Spots, Griggs's book depicts the remnants of the old Southern planter class, the racial crisis threatening the South and the North, the social ferment of the time, the changing roles of women, and the thwarted aspirations of a trio of African American veterans following the war against Spain. This scholarly edition of the novel, providing newly discovered biographical information and copious historical context, makes a significant contribution to African American literary scholarship.

This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all inhis novels. This companion to the work of Peruvian Nobel Laureate Mario Vargas Llosa traces his fictional and non-fictional writing throughout the different phases of a career spanning more than fifty years. His lifelong dedication to literature goes hand in hand with his commitment as a public intellectual, a role that frequently involves him in controversy. Against the backdrop of Vargas Llosa's political and intellectual development this study brings out the continuities and interrelations that give unity and coherence to a diverse body of work. It highlights the thematic concerns that re-emerge at different points in his writing and link Vargas Llosa's journalism and essays with his fiction: the effects of social ills on the individual, the nature of fiction, and the importance of literature for society. The novels at the centre of his work combine passionate storytelling with technical complexity and an often playful experimentation with genres. This book not only provides a comprehensive overview of Vargas Llosa's writing in the context of his intellectual biography, but looks in detail at each individual work, summarizing contents and analyzing the interplay of form, language, and meaning. A bibliography and suggestions for further reading complement this Companion which will serve the general reader as much as the undergraduate and scholar.

"A blessed companion is a book--a book that, fitly chosen, is a lifelong friend."--Douglas William Jerrold
"Much reading is like much eating, wholly useless without digestion."--Robert South
"If I had read as much as other men, I should have been as ignorant as they."--Thomas Hobbes"
Can books corrupt? Do badly written books sharpen or dull the minds of their readers? Ought we to take seriously the old saw that excessive reading can damage one's sight?
"The Book Lovers' Anthology" offers answers to these questions and many more with a remarkable collection of reflections on the book--by the writers whose books are among the world's best known and best loved.
Throughout the centuries, books have been a source of fascination--and sometimes frustration--for writers. Between the covers of the "Anthology" are excerpts from the novels of Jane Austen, George Eliot, and Jonathan Swift, among many others, all of whom paused in their fiction to extol the virtues of the written page. Those who are taken with the smell of books will find a like mind in Charles Dickens, who waxed poetic about the "pleasant smell of paper freshly pressed." Very avid readers might even nod in knowing agreement with John Donne, who declared, "I shall die reading." Other poets whose musings on libraries or books are excerpted for the "Anthology "include Shakespeare, Wordsworth, Milton, and Chaucer. These writings are interspersed by the meditations of essayists and diarists--among them, Samuel Johnson, James Boswell, John Ruskin, and Michel de Montaigne--of centuries past.
With contributions from major writers across ages and genres, this is an essential anthology for which any bibliophile will want to find space on the shelf.

Co-published with the Classical Association of Atlantic States.

William Shakespeare's Othello (1601-2) has delighted and disturbed theatre audiences for the past four centuries, and remains one of the most frequently performed and widely studied of his plays. This volume is a broad-ranging guide to Othello, providing an introduction to:
* the contexts of the play, through a concise, accessible overview, a chronology and reprinted documents from the period
* the range of critical responses to the play, through a brief critical history and reprinted critical texts, accompanied by explanatory headnotes; and
* the play in performance, through a selection of clearly introduced readings on this topic, along with illustrations.
The sourcebook then examines key passages of the play in detail. Each passage is reprinted in full, along with a headnote and annotations offering crucial guidance to Shakespeare's language and the critical issues which surround the text. Throughout the volume, cross-references link together the contextual materials, critical responses and the play's text.
If you are beginning to study Othello, this Routledge Literary Sourcebook is the one guide you cannot afford to be without.

No descriptive material is available for this title.

By applying several aspects of Mikhail Bahktin's discourse-utterance theory, the author examines the use of quotation in Dostoevsky's The Brothers Karamazov. All ideological pronouncements made by the heroes of the book are classified into two types of poetic utterance: authoritative and internally persuasive discourse.

Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else. Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose. This ground-breaking collection presents the work of a strikingly original yet overlooked author, art critic and intellectual, and resituates Vogel as an important figure in the constellation of European modernity. Vogel's astute observations on art, literature, and psychology in her essays, her bold prose experiments inspired by photography and film, and Cubist poetry that both challenges and captivates invite the reader on a journey of discovery-into the microcosm of the talented thinker marked by tragic fate and the macrocosm of Jewish history and Poland's turbulent 20th century.

Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else. Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose. This ground-breaking collection presents the work of a strikingly original yet overlooked author, art critic and intellectual, and resituates Vogel as an important figure in the constellation of European modernity. Vogel's astute observations on art, literature, and psychology in her essays, her bold prose experiments inspired by photography and film, and Cubist poetry that both challenges and captivates invite the reader on a journey of discovery-into the microcosm of the talented thinker marked by tragic fate and the macrocosm of Jewish history and Poland's turbulent 20th century.

This book sprang from three handwritten lines by Ivan Bunin, Russia's first winner of the Nobel Prize for Literature. Found inside a first edition of Mitya's Love, they led to the discovery of one of the largest corpora of letters written to Ivan and Vera Bunin by two people whose lives and legacy had been, until now, forgotten. These letters are now in the Russian Archive in Leeds (RAL), and are published here for the first time. The book also focuses on memory and history in its purest form, as narrated by witnesses who lived through the most tragic century in Russian history. Their stories involve Grand Dukes, Russian literary and political giants, as well as one of the architects of the Gulag, and show how these lives intertwined. It also sheds new light on the life and works of Chekhov, Gorky, A. Tolstoy, and Bunin.

Although nearly every other television form or genre has undergone a massive critical and popular reassessment or resurgence in the past twenty years, the game show's reputation has remained both remarkably stagnant and remarkably low. Scholarship on game shows concerns itself primarily with the history and aesthetics of the form, and few works assess the influence the format has had on American society or how the aesthetics and rhythms of contemporary life model themselves on the aesthetics and rhythms of game shows. In Truth and Consequences: Game Shows in Fiction and Film, author Mike Miley seeks to broaden the conversation about game shows by studying how they are represented in fiction and film. Writers and filmmakers find the game show to be the ideal metaphor for life in a media-saturated era, from selfhood to love to family to state power. The book is divided into "rounds," each chapter looking at different themes that books and movies explore via the game show. By studying over two dozen works of fiction and film-bestsellers, blockbusters, disasters, modern legends, forgotten gems, award winners, self-published curios, and everything in between-Truth and Consequences argues that game shows offer a deeper understanding of modern-day America, a land of high-stakes spectacle where a game-show host can become president of the United States.

The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year 'detention' came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth's contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth's encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth's allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother.

This is the first comprehensive reference work on Italian literature to be published in English. With 2,400 entries from an international team of scholars, it provides a wealth of clear, up-to-date assessments of Italy's writers, famous and not so famous, from 1200 to 2000, whether they wrote in Italian, dialect, or Latin, together with vital background information on historical events, regional culture, and the other arts.

The rise of YA dystopian literature has seen an explosion of female protagonists who are stirring young people's interest in social and political topics, awakening their civic imagination, and inspiring them to work for change. These "Girls on Fire" are intersectional and multidimensional characters. They are leaders in their communities and they challenge injustice and limited representations. The Girl on Fire fights for herself and for those who are oppressed, voiceless, or powerless. She is the hope for our shared future. This collection of essays brings together teachers and students from a variety of educational contexts to explore how to harness the cultural power of the Girl on Fire. It also tackles how to educate the real-world girls who embody the ethos of the Girl on Fire themselves. Each essay provides both theoretical foundations as well as practical, hands-on teaching tools that can be used with diverse groups of students, in formal as well as informal educational settings. This volume challenges readers to realize the symbolic power the Girl on Fire has to raise consciousness and inform action and to keep that fire burning.

During World War I, as young men journeyed overseas to battle, American women maintained the home front by knitting, fundraising, and conserving supplies. These became daily chores for young girls, but many longed to be part of a larger, more glorious war effort. A new genre of children's books entered the market, written specifically with the young girls of the war period in mind. Through fiction, girls could catch spies, cross battlefields, man machine guns, and blow up bridges. These adventurous heroines built the framework for the feminist revolution, creating avenues of leadership for women and inspiring individualism and self-discovery. The work presented here analyzes the powerful response to such literature, how it sparked the engagement of real girls in the United States and Allied war effort, as well as how it reflects their contemporaries' awareness of girls' importance.

To read a crime novel today largely simulates the exercise of reading newspapers or watching the news. The speed and frequency with which today's bestselling works of crime fiction are produced allow them to mirror and dissect nearly contemporaneous socio-political events and conflicts. This collection examines this phenomenon and offers original, critical, essays on how national identity appears in international crime fiction in the age of populism and globalization. These essays address topics such as the array of competing nationalisms in Europe; Indian secularism versus Hindu communalism; the populist rhetoric tinged with misogyny or homophobia in the United States; racial, religious or ethnic others who are sidelined in political appeals to dominant native voices; and the increasing economic chasm between a rich and poor. More broadly, these essays inquire into themes such as how national identity and various conceptions of masculinity are woven together, how dominant native cultures interact with migrant and colonized cultures to explore insider/outsider paradigms and identity politics, and how generic and cultural boundaries are repeatedly crossed in postcolonial detective fiction.

In many pop culture texts, "monsters" can be read as metaphors for marginalized Others in U.S. culture. This book applies the philosophical lens of Michel Foucault's normalizing and bio-powers to zombies, vampires, magicians, genetic mutants and others, asking whether these stories of apparent liberation really are so. Exploring a single theme in depth across a series of pop culture texts, this book encourages a radical new understanding of liberation narratives and of political activism as a mechanism of social change.

Adopting a unique historical approach to its subject and with a particular focus on the institutions involved in the creation, dissemination, and reception of literature, this handbook surveys the way in which the Cold War shaped literature and literary production, and how literature affected the course of the Cold War. To do so, in addition to more 'traditional' sources it uses institutions like MFA programs, university literature departments, book-review sections of newspapers, publishing houses, non-governmental cultural agencies, libraries, and literary magazines as a way to understand works of the period differently. Broad in both their geographical range and the range of writers they cover, the book's essays examine works of mainstream American literary fiction from writers such as Roth, Updike and Faulkner, as well as moving beyond the U.S. and the U.K. to detail how writers and readers from countries including, but not limited to, Taiwan, Japan, Uganda, South Africa, India, Cuba, the USSR, and the Czech Republic engaged with and contributed to Anglo-American literary texts and institutions.

This revised Norton Critical Edition is based on the first edition text (dated 1818, but likely issued in late 1817). The editor has spelled out ampersands and made superscript letters lowercased. The novel, which is accompanied by revised and expanded explanatory annotations, is followed by the two canceled chapters that comprise Persuasion's original ending. "Backgrounds and Contexts" collects contemporary assessments of Jane Austen as well as materials relating to the social issues of the day. Included are an excerpt from William Hayley's 1785 "Essay on Old Maids"; Austen's letters to Fanny Knight, which reveal her skepticism about marriage as the key to happiness; Henry Austen's memorial tribute to his famous sister; assessments by nineteenth-century critics Julia Kavanagh and Goldwin Smith, who viewed Austen as an unassuming, sheltered, and "feminine" rural writer; and the perspective of Austen's biographer, Geraldine Edith Mitten. The Second Edition emphasizes current critical scholarship, reflecting enormous shifts in our comprehension of Austen's achievement and opening the door to new ways of thinking about Persuasion and its author. For the first time, we can think complexly about Austen living through the Napoleonic Wars on the Continent and experiencing their political repercussions at home-the same as everyone else in England at that time. Four new essays-by Linda Bree, Sidney Gottlieb, John Wiltshire, and David Monaghan-speak to these new perspectives; those by Gottlieb and Monaghan expand the conversation into film adaptations of the novel. A Chronology of Austen's life and work, new to the Second Edition, is included along with an updated Selected Bibliography.

Contributions by Torsten Caeners, Phoebe Chen, Mathieu Donner, Shannon Hervey, Angela S. Insenga, Patricia Kennon, Maryna Matlock, Ferne Merrylees, Lars Schmeink, Anita Tarr, Tony M. Vinci, and Donna R. White For centuries, humanism has provided a paradigm for what it means to be human: a rational, unique, unified, universal, autonomous being. Recently, however, a new philosophical approach, posthumanism, has questioned these assumptions, asserting that being human is not a fixed state but one always dynamic and evolving. Restrictive boundaries are no longer in play, and we do not define who we are by delineating what we are not (animal, machine, monster). There is no one aspect that makes a being human--self-awareness, emotion, artistic expression, or problem-solving--since human characteristics reside in other species along with shared DNA. Instead, posthumanism looks at the ways our bodies, intelligence, and behavior connect and interact with the environment, technology, and other species. In Posthumanism in Young Adult Fiction: Finding Humanity in a Posthuman World, editors Anita Tarr and Donna R. White collect twelve essays that explore this new discipline's relevance in young adult literature. Adolescents often tangle with many issues raised by posthumanist theory, such as body issues. The in-betweenness of adolescence makes stories for young adults ripe for posthumanist study. Contributors to the volume explore ideas of posthumanism, including democratization of power, body enhancements, hybridity, multiplicity/plurality, and the environment, by analyzing recent works for young adults, including award-winners like Paolo Bacigalupi's Ship Breaker and Nancy Farmer's The House of the Scorpion, as well as the works of Octavia Butler and China Mieville.