This major reference book for Shakespeare scholars and bibliographers is the second part of the story of 'the greatest book' in the English language. Listing 228 copies of the First Folio, the Census gives concise descriptions of each, covering condition, special features, provenance, and binding. It traces the search for copies, deals with doubtful identifications, describes the tests for inclusion, and presents details of missing copies.

Neil Gaiman (b. 1960) reigns as one of the most critically decorated and popular authors of the last fifty years. Perhaps best known as the writer of the Harvey, Eisner, and World Fantasy Award-winning series The Sandman, Gaiman quickly became equally renowned in literary circles for Neverwhere, Coraline, and the award-winning American Gods, as well as the Newbery and Carnegie Medal-winning The Graveyard Book. For adults, children, comics readers, and viewers of the BBC's Doctor Who, Gaiman's writing has crossed the borders of virtually all media, making him a celebrity around the world. Despite Gaiman's incredible contributions to comics, his work remains underrepresented in sustained fashion in comics studies. In this book, the thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, examine the work of Gaiman and his many illustrators. The essays discuss Gaiman's oeuvre regarding the qualities that make his work unique in his eschewing of typical categories, his proclamations to "make good art," and his own constant efforts to do so however the genres and audiences may slip into one another. The Artistry of Neil Gaiman forms a complicated picture of a man who has always seemed fully assembled virtually from the start of his career, but only came to feel comfortable in his own voice far later in life.

In 1979, the Marxist-Leninist New Jewel Movement under Maurice Bishop overthrew the government of the Caribbean island country of Grenada, establishing the People's Revolutionary Government. The United States under President Reagan infamously invaded Grenada in 1983, staying until the New National Party won election, effectively dealing a death blow to socialism in Grenada.With Comrade Sister, Laurie Lambert offers the first comprehensive study of how gender and sexuality produced different narratives of the Grenada Revolution. Reimagining this period with women at its center, Laurie Lambert shows how the revolution must be recognized for its both productive and corrosive tendencies. Lambert argues that the literature of the Grenada Revolution exposes how the more harmful aspects of revolution are visited on, and are therefore more apparent to, women. Calling attention to the mark of black feminism on the literary output of Caribbean writers of this period, Lambert addresses the gap between women's active participation in Caribbean revolution versus the lack of recognition they continue to receive.

Faulkner and Formalism: Returns of the Text collects eleven essays in which contributors query the status of Faulkner's literary text in contemporary criticism and scholarship. How do scholars today approach Faulkner's texts? For some, including Arthur F. Kinney and James B. Carothers, ""returns of the text"" is a phrase that raises questions of aesthetics, poetics, and authority. For others, the phrase serves as an invitation to return to Faulkner's language, to writing and the letter itself. Serena Blount, Owen Robinson, James Harding, and Taylor Hagood interpret ""returns of the text"" in the sense in which Roland Barthes characterizes this shift in his seminal essay ""From Work to Text."" Faulkner's language itself is under close scrutiny in some of the readings that emphasize a deconstructive or a semiological approach to his writing. Historical and cultural contexts continue to play significant roles, however, in many of the essays such as those by Thadious Davis, Ted Atkinson, Martyn Bone, and Ethel Young-Minor. Instead of approaching the literary text as a reflection, a representation of that context, these readings stress the role of the text as a challenge to the power of external ideological systems. By retaining a bond with new historicist analysis and cultural studies, these essays are illustrative of a kind of analysis that carefully preserves attention to Faulkner's sociopolitical environment. The concluding essay by Theresa M. Towner issues an invitation to return to Faulkner's less well-known short stories for critical exposure and the pleasure of reading.

The Cambridge Companion to Irish Poets offers a fascinating introduction to Irish poetry from the seventeenth century to the present. Aimed primarily at lovers of poetry, it examines a wide range of poets, including household names, such as Jonathan Swift, Thomas Moore, W. B. Yeats, Samuel Beckett, Seamus Heaney, Patrick Kavanagh, Eavan Boland and Paul Muldoon. The book is comprised of thirty chapters written by critics, leading scholars and poets, who bring an authoritative and accessible understanding to their subjects. Each chapter gives an overview of a poet's work and guides the general reader through the wider cultural, historical and comparative contexts. Exploring the dual traditions of English and Irish-speaking poets, this Companion represents the very best of Irish poetry and highlights understanding that reveals, in clear and accessible prose, the achievement of Irish poetry in a global context. It is a book that will help and guide general readers through the many achievements of Irish poets.

First published in 1949, The Progress of a Biographer follows a general principle that there are absolute truths, which an individual can in some degree apprehend and live by, but which churches and institutions can only obscure and pervert. This principle is followed for the sketches in this book, most of which were written between the end of World War II and the spring of 1948. The subjects range from P. G. Wodehouse to Karl Marx, from W. B. Yeats to Thackeray, and from Rainer Maria Rilke to Lloyd George. Believing that to understand a man's work, one must form a coherent impression of the man, the author has tried to suggest the leading characteristics and governing impulses of his subjects. His intention has been to clarify rather than to criticise, though doubtless the affect may sometimes be one of criticism falling short of clarification. The book will be of interest to students across disciplines but will particularly appeal to students of English literature.

This second edition of a unique companion to Thackeray's great novel enables the reader to follow the novelist step by step through the maze of his erudition, clarifying the immense range of references in the novel. Since these annotations are keyed to Thackeray's chapters, not to the page numbers of any particular edition of the novel, they can be consulted in connection with any edition of Vanity Fair the reader happens to own. Within each chapter of this book, the entries follow the order in which they appear in the novel. In addition to the words, phrases, and allusions which obviously or possibly require annotation, the compilers have occasionally commented upon subtleties of narrationowithout intruding critical opinions upon the readeroand entered a few remarks on Thackeray's own illustrations. They have also addressed textual matters, questions of composition and publication, connections with other areas of Thackeray's oeuvre, and the influence of other works of literature on the novel. Intended for undergraduate and graduate students studying the English Novel. Also of interest to scholars in the field of Victorian Literature as well as general readers."

Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.

When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs, and symbols, a review quiz and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to - moral pollution, the authority of oracles, classical ideas of geography - as well as the names of unfamiliar legendary and mythological figures. A New Companion to Greek Tragedy provides a useful reference tool for the 'Greekless' reader: arranged on a strictly encyclopaedic pattern, with headings for all proper names occurring in the twelve most frequently read tragedies, it contains brief but adequately detailed essays on moral, religious and philosophical terms, as well as mythical genealogies where important. There are in addition entries on Greek theatre, technical terms and on other writers from Aristotle to Freud, whilst the essay by P. E. Easterling traces some connections between the ideas found in the tragedians and earlier Greek thought.

Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.

Literary fashions come and go, but some hang around longer than others, like Gothic literature which has existed ever since The Castle of Otranto in 1764. During this long while, it has spread from England, to the rest of Great Britain, and across to the continent, and off to America and Australia, filling in the gaps more recently. Most of it is in English, but hardly all, and it has adopted all styles, from romanticism, to modernism, to postmodernism and even adjusted to feminist and queer literature, and science fiction. We have all, read some Gothic tales or if not read then seen them in the cinema, since they adapt well to film treatment, and it would be hard to find anyone who has not heard of ghosts and vampires, let alone Count Dracula and Frankenstein. On the other hand, some of us are inveterate Gothic fans, reading one book or story after the other. The Historical Dictionary of Gothic Literature follows this long and winding path, first in an extensive chronology and then a useful introduction which explains the nature of Gothic and shows how it has evolved. Obviously, the dictionary section has entries on major writers, and some of the best-known works, but also on geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction. This is provided in over 200 often substantial and always intriguing entries. More can be found in a detailed bibliography, including general works but also more specialized ones on different styles and genres, and also specific authors. This book should certainly interest the fans but also more serious researchers.

England's famed Lake District-best known as the place of inspiration for the Wordsworths, Samuel Taylor Coleridge, and other Romantic-era writers-is the locus of this pioneering study, which implements and critiques a new approach to literary analysis in the digital age. Deploying innovative methods from literary studies, corpus linguistics, historical geography, and geographical information science, Deep Mapping the Literary Lake District combines close readings of a body of writing about the region from 1622-1900 with distant approaches to textual analysis. This path-breaking volume exemplifies interdisciplinarity, demonstrating how digital humanities methodologies and geospatial tools can enhance our appreciation of a region whose topography has been long recognized as fundamental to the shape of the poetry and prose produced within it.

Memorable children's narratives immerse readers in imaginary worlds that bring them into the story. Some of these places have been constructed in the real world-like Pinocchio's Tuscany or Anne of Green Gables' Prince Edward Island-where visitors relive their favorite childhood tales. Theme parks like Walt Disney World and Harry Potter World use technology to engineer enchanting environments that reconnect visitors with beloved fictional settings and characters in new ways. This collection of new essays explores the imagined places we loved as kids, with a focus on the meaning of setting and its power to shape the way we view the world.

In Continuous Pasts, author Sakiru Adebayo claims that the post-conflict fiction of memory in Africa depicts the intricate ways in which the past is etched on bodies and topographies, resonant in silences and memorials, and continuous even in experiences as well as structures of migration. Adebayo argues that the post-conflict fiction of memory in Africa invites critical deliberations on the continuity of the past within the realm of positionality and the domain of subjectivity-that is to say, the past is not merely present; instead, it survives, lives on, and is mediated through the subject positions of victims, perpetrators, as well as secondary and transgenerational witnesses. The book also argues that post-conflict fiction of memory in Africa shows the unfinished business of the past produces fragile regimes of peace and asynchronous temporalities that challenge progressive historicism. It contends that, in most cases in Africa, the post-conflict present is beset with a tight political economy wherein the scramble for survival trumps the ability to imagine a just future among survivors-and that it is precisely this despairing disposition toward the future that the some writers of post-conflict fiction attempt to confront in their works. On the whole, Continuous Pasts shows how post-conflict fictions of memory in Africa recalibrate discourses of futurity, solidarity, responsibility, justice, survival, and reconciliation. It also contends that post-conflict fictions of memory in Africa provide the tools for imagining and theorizing a collective African memory. Each text analyzed in the book provides, in very interesting ways, an imaginative possibility and template for how post-independence African countries can 'remember together' using what the author describes as an African transnational memory framework.

Following on the success of her first book The Bully in the Book and in the Classroom, C. J. Bott has written this sequel to help those who work with children and young adults become familiar with books that address the problem of bullying. More Bullies in More Books presents over 350 annotated titles, from picture books to high school books, dealing with bullying. Chapters address specific bullying behaviors or problems: name calling, putdowns, and gossip; being new and different; body image; cliques, groups, and gangs; "isms;" homophobia; cyberspace; and violence. Each chapter begins with an introduction that describes the harassment seen most often in each grade level and contains relevant books at all reading levels. Every entry features an in-depth summary, activities, and quotes from the book for students to discuss. An important resource about a real and harmful problem, this book will be of interest to teachers, librarians, counselors, administrators, and parents.

Professor Douglas Gifford, Emeritus Professor of Scottish Literature at the University of Glasgow, explores James Hogg's most famous work, The Private Memoirs and Confessions of a Justified Sinner. This shocking tale of a minister's son who believes himself chosen by God to punish those he sees as evil-doers, and who has a mysterious guide in all his atrocities, has been labelled a Gothic story - yet it has more in common with traditional Scottish folk-tales, but with the alternative possibility of an astonishingly modern reading, in which there are no devils and no wonders, only the delusions of a diseased mind. Professor Gifford guides the listener through the turns and twists of the novel, accompanied by atmospheric readings of selections from the text by John Shedden. Both psychological and supernatural elements are explored, along with the background to Hogg and his works. This double-disk audio CD makes an excellent tool for classroom use or for home study.

Neil Simon (1927-2018) began as a writer for some of the leading comedians of the day-including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis-and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays-some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy-Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound-that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama. In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious Subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon's genius.

This book focuses on a prominent female poet of eighteenth century China, Qu Bingyun. Qu was a leader of a famous group of female poets known as the Female Disciples of Yuan Mei. This book explores the development of Qu as a poet and examines her unique poetry with special attention to her dynamic interaction with her contemporaries. It concludes that Qu, driven by her instinct as a woman and the nature of writing as a social process, constantly sought connections with others to form literary networks. It was during the course of this interaction with others that Qu's poetic career blossomed. This book demonstrates how Qu, a fragile woman, used her awesome poetic power to simplify the complex family interactions and endeared herself to those close to her; how she became widely admired in her region and beyond; how she transformed her illness and mundane everyday life into aesthetic creations; and how she created close ties to all the people around her. This book also shows that Qu's poetry powerfully exposed a gentrywoman's domesticity to the world in every detail. Qu's intensity extended into her entire literary network, creating patterns that were rarely seen before and since. Honoring the female experience as the source of autonomous art, Qu was a revolutionary of women's literature and became a prominent representative of female writers who broadened Chinese poetry in many ways.

"Conversations with William H. Gass" captures the imagination and philosophical acumen of one of America's most important aestheticians, critical theorists, fiction writers, and essayists.

From his first major novel, "Omensetter's Luck" (1966), to his numerous collections of essays and philosophical inquiries, to his controversial novel "The Tunnel" (1995), Gass (b. 1924) has proved himself a meticulous craftsman. Throughout these interviews, he reveals an aesthetic that combines ideas from sources as disparate as Ludwig Wittgenstein, Rainer Maria Rilke, Gertrude Stein, and Plato.

The interviews make clear the unity behind Gass's views is by his own design. Conversations retrace his undergraduate years at Kenyon College and his subsequent philosophical investigation of metaphor at Cornell University.

Gass has never strayed from his belief that metaphor is central and fundamental to thought and to aesthetics. In these interviews he reiterates time and again his belief that the ultimate understanding of the relationship of language to the world pivots on one's understanding of metaphor.

n interviews, in profiles, and in his own essays, Gass does not hide from questions about his art and personal motivations, no matter how frequently they are asked, nor does he toy with his interviewers. Revealing how he never shies from an intellectual joust, this collection includes a rousing, contentious debate with John Gardner, fellow literary pundit and fiction writer.

The distinction of Gass's prose is matched by the clarity and brilliance of the mind behind it. These talks allow an unobstructed view. Anyone interested in Gass's writing will delight in hearing the brutally honest voice of the mind that produced it.

The detective novel is both a product of the twentieth century and a response to the needs of readers forced to deal with social and political insecurities of the time. Thus codes of modernity are the essence of the genre, and its plausibility relies upon the degree of the readers' expectations, demands, and vicarious experiences. Even one of mystery fiction's hallmarks, the seemingly improbable but consequential encounter with strangers, is assimilated in the modern sensibility, which has been shaped by concepts of trust and confidence, of rationalism and emotion, of expertise and amateurism, and of ideology and morality. This intelligent and probing analysis of the detective novel shows how the fictional world portrayed by the mystery writer is perceived as parallel with the actual world. This apparent unity of the fictional thriller and veritable circumstance would make it possible for some high-ranking diplomat to outwit his adversaries by emulating the exploits of Sherlock Holmes. Similarly, a professor of medicine might assign students the study of Arthur Conan Doyle's stories as exercises in detection or in drawing inferences, for like the work of Holmes the practice of medicine connects visible symptoms to their invisible causes. In the light of this concept of modernity Mystery Fiction and Modern Life examines works by Doyle, Edgar Allan Poe, John Buchan, Eric Ambler, Dashiell Hammett, Ross Macdonald, Tony Hillerman, Agatha Christie, Helen MacInnes, Patricia Cornwell, Marcia Muller, Sara Paretsky, Anthony Price, and others.

""The Scarlet Letter" has proved our most enduring classic," writes Sacvan Bercovitch, "because it is the liberal example par excellence of art as ideological mimesis. To understand the office of the A is to see how culture empowers symbolic form, including forms of dissent, and how symbols participate in the dynamics of culture, including the dynamics of constraint." With an approach that both reflects and contests developments in literary studies, Bercovitch explores these connections from two perspectives: first, he examines a historical reading of the novel's unities; and then, a rhetorical analysis of key mid-nineteenth-century issues, at home and abroad. In order to highlight the relation between rhetoric and history, he focuses on the point at which the scarlet letter does its office at last, the moment when Hester decides to come home to America. In "The Office of "The Scarlet Letter,"" Bercovitch argues that the process by which the United States usurped "America" for itself, symbolically, is also the process by which liberalism established political and economic dominance. In the course of his study, he offers sustained discussions of Hawthorne's irony and ambiguity, of aesthetic and social strategies of cohesion, and of the conundrums of liberal dissent. Winner of the Modern Language Association's James Russell Lowe prize, "The Office of "The Scarlet Letter"" provides a theoretical redefinition of the function of symbolism in culture and an exemplary literary-ideological reading of a major text.

This final volume of Vernon Louis Parrington's Pultzer Prize-winning study deals with the decay of romantic optimism. It shows that the cause of decay is attributed to three sources: stratifying of economics under the pressure of centralization; the rise of mechanistic science; and the emergence of a spirit of skepticism which, with teachings of the sciences and lessons of intellectuals, has resulted in the questioning of democratic ideals. Parrington presents the movement of liberalism from 1913 to 1917, and the reaction to it following World War I. He notes that liberals announced that democratic hopes had not been fulfilled; the Constitution was not a democratic instrument nor was it intended to be; and while Americans had professed to create a democracy, they had in fact created a plutocracy. Industrialization of America under the leadership of the middle class and the rise of critical attitudes towards the ideals and handiwork of that class are examined in great detail. Parrington's interpretation of the literature during this time focuses on four divisions of development: the conquest of America by the middle class; the challenge of that overlordship by democratic agrarianism; the intellectual revolution brought about by science and the appropriation of science by the middle class; and the rise of detached criticism by younger intellectuals. A new introduction by Bruce Brown highlights Parrington's life and explains the importance of this volume.

Borrowing its title from Oscar Wilde's essay "The Decay of Lying," this study engages questions of fraudulent authorship in the literary afterlife of Oscar Wilde. The unique cultural moment of Wilde's early-twentieth-century afterlife, Gregory Mackie argues, afforded a space for marginal and transgressive forms of literary production that, ironically enough, Wilde himself would have endorsed. Beautiful Untrue Things recovers the careers of several forgers who successfully inhabited the persona of the Victorian era's most infamous homosexual and arguably its most successful dramatist. More broadly, this study tells a larger story about Oscar Wilde's continued cultural impact at a moment when he had fallen out of favour with the literary establishment. It probes the activities of a series of eccentric and often outrageous figures who inhabited Oscar Wilde's much-mythologized authorial persona - in forging him, they effectively wrote as Wilde - in order to argue that literary forgery can be reimagined as a form of performance. But to forge Wilde and generate "beautiful untrue things" in his name is not only an exercise in role-playing - it is also crucially a form of imaginative world-making, resembling what we describe today as fan fiction.

Conversations with William Maxwell collects thirty-eight interviews, public speeches, and remarks that span five decades of the esteemed novelist and New Yorker editor's career. The interviews collectively address the entirety of Maxwell's literary work--with in-depth discussion of his short stories, essays, and novels including They Came Like Swallows, The Folded Leaf, and the American Book award-winning So Long, See You Tomorrow--as well as his forty-year tenure as a fiction editor working with such luminaries as John Updike, John Cheever, Eudora Welty, Vladimir Nabokov, and J.D. Salinger. Maxwell's words spoken before a crowd, some previously unpublished, pay moving tribute to literary friends and mentors, and offer reflections on the artistic life, the process of writing, and his Midwestern heritage. All retain the reserved poignancy of his fiction. The volume publishes for the first time the full transcript of Maxwell's extensive interviews with his biographer and, in an introduction, correspondence with writers including Updike and Saul Bellow, which enlivens the stories behind his interviews and appearances.