When Angela Davis (b. 1944) was placed on the FBI's Ten Most Wanted list in 1970 and after she successfully gained acquittal in the 1972 trial that garnered national and international attention, she became one of the most recognizable and iconic figures in the twentieth century. An outspoken advocate for the oppressed and exploited, she has written extensively about the intersections between race, class, and gender; Black liberation; and the US prison system. Conversations with Angela Davis seeks to explore Davis's role as an educator, scholar, and activist who continues to engage in important and significant social justice work. Featuring seventeen interviews ranging from the 1970s to the present day, the volume chronicles Davis's life and her involvement with and influence on important and significant historical and cultural events. Davis comments on a range of topics relevant to social, economic, and political issues from national and international contexts, and taken together, the interviews explore how her views have evolved over the past several decades. The volume provides insight on Davis's relationships with such organizations as the Student Nonviolent Coordinating Committee, the Communist Party, the Green Party, and Critical Resistance, and how Davis has fought for racial, gender, and social and economic equality in the US and abroad. Conversations with Angela Davis also addresses her ongoing work in the prison abolition movement.

Frank Herbert's Dune is one of the most well-known science fiction novels of all time, and it is often revered alongside time-honored classics like The Lord of the Rings. Unlike Tolkien's work, the Dune series has received remarkably little academic attention. This collection includes fourteen new essays from various academic disciplines-including philosophy, political science, disability studies, Islamic theology, environmental studies, and Byzantine history-that examine all six of Herbert's Dune books. As a compendium, it asserts that a multidisciplinary approach to the texts can lead to fresh discoveries. Also included in this collection are an introduction by Tim O'Reilly, who authored one of the first critical appraisals of Herbert's writings in 1981, and a comprehensive bibliography of essential primary and secondary sources.

Comparative Literature explores an 'area of interest' rather than a special discipline. The book begins with an account of the approaches that twentieth century writers took to literature by writers other than themselves. It discusses the common tone shared by those who subscribe to a national tradition, and considers what is meant by 'the mind of Europe'. It ponders the problems of translation, and discusses the nature of comparative study at university. Lastly, the special case of American literature is treated as pointing to the need for adjustment to a new stage in the world's culture. The criticial discussion of comparative studies provided in this book demonstrates the greater depth and vivacity that these studies can give to our ideas about literature.

Since his first novel in 1992, Michael Connelly has become one of America's most popular and critically acclaimed crime writers. He is best known as the author of a long-running series featuring LAPD homicide detective Harry Bosch, a compelling figure in contemporary crime fiction. He also created several additional series featuring a criminal defense attorney (Mickey Haller, known as the Lincoln Lawyer), an FBI profiler (Terry McCaleb), a newspaper reporter (Jack McEvoy), and an LAPD policewoman (Renee Ballard) who works the night shift. When he began incorporating all his characters into the Bosch megaseries, he expanded the notion of what a crime series can accomplish. This work takes an in-depth look at all of Connelly's work, including the 34 novels that comprise the Bosch megaseries, the film adaptations of his books, the popular "Bosch" TV series, and his standalone novels, short stories and podcasts. It includes chapters on his novelistic artistry and his portraits of Los Angeles and its police department.

Latin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacon considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacon argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy. Chacon recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and as a key artistic expression of decolonization.

The New York Times bestselling author of the beloved classic How to Read Literature Like a Professor teaches you how to write everything from a report for your community association to a meaningful memoir in this masterful and engaging guide. Combing anecdotes and hard-won lessons from decades of teaching and writing-and invoking everyone from Hemingway to your third-grade teacher-retired professor Thomas C. Foster guides you through the basics of writing. With How to Write Like a Writer you'll learn how to organize your thoughts, construct first drafts, and (not incidentally) keep you in your chair so that inspiration can come to visit. With warmth and wit, Foster shows you how to get into (and over) your best self, how to find your voice, and how to know when, if ever, a piece of work is done. Packed with enlightening anecdotes, highlighted with lists and bullet points, this invaluable guide reveals how writers work their magic, and reminds us that we all-for better or worse, whether we mean to or not-are known by what we put on paper or screen, both our thoughts and our words.

Focusing on the ten most influential baseball books of all time, this volume explores how these landmark works changed the game itself and made waves in American society at large. Satchel Paige's Pitchin' Man informed the dialog surrounding integration. Ring Lardner's You Know Me Al changed the way Americans viewed their baseball heroes and influenced the work of Hemingway and Fitzgerald. Bill James's Baseball Abstract transformed the way managers-including those in fields other than baseball-analyzed numbers. Pete Rose's My Story and My Prison Without Bars exposed and deepened a cultural divide that paved the way for Donald Trump.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least thirty years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture. This ground-breaking book assembles all of Shakespeare's sonnets in their probable order of composition. An inspiring introduction debunks long-established biographical myths about Shakespeare's sonnets and proposes new insights about how and why he wrote them. Explanatory notes and modern English paraphrases of every poem and dramatic extract illuminate the meaning of these sometimes challenging but always deeply rewarding witnesses to Shakespeare's inner life and professional expertise. Beautifully printed and elegantly presented, this volume will be treasured by students, scholars, and every Shakespeare enthusiast.

One method of American territory expansion in the U.S.-Mexico borderlands was the denial of property rights to Mexican landowners, which led to dispossession. Many historical accounts overlook this colonial impact on Indigenous and Mexican peoples, and existing studies that do tackle this subject tend to privilege the male experience. Here, Karen R. Roybal recenters the focus of dispossession on women, arguing that gender, sometimes more than race, dictated legal concepts of property ownership and individual autonomy. Drawing on a diverse source base-legal land records, personal letters, and literature-Roybal locates voices of Mexican American women in the Southwest to show how they fought against the erasure of their rights, both as women and as landowners. Woven throughout Roybal's analysis are these women's testimonios - their stories focusing on inheritance, property rights, and shifts in power. Roybal positions these testimonios as an alternate archive that illustrates the myriad ways in which multiple layers of dispossession - and the changes of property ownership in Mexican law - affected the formation of Mexicana identity.

The fourteen essays in Food, Texts, and Cultures in Latin America and Spain showcase the eye-opening potential of a food lens within colonial studies, ethnic and racial studies, gender and sexuality studies, and studies of power dynamics, nationalisms and nation building, theories of embodiment, and identity. In short, Food, Texts, and Cultures in Latin America and Spain grapples with an emerging field in need of a foundational text, and does so from multiple angles. The studies span from the Middle Ages to the twenty-first century, and the contributing scholars occupy diverse fields within Latin American and Hispanic Studies. As such, their essays showcase eclectic critical and theoretical approaches to the subject of Latin American and Iberian food. Food, Texts, and Cultures in Latin America and Spain also introduces the first English-language publication of works from such award-winning scholars as Adolfo Castanon of the Mexican Academy of Language; Sergio Ramirez, winner of the 2017 Miguel de Cervantes Prize in Literature; and Carmen Simon Palmer, winner of the 2015 Julian Marias Prize for Research.

In the twenty-first century, the romance genre has gained a growing academic response, including the creation of the International Association for the Study of Popular Romance. Popular romance has long been so ignored and maligned that seemingly every scholarly work on it opens with a lengthy defense of the genre and its value for academic study. Even the early scholarly works on the genre approach it in ways that, while primarily respectful, make sweeping generalizations about popular romance, its texts, and its readers. This essay collection examines the position of the romance genre in the twenty-first century, and the ways in which romance responds to and influences the culture and community in which it exists. Essays are divided into six sections, which cover the genre's relationship with masculinity, the importance of consent, historical romance, representation, social status and web-based romance fiction.

While all fiction uses words to construct models of the world for readers, nowhere is this more obvious than in fantasy fiction. Epic fantasy novels create elaborate secondary worlds entirely out of language, yet the writing style used to construct those worlds has rarely been studied in depth. This book builds the foundations for a study of style in epic fantasy. Close readings of selected novels by such writers as Steven Erikson, Ursula Le Guin, N. K. Jemisin and Brandon Sanderson offer insights into the significant implications of fantasy's use of syntax, perspective, paratexts, frame narratives and more. Re-examining critical assumptions about the reading experience of epic fantasy, this work explores the genre's reputation for flowery, archaic language and its ability to create a sense of wonder. Ultimately, it argues that epic fantasy shapes the way people think, examining how literary representation and style influence perception.

The detective story-the classic whodunit with its time-displacement structure of crime-according to most literary historians, is of relatively recent origin. Early in its development, the whodunit was harshly criticized for its tightly formula-bound structure. Many critics prematurely proclaimed "the death of the whodunit" and even of detective fiction altogether. Yet today, the genre is alive, as contemporary authors have brought it into modern times through a significant integration of elaborate character development and psychology. With the modern psychological detective story emerging from the historical cauldron of detective fiction and early psychology, the genre continues to develop a complexity that reflects and guides the literary sophistication needed. This book, the first of its kind, analyzes over 150 whodunit novels and short stories across the decades, from The Moonstone to the contemporary novels that saved the genre from an ignominious death

For centuries, Spain and the South have stood out as the exceptional ""other"" within U.S. and European nationalisms. During Franco's regime and the Jim Crow era both violently asserted a haunting brand of national ""selfhood."" Both areas shared a loss of splendor and a fraught relation with modernization, and they retained a sense of defeat. Brittany Powell Kennedy explores this paradox not simply to compare two apparently similar cultures but to reveal how we construct difference around this self/other dichotomy. She charts a transatlantic link between two cultures whose performances of ""otherness"" as assertions of ""selfhood"" enact and subvert their claims to exceptionality. Perhaps the greatest example of this transatlantic link remains the War of 1898, when the South tried to extract itself from but was implicated in U.S. imperial expansion and nation-building. Simultaneously, the South participated in the end of Spain as an imperial power. Given the War of 1898 as a climactic moment, Kennedy explores the writings of those who come directly after this period and who attempted to ""regenerate"" what was perceived as ""traditional"" in an agrarian past. That desire recurs over the century in novels from writers as diverse as William Faulkner, Camilo Jose Cela, Walker Percy, Eudora Welty, Federico Garcia Lorca, and Ralph Ellison. As these writers wrestle with ideas of Spain and the South, they also engage questions of how national identity is affirmed and contested. Kennedy compares these cultures across the twentieth century to show the ways in which they express national authenticity. Thus she explores not only Francoism and Jim Crow, but varied attempts to define nationhood via exceptionalism, suggesting a model of performativity that relates to other ""exceptional"" geographies.

A comet in the mounting firmament of third-world, non-white, female writers, Edwidge Danticat stands apart. Danticat is an accomplished trilingual children's and YA author, activist, op-ed and cinema writer, and keynote speaker. Much of her work introduces the world to the cultural uniqueness of Haiti, the first black republic, and the elements of African heritage, language, and Vodou that continue to color all aspects of the island's art and self-expression This companion provides an in-depth look into the world and writings of Danticat through A-Z entries. These entries cover both her works and the prevalent themes of her writing, including colonialism, slavery, superstition, adaptation, dreams and coming of age. It also provides a biography of Danticat, a list of 32 aphorisms from Danticat's fiction, a guide to the names and histories of the real places in her fiction, lesson planning aids, and a robust glossary offering translations and definitions for the many Creole, French, Japanese, Latin, Spanish, and Taino terms in Danticat's writing.

American crime novelist Elmore Leonard (1925-2013) has a voice that is original and immediately recognizable. This collection of original interviews with fellow authors, filmmakers, collaborators and critics covers all things Leonard, from analyses of characterization and dialogue in his writing to his many screen adaptations. What makes Leonard's work more cinematic than that of other talented contemporaries is his deceptively simplistic method of description that still manages to paint a vivid picture in the reader's mind. The unique perspectives in this collection discuss many of Leonard's 44 novels, including those that have been adapted to television and motion pictures like Get Shorty, Out of Sight, and Jackie Brown.

This new edition of the British epistolary novel The History of Lady Louisa Stroud, and the Honourable Miss Caroline Stretton examines the theme of female agency, and is an excellent example of women's writing in the eighteenth-century. The relationships of the author, Phebe Gibbes, with the East India Company, The London Magazine, 'The Benevolent Society', and the Royal Literary Society provide rich avenues for research. Accompanied by a new introduction and editorial commentary, this text will be of great interest to students of literary history and women's writing.

Memorable children's narratives immerse readers in imaginary worlds that bring them into the story. Some of these places have been constructed in the real world-like Pinocchio's Tuscany or Anne of Green Gables' Prince Edward Island-where visitors relive their favorite childhood tales. Theme parks like Walt Disney World and Harry Potter World use technology to engineer enchanting environments that reconnect visitors with beloved fictional settings and characters in new ways. This collection of new essays explores the imagined places we loved as kids, with a focus on the meaning of setting and its power to shape the way we view the world.

John Van Buren's 'Travel journal for a trip to Europe, 1838-1839' is a record of the a year he spent in England, Scotland, Ireland, Belgium and Holland, primarily for his father, Martin Van Buren, the 8th President of the United States. A fly-on-the-wall view of the political and social situation in Europe was invaluable to the President at a highly sensitive moment in Anglo-American relations, and provides a rich and insightful view for historians of the period. Published in its entirety for the first time, Van Buren's objective and good-humoured observations present fresh insights into complex and compelling personalities and relationships on both sides of the Atlantic, providing an invaluable and highly readable resource for scholars and students of the period, as well as for the general reader.

From "30 Americans" to "Angry White Boy," from "Bamboozled" to "The Boondocks," from "Chappelle's Show" to "The Colored Museum," this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community.

Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness.

Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Toure, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community."

The question of what a manuscript cookery book is or can be is still far from settled. Based on detailed archival research, this book establishes a basic typology of manuscript cookery books, with a focus on the function they served in the life of their owners: memory aid, manual of practical instruction, book in its own right, and showpiece. The author also investigates the work situation of women through an analysis of the educational role of the manuscript cookery book and its function as a tool for the professional cook. It represents a substantial contribution towards closing gaps in knowledge and material relating to reading and writing in eighteenth-century Austria.

The public is familiar with the Emily Dickinson stereotype-an eccentric spinster in a white dress flitting about her father's house, hiding from visitors. But these associations are misguided and should be dismantled. This work aims to remove some of the distorted myths about Dickinson in order to clear a path to her poetry. The entries and short essays should open avenues of debate and individual critical analysis. This companion gives both instructors and readers multiple avenues for study. The entries and charts are intended to prompt ideas for classroom discussion and syllabus planning. Whether the reader is first encountering Dickinson's poems or returning to them, this book aims to inspire interpretative opportunities. The entries and charts make connections between Dickinson poems, ponder the significance of literary, artistic, historical, political or social contexts, and question the interpretations offered by others as they enter the never-ending debates between Dickinson scholars.

Melville's Other Lives is the first book-length study on The Piazza Tales-Herman Melville's only authorized collection of short fiction published in his lifetime-and the first book to explore the rich and varied subject of embodiment in any published collection of Melville's stories. As Christopher Sten shows, all of the stories in The Piazza Tales present encounters between established white male figures: a writer, a lawyer, a ship captain, a homeowner, an architect, a world traveler, and characters who are outsiders, minorities, outcasts, or "others": a seamstress, an office drudge, enslaved Africans, a traveling salesman, island castaways, the poor. In each, Melville concentrates on the trials of the human body, its pain and trauma, its struggles and frustrations. Some tales concern common trials such as illness or invalidism ("The Piazza"), the tedium of office work ("Bartleby"), or the aggravation of door-to-door salesmen ("The Lightning-Rod Man"). Others concern extraordinary trials: the traumatic violence of a rebellion on a slave ship ("Benito Cereno"), the hardships of surviving on a wasteland archipelago ("The Encantadas"), the perils of creating a monstrous "man-machine" ("The Bell-Tower"). In their concern for the cultural meanings of such trials, Melville's stories look forward to the work of Michel Foucault, Raymond Williams, and other cultural materialists who have shown how cultures define, control, and oppress bodies based on their otherness. As a storyteller, Melville understood how such cultural dynamics operate and seized on our collective obsession with the human body as subject, symbol, and vehicle to dramatize his tales.

When in 1902 Owen Wister, a member of the Eastern blueblood aristocracy and friend of novelist Henry James, became a best-selling novelist with the publication of The Virginian, few readers would have guessed that a new kind of American literature was being born. While Owen Wister was enjoying his success, Edwin S. Porter in New Jersey was filming the first cinema Western The Great Train Robbery, which would usher in a new era both of movies in general and of Western movies in particular. Both events would lead to a century of cultural fascination with stories of the old West. The Historical Dictionary of Westerns in Literature tells the story of the Western through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on authors such as Owen Wister, Zane Grey, Max Brand, Clarence Mulford, Ernest Haycox, Luke Short, Dorothy Johnson, Louis L'Amour, and Cormac McCarthy.

This volume is the outcome of a co-ordinated effort of a group of scholars who set themselves the task of reconsidering nineteenth-century Latvian literary history. We are seeking to pluralize literary history studies by looking for novel insights into Latvian literature and contributing to the research of East-Central European literary cultures. Scholars from diverse but related research fields (literature, history, art history, and folklore studies) scan the nineteenth-century cultural scene from various intersecting perspectives, taking into account important links between literature, oral culture and visual art, changes in reading practices, periodicals, and the book market as well as the complex interactions between social transformations and aesthetic developments.