This special edition invites fans inside the world of the March sisters. It includes the full text of Little Women, plus gorgeous, removable replicas of the characters' letters and other writings. For anyone who loves Little Women, or still cherishes the joy of letter writing, this book illuminates a favorite story in a whole new way. Louisa May Alcott's classic tale follows the March sisters as they come of age, and these unforgettable characters come alive in their letters and other writings. When Laurie invites Jo to join him for a picnic and "all sorts of larks," the unbridled joy of their friendship shines through. Each of the girls' personalities is perfectly encapsulated in the letters they pen to Marmee. And Jo's heart-wrenching poem "My Beth" speaks to the profound bond between two sisters. As you read this deluxe edition of the novel, you will find pockets throughout containing replicas of all 17 significant letters and paper ephemera from the story, re-created with beautiful calligraphy and painstaking attention to historical detail. Pull out each one, peruse its contents, and allow yourself to be transported to the parlor of the March family home. BELOVED STORY: LITTLE WOMEN has been passed down from generation to generation. Greta Gerwig's 2019 film adaption welcomed new fans to the story. Now is the perfect time to revisit the Alcott's original text and experience it in a unique way with physical ephemera that links you directly to the world of the March family. UNIQUE FORMAT: From the masterful calligraphy, to the painstaking attention to historical detail, to the hand-folding of the letters, to the quality of the materials-each book is an object made by fans for fans. This edition offers an immersive experience of the story, stands apart on the shelf, and makes for a truly lovely gift and keepsake. NOSTALGIC APPEAL, TIMELESS STORY: LITTLE WOMEN evokes deep childhood nostalgia-yet it's a rich and sophisticated story with feminist overtones that engages readers of any age and any generation. This edition allows those who read LITTLE WOMEN as children to experience their beloved novel anew, while inviting first-time readers to the party. Perfect for: * LITTLE WOMEN fans * Fans of the film adaptions * Moms, daughters, grandmothers, and girlfriends * Book clubbers * Letter writers * Collectors of vintage ephemera

Charles Waddell Chesnutt (1858-1932) was an African American writer, essayist, Civil Rights activist, legal-stenography businessman, and lawyer whose novels and short stories explore race, racism, and the problematic contours of African Americans' social and cultural identities in post-Civil War South. He was the first African American to be published by a major American publishing house and served as a beacon-point for future African American writers. The Colonel's Dream, written in 1905, is a compelling tale of the post-Civil War South's degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events in this novel are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel. Upon his return to the South, the colonel learns to abhor this southern world, as a tale of vicious racism unfolds. Throughout this narrative, Chesnutt confronts the deteriorating position of African Americans in an increasingly hostile South. Upon its publication The Colonel's Dream was considered too controversial and unpalatable because of its bitter criticisms of southern white prejudice and northern indifference, and so this groundbreaking story failed to gain public attention and acclaim. This is the first scholarly edition of The Colonel's Dream. It includes an introduction and notes by R. J. Ellis and works to reestablish this great novel's reputation.

Compared to the early decades of the 20th century, when scholarly writing on African Americans was limited to a few titles on slavery, Reconstruction, and African American migration, the last thirty years have witnessed an explosion of works on the African American experience. With the Civil Rights and Black Power movements of the 1960s came an increasing demand for the study and teaching of African American history followed by the publication of increasing numbers of titles on African American life and history. This volume provides a comprehensive bibliographical and analytical guide to this growing body of literature as well as an analysis of how the study of African Americans has changed. In essays written by scholars from the fields of history, literature, religion, political science, sociology, psychology, music, and religion, the book spotlights the historiographical trends associated with the evolving study of African American life and history. Students and scholars, as well as general readers, will find the guide to be a useful tool in identifying secondary materials for study, class use, and scholarly research.

Elleanor Eldridge, born of African and US indigenous descent in 1794, operated a lucrative domestic services business in nineteenth century Providence, Rhode Island. In defiance of her gender and racial background, she purchased land and built rental property from the wealth she gained as a business owner. In the 1830s, Eldridge was defrauded of her property by a white lender. In a series of common court cases as alternately defendant and plaintiff, she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation, her memoir, which includes statements from employers endorsing her respectable character, was published in 1838. Frances Harriet Whipple, an aspiring white writer in Rhode Island, narrated and co-authored Eldridge's story, expressing a proto-feminist outrage at the male ""extortioners"" who caused Eldridge's loss and distress. With the rarity of Eldridge's material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge's life from her birth through the first publication of almost yearly editions of the text between 1838 and 1847. Because of Eldridge's exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early 19th-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism. With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge - from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and her efficacy in establishing a collective of white women patrons, this biography challenges typical African and indigenous women's literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.

Nigerian novelist Chinua Achebe-author of Things Fall Apart, one of the towering works of twentieth-century fiction-is considered the father of modern African literature. The equally revered Toni Morrison, author of masterworks such as Beloved and one of only four Americans to receive the Nobel Prize in Literature in the past half-century, acknowledged African literature's and Achebe's influence on her own work. Until now, however, there has been no book that focuses on and critically explores the rich connections between these two writers. In Kindred Spirits, Christopher Okonkwo offers the first comparative study of Morrison and Achebe. Surveying both writers' oeuvres, Okonkwo examines significant relations between Achebe's and Morrison's personal backgrounds, career histories, artistic visions, and life philosophies, finding in them striking parallels. He then pairs a trilogy of novels by each author: Achebe's Things Fall Apart, No Longer at Ease, and Arrow of God and Morrison's Beloved, Jazz, and Paradise. Okonkwo closely analyzes these two sequences-through what he theorizes as "villagism"-as century-spanning village literature that looks to the local to reveal the universal.

Through her selection of fourteen essays, Tess Cosslett charts the rediscovery by feminist critics of the Victorian Women Poets such as Emily Bronte, Elizabeth Barrett Browning and Christina Rossetti, and the subsequent developments as critics use a range of modern theoretical approaches to understand and promote the work of these non-canonical and marginalised poets. While the essays chosen for this volume focus on these three major figures, work is also included on less well-known poets who have only recently been brought into critical prominence. The introduction clarifies for the reader the themes, problems and preoccupations that inform the criticism and provides a useful guide to the debates surrounding poetry and feminism, investigating such questions as, how feminist are these poems, and does a women s tradition really exist? The advantages and disadvantages of applying different critical approaches, such as psychoanalytic and historicist, to the understanding of this period and genre are also fully explored.

Focusing on the core assessment objectives for GCSE English Literature 9-1, The Quotation Bank takes 25 of the most important quotations from the text and provides detailed material for each quotation, covering interpretations, literary techniques and detailed analysis. Also included is a sample answer, detailed essay plans, revision activities and a comprehensive glossary of relevant literary terminology, all in a clear and practical format to enable effective revision and ultimate exam confidence.

This set reissues 10 books on T. S. Eliot originally published between 1952 and 1991. The volumes examine many of Eliot's most respected works, including his Four Quartets and The Waste Land. As well as exploring Eliot's work, this collection also provides a comprehensive analysis of the man behind the poetry, particularly in Frederick Tomlin's T. S. Eliot: A Friendship. This set will be of particular interest to students of literature.

Mysteries are among the most popular books today, and women continue to be among the most creative and widely read mystery writers. This book includes alphabetically arranged entries on 90 women mystery writers. Many of the writers discussed were not even writing when the first edition of this book was published in 1994, while others have written numerous works since then. Writers were selected based on their status as award winners, their commercial success, and their critical acclaim. Each entry provides biographical information, a discussion of major works and themes, and primary and secondary bibliographies. The volume closes with appendices and a selected, general bibliography. Public library patrons will value this guide to their favorite authors, while students will turn to it when writing reports. The volume provides alphabetically arranged entries on 90 great women mystery writers, including: Cara Black Sarah Caudwell Mary Higgins Clark Patricia Cornwell Amanda Cross Earlene Fowler Charlaine Harris Patricia Highsmith Sujata Massey Janet Neel Sara Paretsky Each entry provides a biography, a discussion of major works and themes, and primary and secondary bibliographies. The book closes with appendices of award winners and a selected, general bibliography. Public library patrons will value this guide to their favorite authors, while students will consult it when writing reports.

When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to - moral pollution, the authority of oracles, classical ideas of geography - as well as the names of unfamiliar legendary and mythological figures. A New Companion to Greek Tragedy provides a useful reference tool for the 'Greekless' reader: arranged on a strictly encyclopaedic pattern, with headings for all proper names occurring in the twelve most frequently read tragedies, it contains brief but adequately detailed essays on moral, religious and philosophical terms, as well as mythical genealogies where important. There are in addition entries on Greek theatre, technical terms and on other writers from Aristotle to Freud, whilst the essay by P. E. Easterling traces some connections between the ideas found in the tragedians and earlier Greek thought.

This book covers the life and work of a wide range of writers from Coleridge to Wollstonecraft, Hemans, Beckford and their contemporaries. Also encompassing a wealth of material on contexts from the treason trials of 1794 to the coming of gas-light to the London stage in 1817, it provides a panorama of one of the richest periods in British culture.

In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England's systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660-1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period.This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.

This book examines the transmission processes of the Aristotelian Mechanics. It does so to enable readers to appreciate the value of the treatise based on solid knowledge of the principles of the text. In addition, the book's critical examination helps clear up many of the current misunderstandings about the transmission of the text and the diagrams. The first part of the book sets out the Greek manuscript tradition of the Mechanics, resulting in a newly established stemma codicum that illustrates the affiliations of the manuscripts. This research has led to new insights into the transmission of the treatise, most importantly, it also demonstrates an urgent need for a new text. A first critical edition of the diagrams contained in the Greek manuscripts of the treatise is also presented. These diagrams are not only significant for a reconstruction of the text but can also be considered as a commentary on the text. Diagrams are thus revealed to be a powerful tool in studying processes of the transfer and transformation of knowledge. This becomes especially relevant when the manuscript diagrams are compared with those in the printed editions and in commentaries from the early modern period. The final part of the book shows that these early modern diagrams and images reflect the altered scope of the mechanical discipline in the sixteenth century.

In the 1970s the relationship between literature and the environment emerged as a topic of serious and widespread interest among writers and scholars. The ideas, debates, and texts that grew out of this period subsequently converged and consolidated into the field now known as ecocriticism. A Century of Early Ecocriticism looks behind these recent developments to a prior generation's ecocritical inclinations. Written between 1864 and 1964, these thirty-four selections include scholars writing about the "green" aspects of literature as well as nature writers reflecting on the genre. In his introduction, David Mazel argues that these early "ecocritics" played a crucial role in both the development of environmentalism and the academic study of American literature and culture. Filled with provocative, still timely ideas, A Century of Early Ecocriticism demonstrates that our concern with the natural world has long informed our approach to literature.

First published in 1980, The Anatomy of Literary Studies provides students of English Literature with a clearer understanding of the significance and scope of the subject and a comprehensive background to its study. It gives pointers towards intellectual integrity and advice on independent study, libraries, essay writing and examinations. This reissue of Marjorie Boulton's classic work will be of particular value to students studying English at university or those applying to a course who would like a fuller understanding of what it might entail.

This is a selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels. The scholarship devoted to the dramatic writings of Samuel Beckett is so vast that there is a real need for a full and easy-to-use secondary bibliography enabling students and scholars at all levels to locate and select what they need. This requires comprehensive coverage of those publications which can be deemed both substantial and accessible treatments of topics relevant to his career as a dramatist. In Beckett's case, full coverage extends from the influences and origins of his great variety of plays to their presentations on stage, television, film, and radio, in many countries and venues. This essential bibliography offers comprehensive coverage of the thousands of substantial studies in all Roman-alphabet languages, a clear and helpful arrangement by topics and individual plays, and a lucid, uncluttered bibliographical format to make it as user-friendly as possible.

THE OXFORD HISTORY OF LITERARY TRANSLATION IN ENGLISH
General Editors: Peter France and Stuart Gillespie
This groundbreaking five-volume history runs from the Middle Ages to the year 2000. It is a critical history, treating translations wherever appropriate as literary works in their own right, and reveals the vital part played by translators and translation in shaping the literary culture of the English-speaking world, both for writers and readers. It thus offers new and often challenging perspectives on the history of literature in English. As well as examining the translations and their wider impact, it explores the processes by which they came into being and were disseminated, and provides extensive bibliographical and biographical reference material.
In the period covered by Volume 2 comes a drive, unprecedented in its energy and scope, to bring foreign writing of all kinds into English. The humanist scholar depicted in Antonello's St Jerome, the jacket illustration, is one of the figures at work, and one of the most self-conscious and prolonged encounters that took place was with the Bible, a uniquely fraught and intimidating original. But early modern English translation often finds its setting within far busier scenes of worldly life - on the London stage, as a bid for patronage, for purposes polemical, political, hortatory, instructional, and as a way of making a living in the expanding book trade.
Translation became, as never before, a part of the English writer's career, and sometimes a whole career in itself. Translation was also fundamental in the evolution of the still unfixed English language and its still unfixed literary styles. Some translations of this period have themselves become landmarks in English literature and have exercised a profound and enduring influence on perceptions of their originals in the anglophone world; others less well-known are treated more comprehensively here than in any previous history. The entire phenomenon is documented in an extensive bibliography of literary translations of the period, the most comprehensive ever compiled. The work of our early modern translators, with all its energy, is not always scholarly or even always convincing. But after this era is over English translation never again feels quite so urgent or contentious.

Here are blank verse translations of ten of the best tragedies by French dramatists contemporary with Corneille and Racine, and two by the most noted successors. No great dramatist can be properly understood and appreciated without some knowledge of the lesser playwrights surrounding him. The fact has long been realized as regards to Shakespeare; but the lesser figures of the great age of French drama--men comparable to such Elizabethans as Middleton and Fletcher and Massinger--have been generally neglected. This book makes a selection of their best works available to English readers. French students who do not have access to the frequently rare French texts of these plays will find it valuable. No play by any of these dramatists, except Voltaire, has ever before been translated into English. The faithfulness and literary qualities of Dr. Lockert's translations are avouched by his two previous volumes in this field, The Chief Plays of Corneille and The Best Plays of Racine.

This book examines the ways in which recent U.S. Latina literature challenges popular definitions of nationhood and national identity. It explores a group of feminist texts that are representative of the U.S. Latina literary boom of the 1980s, 1990s, and 2000s, when an emerging group of writers gained prominence in mainstream and academic circles. Through close readings of select contemporary Mexican American, Puerto Rican, and Cuban American works, Maya Socolovsky argues that these narratives are "remapping" the United States so that it is fully integrated within a larger, hemispheric Americas.
Looking at such concerns as nation, place, trauma, and storytelling, writers Denise Chavez, Sandra Cisneros, Esmeralda Santiago, Ana Castillo, Himilce Novas, and Judith Ortiz Cofer challenge popular views of Latino cultural "unbelonging" and make strong cases for the legitimate presence of Latinas/os within the United States. In this way, they also counter much of today's anti-immigration rhetoric.
Imagining the U.S. as part of a broader "Americas," these writings trouble imperialist notions of nationhood, in which political borders and a long history of intervention and colonization beyond those borders have come to shape and determine the dominant culture's writing and the defining of all Latinos as "other" to the nation.

The Price of Slavery analyzes Marx's critique of capitalist slavery and its implications for the Caribbean thought of Toussaint Louverture, Henry Christophe, C. L. R. James, Aime Cesaire, Jacques Stephen Alexis, and Suzanne Cesaire. Nick Nesbitt assesses the limitations of the literature on capitalism and slavery since Eric Williams in light of Marx's key concept of the social forms of labor, wealth, and value. To do so, Nesbitt systematically reconstructs for the first time Marx's analysis of capitalist slavery across the three volumes of Capital. The book then follows the legacy of Caribbean critique in its reflections on the social forms of labor, servitude, and freedom, as they culminate in the vehement call for the revolutionary transformation of an unjust colonial order into one of universal justice and equality.

A detailed and fascinating journey to the roots of The Lord of the Rings, by award-winning Tolkien expert Professor Tom Shippey. The Road to Middle-Earth is a fascinating and accessible exploration of J.R.R.Tolkien's creativity and the sources of his inspiration. Tom Shippey shows in detail how Tolkien's professional background led him to write The Hobbit and how he created a work of timeless charm for millions of readers. He discusses the contribution of The Silmarillion and Unfinished Tales to Tolkien's great myth-cycle, showing how Tolkien's more 'complex' works can be read enjoyably and seriously by readers of his earlier books, and goes on to examine the remarkable 12-volume History of Middle-earth by Tolkien's son and literary heir Christopher Tolkien, which traces the creative and technical processes through which Middle-earth evolved. The core of the book, however, concentrates on The Lord of the Rings as a linguistic and cultural map, as a twisted web of a story, and as a response to the inner meaning of myth and poetry. By following the routes of Tolkien's own obsessions - the poetry of languages and myth - The Road to Middle-earth shows how Beowulf, The Lord of the Rings, Grimm's Fairy Tales, the Elder Edda and many other works form part of a live and continuing tradition of literature. It takes issue with many basic premises of orthodox criticism and offers a new approach to Tolkien, to fantasy, and to the importance of language in literature. This new edition is revised and expanded, and includes a previously unpublished lengthy analysis of Peter Jackson's film adaptations and their effect on Tolkien's work.

This volume examines the literature and culture of nineteenth century America, covering genres such as the early American novel, realist fiction and historical romance.