First published in 1986. Dubliners was James Joyce's first major publication. Setting it at the turn of the century, Joyce claims to hold up a 'nicely polished looking-glass' to the native Irishman. In Backgrounds for Joyce's Dubliners, the author examines the national, mythic, religious and legendary details, which Joyce builds up to capture a many-sided performance and timelessness in Irish life. Acknowledging the serious work done on Dubliners as a whole, in this study Professor Torchiana draws upon a wide range of published and unpublished sources to provide a scholarly and satisfying framework for Joyce's world of the 'inept and the lower middle class'. He combines an understanding of Joyce's subtleties with a long-standing personal knowledge of Dublin. This title will make fascinating reading for scholars and students of Joyce's writing as well as for those interested in early twentieth century Irish social history.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

"Renaissance Woman: A Sourcebook" brings together extracts of significant accounts of woman and femininity in early modern England. Providing versatile and accessible readings of gender construction in this period, this book offers the reader a broader historical context, without the interpretive baggage of secondary readings.
"Renaissance Woman: A Sourcebook" contains sources ranging from medical documents and political pamphlets to sermons and the Bible, as well as literary texts by and about women. Sections include: theology; physiology; conduct; sexuality and motherhood; politics and law; education; work; writing and speaking; and proto-feminisms. The selections within each section cover a wide chronology, from 1520 to 1680, as well as a range of viewpoints about each area.

Renaissance Woman: A Sourcebook is an invaluable collection of accounts of women and femininity in early modern England. The volume is divided thematically into nine sections, each with an accessible introduction, notes on sources and an annotated bibliography. The sections are:
* Theology
* Biology
* Conduct
* Sexuality and Motherhood
* Politics and Law
* Education
* Work
* Writing and Speaking
* Feminism
Renaissance Woman: A Sourcebook brings together sources ranging from medical documents and political pamphlets to sermons and the Bible, as well as literary sources. Providing a historical context to issues of gender in the Renasissance, it will be essential reading for students of the period, gender studies and cultural history.

World Literature is a vital part of twentieth-first century critical and comparative literary studies. As a field that engages seriously with function of literary studies in our global era, the study of World literature requires new approaches. The Cambridge History of World Literature is founded on the assumption that World Literature is not all literatures of the world nor a canonical set of globally successful literary works. It highlights scholarship on literary works that focus on the logics of circulation drawn from multiple literary cultures and technologies of the textual. While not rejecting the nation as a site of analysis, these volumes will offer insights into new cartographies - the hemispheric, the oceanic, the transregional, the archipelagic, the multilingual local - that better reflect the multi-scalar and spatially dispersed nature of literary production. It will interrogate existing historical, methodological and cartographic boundaries, and showcase humanistic and literary endeavors in the face of world scale environmental and humanitarian catastrophes.

This book is divided into five parts and covers: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history.

This Dictionary explores the identities of fictional people and places in over 1,000 English language novels and short stories. Over 4,000 identifications are included and supported or contested by accompanying extracts.

This is the most comprehensive history of modern Swedish literature to have been published in English. The book includes both in-depth studies of major writers like August Strindberg, Hjalmar Soederberg and Par Lagerkvist and survey accounts of the more important periods and movements, from the neo-romantic writers of the 1890s to the uniquely important working-class literature of the 1930s and the modernist lyric poetry of the following decade. The authors are all acknowledged experts in their respective fields, and the volume is designed and written both for the general reader, who will find it a valuable introduction to a fascinating body of literature, and the specialist student, for whom it provides an authoritative first port of call. The volume is also equipped with suggestions for further reading and a helpful bibliography of English translations of many of the works discussed in the various essays.

Now in its 31st edition, this title is a comprehensive and practical source of biographical information on the key personalities and organizations of the literary world, whether world-famous or lesser known. This descriptive directory is revised annually by our editorial team and all entrants are given the opportunity to update their career details, publications and contact information. International in scope and covering all literary genres, this title will prove an invaluable acquisition for public and academic libraries, journalists, television and radio companies, PR companies, literary organizations and anyone needing up-to-date information in this field. Entries: Biographical details are listed for writers of all kinds, including novelists, playwrights, screenwriters, essayists, editors, columnists, journalists, as well as literary agents and publishers. Each entry provides personal information, career details, works published, literary awards and prizes, memberships and contact information, where available. Key Features: - nearly 8,000 entries, including hundreds of new entries for this edition - an additional directory section that includes current and detailed lists of major literary awards and prizes, literary organizations, literary festivals and national libraries from around the world.

This set reissues 5 books on George Eliot originally published between 1963 and 1989. The volumes examine many of Eliot's most respected works, including Middlemarch, The Mill on the Floss and Silas Marner. As well as proving in-depth analyses of Eliot's work, this collection also includes an extensive collection of her critical articles written between 1846 and 1868. This set will be of particular interest to students of literature.

A. S. Neill, founder of Summerhill, the most admired and most feared of all progressive schools, was famous as a schoolteacher, educational reformer, and author of illuminating and stylish books about education and the mind of the child. But few people know he was also a dedicated, prolific, uninhibited, witty and often mischievous letter writer. This selection of gems, first published in 1983, has been chosen from hundreds of his letters by his biographer. It includes letters about education, children, politics, writing, fatherhood, the Bomb, old age and death.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

"A book to be plundered and raided." -- "New York Times Book Review"
"A portal into a world of timeless travel literature curated by one of the greatest travel writers of our day." -- "USA Today"
Paul Theroux celebrates fifty years of wandering the globe in this collection of the best writing from the books that have shaped him as a reader and a traveler. Part philosophical guide, part miscellany, part reminiscence, "The Tao of Travel "contains excerpts from the best of Theroux's own work interspersed with selections from travelers both familiar and unexpected:
"Vladimir Nabokov Eudora Welty
Evelyn Waugh James Baldwin
Charles Dickens Pico Iyer
Henry David Thoreau Anton Chekhov
Mark Twain John McPhee
Freya Stark Ernest Hemingway
Graham Greene and many others"
"Dazzling . . . Like someone panning for gold, Theroux reread hundreds of travel classics and modern works, shaking out the nuggets." -- "San Francisco Chronicle"

Engagements with Contemporary Literary and Critical Theory is a wide-ranging but accessible introduction to the key thinkers and theories integral to the study of literature. Organized thematically, the book provides historical introductions and uses a variety of relevant contemporary examples to illuminate the field. Evan Gottlieb contextualizes the latest developments with regard to forms; discourses; subjectivities and embodiments; media, networks, and machines; and animals, affects, objects, and environments. Each chapter elucidates its concepts through in-depth discussions of major contemporary theorists, including Giorgio Agamben, Sara Ahmed, and Catherine Malabou, and uses engaging examples from a canonical novel, a contemporary text, and a new-media artifact to demonstrate theoretical applications. Additional text boxes regularly introduce emerging or overlooked theorists of interest, including Fred Moten and Sianne Ngai. An ideal guide for students of literary and critical theory, this book will give readers the background they need to continue their own explorations of this vibrant field of study.

Robert Browning, the great Victorian poet, is often claimed to be hard to understand, largely on account of the obscurity of his language, the complexity of his thought, and his poetic style. The Browning Cyclopaedia, first published in 1891, presents an exposition of the prominent ideas of each poem, as well as its tone, its sources - historical, legendary or fanciful - and a glossary of every difficult word or allusion which might obscure the poem's meaning. This volume remains indispensable for students of Robert Browning, as well as those interested in the general aesthetic climate of Victorian poetry.

Here is a fascinating and humorous encyclopedia of more than three hundred

words and phrases and how they have taken on new meanings over time. It is an

informative reference book for the whole family. "What's in a Word?" is a

sequel to Garrison's popular "Why You Say It." Indexed.

Now in its 28th edition, this title is a comprehensive and practical source of biographical information on the key personalities and organizations of the literary world, whether world-famous or lesser known. This descriptive directory is revised annually by our editorial team and all entrants are given the opportunity to update their career details, publications and contact information. International in scope and covering all literary genres, this title will prove an invaluable acquisition for public and academic libraries, journalists, television and radio companies, PR companies, literary organizations and anyone needing up-to-date information in this field. Entries: Biographical details are listed for writers of all kinds, including novelists, playwrights, screenwriters, essayists, editors, columnists, journalists, as well as literary agents and publishers. Each entry provides personal information, career details, works published, literary awards and prizes, memberships and contact information, where available. Key Features: - over 8,000 entries, including hundreds of new entries for this edition - an additional directory section that includes current and detailed lists of major literary awards and prizes, literary organizations, literary festivals and national libraries from around the world

The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive - the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.

Written by a team of leading international scholars, The Cambridge Companion to Shakespeare and War illuminates the ways Shakespeare's works provide a rich and imaginative resource for thinking about the topic of war. Contributors explore the multiplicity of conflicting perspectives his dramas offer: war depicted from chivalric, masculine, nationalistic, and imperial perspectives; war depicted as a source of great excitement and as a theater of honor; war depicted from realistic or skeptical perspectives that expose the butchery, suffering, illness, famine, degradation, and havoc it causes. The essays in this volume examine the representations and rhetoric of war throughout Shakespeare's plays, as well as the modern history of the war plays on stage, in film, and in propaganda. This book offers fresh perspectives on Shakespeare's multifaceted representations of the complexities of early modern warfare, while at the same time illuminating why his perspectives on war and its consequences continue to matter now and in the future.

First Published in 2002. This is a collection of essays and commentary on the later Shakespearian tragedies of Julius Caesar, Hamlet, Macbeth, Coriolanus, Anthony and Cleopatra and Richard II.

First Published in 2002. This is a collection of essays and commentary on some of Shakespeare's Sonnets looking at the areas of symbolism, time and eternity, integration and their expansion and moves onto the metaphysical poem of the Phoenix and the Turtle and considers if it has the same love as celebrated in the Sonnets.

This is Volume IX of the G.Wilson Knight collected works and includes commentary on the works of Wordsworth, Coleridge, an essay on Shelley and Keats. It concludes with a chapter looking at Symbolic Eternities and an appendix on spiritualism and poetry.

First published in 2002. This is the Volume III of the five G. Wilson Knight collected works series and focuses on Shakespeare's tragic heroes for his early to later tragedies or Timon of Athens, Anthony and Cleopatra and Coriolanus. This book has grown from Knight's dramatic recital 'Shakespeare's Dramatic Challenge', and therefore includes a prefatory note on his stage experience. The complete record, with illustrations, has already been documented in Shakespearian Production (enlarged 1964), but a rather more personal account is offered here.

Presents the original text of Shakespeare's play side by side with a modern version, with marginal notes and explanations and full descriptions of each character.