Criminals as Animals from Shakespeare to Lombroso demonstrates how animal metaphors have been used to denigrate persons identified as criminal in literature, law, and science. Its three-part history traces the popularization of the 'criminal beast' metaphor in late sixteenth-century England, the troubling of the trope during the long eighteenth century, and the late nineteenth-century discovery of criminal atavism. With chapters on rogue pamphlets, Shakespeare, Webster, Jonson, Defoe and Swift, Godwin, Dickens, and Lombroso, the book illustrates how ideologically inscribed metaphors foster transfers between law, penal practices, and literature. Criminals as Animals concludes that criminal-animal metaphors continue to negatively influence the treatment of prisoners, suspected terrorists, and the poor even today.

Children's literature comes from a number of different sources-folklore (folk- and fairy tales), books originally for adults and subsequently adapted for children, and material authored specifically for them-and its audience ranges from infants through middle graders to young adults (readers from about 12 to 18 years old). Its forms include picturebooks, pop-up books, anthologies, novels, merchandising tie-ins, novelizations, and multimedia texts, and its genres include adventure stories, drama, science fiction, poetry, and information books. The Historical Dictionary of Children's Literature relates the history of children's literature through a chronology, an introductory essay, appendixes, a bibliography, and over 500 cross-referenced dictionary entries on authors, books, and genres. Some of the most legendary names in all of literature are covered in this important reference, including Hans Christian Anderson, L. Frank Baum, Lewis Carroll, Roald Dahl, Charles Dickens, C.S. Lewis, Beatrix Potter, J.K. Rowling, Robert Louis Stevenson, Mark Twain, J.R.R. Tolkien, Jules Verne, and E.B. White.

Whether it's a novel, memoir, diary, poem, or drama, a common thread runs through the literature of the Nazi Holocaust--a motif of personal testimony to the dearness of humanity. With that perspective the expert authors of Encyclopedia of Holocaust Literature undertake profiling 128 of the most influential first generation authors who either survived, perished, or were closely connected to the Holocaust. Arranged alphabetically by author, all of the entries answer the same basic questions about the author and his or her work: What is the nature of the author's literary response to the Holocaust? What is his or her place in Holocaust literature? What does the author's work contribute to an understanding of the Holocaust? What is distinctive about the author's work? What are some key moments in the author's life? What issues does the author's work pose for the reader? To address these questions, the entries are generally organized into three primary divisions: (1) an opening section on why the author's work has a significant or distinctive place in Holocaust literature, (2) a second section containing information on the author's biography, and (3) a critical examination of the highlights of the author's work. In most cases, the third section is the longest, since the focus of the encyclopedia is the literature, not the author.

The Encyclopedia is intended for all students and teachers of the Holocaust, regardless of their levels of learning. Avenues for further research are incorporated at the conclusion of each entry and in a comprehensive bibliography of primary works of Holocaust literature and a second bibliography of critical studies of Holocaust literature.

In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.

In the wake of the 2001 terrorist attacks in the United States, American memoirists have wrestled with a wide range of anxieties in their books. They cope with financial crises, encounter difference, or confront norms of identity. Megan Brown contends that such best sellers as Cheryl Strayed's Wild, Elizabeth Gilbert's Eat, Pray, Love and Tucker Max's I Hope They Serve Beer in Hell teach readers how to navigate a confusing, changing world. This lively and theoretically grounded book analyzes twenty-first-century memoirs from Three Cups of Tea to Fun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.

Buz Donahoo is a larger than life character. From boyhood Miami to the beaches of exotic islands, the high mountain peaks of the Andes and Himalayas to the jungles of the Amazon, his life is painted upon a broad canvas. From a promising career as an architect to starting his own adventure tour company and guiding people to remote corners of the earth, Buz traces the contours of his life in A Ticket, A Pack and A Chart. Within the pages of this book we learn of the unique places he has traveled to and the equally unique people who have traveled there with him. While Buz Donahoo can paint in broad strokes with his words, he is at his best filling in the fine detail of the lives of the people he meets and the places he visits. He reminds us that it is often the little things we encounter in life and travel that leave a lasting impression. Whether studying at Taliesin, the Frank Lloyd Wright Foundation, serving as a lieutenant in Watts during the 1965 riots, dining on the small, sun-drenched patio of an isolated restaurant in the Greek Isles, or scaling the heights of Aconcagua, South America's highest peak, we feel as though we're right there beside Buz, taking in each moment and each detail with him. Living according to his own set of rules, Buz's view of the world is refreshing and entertaining. The contents of his book truly capture episodes from the life of a man who lives a borderless life. Once you have traveled with him through these pages, you may find yourself yearning to travel to some far-flung, exotic location for an adventure of your own.

When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

Religion is not merely a different way of thinking but is rather an alternative manner of being-it is both a way of attending to the world and a form of embodiment. Literature provides another key to legislating new ways of being in the world. Some of the best Romantic literature can be understood as experimental attempts to access and harness infrasensible energy-affects and dispositions operating beneath the threshold of consciousness-in the hope that by so doing it may become possible to project elusive affects into the practical world of conscious thinking and judgment. Words Made Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley and the novelist Jane Austen affect, mediate, and ultimately alter our very sense of embodiment in ways that have lasting effects on readers' affective, political, and spiritual lives. Such works, which unsettle habitual ways of seeing, are perennially valuable because they not only call attention to the dispositions we normally inhabit, but they also suggest ways of forging new patterns and forms of life through the medium of embodiment.Drawing on the work of these writers, Dempsey argues that Romanticism's contribution to our understanding of the postsecular becomes clearer when considered in relation to three timely scholarly conversations not previously synthesized: secular and postsecular studies, affect theory, and media studies. By weaving together these three strands, Words Made Flesh clarifies how Romanticism provides a useful field guide to the new geography of the self ushered in by secular modernity, while also pointing toward potential postsecular futures. Ultimately, Dempsey argues for a view of literature that recognizes it as an essential component to ethical practice.

Known as ""Captain Fiction,"" Gordon Lish (b. 1934) is among the most influential--and controversial--figures in modern American letters. As an editor at Esquire (1969-1977), Alfred A. Knopf (1977-1995), and The Quarterly (1987-1995) and as a teacher both in and outside the university system, he has worked closely with many of the most pioneering writers of recent times, including Raymond Carver, Don DeLillo, Barry Hannah, Amy Hempel, Sam Lipsyte, and Ben Marcus. A prolific author of stories and novels, Lish has also won a cult following for his own fiction, earning comparisons with Gertrude Stein and Samuel Beckett. Conversations with Gordon Lish collects all of Lish's major interviews, covering the entire span of his extraordinary career. Ranging from 1965 to 2015, these interviews document his pivotal role in the period's defining developments: the impact of the Californian counterculture, the rise and decline of so-called literary ""minimalism,"" dramatic transformations in book and magazine publishing, and the ongoing growth of creative writing instruction. Over time, Lish--a self-described ""dynamic conversationalist""-- forges an evolving conversation not only with his interviewers, but with the central trends of twentieth-century literary history. This book will be essential reading not only for students and fans of contemporary fiction, but for writers too: included are several interviews in which Lish discusses his legendary writing classes. Indeed, these pieces themselves amount to a masterclass in Lishian literary language--each is a work of art in its own right.

The rich and complex genre of fantasy fiction appeals to readers of all ages. Designed for readers' advisors and collection development specialists in public, school, and college libraries, this in-depth guide expands upon the material on fantasy fiction offered in Genreflecting. Herald offers a historical and structural overview of the genre, describes 15 subgenres and a score of variations within them, and lists the best and most current reads available in the fantasy arena. Descriptive entries contain information about pertinent review resources, bibliographies, criticism, awards, and organizations. An author/title and subject index help provide easy access to specific titles and authors and an appendix lists recommended fantasy titles for young adults. A must for readers' advisors and collection development specialists, this book will also be valuable to writers, researchers, bookstore owners, and dedicated fans of fantasy fiction.

Shakespeare / Text sets new agendas for the study and use of the Shakespearean text. Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary - such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy - that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare - and early modern drama more broadly - changes radically when 'either/or' approaches to the Shakespearean text are reconfigured. The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.

In Combating Injustice, Jon Falsarella Dawson approaches American literary naturalism as a means of social criticism, exploring the powerful economic arguments and commentaries on labor struggles presented in novels by Frank Norris, Jack London, and John Steinbeck. Making use of extensive archival research, Dawson considers many of the original periodical sources that fueled books from McTeague to The Grapes of Wrath, as Norris, London, and Steinbeck transformed contemporary materials into illustrations of the socioeconomic forces that shape American life. By depicting the operations of powerful individuals and institutions, these naturalist writers offered audiences a greater awareness of the plight of labor so that readers might find the inspiration to become agents of change. Works such as The Octopus, The Iron Heel, Martin Eden, and In Dubious Battle illuminate many of the central economic issues at play in the United States during the late nineteenth and early twentieth centuries, including the rise of commodity culture, labor disputes involving industrial and agricultural workers, widespread poverty, extreme inequality, and the concentration of resources and land ownership. Norris, London, and Steinbeck highlighted the dangers of these developments by charting their impact on central characters whose fates result from the predatory tactics of corporate monopolies, wealthy individuals, and large financial establishments. Dawson's lucid analysis shows how all three writers, drawing on contemporary events, accentuated the need for reform and stressed the potential for change by human action. Each author took inspiration from notable events in California, ranging from the Mussel Slough tragedy of 1880 to the agricultural strikes in the Central Valley during the 1930s, presenting the state as a microcosm for conditions throughout the nation during a period of tremendous upheaval. Combating Injustice: The Naturalism of Frank Norris, Jack London, and John Steinbeck provides carefully contextualized readings of three major writers whose works express both the necessity for and the possibility of creating a more egalitarian society.

With an introduction by Harriet McDougal, Origins of The Wheel of Time by Michael Livingston explores the inspirations behind the acclaimed series The Wheel of Time, including a biography of Robert Jordan for the first time. 'Jordan has come to dominate the world Tolkien began to reveal' - New York Times on The Wheel of Time series Explore never-before-seen insights into The Wheel of Time, including: - A brand-new, redrawn world map by Ellisa Mitchell using change requests discovered in Robert Jordan's unpublished notes - An alternate scene from an early draft of The Eye of the World This companion to the internationally bestselling series will delve into the creation of Robert Jordan's masterpiece, drawing from interviews and an unprecedented examination of his unpublished notes. Michael Livingston tells the behind-the-scenes story of who Jordan was (including a chapter that is the very first published biography of the author), how he worked, and why he holds such an important place in modern literature. The second part of the book is a glossary to the 'real world' in The Wheel of Time. King Arthur is in The Wheel of Time. Merlin, too. But so is Alexander the Great and the Apollo Space Program, the Norse gods and Napoleon's greatest defeat - and so much more. Origins of The Wheel of Time will provide exciting knowledge and insights to both new and longtime fans looking either to expand their understanding of the series or unearth the real-life influences that Jordan utilized in his world-building - all in one accessible text.

Throughout her fiction, Willa Cather mentioned forty-three operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera's complex place in turn-of-the-century America, David McKay Powell's Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather's fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather's writing, along with what the opera represented to her throughout her life.

This volume explores the interface between linguistics and literary studies. Theoretical and textual analyses help illustrate the common features between everyday discourse and literature, and show the potentials for a collaborative approach between literary scholars and linguists in understanding speech acts and reference; inference, cognitive and cultural background; rhetoric, styles of speaking and writing; as well as perspectives and genres.

This catalogue of the Shakespeare First Folio (1623) is the result of two decades of research during which 232 surviving copies of this immeasurably important book were located - a remarkable 72 more than were recorded in the previous census over a century ago - and examined in situ, creating an essential reference work.

During the short history of the United States, war has marked the stages of the nation's journey, and imaginative literature has reflected and shaped an understanding of that journey. To study the war literature of the United States, then, is to study not only the representation of individuals at war but also creative renderings of the American experience. Until now, the treatment of American war literature has been handicapped by the absence of a single-source reference that can be the foundation for significant inquiry. This book addresses that need by presenting succinct, authoritative entries on the major writers and texts that have imaginatively represented the American experience of war.

This reference establishes the range and character of a significant body of work never before treated so comprehensively. It includes critical commentary on the novels, poems, nonfiction prose, and plays that reflect major conflicts from before the Revolutionary War through the Vietnam War and its aftermath. It also includes topical entries that survey the literature of America's major wars as well as such subjects as Indian captivity narratives, women's diaries of the Civil War, the literature of the Spanish-American War, and African American war literature. Entries are written by expert contributors and conclude with brief bibliographies, while the volume closes with a list of works for further reading.

This book builds on a critical and scholarly revival of interest in Collins. Baker draws upon biographical revelations and the recent publication of Collins's letters to provide a unique insight into both the man and the writer. The volume will appeal to all students of Collins and those with an interest in the life of Nineteenth-century England.

This illuminating book traces the development of Scottish women's writing in English from its genesis in the late eighteenth century to its flowering in the late nineteenth and early twentieth centuries. Hindered initially by the hostility of the Presbyterian Church and the self-serving attitude of the male hierarchy which denied them a proper education, an astonishing number of women found opportunities, in the midst of domestic obligations, to write, and often publish - novels, poetry, diaries, journalism, letters, essays and reportage. Charlotte Waldie and Christina Keith visited, respectively, Waterloo and Flanders in the immediate aftermath of battle. Another intrepid writer, Emily Graves, wrote a memoir of her travels in Transylvania in The Light Beyond the Forest - from which Bram Stoker directly lifted the most blood-curdling elements of Dracula. Others remembered include literary multi-tasker and businesswoman Christian Isabel Johnstone; playwright Joanna Baillie; working-class poets Marion Bernstein and Janet Hamilton; novelist Susan Ferrier; memoirist Anne Grant of Laggan; and writer and scientist Mary Somerville, depicted on the cover, after whom Somerville College, Oxford is named.

This study is the first critical biography in English of Sholem Asch, who did little in his lifetime to make such a task an easy one. Asch was not a "tidy" writer. He lived in many cities and countries, wrote tirelessly, and kept little record of his numerous novels, stories, and essays-much less of the countless Yiddish, Hebrew, and European periodicals and newspapers (most of them now long defunct), or editions and translations, in which his writings appeared.

Outlining the controversies that have surrounded the academic discipline of English Literature since its institutionalization in the late nineteenth century, this important book draws on a range of archival sources. It addresses issues that are central to the identity of academic English - how the subject came into existence, and what makes it a specialist discipline of knowledge - in a manner that illuminates many of the crises that have affected the development of modern English studies. Atherton also addresses contemporary arguments about the teaching of literary criticism, including an examination of the reforms to A-Level literature.