This is a wide-ranging anthology that examines, in chronological order, several genres that have been prominent in the history of Western philosophy. The programmatic introduction outlines the diverse range of genres used by philosophers (dialogue, commentary, biography, etc.) and explains how genre-based exegesis can enrich our analysis and interpretation of philosophical texts. The remaining essays examine individual texts from this perspective. This examination begins with two studies of Plato's dialogues. It then turns to three studies of ancient and medieval texts in which genre is used to explore the boundaries of 'philosophy.' The next eight essays examine representative philosophical works from the Middle Ages to the present. The epilogue considers how disparate genres and styles may be used to establish different ethical relationships between the author, the audience, and the subject matter.

As poet and as country parson, George Herbert engaged the pastoral in all of its varied senses. In October of 2007, many of the world's leading Herbert scholars met at Sarum College in Salisbury, England to locate Herbert's pastoral life and writings more particularly in early Stuart Wiltshire. They explored the relations between the pastoral locale of Herbert's last years (1630-1633) in nearby Bemerton and the themes, images, and tenor of his writing. How did the specific country place, time, and people shape the life and work of this especially lyrical country priest? The fourteen essays in this collection address Herbert's pastoral poetry and practice, cast new light on his actual relations with specific local personalities and places, make fresh connections to the inward biblical and liturgical spaces of his work, consider his outward links to garden and pasture, and discover fictional and theological reverberations beyond Herbert's local, pastoral world.

This book explores questions of reading and writing practices in the French Renaissance. While the imitation of great masters of the past, such as Petrarch, was a staple of Renaissance poetics, French poets of the mid-1500s, including Saint-Gelais, Du Bellay, Ronsard, Baif, and Magny, often turned to a set of unlikely exemplars: the second-rate poets published in a series of volumes known as the Italian Anthologies. Part one provides a general context for this surprising practice by examining modern and Renaissance theories of minor model imitation, Italian canon formation, the publishing of phenomenon of the anthologies and other florilegia, the use of personal commonplace books, and RonsardOs own annotated copies of these anthologies. Part two shows how these French poets applied the principle of fragmentary exemplarity in their imitations and how they used these sources to engage in a dialogue with each other that featured displays of rivalry and playfulness.

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 65 is 'A Midsummer Night's Dream'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 66 is 'Working with Shakespeare', and Tiffany Stern's essay has been selected by the Medieval and Renaissance Drama Society for its Barbara Palmer/Martin Stevens award for best new essay in early drama studies, 2014. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.

This book explores the life and fiction of the French decadent writer Rachilde (pen name of Marguerite Eymery), using her as a case study to examine the impact late nineteenth-century theories about female hysteria, medical hypnotism, mediums, and spiritualism had on the female creative psyche. Rachilde was especially vulnerable as she suffered hysterical attacks, witnessed a hypnotism craze in France, and was the only child in a family of table-tapping spiritualists. After a biographical first section, chapters examine how hysteria, hypnotism, and spiritualism penetrated the sociocultural fabric of France in the period between 1870-1900, and how Rachilde's novels represented, unconsciously absorbed, or at other times mocked those discourses. Because she was prosecuted for the 'obscenity' of her first major success, Monsieur Venus, this study also situates her writing comparatively within the production of other late-century pornographers. A final chapter analyzes how Rachilde's work confronts the disabling doctrines of her time and how, out of them, she constructs a unique and productive writing stance.

The field of Margaret Atwood studies, like her own work, is in constant evolution. This second edition of The Cambridge Companion to Margaret Atwood provides substantial reconceptualization of Atwood's writing in multiple genres that has spanned six decades, with particular focus on developments since 2000. Exploring Atwood in our contemporary context, this edition discusses the relationship between her Canadian identity and her role as an international literary celebrity and spokesperson on global issues, ranging from environmentalism to women's rights to digital technology. As well as providing novel insights into Atwood's recent dystopias and classic texts, this edition highlights a significant dimension in the reception of Atwood's work, with new material on the striking Hulu and MGM television adaptation of The Handmaid's Tale. This up-to-date volume illuminates new directions in Atwood's career, and introduces students, scholars and general readers alike to the ever-expanding dimensions of her literary art.

The Cambridge History of the Book in Britain is an authoritative series which surveys the history of publishing, bookselling, authorship and reading in Britain. This seventh and final volume surveys the twentieth and twenty-first centuries from a range of perspectives in order to create a comprehensive guide, from growing professionalisation at the beginning of the twentieth century, to the impact of digital technologies at the end. Its multi-authored focus on the material book and its manufacture broadens to a study of the book's authorship and readership, and its production and dissemination via publishing and bookselling. It examines in detail key market sectors over the course of the period, and concludes with a series of essays concentrating on aspects of book history: the book in wartime; class, democracy and value; books and other media; intellectual property and copyright; and imperialism and post-imperialism.

John Donne was a writer of dazzling extremes. He was a notorious rake and eloquent preacher; he wrote poems of tender intimacy, and lyrics of gross misogyny. This book offers a comprehensive account of early modern life and culture as it relates to Donne's richly varied body of work. Short, lively, and accessible chapters written by leading experts in early modern studies shed light on Donne's literary career, language and works as well as exploring the social and intellectual contexts of his writing and its reception from the seventeenth to the twenty-first century. These chapters provide the depth of interpretation that Donne demands, and the range of knowledge that his prodigiously learned works elicit. Supported by a chronology of Donne's life and works and a comprehensive bibliography, this volume is a major new contribution to the study and criticism on the age of Donne and his writing.

A new poetic century demands a new set of approaches. This Companion shows that American poetry of the twenty-first century, while having important continuities with the poetry of the previous century, takes place in new modes and contexts that require new critical paradigms. Offering a comprehensive introduction to studying the poetry of the new century, this collection highlights the new, multiple centers of gravity that characterize American poetry today. Essays on African American, Asian American, Latinx, and Indigenous poetries respond to the centrality of issues of race and indigeneity in contemporary American discourse. Other essays explore poetry and feminism, poetry and disability, and queer poetics. The environment, capitalism, and war emerge as poetic preoccupations, alongside a range of styles from spoken word to the avant-garde, and an examination of poetry's place in the creative writing era.

A new poetic century demands a new set of approaches. This Companion shows that American poetry of the twenty-first century, while having important continuities with the poetry of the previous century, takes place in new modes and contexts that require new critical paradigms. Offering a comprehensive introduction to studying the poetry of the new century, this collection highlights the new, multiple centers of gravity that characterize American poetry today. Essays on African American, Asian American, Latinx, and Indigenous poetries respond to the centrality of issues of race and indigeneity in contemporary American discourse. Other essays explore poetry and feminism, poetry and disability, and queer poetics. The environment, capitalism, and war emerge as poetic preoccupations, alongside a range of styles from spoken word to the avant-garde, and an examination of poetry's place in the creative writing era.

Through three editions over more than four decades, "The Princeton Encyclopedia of Poetry and Poetics" has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition--the first new edition in almost twenty years--reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes

At well over a million words and more than 1,000 entries, the "Encyclopedia" has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment--including expert synthesis and indispensable bibliographies--than conventional handbooks or dictionaries.

This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time

Henrik Ibsen, the 'Father of Modern Drama', came from a seemingly inauspicious background. What are the key contexts for understanding his appearance on the world stage? This collection provides thirty contributions from leading scholars in theatre studies, literary studies, book history, philosophy, music, and history, offering a rich interdisciplinary understanding of Ibsen's work, with chapters ranging across cultural and aesthetic contexts including feminism, scientific discovery, genre, publishing, music, and the visual arts. The book ends by charting Ibsen's ongoing globalization and gives valuable overviews of major trends within Ibsen studies. Accessibly written, while drawing on the most recent scholarship, Ibsen in Context provides unique access to Ibsen the man, his works, and their afterlives across the world.

This Element draws on the concept of ecosystems to investigate selected Beckett works across different media which present worlds where the human does not occupy a privileged place in the order of creation: rather Beckett's human figures are trapped in a regulated system in which they have little agency. Readers, listeners or viewers are complicit in the operation of techniques of observation inherent to the system, but also reminded of the vulnerability of those subjected to it. Beckett's work offers new paradigms and practices which reposition the human in relation to space, time and species.

Furious Flower: Seeding the Future of African American Poetry is an anthology of poems by more than a hundred award-winning poets, including Jericho Brown, Tracy K. Smith, and Justin Philip Reed, combined with themed essays on poetics from celebrated scholars such as Kwame Dawes, Evie Shockley, and Meta DuEwa Jones. The Furious Flower Poetry Center is the nation's first academic center for Black poetry. In this eponymous collection, editors Joanne V. Gabbin and Lauren K. Alleyne bring together many of the paramount voices in Black poetry and poetics active today, composing an electrifying mosaic of voices, generations, and aesthetics that reveals the Black narrative in the work of twentieth- and twenty-first-century writers. Intellectually enlightening and powerfully enlivening, Furious Flower explores and celebrates the idea of the Black poetic voice, to ask, "What's next for Black poetic expression?

This is the most comprehensive history of modern Swedish literature to have been published in English. The book includes both in-depth studies of major writers like August Strindberg, Hjalmar Soederberg and Par Lagerkvist and survey accounts of the more important periods and movements, from the neo-romantic writers of the 1890s to the uniquely important working-class literature of the 1930s and the modernist lyric poetry of the following decade. The authors are all acknowledged experts in their respective fields, and the volume is designed and written both for the general reader, who will find it a valuable introduction to a fascinating body of literature, and the specialist student, for whom it provides an authoritative first port of call. The volume is also equipped with suggestions for further reading and a helpful bibliography of English translations of many of the works discussed in the various essays.

This is a history of Eighteenth-Century Collections Online, a database of over 180,000 titles. Published by Gale in 2003 it has had an enormous impact of the study of the eighteenth century. Like many commercial digital archives, ECCO's continuing development obscures its precedents. This Element examines its prehistory as, first, a computer catalogue of eighteenth-century print, and then as a commercial microfilm collection, before moving to the digitisation and development of the interfaces to ECCO, as well as Gale's various partnerships and licensing deals. An essential aspect of this Element is how it explores the socio-cultural and technological debates around the access to old books from the 1930s to the present day: Stephen Gregg demonstrates how these contexts powerfully shape the way ECCO works to this day. The Element's aim is to make us better users and better readers of digital archives. This title is available as Open Access on Cambridge Core.

This book examines the way in which French writer/educator Felicite de Genlis theorized the maternal role in her works, as well as the manner in which she lived out her own maternity. Illuminating her construction of a politics of motherhood that contributed to her marginalization, the book studies her controversial self-referentiality and investigates the relationships between her life and her works, between her extreme productivity and debated creativity, and between socially endorsed maternal roles and the less conventional manifestations she presented and invested with virtue in her writings. It also considers the originality of her literary matriarchy, analyzing her theory and practice of marginal genres and generic innovation. Exploring Genlis's religious beliefs and the relationship she sought to establish between the maternal and the divine, it contends that her religion, which inspired the anti-philosophie that long removed her from the cultural mainstream, paradoxically positions her as progressive in the Enlightenment querelle des femmes."

We live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. This Element contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. This title is also available as Open Access on Cambridge Core.

An emotionally powerful, poetic Yiddish novel, available in English for the first time, that expands our understanding of Holocaust literature and testimony Flames from the Earth: A Novel from the LOdz Ghetto is an autobiographical novel written by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust. Originally published in Israel in 1966, the novel brings together material that Spiegel wrote while imprisoned in the LOdz Ghetto, which he recovered from a cellar when he returned from Auschwitz after the war. The only works by Spiegel previously available to English readers have been short stories. In this, his first novel, Spiegel explores a complex web of characters in and around the LOdz Ghetto: Vigdor and Gitele, lovers who are involved in the ghetto resistance movement; Nicodem, a Polish priest, who hides a member of the Jewish underground; Stefan Kaczmarek, a Polish tavern keeper who betrays Nicodem to preserve his own smuggling business; Franz Jessike, a Nazi guard who blackmails local Poles for personal gain; and Chaim Vidaver, the heroic leader of the ghetto resistance. Based largely on historical events, the novel's lyrical style echoes its emotional intensity. Gripping and atmospheric, Flames from the Earth honors daring acts of heroism and human connections forged amid unthinkable conditions. Spiegel's novel represents an important contribution to the archive of literary depictions of historical trauma.

This ambitious book presents the first sustained analysis of the evolving representation of Cuthbert, the premier saint of northern England. The study spans both major and neglected texts across eight centuries, from his earliest depictions in anonymous and Bedan vitae, through twelfth-century ecclesiastical histories and miracle collections produced at Durham, to his late medieval appearances in Latin meditations, legendaries, and vernacular verse. Whitehead reveals the coherence of these texts as one tradition, exploring the way that ideologies and literary strategies persist across generations. An innovative addition to the literature of insular spirituality and hagiography, The Afterlife of St Cuthbert emphasises the related categories of place and asceticism. It charts Cuthbert's conceptual alignment with a range of institutional, masculine, northern, and national spaces, and examines the distinctive characteristics and changing value of his ascetic lifestyle and environment - frequently constituted as a nature sanctuary - interrogating its relation to his other jurisdictions.

After the Human provides a comprehensive overview of how a range of philosophical, ethical, and political ideas under the framework of posthumanism have transformed humanities scholarship today. Bringing together a range of interdisciplinary scholars and perspectives, it puts into dialogue the major influences from philosophy, literary study, anthropology, and science studies that set the stage for a range of new questions to be asked about the relationship of the human to other life. The book's central argument is that posthumanism's challenge to and disruption of traditional humanist knowledge is so significant as to presage a sea-change from the humanities into the posthumanities. After the Human documents the emergence of posthumanist ideas in the fractures within traditional disciplines, examines the new objects of analysis that thus came into prominence, and theorizes new interdisciplinary methods of study that followed.

After the Human provides a comprehensive overview of how a range of philosophical, ethical, and political ideas under the framework of posthumanism have transformed humanities scholarship today. Bringing together a range of interdisciplinary scholars and perspectives, it puts into dialogue the major influences from philosophy, literary study, anthropology, and science studies that set the stage for a range of new questions to be asked about the relationship of the human to other life. The book's central argument is that posthumanism's challenge to and disruption of traditional humanist knowledge is so significant as to presage a sea-change from the humanities into the posthumanities. After the Human documents the emergence of posthumanist ideas in the fractures within traditional disciplines, examines the new objects of analysis that thus came into prominence, and theorizes new interdisciplinary methods of study that followed.

Studies of British Romanticism have traditionally tended to envisage it as an intensely local, indeed insular, phenomenon. Yet, just as the seemingly isolated British Isles became more and more central in international geo-political and economic contexts between the 1780s and the 1830s, so too literature and culture were characterized by an increasingly close and relevant dialogue with foreign and especially Continental European traditions, both past and contemporary. Diego Saglia casts new light on the significantly transformative impact of this dialogue on Britain during the years that saw a return to unimpeded cross-border cultural traffic after the end of the Napoleonic emergency. Focusing on modes of translation and appropriation in a variety of literary and cultural forms, this book reconsiders the notion of the supposed intrinsic insularity of Britain through the lens of new key questions about the national, international and transnational features of Romantic-period literature and culture.