The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres. Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban. In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de

In 1865 Walt Whitman was dismissed from his clerkship in the Department of the Interior because Secretary James Harlan judged Leaves of Grass indecent, unfit to be read aloud "by the evening lamp." Most eloquent among Whitman's defenders was William Douglas O'Connor, whose pamphlet The Good Gray Poet, a panegyric to Whitman and an attack on literary censorship in general and Harlan in particular, was the first of his many heroic if sometimes excessive efforts in Whitman's behalf. A gifted polemicist and a stout though not always judicious advocate of causes (he wrote several screeds favoring Bacon as the author of Shakespeare's works), O'Connor devoted much of his literary life to establishing Whitman and Leaves of Grass in the world of American letters. Whitman considered O'Connor his staunchest "literary believer and champion from the first and throughout . . . for twenty-five years," and indeed, despite a personal estrangement between the two men, O'Connor's support of Whitman the poet never wavered. O'Connor's own literary efforts may command little interest today, but his championship of Whitman as a great, original American poet rendered lasting service to literature. Appropriately, this study of his career is complemented by carefully annotated texts of six of his Whitman essays, including The Good Gray Poet. A complete O'Connor bibliography is also included.

The Short Oxford History of English Literature provides a comprehensive and authoritative introductory guide to the literature of the British Isles from the Anglo-Saxon period to the present day, including a full treatment of Irish, Scottish, and Welsh writing in English. The chapters are arranged chronologically, covering all major periods of English literature from Old English to the post-war era, including the medieval period, the Renaissance, Shakespeare, the seventeenth and eighteenth centuries, Romanticism, the Victorians, Modernism, and Postmodernism. In addition to a detailed discussion of all major figures and their works, Andrew Sanders examines throughout the relationship between the literary landscape and wider contemporary social, political, and intellectual developments.
This edition contains a range of new entries on important contemporary authors and an increased focus on female writers of the seventeenth and eighteenth centuries as well as a fully updated and revised bibliography.

Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.

The years between 1880 and 1940 were a time of unprecedented literary production and political upheaval in Ireland. It is the era of the 1916 Easter Rising, the Irish Revival, and a time when many major Irish writers - Yeats, Joyce, Beckett, Lady Gregory - profoundly impacted Irish and World Literature. Recent research has uncovered new archives of previously neglected texts and authors. Organized according to multiple categories, ranging from single author to genre and theme, this volume allows readers to imagine multiple ways of re-mapping this crucial period. The book incorporates different, even competing, approaches and interpretations to reflect emerging trends and current debates in contemporary scholarship. As ongoing research in the field of Irish studies discovers new materials and critical strategies for interpreting them, our sense of Irish literary history during this period is constantly shifting. This volume seeks to capture the richness and complexity of the years 1880-1940 for our current moment.

Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Hogsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

Twenty-five years ago, Ilan Stavans published his first book, Imagining Columbus: The Literary Voyage (1993). Since then, Stavans has become a polarizing figure, dismissed and praised in equal measure, a commanding if contested intellectual whose work as a cultural critic has been influential in the fields of Latino and Jewish studies, politics, immigration, religion, language, and identity. He can be credited for bringing attention to Jewish Latin America and issues like Spanglish, he has been instrumental in shaping a certain view of Latino Studies in universities across the United States as well abroad, he has anthologized much of Latino and Latin American Jewish literature and he has engaged in contemporary pop culture via the graphic novel. He was the host of a PBS show called Conversations with Ilan Stavans, and has had his fiction adapted into the stage and the big screen. The man, as one critic stated, clearly has energy to burn and it does not appear to be abating. This collection celebrates twenty-five years of Stavans's work with essays that describe the good and the bad, the inspired and the pedestrian, the worthwhile and the questionable.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. Published in three volumes in 1886, The Princess Casamassima follows Hyacinth Robinson, a young London craftsman who carries the stigma of his illegitimate birth, and his French mother's murder of his patrician English father. Deeply impressed by the poverty around him, he is driven to association with political dissidents and anarchists including the charismatic Princess Casamassima - who embodies the problems of personal and political loyalty by which Hyacinth is progressively torn apart. This edition is the first to provide a full account of the context in which the book was composed and received. Extensive explanatory notes enable modern readers to understand its nuanced historical, cultural and literary references, and its complex textual history.

Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else. Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose. This ground-breaking collection presents the work of a strikingly original yet overlooked author, art critic and intellectual, and resituates Vogel as an important figure in the constellation of European modernity. Vogel's astute observations on art, literature, and psychology in her essays, her bold prose experiments inspired by photography and film, and Cubist poetry that both challenges and captivates invite the reader on a journey of discovery-into the microcosm of the talented thinker marked by tragic fate and the macrocosm of Jewish history and Poland's turbulent 20th century.

Follow in the footsteps of Robert Louis Stevenson with J. Maarten Troost, the bestselling author of "The Sex Lives of Cannibals."
Readers and critics alike adore J. Maarten Troost for his signature wry and witty take on the adventure memoir. "Headhunters on My Doorstep" chronicles Troost's return to the South Pacific after his struggle with alcoholism left him numb to life. Deciding to retrace the path once traveled by the author of "Treasure Island," Troost follows Robert Louis Stevenson to the Marquesas, the Tuamotus, Tahiti, Kiribati, and Samoa, tumbling from one comic misadventure to another. "Headhunters on My Doorstep" is a funny yet poignant account of one man's journey to find himself that will captivate travel writing aficionados, Robert Louis Stevenson fans, and anyone who has ever lost his way.

Offering guidance and inspiration to English literature instructors, this book faces the challenges of real-life teaching and the contemporary higher education classroom head on. Whether you're teaching in a community college, a state school, a liberal arts college, or an Ivy League institution, this book offers valuable advice and insights which will help you to motivate, incentivize and inspire your students. Addressing questions such as: 'how do you articulate the value of literary education to students (and administrators, and parents)?', 'how can a class session with a fatigued and underprepared group of students be made productive?', and 'how do you incentivize overscheduled students to read energetically in preparation for class?', this book answers these universal quandaries and more, providing a usable philosophy of the value of literary education, articulating a set of learning goals for students of literature, and offering plenty of practical advice on pedagogical strategies, day-to-day coping, and more. In its sum, Teaching Literature in the Real World constitutes an experience-based philosophy of teaching literature that is practical and realistic, oriented towards helping students develop intellectual skills, and committed to pedagogy built on explicit, detailed, and observable learning objectives.

This eighteenth and final volume in the Cambridge Edition of the Works of F. Scott Fitzgerald is a variorum edition of The Great Gatsby (1925), the author's masterpiece. The variorum text is based on multiple witnesses including the extant holograph of the novel and Fitzgerald's revised galley proofs; the first edition and later impressions from the first-edition plates; and importantly, Fitzgerald's personal copy of the novel, which bears corrections and revisions in his hand. This edition removes instances of over-correction in later editions of the novel, where there are numerous examples of textual corruption, thus giving control of the text back to Fitzgerald. This critical edition includes an introduction, tracing the history of the novel, an emended text, emendation tables, Fitzgerald's 1935 introduction, and fourteen illustrations. Historical annotations provide identifications of persons, places, events, popular songs, and literary works - all now made available to readers, teachers, critics, and scholars.

Between 1400 and 1650 Scotland underwent a series of drastic changes, in court, culture, and religion. Renaissance and Reformation, the Union of the Crowns, and the Wars of the Three Kingdoms all shaped the nation, shifting and recasting Scotland's established relationships with Europe, the Mediterranean world, and with England. This International Companion traces the impact of these sweeping historical transformations on Scotland's literatures, in English, Gaelic, Latin and Scots, and provides a comprehensive overview to the major cultural developments of this turbulent age.

The grasping social climber, the tiresome neighbour, the spirited heroine, the most unsuitable of suitors, and, of course, the perfect love match, are all some of Jane Austen's timeless literary inventions. Mistress of a sharp wit, Austen's observations on society and the roles and rights of women are familiar today not only through her novels but from countless screen and stage adaptations. However, the original dramatisation of Austen was first published in 1895, by Victorian feminist and actor Rosina Filippi, who skilfully adapted iconic scenes from Austen's novels into one-act plays for performance. Playing Jane evokes the romance of Victorian drawing-room entertainment at its best, and with accompanying stage directions and advice on the correct silks and muslins to wear, you too can learn how to play Jane.

Henry James left America in 1875 for the sake of his art and for the rich cultural heritage of Europe. His return in the late summer of 1904, based on both romantic and practical motives, allowed him to revisit the now-transformed cities of his youth as well as to experience for the first time the country's southern states. The American Scene is a major work from James' final, most adventurous creative phase and offers a cultural and social critique of contemporary American society as well as a personal series of 'gathered impressions', a form of indirect yet sometimes intimate autobiography. This new edition includes detailed explanatory notes, a general introduction, a chronology, an itinerary of James' journey, a record of textual variants and rare manuscript material, appendices which include the journal James kept, texts for the two lectures he gave, and two additional essays written on his return to England.

A History of Irish Modernism examines a wide variety of artworks (from the 1890s to the 1970s), including examples from literature, film, painting, music, radio, and architecture. Each chapter considers a particular aspect of Irish culture and reflects on its contribution to modernism at large. In addition to new research on the Irish Revival and cultural nationalism, which places them squarely in the modernist arena, chapters offer transnational and transdisciplinary perspectives that place Irish cultural production in new contexts. At the same time, the historical standpoint adopted in each chapter enables the contributors to examine how modernist practices developed across geographical and temporal distances. A History of Irish Modernism thus attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns - even as it embodies aesthetic principles that are the hallmark of modernism in Europe, the Americas and beyond.

African American literature in the years between 1800 and 1830 emerged from significant transitions in the cultural, technological, and political circulation of ideas. Transformations included increased numbers of Black organizations, shifts in the physical mobility of Black peoples, expanded circulation of abolitionist and Black newsprint as well as greater production of Black authored texts and images. The perpetuation of slavery in the early American republic meant that many people of African descent conveyed experiences of bondage or promoted abolition in complex ways, relying on a diverse array of print and illustrative forms. Accordingly, this volume takes a thematic approach to African American literature from 1800 to 1830, exploring Black organizational life before 1830, movement and mobility in African American literature, and print culture in circulation, illustration, and the narrative form.

*A TIME, New Yorker, Financial Times and History Today Book of the Year* 'Hilarious' Sam Leith 'I loved this book' Susie Dent' 'Witty and affectionate' Lynne Truss Perfect for book lovers, a delightful history of the wonders to be found in the humble book index Most of us give little thought to the back of the book - it's just where you go to look things up. But here, hiding in plain sight, is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. Here we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. This is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Here, for the first time, its story is told. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Dennis Duncan reveals how the index has saved heretics from the stake, kept politicians from high office and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and - of course - indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart, and we have been for eight hundred years.

To celebrate Aurora Metro's 30th anniversary as an independent publisher, 20% of profits will to go to the Virginia Woolf statue campaign in the UK. This is a revised edition of the publisher's inaugural publication in 1990, which won the Pandora Award from Women-in-Publishing. Inspirational in its original format, this new edition features poems, stories, essays and interviews with over 30 women writers, both emerging authors and luminaries of contemporary literature such as: A.S. BYATT, KIT DE WAAL, CAROL ANN DUFFY, PHILIPPA GREGORY, JACKIE KAY, MADELINE THIEN, CLARE TOMALIN, SARAH WATERS, and the great-niece of Virginia Woolf herself, EMMA WOOLF. Together with the original writing workshops plus black and white illustrations from women illustrators. Guest editor Ann Sandham has compiled the new collection.

Today fans still remember and love the British girls' comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic, preserving both the inception and development of this important publication as well as its stories. Misty ran for 101 issues as a stand-alone publication between 1978 and 1980 and then four more years as part of Tammy. It was a hugely successful anthology comic containing one-shot and serialized stories of supernatural horror and fantasy aimed at girls and young women and featuring work by writers and artists who dominated British comics such as Pat Mills, Malcolm Shaw, and John Armstrong, as well as celebrated European artists. To this day, Misty remains notable for its daring and sophisticated stories, strong female characters, innovative page layouts, and big visuals. In the first book on this topic, Round closely analyzes Misty's content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round's own archival research, the study also draws on interviews with many of the key creators involved in this comic, including Pat Mills, Wilf Prigmore, and its art editorial team Jack Cunningham and Ted Andrews, who have never previously spoken about their work. Richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls' comics and other media. It surveys existing work on childhood and Gothic and offers a working definition of Gothic for Girls, a subgenre which challenges and instructs readers in a number of ways.

The 1930s is frequently seen as a unique moment in British literary history, a decade where writing was shaped by an intense series of political events, aesthetic debates, and emerging literary networks. Yet what is contained under the rubric of 1930s writing has been the subject of competing claims, and therefore this Companion offers the reader an incisive survey covering the decade's literature and its status in critical debates. Across the chapters, sustained attention is given to writers of growing scholarly interest, to pivotal authors of the period, such as Auden, Orwell, and Woolf, to the development of key literary forms and themes, and to the relationship between this literature and the decade's pressing social and political contexts. Through this, the reader will gain new insight into 1930s literary history, and an understanding of many of the critical debates that have marked the study of this unique literary era.

The power of Shakespeare's complex language - his linguistic playfulness, poetic diction and dramatic dialogue - inspires and challenges students, teachers, actors and theatre-goers across the globe. It has iconic status and enormous resonance, even as language change and the distance of time render it more opaque and difficult. The Cambridge Companion to Shakespeare's Language provides important contexts for understanding Shakespeare's experiments with language and offers accessible approaches to engaging with it directly and pleasurably. Incorporating both practical analysis and exemplary readings of Shakespearean passages, it covers elements of style, metre, speech action and dialogue; examines the shaping contexts of rhetorical education and social language; test-drives newly available digital methodologies and technologies; and considers Shakespeare's language in relation to performance, translation and popular culture. The Companion explains the present state of understanding while identifying opportunities for fresh discovery, leaving students equipped to ask productive questions and try out innovative methods.