Jorge Luis Borges (1899-1986) is Argentina's most celebrated author. This volume brings together for the first time the numerous contexts in which he lived and worked; from the history of the Borges family and that of modern Argentina, through two world wars, to events including the Cuban Revolution, military dictatorship, and the Falklands War. Borges' distinctive responses to the Western tradition, Cervantes and Shakespeare, Kafka, and the European avant garde are explored, along with his appraisals of Sarmiento, gauchesque literature and other strands of the Argentine cultural tradition. Borges' polemical stance on Catholic integralism in early twentieth-century Argentina is accounted for, whilst chapters on Buddhism, Judaism and landmarks of Persian literature illustrate Borges's engagement with the East. Finally, his legacy is visible in the literatures of the Americas, in European countries such as Italy and Portugal, and in the novels of J. M. Coetzee, representing the Global South.

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women's oppression without exploring Eastern women's sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women's liberation is truly global.

There are thousands of books that represent the Holocaust, but can, and should, the act of reading these works convey the events of genocide to those who did not experience it? In Textual Silence, literary scholar Jessica Lang asserts that language itself is a barrier between the author and the reader in Holocaust texts-and that this barrier is not a lack of substance, but a defining characteristic of the genre. Holocaust texts, which encompass works as diverse as memoirs, novels, poems, and diaries, are traditionally characterized by silences the authors place throughout the text, both deliberately and unconsciously. While a reader may have the desire and will to comprehend the Holocaust, the presence of "textual silence" is a force that removes the experience of genocide from the reader's analysis and imaginative recourse. Lang defines silences as omissions that take many forms, including the use of italics and quotation marks, ellipses and blank pages in poetry, and the presence of unreliable narrators in fiction. While this limits the reader's ability to read in any conventional sense, these silences are not flaws. They are instead a critical presence that forces readers to acknowledge how words and meaning can diverge in the face of events as unimaginable as those of the Holocaust.

During the past thirty years, the editors of the Hudson Review have observed a trend among some of the best literary essayists and reviewers to situate their criticism in a deeply personal manner as opposed to the theoretical, technocratic work being produced in many literary and academic publications. Over time, the Hudson Review became a home for this kind of accessible, memoirist writing. Literary Awakenings collects eighteen essays published over the last three decades that celebrate the writer's relationship with literature, one that is deeply shaped by experience and remembrance. br>The essays gathered here recall disparate awakenings to the influence of literature and discoveries of the many ways in which it enriches nearly every aspect of our lives. Antonio Munoz Molina describes his education as a writer and a citizen as a form of protest against Franco's totalitarian regime in Spain. Drawing upon Huckleberry Finn, Wendell Berry meditates on the impulse to escape that literature often invokes, and Judith Pascoe's tribute to Clarissa confesses to the appeal of reading select literature that initiates one into an exclusive coterie of people. What unites these diverse contributions is the joy of appreciation, the pleasures of engaging with literature

One of the world's foremost authorities on the English language, and the actor Ben Crystal, have taken a fresh look at the vocabulary of Shakespeare's poems and plays and compiled a glossary of nearly 14,000 words and meanings that are frequently misunderstood by—or incomprehensible to—the modern reader. Every entry is supported by at least one illustrative quote to help the student, the teacher, the actor, the scholar, and the general reader grasp the depth and beauty of the Bard's language. Shakespeare's Words includes:

• Complete listings of all the French, Latin, Spanish, and Italian words, as well as Welsh, Scottish, and Irish dialects Shakespeare used
• Easy-to-read diagrams that represent the relationships between the characters and places for each play
• A conventional plot synopsis and list of dramatis personae for all the plays

This light-hearted but deeply researched book offers interest and guidance to walkers, social historians and lovers of the Bronte family; their lives and works. Set in and around the town of Haworth it gives a dual introduction to walkers and lovers of literature who can explore this unique area of Yorkshire and walk in the footsteps of those who knew and loved this town and its moorlands two hundred years ago. With guided tours around special buildings as well as outdoor walks and the history of people and places who lived and worked in Haworth over centuries, it offers an insight into life and death in the melee of the Industrial Revolution. Its joint authors have combined their lifelong interests in Victorian literature and social history with writing, walking, photography and cartography and have included quotes from Bronte poetry and novels.

This user-friendly resource is the perfect reference for English-language readers who are eager to explore fiction from around the world. Profiling hundreds of titles and authors from 1945 to today, with an emphasis on fiction published in the past two decades, this guide introduces the styles, trends, and genres of the world's literatures, from Scandinavian crime thrillers and cutting-edge Chinese works to Latin American narco-fiction and award-winning French novels. The book's critical selection of titles defines the arc of a country's literary development. Entries illuminate the fiction of individual nations, cultures, and peoples, while concise biographies sketch the careers of noteworthy authors. Compiled by M. A. Orthofer, an avid book reviewer and the founder of the literary review site the Complete Review, this reference is perfect for readers who wish to expand their reading choices and knowledge of contemporary world fiction.

Today fans still remember and love the British girls' comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic, preserving both the inception and development of this important publication as well as its stories. Misty ran for 101 issues as a stand-alone publication between 1978 and 1980 and then four more years as part of Tammy. It was a hugely successful anthology comic containing one-shot and serialized stories of supernatural horror and fantasy aimed at girls and young women and featuring work by writers and artists who dominated British comics such as Pat Mills, Malcolm Shaw, and John Armstrong, as well as celebrated European artists. To this day, Misty remains notable for its daring and sophisticated stories, strong female characters, innovative page layouts, and big visuals. In the first book on this topic, Round closely analyzes Misty's content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round's own archival research, the study also draws on interviews with many of the key creators involved in this comic, including Pat Mills, Wilf Prigmore, and its art editorial team Jack Cunningham and Ted Andrews, who have never previously spoken about their work. Richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls' comics and other media. It surveys existing work on childhood and Gothic and offers a working definition of Gothic for Girls, a subgenre which challenges and instructs readers in a number of ways.

Dannie Abse, whose career as a poet spans sixty years, has made a huge contribution to the literature and literary life of Wales and to poetry and prose in the English Language. The Sourcebook is an essential companion to the poetry, prose, drama and critical writings of this major poet. Cary Archard has edited and written about Abse's work for over twenty years and collects here a marvellous representative selection of Abse's own writings, together with criticism of his work, which illuminates Abse's achievements for both students and general readers. * Biographical and critical introduction * Selection of Abse's criticism, autobiography and fiction * Interviews * Reviews of Abse's poetry over sixty years * Critical essays of Abse's poetry, some newly commissioned * Bibliography

Offers a definitive history of the British and Irish Press from 1900-2017 Captures the cross-regional and transnational dimension of press history in twentieth-century and at the start of twenty first-century Britain and Ireland Offers unique and important reassessments of twentieth-century and contemporary British and Irish press and periodical media within social, cultural, technological, economic and historical contexts Provides a timeline of significant events for cross-reference as well as an extensive bibliography for further research At various points over the last 400 years, key political, economic and social processes, have worked to hinder or promote the expansion and dissemination of information across Britain and Ireland via newspapers and periodicals. In a contemporary era characterized by debate on the limits of devolution and the potential of independence we need to assess the roles played by newspapers and periodicals in enabling national and regional identities to emerge, cohere and diversify over time. How can we best identify the most significant of these processes? What were the critical flashpoints in their development? How have they marked the place of the press in civic society? What are the consequences in considering these within the general history of the British and Irish press? This proposed volume in a three volume series will address these matters, offering a definitive account of newspaper and periodical press activity across Britain and Ireland between 1900 and 2017, and addressing questions related to four key research interests: general social/political history; newspaper and periodical history; cultural history; technological history. A further aim is to situate such discussions within the larger framework of communication and media history.

Rising up from the heart of the Mediterranean, Sicily has a rich and ancient history spanning over 2,000 years. A bounty prized by invaders from the Greeks, Romans and Vandals to the Byzantines, Arabs and Normans, Sicily's violently beautiful landscapes are haunted by a vibrant mix of cultures and her soil has always been fertile ground for the literary and artistic imagination. This compelling guide uncovers the island's multi-faceted personality through those literary figures who have managed to get under her skin - from Pindar, Cicero and Aeschylus to Shakespeare and Cervantes; DH Lawrence, Coleridge and Oscar Wilde to Truman Capote, Tennessee Williams, Ezra Pound and Lawrence Durrell; as well as local writers who have defined the modern Italian novel - Giuseppe Tomasi di Lampedusa and Leonardo Sciascia. Through their words and lives we witness the beauty, pain and power of the Sicilian cultural landscape and discover how the potent mix of influences on the island's society has been preserved forever in literature.

This volume analyzes Portuguese texts from the nineteenth, twentieth, and twenty-first centuries, reading them as symptoms of a haywire paternal function. Authors studied include E&#231a de Queiros, Almeida Garrett, Antonio Lobo Antunes, Jose Regio, Jose Cardoso Pires, Helder Macedo, and Gomes de Amorim. Historical figures interrogated include Dom Sebastiao, Prince Henry the Navigator, and the dictators Sidonio Pais and Salazar. A Lacanian framework provides the backdrop for much of the discussion, as Rothwell draws parallels in the cultural appropriations of the father figure at different historical moments. He argues that both nineteenth-century and contemporary Portuguese authors suggest that the wholesale abandonment of the paternal function in favor of the market transaction after revolutions comes at an intolerably high price for the Portuguese individual's psychic well-being. At the same time, Rothwell shows how paternal metaphors have consistently been corrupted in the Portuguese imaginary from the time of Fernao Lopes through the imperial expansion and decline to the twentieth-century dictatorships.

The most beautiful and famous quotations from Shakespeare in an exquisite gift book. The most beautiful and famous quotations from Shakespeare are gorgeously illustrated in this exquisite gift book. Unfolding to reveal evocative lines from plays such as Romeo and Juliet, A Midsummer Night's Dream, Hamlet,Twelfth Night and The Tempest, this charming collection celebrates the enduring appeal of the Bard and is the perfect gift for any book-lover.

Exploring the uncanny perception of depth in Tolkien's writing and world-building A Sense of Tales Untoldexamines the margins of J. R. R. Tolkien's work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien's achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose. Instead, A Sense of Tales Untold highlights Tolkien's restraint-his ability to check the pen to great effect. The book begins by identifying some of Tolkien's principal sources of inspiration and his contemporaries, then summarizes theories and practices of the literary impression of depth. The following chapters offer close readings of key untold tales in context, ranging from the shadowy legends at the margins of The Lord of the Rings to the nexus of tales concerning Turin Turambar, the great tragic hero of the Elder Days. In his frequent retellings of the Turin legend, Tolkien found a lifelong playground for experimentation with untold stories. "A story must be told or there'll be no story, yet it is the untold stories that are most moving," wrote Tolkien to his son during the composition of The Lord of the Rings,cutting straight to the heart of the tension between storytelling and world-building that animates his work. From the most straightforward form of an untold tale-an omission-to vast and tangled webs of allusions, Grybauskas highlights this tension. A Sense of Tales Untold engages with urgent questions about interpretation, adaptation, and authorial control, giving both general readers and specialists alike a fresh look at the source material of the ongoing "Tolkien phenomenon.

Reveals the secrets and stories that lie beneath the surface of Watson's narratives The Case of Sherlock Holmes uncovers what is untold, partly told, wrongly told, or deliberately concealed in Arthur Conan Doyle's Sherlock Holmes saga. This engaging study uses a scholarly approach, combining close reading with historicism, to read the stories afresh, sceptically probing Dr Watson's narratives and Holmes's often barely credible solutions. Drawing on Victorian and Edwardian history, Conan Doyle's life and works, and Doyle's literary sources, the book offers new insights into the Holmes stories and reveals what they say about money, class, family, sex, race, war, and secrecy. Key Features New insights into the ever-popular Holmes stories New contexts for late-Victorian and Edwardian detective fiction, from forgotten scandals to the social controversies of the age A literary-critical approach to these popular works that is both scholarly and accessible

Shahrokh Meskoob was one of Iran's leading intellectuals and a preeminent scholar of Persian literary traditions, language, and cultural identity. In The Ant's Gift, Meskoob applies his insight and considerable analytical skills to the Shahnameh, the national epic of Iran completed in 1010 by the poet Abul-Qasem Ferdowsi. Tracing Iran's history from its first mythical king to the fall of the Sasanian dynasty, the Shahnameh includes myths, romance, history, and political theory. Meskoob sheds new light on this seminal work of Persian culture, identifying the story as at once a historical and poetic work. While previous criticism of the Shahnameh has focused on its linguistic importance and its role in Iranian nationalism, Meskoob draws attention to the work's pre-Islamic cultural origins.

Irish Literature in Transition, 1980-2020 elucidates the central features of Irish literature during the twentieth century's long turn, covering its significant trends and formations, reassessing its major writers and texts, and providing path-making accounts of its emergent figures. Over the past forty years, life in the Republic of Ireland and Northern Ireland has been transformed by new material conditions in each polity and by ideological shifts in the way people understand themselves and their relation to the world. Amid these remarkable changes, culture on both sides of the border has emerged as a global phenomenon, one that both reflects and intervenes in rapidly changing contemporary conditions. This volume accounts for broad patterns of literary and cultural production in this period and demonstrates the value of Irish contemporary literature within anglophone and European traditions and as a body of work that has kept its eye trained on the particularities of the island and its inhabitants.

The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myth and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture.
Extensively revised and updated since the second edition was published in 1989, the Companion acknowledges changes in the focus of scholarship over the last twenty years, through the incorporation of a far larger number of thematic entries such as medicine, friendship, science, freedom (concept of), and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature; after all, for many aspects of classical society the literature we have inherited is the primary (and sometimes the only) source material. Additions and changes have been made taking into account the advice of teachers and lecturers in Classics, ensuring that current educational needs are catered for.
In addition to newly covered topics, the Companion still plays to its traditional strengths, with extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, encompassing everything in between; and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.

Books; reading, collecting and the physical housing of them has brought the book-lover joy - and stress - for centuries. Fascinated writers have tried to capture the particular relationships we form with our library, and the desperate troubles we will undergo to preserve it. With Alex Johnson as your guide, immerse yourself in this eclectic anthology and hear from an iconic Prime Minister musing over the best way to store your books and an illustrious US President explaining the best works to read outdoors. Enjoy serious speculations on the psychological implications of reading from a 19th century philosopher, and less serious ones concerning the predicament of dispensing with unwanted volumes or the danger of letting children (the `enemies of books') near your collection. The many facets of book-mania are pondered and celebrated with both sincerity and irreverence in this lively selection of essays, poems, lectures and commentaries ranging from the 16th to the 20th century.

Peter Temple held crime writing up to the light and, with his poet's ear and eye, made it his own incomparable thing. Peter Temple started publishing novels late, when he was fifty, but then he got cracking. He wrote nine novels in thirteen years. Along the way he wrote screenplays, stories, dozens of reviews. When Temple died in March 2018 there was an unfinished Jack Irish novel in his drawer. It is included in The Red Hand, and it reveals the master at the peak of his powers. The Red Hand also includes the screenplay of Valentine's Day, an improbably delightful story about an ailing country football club, which in 2007 was adapted for television by the ABC. Also included are his short fiction, his reflections on the Australian idiom, a handful of autobiographical fragments, and a selection of his brilliant book reviews. .