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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries
In the 1970s, '80s and '90s Britain witnessed what many in the
business saw as the second great age of radio. It was a period when
FM radio blossomed and local stations opened and broadcast across
the land. It was a step away from the output of the national
broadcaster, the BBC, which had held a monopoly on the airways
since its inception. Broadcaster, station manager and regulator for
over forty years David Lloyd was very much a part of this
revolution and is, amongst his peers, well placed to tell that
story. Lloyd describes the period as one of innovation, his aim to
create a timeline of radio of this era through to the present day,
to capture those heady days, the characters, the fun and heartache,
life on the air, life off the air. And to revisit those station
launches, company consolidations, the successes and the failures.
Told with the insight of an insider, with his characteristic wit
and a huge dollop of nostalgia, David Lloyd brings to life a unique
age in broadcasting in this fascinating account.
Avant-Folk is the first comprehensive study of a loose collective
of important British and American poets, publishers, and artists
(including Lorine Niedecker, Ian Hamilton Finlay, and Jonathan
Williams) and the intersection of folk and modernist, concrete and
lyric poetics within the small press poetry networks that developed
around these figures from the 1950s up to the present day.
Avant-Folk argues that the merging of the demotic with the
avant-garde is but one of the many consequences of a particularly
vibrant period of creative exchange when this network of poets,
publishers, and artists expanded considerably the possibilities of
small press publishing. Avant-Folk explores how, from this still
largely unexplored body of work, emerge new critical relations to
place, space, and locale. Paying close attention to the
transmission of demotic cultural expressions, this study of small
press poetry networks also revises current assessments regarding
the relationship between the cosmopolitan and the regional and
between avant-garde and vernacular, folk aesthetics. Readers of
Avant-Folk will gain an understanding of how small press publishing
practices have revised these familiar terms and how they reconceive
the broader field of twentieth-century British and American poetry.
Winner of the Anne M. Sperber Prize
A spirited and revealing memoir by the most celebrated editor of his time
After editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carre, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker, and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.
But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.
During the early modern period the public postal systems became
central pillars of the emerging public sphere. Despite the
importance of the post in the transformation of communication,
commerce and culture, little has been known about the functioning
of the post or how it affected the lives of its users and their
societies. In Postal culture in Europe, 1500-1800, Jay Caplan
provides the first historical and cultural analysis of the
practical conditions of letter-exchange at the dawn of the modern
age. Caplan opens his analysis by exploring the economic,
political, social and existential interests that were invested in
the postal service, and traces the history of the three main
European postal systems of the era, the Thurn and Taxis, the French
Royal Post and the British Post Office. He then explores how the
post worked, from the folding and sealing of letters to their
collection, sorting, and transportation. Beyond providing service
to the general public, these systems also furnished early modern
states with substantial revenue and effective surveillance tools in
the form of the Black Cabinets or Black Chambers. Caplan explains
how postal services highlighted the tension between state power and
the emerging concept of the free individual, with rights to private
communication outside the public sphere. Postal systems therefore
affected how letter writers and readers conceived and expressed
themselves as individuals, which the author demonstrates through an
examination of the correspondence of Voltaire and Rousseau, not
merely as texts but as communicative acts. Ultimately, Jay Caplan
provides readers with both a comprehensive overview of the changes
wrought by the newly-public postal system - from the sounds that
one heard to the perception of time and distance - and a thought
provoking account of the expectations and desires that have led to
our culture of instant communication.
Journalist Allum Bokhari has spent four years investigating the
tech giants that dominate the Internet: Google, Facebook, YouTube,
Twitter. He has discovered a dark plot to seize control of the flow
of information, and utilize that power to its full extent-to
censor, manipulate, and ultimately sway the outcome of democratic
elections. His network of whistleblowers inside Google, Facebook
and other companies explain how the tech giants now see themselves
as "good censors," benevolent commissars controlling the
information we receive to "protect" us from "dangerous" speech.
They reveal secret methods to covertly manipulate online
information without us ever being aware of it, explaining how tech
companies can use big data to target undecided voters. They lift
the lid on a plot four years in the making-a plot to use the power
of technology to stop Donald Trump's re-election.
There are many advantages to incorporating digital services in
business, including improved data management, higher transparency,
personalized customer service, and cost reduction. Innovation is a
key driver to how digital services are formed, developed,
delivered, and used by consumers, employees, and employers. The
largest differentiator comes from having a digitally empowered
workforce. Companies increasingly need digital workers to establish
greater digital skills to bear on every activity. Business leaders
especially need to steer digital priorities, drive innovation, and
develop digital platforms. Leadership, Management, and Adoption
Techniques for Digital Service Innovation is an essential reference
source that discusses the adoption of digital services in multiple
industries and presents digital technologies to address and further
advance innovation to drive successful solutions. Featuring
research on topics such as cloud computing, digital business, and
value creation, this book is ideally designed for managers,
leaders, executives, directors, IT consultants, academicians,
researchers, industry professionals, students, and practitioners.
The dramatic inside story of the downfall of Michael Eisner--Disney
Chairman and CEO--and the scandals that drove America's best-known
entertainment company to civil war.
"When You Wish Upon a Star," "Whistle While You Work," "The
Happiest Place on Earth"--these are lyrics indelibly linked to
Disney, one of the most admired and best-known companies in the
world. So when Roy Disney, chairman of Walt Disney Animation and
nephew of founder Walt Disney, abruptly resigned in November 2003
and declared war on chairman and chief executive Michael Eisner, he
sent shock waves through the entertainment industry, corporate
boardrooms, theme parks, and living rooms around the
world--everywhere Disney does business and its products are
cherished.
Drawing on unprecedented access to both Eisner and Roy Disney,
current and former Disney executives and board members, as well as
thousands of pages of never-before-seen letters, memos,
transcripts, and other documents, James B. Stewart gets to the
bottom of mysteries that have enveloped Disney for years: What
really caused the rupture with studio chairman Jeffrey Katzenberg,
a man who once regarded Eisner as a father but who became his
fiercest rival? How could Eisner have so misjudged Michael Ovitz, a
man who was not only "the most powerful man in Hollywood" but also
his friend, whom he appointed as Disney president and immediately
wanted to fire? What caused the break between Eisner and Pixar
chairman Steve Jobs, and why did Pixar abruptly abandon its
partnership with Disney? Why did Eisner so mistrust Roy Disney that
he assigned Disney company executives to spy on him? How did Eisner
control the Disney board for so long, and what really happened in
the fateful board meeting in September 2004, when Eisner played his
last cards?
"DisneyWar" is an enthralling tale of one of America's most
powerful media and entertainment companies, the people who control
it, and those trying to overthrow them. It tells a story that--in
its sudden twists, vivid, larger-than-life characters, and
thrilling climax--might itself have been the subject of a Disney
classic--except that it's all true.
Edward Snowden, the man who risked everything to expose the US government’s system of mass surveillance, reveals for the first time the story of his life, including how he helped to build that system and what motivated him to try to bring it down.
In 2013, twenty-nine-year-old Edward Snowden shocked the world when he broke with the American intelligence establishment and revealed that the United States government was secretly pursuing the means to collect every single phone call, text message, and email. The result would be an unprecedented system of mass surveillance with the ability to pry into the private lives of every person on earth. Six years later, Snowden reveals for the very first time how he helped to build this system and why he was moved to expose it.
Spanning the bucolic Beltway suburbs of his childhood and the clandestine CIA and NSA postings of his adulthood, Permanent Record is the extraordinary account of a bright young man who grew up online – a man who became a spy, a whistleblower, and, in exile, the Internet’s conscience. Written with wit, grace, passion, and an unflinching candor, Permanent Record is a crucial memoir of our digital age and destined to be a classic.
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