Can the internet fundamentally challenge non-free regimes? The role that social networking played in political change in the Middle East and beyond raises important questions about the ability of authoritarian leaders to control the information sphere and their subjects. Revolution Stalled goes beyond the idea of "virtual " politics to study five key components in the relationship between the online sphere and society: content, community, catalysts, control, and co-optation. This analysis of the contemporary Russian internet, written by a scholar with in-depth knowledge of both the post-Soviet media and media theory, illuminates how and when online activity can spark political action. This book argues that there are critical pre-conditions that help the internet to challenge non-free states. For example, Russian leaders became vulnerable to online protest movements and online social entrepreneurs when they failed to control the internet as effectively as they control traditional media. At the same time, Russia experienced explosive growth in online audiences, tipping the balance of control away from state-run television and toward the more open online sphere. Drawing upon studies of small-scale protests involving health issues and children with disabilities, Oates provides compelling evidence of the way Russians are translating individual grievances into rising political awareness and efficacy via the online sphere. The Russian state is struggling to change its information and control strategy in response to new types of information dissemination, networking, and protest. At the same time, this new environment has transformed a state strategy of co-opted elections into a powerful catalyst for protest and demands for rights. While the revolution remains stalled, Oates shows how a new and changing generation of internet users is transforming the public sphere in Russia.

Periodicals were an integral part of eighteenth-century European civilisation. This volume brings together original articles in English and French dealing with the press both in the main centres of Enlightenment thought and in such often-neglected countries as Portugal and Sweden. The contributions span the long eighteenth century, from Germany in the 1690s to Britain in the post-Napoleonic era. They cover the full range of the period's press, including manuscript newsletters, political gazettes, learned journals and revolutionary propaganda sheets. Joao Lisboa and Marie-Christine Skuncke show how periodicals allowed the circulation of news and political criticism even in societies such as Portugal and Sweden, where audiences were limited and censorship was severe; Anne-Marie Mercier-Faivre's study of press coverage of the Ottoman Empire shows that news reports gave a picture of 'oriental despotism' very different from the literary construct of Montesquieu's Lettres persanes; Bernadette Fort's essay on art criticism and Martin Stuber's analysis of the correspondence of a learned journal's editor broaden our understanding of the place of periodicals in the period's high culture. The revolutionary era brought major innovations in the press although, as Maria Lucia Pallares-Burke shows, older genres such as the 'spectator' were adapted to the new conditions. Political radicals like Jacques Roux (the focus of Eric Negrel's study) and the German emigre journalists who had fled to France (examined in Susanne Lachenicht's essay) owed their careers to the press. But the press could also serve conservative ends, as Philip Harling demonstrates in his analysis of Tory journalism in England in the early nineteenth century. Placed within a broader theoretical and historical context by Hans-Jurgen Lusebrink, Jack Censer and Jeremy Popkin, these studies expand our picture of the role of periodicals in the age of Enlightenment and Revolution, and suggest important new directions for further research.

This unique text addresses the gap between journalism studies, which have tended to focus on national and international news, and the fact that most journalism is practised at the local level, where people live, work, play and feel most 'at home'. Providing a rich overview of the role and place of local media in society, Hess and Waller demonstrate that, in this changing digital era, the local journalist must not only specialize in niche 'place-based' news, but also have a clear understanding of how their locality and its people 'fit' in the context of a globalized world. Equipping readers with a nuanced and well-rounded understanding of the field today, this is an essential resource for students of journalism, media and communication studies, as well as for practising and aspiring journalists.

Lively and engaging, How to Launch a Magazine in this Digital Age adopts a practical guide for students and inexperienced editors, detailing the process of setting up and launching a new publication -- be it digital, print or a combination of both. Using case studies, theoretical/critical insights, and tests/exercises, this is the first how-to to embrace digital technologies, including a companion website with additional support with podcasts, web links, forums and timed live author chats. The key to the text's success is its ability to encompass the complete process. It begins with the initial idea and follows the process through to developing a business plan as well as setting an editorial strategy to achieve and maintain an audience in a digital age -- where traditional print formats face an uncertain future. It includes checklists and realistic timescales for producing a digital/print magazine, for both the working professional and the student in the classroom setting.

Edward Snowden's revelations about the mass surveillance capabilities of the US National Security Agency (NSA) and other security services triggered an ongoing debate about the relationship between privacy and security in the digital world. This discussion has been dispersed into a number of national platforms, reflecting local political realities but also raising questions that cut across national public spheres. What does this debate tell us about the role of journalism in making sense of global events? This book looks at discussions of these debates in the mainstream media in the USA, United Kingdom, France, Germany, Russia and China. The chapters focus on editorials, commentaries and op-eds and look at how opinion-based journalism has negotiated key questions on the legitimacy of surveillance and its implications to security and privacy. The authors provide a thoughtful analysis of the possibilities and limits of 'transnational journalism' at a crucial time of political and digital change.

Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sampling that have come to characterise much of YouTube's audiovisual content. Through collaborative composition, collage and cover songs to reaction videos and political activism , users from diverse backgrounds have embraced the democratised space of YouTube to open up new and innovative forms of sonic creativity and push the boundaries of audiovisual possibilities. Observing the reciprocal flow of influence that runs between various online platforms, 12 chapters position YouTube as a central hub for the exploration of digital sound, music and the moving image. With special focus on aspects of networked creativity that remain overlooked in contemporary scholarship, including library music, memetic media, artificial intelligence, the sonic arts and music fandom, this volume offers interdisciplinary insight into contemporary audiovisual culture.

As audiences are provided opportunities to "feel" the news through new technological advancements in the field, the very nature of journalism is changing. These advancements in journalism have provided a way to reach and connect with unique communities in innovative and inclusive ways. As in-world journalists have sought to inform and engage unique communities within the context of their worlds, real and virtual, issues relevant to the mainstream have been played out in virtual culture. Redefining Journalism in an Age of Technological Advancements, Changing Demographics, and Social Issues investigates the impact of emerging technologies in journalism and how audiences engage with these technologies and news content in innovative ways. Identity and community are analyzed historically and culturally within the larger body of cultural and media studies. Covering topics such as audience demographics, robotics, and immersive journalism, this book is a dynamic resource for journalists, sociologists, politicians, students and educators of higher education, computer scientists, communications professionals, researchers, and academicians.

Communicating archaeological heritage at the institutional level reflects on the current status of archeology, and a lack of communication between archaeologists and the general public only serves to widen the gap of understanding. As holders of this specific scientific expertise, effective openness and communication is essential to understanding how a durable future can be built through comprehension of the past and the importance of heritage sites and collections. Developing Effective Communication Skills in Archaeology is an essential research publication that examines archeology as a method for present researchers to interact and communicate with the past, and as a methods for identifying the overall trends in the needs of humanity as a whole. Presenting a vast range of topics such as digital transformation, artificial intelligence, and heritage awareness, this book is essential for archaeologists, journalists, heritage managers, sociologists, educators, anthropologists, museum curators, historians, communication specialists, industry professionals, researchers, academicians, and students.

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search for new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities' internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut we may count dangerous gunmen, prisoners' wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.

The advent of digital technologies has changed the news and publishing industries drastically. While shrinking newsrooms may be a concern for many, journalists and publishing professionals are working to reorient their skills and capabilities to employ technology for the purpose of better understanding and engaging with their audiences. Contemporary Research Methods and Data Analytics in the News Industry highlights the research behind the innovations and emerging practices being implemented within the journalism industry. This crucial, industry-shattering publication focuses on key topics in social media and video streaming as a new form of media communication as well the application of big data and data analytics for collecting information and drawing conclusions about the current and future state of print and digital news. Due to significant insight surrounding the latest applications and technologies affecting the news industry, this publication is a must-have resource for journalists, analysts, news media professionals, social media strategists, researchers, television news producers, and upper-level students in journalism and media studies. This timely industry resource includes key topics on the changing scope of the news and publishing industries including, but not limited to, big data, broadcast journalism, computational journalism, computer-mediated communication, data scraping, digital media, news media, social media, text mining, and user experience.

The ubiquity of technology in modern society has opened new opportunities for businesses to employ marketing strategies. Through digital media, new forms of advertisement creativity can be explored. Narrative Advertising Models and Conceptualization in the Digital Age is a pivotal reference source that features the latest scholarly perspectives on the implementation of narration and storytelling in contemporary advertising. Including a range of topics such as digital games, viral advertising, and interactive media, this book is an ideal publication for business managers, researchers, academics, graduate students, and professionals interested in the enhancement of advertising strategies.

From Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry's geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations. Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries--film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar's transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization.Aswin Punathambekaris Assistant Professor of Communication Studies at the University of Michigan-Ann Arbor. He is the co-editor ofGlobal Bollywood(NYU Press, 2008).In thePostmillenial Popseries

Inspired by questions and techniques of l'histoire du livre', this books investigates how print technology in the service of cultural discipleship created the liteary icon known as Jean-Jacques Rousseau. During his lifetime Rousseau asserted an author-centred interpretation of literary property that brought him celebrity and income. However, following the condemnations of Emile and Du contrat social, it also brought him extraordinary personnal grief. After Rousseau's death in July 1778, three disciples envisioned a massive testament of rehabilitation, the Collection complete des oeuvres de Jean-Jacques Rousseau, citoyen de Geneve. Containing the first editions of the Confessions, Reveries du promeneur solitaire, and considerable correspondence, the Collection complete offered up Rousseau the martyred sage speaking the language of autobiography. Readers were invited to appropriate lessons from the tragic life. Indeed, the absorption of Rousseau's texts was intended to stir up, manipulate, and change their own lives. Though the Collection complete was an extraordinary literary phenomenon, it proved to be a commercial disaster. Competing editorial agendas tore apart the disciples, and piracies of their edition damaged the enterprise. Rousseau's 'widow' and blood relatives claimed literary property rights inheritance. Subsequently, as the French Revolution unfolded, established strategies behind the marketing of Rousseau shifted. The flexible moral messages of autobiography yelded place to a static political one - that of Rousseau as author of Du contrat social, the pere de la patrie, en embalmed corpse lying in state in the Pantheon. Forging Rousseau is a unique type of cultural analysis, contextualising the commercial publishing history of Rousseau's works in the milieux of the late Enlightenment and Revolutionary period. It is sensitive to major issues concerning book history today: what constitutes an edition, what constitutes a piracy, and competing definitions of intellectual property, icon construction, and literary inheritance.

Catalan-language publishers were under constant threat during the dictatorship of Francisco Franco (1939-1975). Both the Catalan language and the introduction of foreign ideas were banned by the regime, preoccupied as it was with creating a "one, great and free Spain." Books against Tyranny examines the period through its censorship laws and censors' accounts by means of intertextuality, an approach that aims to shed light on the evolution of Francoism's ideological thought. The documents examined here includes firsthand witness accounts, correspondence, memoirs, censorship files, newspapers, original interviews, and unpublished material housed in various Spanish archives. As such, the book opens up the field and serves as an informative tool for scholars of Franco's Spain, Catalan social movements, or censorship more generally.

Joe Maltz's career as a broadcast engineer with the American Broadcasting Company spanned thirty-seven years and was followed by five years as a consultant to the television industry. In his memoir, "My Adventures in Broadcasting," he takes a look back at his experiences during television's "golden years" from the usually invisible point of view of an engineer.

Maltz participated in the technical preparation and execution of five Olympic Games, including the 1972 Munich Olympics, during which he covered the tragedy that unfolded there. For his engineering work on Olympic technical design, he won two Emmys. He also covered four political conventions and the first televised coverage of a Russian-American track meet in Moscow, which took place during the Cold War.

Over the years memoirs about television broadcasting have been written and published by many notables in the industry. These memoirs recall events from an "on-air" perspective, ignoring the participation of the technical people that enabled these events to be successfully produced and executed. My Adventures in Broadcasting offers a unique, behind-the-scenes perspective on television coverage of major news and sporting events fills that void.

This text provides a unique examination of The Christian Science Monitor, a highly respected, venerable news publication that has survived over a century of changes and challenges. The Christian Science Monitor is one of the world's leading journalistic publications, having won multiple Pulitzer prizes for its reporting. CSM is innovative and forward-thinking as well-it was one of the first newspapers to provide an online copy of its daily reporting in 1996, well before the popularization of the Internet. But just like other publications, The Christian Science Monitor will need to continue to reinvent itself in order to stay relevant and solvent in the face of plummeting readership numbers, corporate takeovers, and a widespread assumption that all of today's news sources are biased and inaccurate. This book provides a thorough discussion of CSM's treatment of sensitive topics like terrorism, international crises, gender issues, and sexual orientation. The paper's attitudes toward ethnicity, ethics, economics, philosophy, and racism are also profiled. The conclusion provides readers with an opportunity to draw upon their new knowledge of The Christian Science Monitor's past to project its direction for the future. Includes intriguing content derived from authorized interviews with managers and writers from The Christian Science Monitor Presents case studies on pivotal topics like terrorism, international issues, gender, and sexual orientation issues

Istanbul is home to a multimillion dollar transnational music industry, which every year produces thousands of digital music recordings, including widely distributed film and television show soundtracks. Today, this centralized industry is responding to a growing global demand for Turkish, Kurdish, and other Anatolian ethnic language productions, and every year, many of its top-selling records incorporate elaborately orchestrated arrangements of rural folksongs. What accounts for the continuing demand for traditional music in local and diasporic markets? How is tradition produced in twenty-first century digital recording studios, and is there a "digital aesthetics" to contemporary recordings of traditional music? In Digital Traditions: Arrangement and Labor in Istanbul's Recording Studio Culture, author Eliot Bates answers these questions and more with a case study into the contemporary practices of recording traditional music in Istanbul. Bates provides an ethnography of Turkish recording studios, of arrangers and engineers, studio musicianship and digital audio workstation kinesthetics. Digital Traditions investigates the moments when tradition is arranged, and how arrangement is simultaneously a set of technological capabilities, limitations and choices: a form of musical practice that desocializes the ensemble and generates an extended network of social relations, resulting in aesthetic art objects that come to be associated with a range of affective and symbolic meanings. Rich with visual analysis and drawing on Science & Technology Studies theories and methods, Digital Tradition sets a new standard for the study of recorded music. Scholars and general readers of ethnomusicology, Middle Eastern studies, folklore and science and technology studies are sure to find Digital Traditions an essential addition to their library.