In the last 50 years, Latin American literature has become one of the primary focuses of U.S. intellectual attention. This behind-the-scenes account focuses on the efforts of those Americans—publishers, critics, editors, and writers—who brought recognition to Latin American writing. Rostagno explores how the promotion and reception of Latin American literature in this country involve such issues as North American literary tastes and publishing strategies and are part of a larger and more complex picture of inter-American cultural and commercial relations. This fascinating story of the creation of an international audience for a literature explores the roles of critic Waldo Frank, publishers Blanche and Alfred Knopf, editors Margaret Randall and Sergio Mondragón, and the Center for Inter-American Relations.

This contributed volume provides new approaches, fresh ideas, valuable insights, and latest research in leadership-from strategic business (model) innovation to system design and humanity-and is a knowledge source and inspirational guide for scientists and practitioners alike.A key theme is the provision of an integrated perspective on leadership in strategy and communication which allow (senior) leaders, managing di-rectors, project managers, and individuals to (1) better link strategic busi-ness innovation and leadership and (2) shift to the new human self-lead-ership paradigm and in particularly leadership advances that consider ideas from multiple disciplines and transgenerational views. That includes a new understanding about knowledge, learning and change and how leaders re-discover and develop their human abilities, which include intui-tion/strength, balance and clarity, projection-reflection, and wisdom.This volume also makes an important contribution to the evolving aca-demic domain by providing the latest insights on trauma research, DNA healing, system (re)design, and growth & abundance mindset in the ad-vanced co-creation age.

Students and others interested in radio history will be intrigued by this fast-paced biography of Gordon McLendon's career in the radio industry, touching also on his work in motion pictures and involvement in Texas politics. Following a glimpse into his childhood, education, and military career, Ronald Garay describes McLendon's station ownership and management in Palestine, Texas; the development of a major network, the Liberty Broadcasting System; his live and recreated baseball and football programs; and his skirmishes with the major league baseball establishment. Much attention is given to how McLendon "re-invented" radio and competed with television and print media through his Top 40 music hits, disc jockey programming, and the use of local news. Important concerns regarding station "trafficking," editorializing, and public interests are considered as well in this extraordinary book.

Students of media, journalism, and social issues classes will use this book to identify the ten most controversial issues facing the media profession today. Topics include the ever-increasing monopolistic control of the media by conglomerates, tabloid journalism and its impact on the news and plagiarism. Foerstel presents the history of each controversy, important media personalities, and relevant legislation. Students can examine the current status of the controversy and apply critical thinking skills to make predictions on possible future outcomes.

From the paparazzi to Internet censorship, Foerstel highlights significant controversy in modern journalism and the media, specifically noting recent public outcry over the press' abuse of the private lives of celebrities, including the death of Princess Diana, and problems with plagiarism and the excessive use of anonymous sources. Perhaps the most controversial of all media subjects--the battle over First Amendment rights on the electronic frontier of the Internet--is discussed in depth. With the detail Foerstel offers, students receive an up-to-date look at the struggle between those who advocate censorship of material they deem harmful to minors and those who defend intellectual freedom.

When a United Press International executive asked Al Benn where he wanted to begin his journalism career, he unhesitatingly replied: "Where the action is." Little did he know at the time that he'd wind up reporting on America's civil rights movement in Birmingham, Alabama which was known as BOMBingham in the 1960s. Benn had no experience as a reporter in 1964, but he quickly learned by following and watching those who did. One night, he might be in a pasture covering a Ku Klux Klan rally where grand dragons and imperial wizards in white sheets delivered hate-filled speeches under the glow of burning crosses. The next night, he might be inside a black church where civil rights leaders called for peace and racial harmony. It was an exciting, often harrowing time for the rookie reporter-filled with deadline pressures, danger and the knowledge that he had become personally involved in covering developments of historic proportions. When he wasn't chronicling civil rights events, Benn wrote about scientists and astronauts involved in the space race as well as reaction on the home front to the war that raged in Vietnam. His favorite assignment was covering football at the University of Alabama where he got to know the Crimson Tide's head coach, Paul "Bear" Bryant, and reported the exploits of star quarterbacks such as Joe Namath and Ken Stabler. He also found time to write several exclusive stories. One involved secret payments to the widows of Alabama pilots killed during the disastrous Bay of Pigs invasion in Cuba. Another centered on the national boycott of Beatles records--launched by two Birmingham radio personalities upset over a comment by John Lennon that his group was more popular than Jesus. Benn left UPI in 1967 to begin the newspaper phase of his journalism career. He worked in three states, becoming an editor and publisher, before landing his best job of all -covering rural Alabama for the Montgomery Advertiser in 1980. Benn has written about heroes a

Press and Politics offers a new interpretation of the fate of Germany's first democracy and the advent of Hitler's Third Reich. It is the first study to explore the role of the press in the politics of the Weimar Republic, and to ask how influential it really was in undermining democratic values.
Anyone who seeks to understand the relationship between the press and politics in Germany at this time has to confront a central problem. Newspapers certainly told their readers how to vote, especially at election time. It was widely accepted that the press wielded immense political power. And yet power ultimately fell to Adolf Hitler, a radical politician whose party press had been strikingly unsuccessful.
Press and Politics unravels this apparent paradox by focusing on Berlin, the political centre of the Weimar Republic and the capital of the German press. The book examines the complex relationship between media presentation, popular reception, and political attitudes in this period. What was the relationship between newspaper circulation and electoral behavior? Which papers did well, and why? What was the nature of political coverage in the press? Who was most influenced by it? Bernhard Fulda addresses all these questions and more, looking at the nature and impact of newspaper reporting on German politics, politicians, and voters. He shows how the press personalized politics, how politicians were turned into celebrities or hate figures, and how - through deliberate distortions - individual newspapers succeeded in building up a plausible, partisan counter-reality.

Winner of the National Press Club Prize for Media Criticism.

"A compelling look at the power of the media from an award-winning journalist who fearlessly and passionately addresses critical issues confronting African-American journalists working for mainstream newspapers and magazines."
--"Essence"

"In her eloquent take on media Eurocentrism, Pamela Newkirk observes that anti-African exclusion very much characterizes the major media. . . . An hermeneutical tour-de-force."
--"New York Amsterdam News"

"Newkirk's account is well-grounded historically and anecdotally, and she mangaes to be both fair and accurate at a time when those values seem to have lost their luster in the profession""Kirkus"

Companion website: http: //www.nyupress.nyu.edu/authors/veil.html

Thirty years ago, the Kerner Commission Report made national headlines by exposing the consistently biased coverage afforded African Americans in the mainstream media. While the report acted as a much ballyhooed wake-up call, the problems it identified have stubbornly persisted, despite the infusion of black and other racial minority journalists into the newsroom.

In Within the Veil, Pamela Newkirk unmasks the ways in which race continues to influence reportage, both overtly and covertly. Newkirk charts a series of race-related conflicts at news organizations across the country, illustrating how African American journalists have influenced and been denied influence to the content, presentation, and very nature of news.

Through anecdotes culled from interviews with over 100 broadcast and print journalists, Newkirk exposes the trials and triumphs of African American journalists as they struggle in pursuitof more equitable coverage of racial minorities. She illuminates the agonizing dilemmas they face when writing stories critical of blacks, stories which force them to choose between journalistic integrity, their own advancement, and the almost certain enmity of the black community.

Within the Veil is a gripping front-line report on the continuing battle to integrate America's newsrooms and news coverage.

Why did Edwardian novelists portray journalists as swashbuckling, truth-seeking super-heroes whereas post-WW2 depictions present the journalist as alienated outsider? Why are contemporary fictional journalists often deranged, murderous or intensely vulnerable? As newspaper journalism faces the double crisis of a lack of trust post-Leveson, and a lack of influence in the fragmented internet age, how do cultural producers view journalists and their role in society today? In The Journalist in British Fiction and Film Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film from the dawn of the mass popular press to the present day. The book asks first how journalists were represented in various distinct periods of the 20th century and then attempts to explain why these representations vary so widely. This is a history of the British press, told not by historians and sociologists, but by writers and directors as well as journalists themselves. In uncovering dozens of forgotten fictions, Sarah Lonsdale explores the bare-knuckled literary combat conducted by writers contesting the disputed boundaries between literature and journalism. Within these texts and films there is perhaps also a clue as to how the best aspects of 'Fourth estate' journalism can survive in the digital age. Authors covered in the volume include: Martin Amis, Graham Greene, George Orwell, Pat Barker, Evelyn Waugh, Elizabeth Bowen, Arnold Wesker and Rudyard Kipling. Television and films covered include House of Cards (US and UK versions), Spotlight, Defence of the Realm, Secret State and State of Play.

John Plunkett presents the first history of the interaction between the monarchy and the media to focus on the reign of Queen Victoria. He argues that the development of popular print and visual media in the nineteenth century helped to reinvent the position of the monarchy in national life, and includes a detailed account of the emergence of royal journalism and the impact of new media such as photography.

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aEverybody knows that TV is crucial to globalization. Now, thanks to Lisa Parks and Shanti Kumar, we know why and how television matters globally. With TV studies moving out of the classroom and onto the world stage, this volume is an indispensable passport.a
--Toby Miller, editor of "Television & New Media"

From the 1967 live satellite program "Our World" to MTV music videos in Indonesia, from French television in Senegal to the global syndication of African American sitcoms, and from representations of terrorism on German television to the international Teletubbies phenomenon, TV lies at the nexus of globalization and transnational culture.

Planet TV provides an overview of the rapidly changing landscape of global television, combining previously published essays by pioneers of the study of television with new work by cutting-edge television scholars who refine and extend intellectual debates in the field. Organized thematically, the volume explores such issues as cultural imperialism, nationalism, postcolonialism, transnationalism, ethnicity and cultural hybridity. These themes are illuminated by concrete examples and case studies derived from empirical work on global television industries, programs, and audiences in diverse social, historical, and cultural contexts.

Developing a new critical framework for exploring the political, economic, sociological and technological dimensions of television cultures, and countering the assumption that global television is merely a result of the current dominance of the West in world affairs, Planet TV demonstrates that the global dimensions of television were imagined intoexistence very early on in its contentious history. Parks and Kumar have assembled the critical moments in television's past in order to understand its present and future.

Contributors include Ien Ang, Arjun Appadurai, Jose B. Capino, Michael Curtin, Jo Ellen Fair, John Fiske, Faye Ginsburg, R. Harindranath, Timothy Havens, Edward S. Herman, Michele Hilmes, Olaf Hoerschelmann, Shanti Kumar, Moya Luckett, Robert McChesney, Divya C. McMillin, Nicholas Mirzoeff, David Morley, Hamid Naficy, Lisa Parks, James Schwoch, John Sinclair, R. Anderson Sutton, Serra Tinic, John Tomlinson, and Mimi White.

During her career, Julie Grace worked for several political icons, including Paul Simon, Alan Dixon, Joseph Kennedy, Walter Mondale, and Jimmy Carter. In 1991, she accepted a job with "TIME" magazine, where she specialized in social issues and was touted as one of "TIME"'s best human drama reporters.

Although Julie appeared to have a solid career, her world began to crumble when the stresses of her job became more than she could handle. In order to cope, she turned to alcohol. Eventually her addiction cost her the job. It was then that she sought help in an alcohol rehabilitation program. There, she met George Thompson, and they soon developed an extremely close relationship.

Unfortunately, the relationship was rocky and George physically abused Julie on numerous occasions. Tragically, on May 20, 2003, the abuse ended when Julie died three days after one of their abusive encounters. George initially confessed to her murder but when his case went to trial, he was convicted of involuntary manslaughter rather than first degree homicide.

Ruth Grace, Julie's mother, was shocked. She blamed the Illinois judicial system for miscarriage of justice. Now, with the help of author Nancy Hoff man, she examines her daughter's case in detail. Read the witnesses testimonies and judge for yourself-"Was Justice Served?"

This work presents 12 of the most volatile ethical issues facing the music industry. Real-life examples depict both sides of each controversy, and the list of resources provides tools for readers who wish to pursue the controversies further. Primary sources including court cases and excerpts from speeches help students build critical thinking skills in current issues, persuasive writing, and debate classes.

Among the controversies noted is the growing oligopoly of a few multinational music companies and the independent labels that are attempting to survive this market dominance. Drug abuse and violence depicted in music is discussed, as is its influence on young listeners. These issues and many more are discussed in detail as the authors outline the controversial topics of the music industry.

This collection of essays addresses whether all nations will actively participate in building the information superhighway or whether the Internet will reflect global technological inequalities. The writings are grouped in four major sections, which examine theoretical issues on cyberglobalization, politics in the electronic global village, global economic issues in cyberspace, and national identities and grassroots movements in cyberspace. Contributing scholars represent a wide spectrum of disciplines from political science, economics, and communications to sociology, anthropology, and philosophy. A number of methodological and theoretical perspectives direct the writings. Collectively, the essays point toward an emerging technology that exhibits innate qualities characteristic of the classic notion of cultural imperialism.

This edited collection, with its timely approach to the implications of the Internet for global relations, will appeal to communication, sociology, and political science scholars. The interdisciplinary approach will also attract students and educators from such fields as anthropology, philosophy and economics. To aid in further research, select bibliographies follow each essay.

The book is called "Life in the Wrong Lane" because that's where journalists live: in the one lane heading toward a catastrophe. Everyone who's normal is in the other lane, any other lane, going the other way. They're getting out.

Although Dobbs's travels, first for ABC News and now for HDNet Television, have taken him to many troubled corners of the country and the world, "Life in the Wrong Lane" isn't a travel guide about exotic places or a contemporary history of the events he covered. Rather, it's about all the funny, bizarre, scary, stupid, dangerous, distasteful, unwise, and unbelievable things that journalists experience just getting to the point of reporting a story, experiences that possibly are even more interesting than the stories being covered, but which never become part of the stories they finally report to their audiences.

Mississippi is a unique case study as a result of its long-standing defiance of federal civil rights legislation and the fact that nearly half its population was black and relegated to second-class citizenship. According to the vast majority of Mississippi daily press editorials examined between 1948 and 1968, the notion that blacks and whites were equal as races of people was a concept that remained unacceptable and inconceivable. While the daily press certainly did not advocate desegregation, in contrast to what many media critics have reported about the Southern press promoting violence to suppress civil rights activity, Mississippi daily newspapers never encouraged or condoned violence during the time periods under evaluation. Weill places coverage of these important events within a historical context, shedding new light on media opinion in the state most resistant to the precepts of the civil rights movement. This is the first comprehensive examination of civil rights coverage and white supremacist rhetoric in the Mississippi daily press during five key events: the 1948 Dixiecrat protest of the national Democratic platform; the Brown v. Board of Education Supreme Court decision to desegregate public schools in 1954; the court-ordered desegregation of Ole Miss in 1962; Freedom Summer in 1964; and the assassination of Martin Luther King, Jr., in 1968. From nearly 5,000 issues of Mississippi daily newspapers, more than 1,000 editorials and 7,000 news articles are documented in this volume.

Technology is continuously advancing and changing the way aspects of business are performed. The implementation of mobile business transactions to acquire various types of goods has changed the landscape of consumerism. Apps Management and E-Commerce Transactions in Real-Time is a timely research publication that features the latest scholarly trends, issues, and implications of the use of a new technological forum in electronic buying and selling. Including extensive coverage on a number of topics and perspectives such as social networks, customer satisfaction, and cloud computing, this book is ideally designed for researchers, academicians, and students seeking current research on mobile solutions in business deals.

A fine scholarly collection that evokes the pre-WW I era when some 1,300 foreign-language newspapers served America's immigrant millions. It consists of essays by qualified scholars on the newspapers of 27 immigrant groups, ranging from the important German and Jewish presses to comparatively obscure ones such as Arabic, Danish, Portuguese, and Ukranian. . . . T]his volume offers valuable references and suggestive interpretive insights to students of American jouralism, immigration, urbanization, and ethnic studies. "Choice"

Professor Junhao Hong provides the first systematic study of China's television, the largest and one of the most complicated television systems in the world. China's television represents a highly complicated communication system, a powerful ideological machine, and a unique social manifestation. As Professor Hong illustrates, during the past 20 years, since the country's reform, television has experienced tremendous changes. While many studies of media globalization attribute the phenomenon mainly to external factors--new technologies, global capital flows, and quality production of Western programming--Hong argues that in many countries internal factors, such as government policy and the evolution of society, play decisive roles for change. Based on firsthand data and interviews with China's high-ranking officials and policymakers this study will be of considerable value to scholars and researchers dealing with mass media/television issues in the developing world and with contemporary China.

How did the first United States foreign correspondents help shape an American common sense about the rest of the world? This new study is the first to address this key question, examining the images of foreign countries that emerge from the first formally organized American foreign correspondence. Its focus is on the discourses of the world constructed in mid-19th-century correspondence, which provided American newspaper readers with their first cohesive view of the world outside its borders. By emphasizing the emergence of foreign correspondence across its first two decades (1838-1859), and by comparing it to images in editorial and congressional debates of the time, Giovanna Dell'Orto's analysis addresses the pivotal question of what meanings were ascribed to foreign cultures during this key time.

"Giving Meanings to the World" also establishes for the first time in scholarly literature the early history of the content of foreign news and editorials in American newspapers while also exploring alternative constructions of foreign cultures in the correspondence for an African-American newspaper and by women writers. Unique in both subject matter and approach, this work gathers together and puts into perspective an array of information and discussion about how America viewed other nations in the early days of foreign correspondence.