Adolfo Rodriguez was the only son of a Cuban farmer, who lived nine miles outside of Santa Clara, beyond the hills that surround that city to the north. When the revolution in Cuba broke out young Rodriguez joined the insurgents, leaving his father and mother and two sisters at the farm. He was taken, in December of 1896, by a force of the Guardia Civile, the corps d'elite of the Spanish army, and defended himself when they tried to capture him, wounding three of them with his machete. He was tried by a military court for bearing arms against the government, and sentenced to be shot by a fusillade some morning before sunrise.

Press coverage of the 1888 mutilation murders attributed to Jack the Ripper was of necessity filled with gaps and silences, for the killer remained unknown and Victorian journalists had little experience reporting serial murders and sex crimes. This engrossing book examines how fifteen London newspapers - dailies and weeklies, highbrow and lowbrow - presented the Ripper news, in the process revealing much about the social, political, and sexual anxieties of late Victorian Britain and the role of journalists in reinforcing social norms. L. Perry Curtis surveys the mass newspaper culture of the era, delving into the nature of sensationalism and the conventions of domestic murder news. Analyzing the fifteen newspapers - several of which emanated from the East End, where the murders took place - he shows how journalists played on the fears of readers about law and order by dwelling on lethal violence rather than sex, offering gruesome details about knife injuries but often withholding some of the more intimate details of the pelvic mutilations. He also considers how the Ripper news affected public perceptions of social conditions in Whitechapel. 'It is a major contribution to cultural history', Christopher Frayling, Rector of the Royal College of Art, London 'An excellent book that offers a new angle on an always fascinating subject', John Davis, Queen's College, Oxford L. Perry Curtis, Jr., is professor of history and modern culture and media at Brown University, Rhode Island.

An in-depth analysis of how the Fortune 1000 companies have dealt with the strategic use of computers and communications, what applications have been successful and which have faltered, and how upcoming technologies will provide the foundation for a new generation of strategic applications.

Contributors from diverse backgrounds explore a range of issues in relation to the media and journalism's role in ascribing meaning to tourism practices. This fascinating account offers a thoroughly international and interdisciplinary perspective on an increasingly important field of journalism scholarship.

Africa is known for its multi-faceted immaterial culture, manifested in highly original music, oral texts, artistic performances and sporting events. These cultural expressions are increasingly regulated by intellectual property rights, as orally transmitted stories are written down, traditional songs broadcast and ownership claimed, and sporting activities once part of village life become national media events. This volume brings together an interdisciplinary team of legal experts, anthropologists and literary scholars to explore, from an African point of view, what happens to intangible cultural goods when they are confronted with large-scale commodification and distribution through media technologies, and globalized and divergent judicial systems, institutions and cultural norms. These transformations are observed in contexts that range from Senegalese wrestling contests to beauty pageants in Mali, from Kenyan hip-hop to the Nigerian novel, from the vuvuzela horn to Cameroonian masks. Contributors address the role of the state and the legacy of the European origination of IP laws, as well as the forms of ownership, technologies of mediation and degrees of commercialization that existed pre-colonially in different African societies. Resisting a single narrative of the imposition of a Western legal regime displacing older African modes, a more complex picture is revealed of the intricate interconnections between pirates, artists, communities, governments and international organizations. It is only when local actors embrace technologies and regulations in a specific historical situation that these become influential forces for change. The question raised is not whether international IP norms conform to African practices, nor whether media impose Western styles, but rather what local actors do with these regulations and how both local and Western practices and technologies impact on each other and co-exist. 'Intellectual property (IP) has become central to global governance but we have little idea of how this international legislation plays out on the ground. This pioneering book shows how local actors use IP rather than the other way around. A must-read for anyone interested in intellectual property.' Isabel Hofmeyr, Visiting Global Distinguished Professor, New York University; Professor of African Literature, University of the Witwatersrand 'A deeply engaging and evidence-rich analysis of the worlds into which intellectual property law, specifically copyright law, has entered in Africa and its effect on these worlds. This collection illustrates the best of what edited volumes can do: create a diverse, informed, and compelling conversation about a specific yet complex topic.' Dr. Hauke Dorsch, AMA African Music Archives, Johannes Gutenberg Universitat Mainz

Journalism Today: A Themed History provides a cultural approach to journalism's history through the exploration of overarching concepts, as opposed to a typical chronological overview. Rich with illuminating stories and biographies of key figures, it sheds new light on the relationship between the press and society and how each has shaped the other. * Thematic study of the history of journalism, examining the role of journalism in democracy, the influence of new technology, the challenge of balancing ethical values, and the role of the audience * Charts the influence of the historical press for today s news in print, broadcast, and new media * Situates journalism in a rich cultural context with lively examples and case studies that bring the subject alive for contemporary readers * Provides a comparative analysis of American, British, and international journalism * Helpful feature boxes on important figures and case studies enhance student understanding of the development of journalism and news as we know it today, providing a convenient springboard for follow-up work.

Social responsibility theory calls on the American press to serve as watchdog over powerful government and to provide a forum for robust democratic debate. Based on five current case studies, "The Publisher-Public Official" explores the extent to which politicians who simultaneously serve as newspaper editors or publishers fulfill this ethical duty. The book features interviews with the editors/publishers and with a sample of their readers, and provides results of a survey of readers who were asked whether it is possible to wear two hats and do both jobs effectively and responsibly. Newspaper articles and editorial pages are also examined for possible conflicts of interest in occupying two roles.

Veteran newspapermen Don Sneed and Daniel Riffe present an overview and history of the press's role as watchdog, outlining what professional ethical codes say about publishers' political involvement and offering perspective by today's newspaper group executives. Chapters 4 through 8 provide a composite portrait of the five publisher-public officials as seen through their own eyes and their readers' eyes. A final chapter details how extensive the phenomenon of publisher-public official is and offers concluding thoughts to the study. This illuminating work will be particularly useful to journalism professionals and educators, politicians, and political scientists.

The developments in digital television technology provide the unprecedented opportunity to drastically extend the role of television as a content delivery channel. E-health, e-commerce, e-government, and e-learning are only a few examples of value-added services provided over digital televisions infrastructures. These changes in the television industry challenge companies to adjust their strategies in order to meet the opportunities and threats in this new environment.Interactive Digital Television: Techniques and Applications presents the developments in the domain of interactive digital television covering both technical and business aspects. This book focuses on analyzing concepts, research issues, and methodological approaches, presenting existing solutions such as systems and prototypes for researchers, academicians, scholars, professionals and practitioners.

As the pioneering work in its field, Jewish Serials of the World brings together a diverse body of literature essential to the study of the Jewish press from 1674 to the present. It identifies pertinent primary source materials and provides comprehensive coverage of the secondary literature in a field where no bibliographical control has ever existed. Arranged for the most part geographically, the citations include descriptions of significant publications of books, pamphlets, theses and articles, as well as jubilee issues of Jewish newspapers and magazines. In addition to internal cross-references, the work also contains subject and author indexes.

In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. World Music and the Black Atlantic follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. World Music and the Black Atlantic examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. World Music and the Black Atlantic offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.

This book examines and compares policy making in telecommunications in Britain and France over the last three decades. The book examines questions related to liberalization, regulation and the role of the nation state in an increasingly international economy.

Traditional and social media are used extensively in terms of public health today. Studies show that social media works much better than other follow-up systems, leading it to become a modern and somewhat new tool for disease coverage and information discovery. The current state of the representation of health and medicine in the media is an important factor to analyze in the field of health communication, especially amidst the onset of a global pandemic. The ways in which the media discusses health, the campaigns that are used, and the ethics around this role of media and journalism are defining factors in the spread of information regarding health. The Handbook of Research on Representing Health and Medicine in Modern Media is a crucial reference that discusses health communication within two contexts: in terms of the media and journalists presenting critical health information and in terms of media literacy and information retrieval methods of media consumers through modern digital channels. The main purpose of these chapters is the development of critical thinking about health presentations and health communication issues in the media by presenting a discussion of the issues that will contribute to this vital view of health, medicine, and diseases in the media. The primary topics highlighted in this book are infectious diseases in the media, campaigning, media ethics, digital platforms such as television and social media in health communication, and the media's impact on individuals and society. This book is ideal for journalists, reporters, researchers, practitioners, public health officials, social media analysts, researchers, academicians, and students looking for information on how health and medicine are presented in the media, the channels used for information delivery, and the impact of the media on health and medicine.

Newspapers and journalism began in the Middle East in the nineteenth century and evolved during a period of accelerated change which shaped their unique political, social and cultural role. Drawing on a wealth of sources, this study for the first time explores the press as a Middle Eastern institution. It focuses on the circumstances that influences the growth of the Arab press, its own impact on local historical developments, and the long-term effects that early patterns of its emergence have had on later evolution.

British youth television is the first book to concentrate on the high profile genre of 'yoof television'. Concentrating on such controversial programmes as The Word, Snub TV and Don't Forget Your Toothbrush, the author demonstrates how the the contemporary youth audience - the so-called Generation X - were addressed by these shows' blend of 'cynicism and enchantment'. Providing both an overview and a series of detailed programme analyses the book concentrates on a well known but little written about genre from a fresh and accessible perspective.

This book will be of interest to scholars and students of Asian studies, cultural industries, economic geography, and related areas of study. It discusses the results of a microscopic survey focusing on topics such as how animation studios form business relationships and how workers gain skills in the industry. The methodology was based on traditional Japanese economic geographical methods. The study also examines macroscopic issues such as why industrial agglomerations are formed in metropolises, why metropolises develop mutual networks, and how a type of cultural product is created in the metropolises. The methodology uses case studies of the animation industries in Japan, South Korea, and China. The detailed analysis covers the process of the industry s agglomeration within the East Asian metropolises of Tokyo, Seoul, and Shanghai as well as the division of labor among them. In addition, the transaction relationships among animation studios are examined, together with the promotion of the industry in the peripheral region of Okinawa, Japan. Differences in work styles and output among these cities are also examined. The research presented in this book contributes to understanding the spatial structure and reality of creativity inan innovative industry, particularly the East Asian content industry."

During World War II, women correspondents wanted to be a part of the dramatic and exhilarating scene of wartime conflict as much as their male colleagues. They reported from the war scene because that was where the big story was. This study is an important part of the growing literature which deals with women in journalism. The women who were interviewed were asked about their experiences, including conditions under which they reported, the types of stories they wrote, and their accomplishments as journalists. Those studied were largely newspaper or wire service reporters who were at the front. A few others who wrote for magazines are included because of particularly interesting experiences or personalities. The obstacles that women correspondents faced are recounted here. For example, they found it difficult to get passports from the State Department and accreditation from the War Department. They faced antagonism from certain generals and sometimes bias and fear of competition from their male colleagues. On the other hand, many women discuss the help and support they received from men at the front. Women War Correspondents of World War II is an in-depth analysis of the life of the woman correspondent. The problems of censorship, a war fought on different fronts, and the dangers of then-modern warfare are recounted. Many women entered the field through newspaper jobs vacated by men who left for the front; they then worked their way into becoming war correspondents. For the most part they did not expect preferential treatment and avoided exceptional notice. According to their own accounts, they encountered problems unique to their sex, but were adept at handling the problems and were professional in their work.

Journalism is the branch of mass communications that provides large numbers of people with the knowledge they need to help them make good decisions about issues currently affecting their personal and public lives. Journalism not only provides news but also presents interpretation, evaluation, and persuasion. Any discussion about journalism requires a common understanding of basic terms and concepts. By defining what journalism is, this book provides the answers to many questions and debates about the current state of the mass media: What is news? Is journalism concerned with more than news? What are the purposes of editorials? Is it good or bad to combine journalism and fiction? Is it possible to report the news objectively? How are public relations and advertising related to journalism? This coherent, general theory explores the function and roles of journalism vital to our personal and public well-being and offers valuable insight in areas affected by journalism such as politics, education, and the law.

Fascination with satellite television and Internet technology has become an obsession. People throughout the world watch television and believe what they see and hear--without realizing that pictures are selected and stories are sometimes distorted. Concurrently, the world's elite are drawn to the increasing availability of news on the Internet, effectively widening the gap between those who have and do not have access to the new technologies. This analysis of the worldwide impact of new communications technologies shows how ordinary citizens can protect themselves from media brainwashing. Interviews from across the globe shed light on this dynamic and on the roles of viewers as victims or victors in different situations. This is a book for the media professional; students and scholars in the fields of journalism, communications, political science, international relations, and business; as well as for government officials and concerned citizens who do not want to be controlled by the media.

A FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAR

On 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world.

Hollywood was talking as never before. Kantor and Twohey outmanoeuvred Harvey Weinstein, his team of defenders and private investigators, convincing some of the most famous women in the world - and some unknown ones - to go on the record. Three years later, it helped lead to his conviction.

This is how they did it.