This book provides a rich description of the shifting production cultures in convergent Chinese television industries, through the examination of daily production practices, showing how they embody a new set of opportunities and tensions across strategic, programming and individual levels. Lin argues that the current Chinese television landscape is an ideological, cultural and financial paradox in which China's one-party ideological control clashes with consumer-orientated capitalism and technological advancement. These tensions are finely poised between new opportunities for innovation and creative autonomy, and anxiety over political interference marked by censorship and state surveillance. Through its in depth study of ethnographic data across Chinese broadcast and digital streaming sectors (including CCTV, Hunan Broadcasting System, and Tencent Video), this book illuminates how Chinese producers have placed their aspirations for creative freedoms within technological advancements and rhetorical strategies, both demonstrating compliance with ideological control, and leaving room for resistance and resilience to one-party state ideology. Nuanced and timely, Convergent Chinese Television Industries unveils a complex picture of an industry undergoing dramatic transformations.

This volume presents a comparative framework in which to study the history of publishing and reading in Europe and North America during the eighteenth century. The chapters are written by leading French and American specialists in publishing during the pre-revolutionary and revolutionary eras. The book synthesizes current knowledge in the field and advances scholarship, particularly with respect to copyright legislation. It skillfully integrates the history of publishing during this period with the larger field of eighteenth-century intellectual and cultural history. The chapters are grouped in four sections devoted to publishing as a profession, publishing and the law, readership, and the collection and use of materials. Each broad area is addressed by both specialists from France and America to create a comparative context. The chapters address more particular topics from the perspectives of social, economic, and cultural history; literary criticism; law; and library history. The comparative framework yields new insights into the political cultures of eighteenth-century France and America and into the relationship of print media and political culture.

Robert Greifeld was CEO of NASDAQ for over a decade, during which time it was named Company of the Year, ranked one of the best performing companies in the U.S., included in Fortune's annual list of 100 fastest growing companies and shares of the company's stock rose a whopping 800%.

In Market Mover, Bob looks at the headline-making events that took place while he was at the helm from the collapse of Lehman Brothers and the financial crisis of 2008, to Facebook's disastrous IPO and the Bernie Madoff scandal. He takes you exclusively behind the headlines using them as jumping off points for lessons that can be applied to any business, including jumpstarting change, working with technology, finding the best people, and adapting to globalization.

Studying the increasingly powerful role television plays in the political process, Fredric T. Smoller offers a persuasive argument that the big three network coverage of the presidency is gradually eroding public support for and confidence in that office. This book argues that network coverage of the presidency is determined by the political, technical, and commercial nature of the medium itself, producing a bias toward extensive and negative coverage. Smoller studies the thematic nature of television's presidential coverage, demonstrating how producers and correspondents integrate their daily coverage into ongoing themes which provide dramatic unity over a prolonged period of time. Thus, television's portrayal of the White House generally starts out favorable but soon becomes unfavorable. Attempts by the White House to combat these negative portrayals by managing news coverage and isolating the president will subvert democratic values.

"The Six O'Clock Presidency" argues against generally accepted views that network coverage of the presidency is too favorable and reveals the power of the networks to unravel the career of individual presidents and the public's support for that office. Noting that television news is getting tougher on the presidency as each full-term administration president since Richard Nixon has received a bigger measure of poor coverage than its predecessor, the author spent several weeks with the White House press corps to determine how this could be explained. He interviewed television news executives, correspondents and technicians for ABC, CBS, and NBC, as well as White House officials. The result is a comprehensive study of the economics, technology, and personnel of network news and its coverage of the presidency.

The Public Relations Handbook, 6th edition provides an engaging, in-depth exploration of the dynamic and ever-evolving public relations industry. Split into four parts exploring key conceptual themes in public relations, the book offers an overview of topics including strategic public relations, politics and the media; media relations in the social media age; strategic communication management; public relations engagement in the not-for-profit sector; activism and public relations; and the effects of globalisation and technology on the field. Featuring wide-ranging contributions from key figures in the PR profession, this new edition presents fresh views on corporate social responsibility, public relations and politics, corporate communication, globalisation, not-for-profit, financial and public sector public relations. The book also includes a discussion of key critical themes in public relations research and exploratory case studies of PR strategies in a variety of institutions, including Extinction Rebellion, Queen Margaret University, Mettis Aerospace, and Battersea Cats' and Dogs' Home. Containing student-friendly features including clear chapter aims, analytical discussion questions, and key further reading throughout the text, The Public Relations Handbook is an ideal resource for students of public relations, corporate and strategic communications, and media studies.

It is the summer of 1939 in England when soldiers start digging trenches in a local park. Suddenly, seven-year-old John Adams is forced to face a new reality. He and his school are abruptly evacuated to an unknown destination. Two days later, war is declared. As the sky lights up with searchlights and German bombing raids increase, Adams' natural instincts to dig for the real story kick in-beginning what would eventually become a remark-able journey as a journalist.

By fourteen, Adams had published his rst article in a major national paper, Britain's "Daily Mirror." At nineteen, he was ghting in the Korean War. He became a military reporter for London's "Daily Telegraph" and battled against communist propaganda during the Cold War as a correspondent and news director of Radio Free Europe. He o ers an unforgettable glimpse into the fascinating world of news, including insights into what it was like to interact with such disparate public gures as the Duke of Wellington, Otto von Habsburg, Edward R. Murrow and Walter Cronkite.

"In the Trenches" explores one man's experiences, perspectives, and memories as he witnesses extraordinary times in history through the ever-curious eyes of a reporter.

"Adams saw it all with his own eyes, heard it with his own ears. He lived it."
-Andrew Alexander, former Ombudsman, the "Washington Post," and Washington bureau chief, Cox Newspapers

This timely study by a former investigative reporter zeroes in on the role of the journalist in a democratic society. Robert Miraldi explores the relationship between an objective reportorial stance wherein an audience is given verifiable, neutral "facts" and muckraking, when a reporter crusades on an issue to expose what he or she sees as evil. Including examples of muckraking from newspapers, magazines, and television, the volume traces the history of muckraking journalism and investigative reporting from the turn of the century, when a band of magazine writers were exposing political and business corruption, to the sixties and seventies when television and newspaper reporters continued the tradition of expose journalism. He locates the colliding traditions of journalism in democracy's demand that the press uncover crime and corruption while at the same time requiring that reporters observe the social process more than intrude. The collision between objectivity and expose informs this fact-filled study. The first chapter recounts Miraldi's experience as a New York City reporter tracking down illegal drug sales and offers an historical overview of muckraking journalism. Chapter Two analyzes the work of Ida Tarbell, David Graham Phillips, Samuel H. Adams, Will Irwin, Ray Stannard Baker, and Charles Edward Russell, six turn-of-the-century muckraking writers who were determined to be both objective reporters and partisan crusaders. The fall of muckraking journalism and its later reappearance with Edward R. Murrow's "Harvest of Shame" television documentary are the focus of chapters Three and Four. Chapter Five presents a case study of New York Times reporter John L. Hess' expose of NewYork State's nursing homes. Concluding with a look at factors that interfere with the work of journalists, Dr. Miraldi, in chapter Six, calls for a renewed spirit of activism as journalism enters the nineties. The book closes with a penetrating interview with Fred W. Friendly. This challenging history is must reading for scholars in journalism and mass media, practicing journalists and historians, students and teachers in college-level journalism and mass media courses, theory classes such as Press History and Mass Media in Society, as well as newswriting courses at all levels.

As business paradigms shift from desktop-centric environments to data-centric mobile environments, mobile services create numerous new business opportunities. At the same time, these advances may also challenge many of the basic premises of existing business models. Mobile Services Industries, Technologies, and Applications in the Global Economy fosters a scientific understanding of mobile services, provides a timely publication of current research efforts, and forecasts future trends in the mobile services industry and its important role in the world economy. Written for academics, researchers, government policymakers, and corporate managers, this comprehensive volume will outline the great potential for new business models and applications in mobile commerce.

Victim or villain?She's out of prison... Lauren Miller has served six years behind bars for a crime she did not commit. Now, with her life in tatters, she is determined to bring those who framed her to justice. Out for revenge...Journalist Nate Black is intrigued by Lauren's story. Is she the innocent victim she claims to be or is there more to her past? Eager to learn more he offers to help Lauren clear her name and bring the real villains to justice. And running out of time.But with millions of pounds still missing, Lauren remains the prime suspect...and the main target in an increasingly deadly game. And as Lauren's plan with Nate reaches its shocking climax, no one knows who will ultimately take the fall... A nail-biting revenge thriller, perfect for fans of Gemma Rogers, Heather Atkinson and Caro Savage. 'A brilliant read that hooked me from the outset. The Fall is a tale of sweet revenge that I couldn't tear myself away from!' Bestselling author Gemma Rogers.

Women's Voices in Ireland examines the letters and problems sent in by women to two Irish women's magazines in the 1950s and 60s, discussing them within their wider social and historical context. In doing so, it provides a unique insight into one of the few forums for female expression in Ireland during this period. Although in these decades more Irish women than ever before participated in paid work, trade unions and voluntary organizations, their representation in politics and public and their workforce participation remained low. Meanwhile, women who came of age from the late 1950s experienced a freedom which their mothers and aunts - married or single, in the workplace or the home - had never known. Diary and letters pages and problem pages in Irish-produced magazines in the 1950s and 60s enabled women from all walks of life to express their opinions and to seek guidance on the social changes they saw happening around them. This book, by examining these communications, gives a new insight into the history of Irish women, and also contributes to the ongoing debate about what women's magazines mean for women's history.

Media power is a crucial, although often taken for granted, concept. We assume, for example, that the media are 'powerful'; if they were not, why would there be so many controversies over the regulation, control and impact of communicative institutions and processes? Further, we assume that this 'power' is somehow problematic; audiences are often treated as highly susceptible to media influence and too much 'power' in the hands of one organization or individual is seen as risky and potentially dangerous. These concerns have been at the heart of recent controversies involving the relationships between media moguls and political elites, the consequences of phone hacking in the UK, and the emerging influence of social media as vital gatekeepers. Yet it is still not clear what we mean by media power or how effective it is. This book evaluates contrasting definitions of media power and looks at the key sites in which power is negotiated, concentrated and resisted - politically, technologically and economically. Combining an evaluation of both previous literature and new research, the book seeks to establish an understanding of media power which does justice to the complexities and contradictions of the contemporary social world. It will be important reading for undergraduates, postgraduates, researchers and activists alike.

World-renowned Stanford University psychologist Carol Dweck, in decades of research on achievement and success, has discovered a truly groundbreaking idea-the power of our mindset.
Dweck explains why it's not just our abilities and talent that bring us success-but whether we approach them with a fixed or growth mindset. She makes clear why praising intelligence and ability doesn't foster self-esteem and lead to accomplishment, but may actually jeopardize success. With the right mindset, we can motivate our kids and help them to raise their grades, as well as reach our own goals-personal and professional. Dweck reveals what all great parents, teachers, CEOs, and athletes already know: how a simple idea about the brain can create a love of learning and a resilience that is the basis of great accomplishment in every area.

Meet Thaddeus Sikorski, a herculean third-generation American, courageous, persevering, and surprisingly steadfast father of this tragic odyssey to love and protect his angel children. After losing his first love, 18-year-old Thad enlist, and goes on to become a Vietnam War combatant, a San Francisco progressive street revolutionary, a graduate business student, an Internet-related technology visionary, husband, and a global business leader. In between entrepreneurial misadventures, he manages to save the life of an American President, struggles with a psychopathy attorney and murderer, discovers the truth about Silicon Valley's justice system, experiences the economic hollowing out brought on by the outsourcing of Silicon Valley technologies, and survives the emotions of remaining true to his love for his children. This extraordinary journey travels through three decades of the American technology and cultural landscape. Author Richard Kusiolek paid much attention to the details of everyday life of an entrepreneur in Silicon Valley. Angels in the Silicon encapsulates the experience of living in Silicon Valley for three decades of rapid technology progress, economic change, and a politically correct progressive judiciary. The novel, "Angels in the Silicon," has a powerful American story to tell. You will learn the naked truth of living in Northern California's Silicon Valley.

The Rodney King verdict and the subsequent Los Angeles riots dramatized how important it is today for mass-media communicators to help Americans deal with a widening gulf in understanding between classes and races. Current population statistics demonstrate how important non-whites and women will be in our educational system and in the workforce by the year 2000. This handbook for teachers and practitioners shows how to pluralize the curriculum to encourage diversity, how to recruit and retain journalism students and faculty of color, and how to make college newsrooms and classrooms more multicultural, both in attitude and action. Academics and professionals concerned with the issues surrounding the mass media in a racially and ethnically pluralistic America will find this reference guide and text full of useful data, ideas, and resource materials.

A carefully chosen team of communications experts were recruited to contribute to this professional reference guide. The first section of the handbook serves as an introduction, providing a rationale and a brief history of efforts to pluralize journalism education to date. The second section defines ways to recruit and retain students and faculty of color. The third section systematically surveys ways to pluralize the curriculum in relation to African Americans, Latinos, Asian Americans, Native Americans, and women. It then considers stereotyping, using special presses and methods in teaching, the selection of bias-free textbooks and using laboratory and other publications. The fourth section of the work concerns pluralizing the student media through media coverage, and special campus recruitment and organizations. Bibliographies and lists of key sources of information arranged by chapter with careful cross-referencing offer resource materials for students, teachers, and journalists in mass communication and multicultural studies. A full index makes this reference guide completely accessible for many types of research. Exercises, case studies, and provocative questions make this a basic text for teaching journalism education in a pluralistic society.

In The Price of Truth, Richard Fine recounts the intense drama surrounding the German surrender at the end of World War II and the veteran Associated Press journalist Edward Kennedy's controversial scoop. On May 7, 1945, Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. Both the practice and the public perception of wartime reporting would never be the same. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial. The Paris press corps was furious at what it took to be Kennedy's unethical betrayal; military authorities threatened court-martial before expelling him from Europe. Kennedy defended himself, insisting the news was being withheld for suspect political reasons unrelated to military security. After prolonged national debate, when the dust settled, Kennedy's career was in ruins. This story of Kennedy's surrender dispatch and the meddling by Allied Command, which was already being called a fiasco in May 1945, revises what we know about media-military relations. Discarding "Good War" nostalgia, Fine challenges the accepted view that relations between the media and the military were amicable during World War II and only later ran off the rails during the Vietnam War. The Price of Truth reveals one of the earliest chapters of tension between reporters committed to informing the public and generals tasked with managing a war.

A wide range of writers are brought together for the first time in this discussion of an on-going, largely unrecognized American prose tradition: literary journalism of the nineteenth and twentieth centuries. Such writing was not new journalism and therefore simply a type of journalism; nor was it factual fiction, merely a type of realistic fiction. Rather, it can be examined as a distinct literary form, a type of cultural expression that can be defined and characterized.

Thirty-five lively and literate essays by contributing scholars analyze major writers of this literary genre or writers known for a major work in the genre, and Thomas B. Connery provides short pieces for nineteen additional figures. The volume introduction discusses definitions and characteristics of literary journalism, with reference to the patterns of reality depicted, and identifies two main types: works characterized by immersion and shorter, more impressionistic pieces. The roots of this new journalism are traced, and ideas of the theorists of this genre are explicated. Connery also provides the results of his research and uncovers the primary sources of literary journalism.

This book is the first about military-media relations to argue for a fundamental restructuring of national journalism and the first to document the failure of American journalism in the national security field for the past thirty years. Press complaints of excessive control by the military during the Persian Gulf War of 1990-91 were the inevitable result of the failure of American journalism to train competent specialists in military reporting and to provide an organizational structure that would assure continuing, comprehensive coverage of national defense in peace and war. This, in turn, is the result of retaining the "city-room" concept as the basic organizational feature of the press, with continuing reliance on the generalist in an age that demands increasingly well-trained specialists. So long as the press fails to modernize its basic methods of training to assure well-trained defense specialists, the military will be required to closely control reporters, as in the Persian Gulf War, as a basic requirement of security for armed forces members and the national interests. Permitting the military to control how the military itself is reported is a grave danger to the democratic process. Yet, so long as the press refuses to accept responsibility for large-scale reform, the public will continue to support close military control as an essential element of safety for its sons and daughters in the armed forces, and out of concern for the success of U.S. military operations. This book will be of interest to students of the press, of the military, and of the media at large.

The philosophy of public journalism, which has found converts in academia and in newsrooms nationwide, holds that traditional journalism is outmoded--values such as objectivity and detachment must give way to new values connecting journalists to their communities and committing them to a kind of reporting that will make public life go well. These new values, however, are not clearly defined, and even the main advocates of public journalism disagree on its meaning and purpose. This volume offers a thorough and devastating critique of public journalism by showing that its advocates have failed to diagnose what really ails American journalism and that their prescriptions for saving journalism are more likely to harm than to help the profession. After presenting the ideas and projects that characterize the major players in the movement, the author introduces the data from an extensive survey of newspaper editors and academics, as well as a comprehensive lexicon of public journalism.

Go behind the TV screen to explore what is changing, why it is changing, and why the changes matters Many proclaimed the "end of television" in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised, second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise, but are redefining what we can do with television, what we expect from it, how we use it-in short, revolutionizing it. Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized provides a sophisticated history of the present, examining television in what Lotz terms the "post-network" era while providing frameworks for understanding the continued change in the medium. The second edition addresses adjustments throughout the industry wrought by broadband delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere, as well as how technologies such as tablets and smartphones have changed how and where we view. Lotz begins to deconstruct the future of different kinds of television-exploring how "prized content," live television sports and contests, and linear viewing may all be "television," but very different types of television for both viewers and producers. Through interviews with those working in the industry, surveys of trade publications, and consideration of an extensive array of popular shows, Lotz takes us behind the screen to explore what is changing, why it is changing, and why the changes matter.

This book is about how TV makers--notably writers, producers, and network programmers--are deeply influenced by public pressures outside their craft. Many scholars assume that the relationship between society and television is one-way, that the traffic of influence moves from the content of a program to the behavior of those who view it, and that if a show is too exploitative or violent or stereotypical, it transforms the minds of those who watch it in some manner. Authors Selnow and Gilbert maintain that the one-way influence is only half-true. Even as television makes its impact on viewers, viewers, society, and society's institutions make their impact on television, often with more noticeable effect.

Some of television's most influential and best known producers and programmers (including Grant Tinker, Norman Lear, Steven Bochco, and Gary David Goldberg) discuss the forces that affect their selection of themes and treatments, why they include or reject material, and how they view their opinion leader roles and their roles as members of the society that is so influenced by their products. Selnow and Gilbert examine many of the obvious as well as less apparent forces that affect content decisions: government regulations, interest groups, and advertisers. They argue that the rapid advancement in telecommunication technologies has as much to do with what we watch as any of the social forces. The authors look not only at the current control of content, but point toward the consortium of influences that will affect the medium as it evolves rapidly throughout the next decade.