The Rodney King verdict and the subsequent Los Angeles riots dramatized how important it is today for mass-media communicators to help Americans deal with a widening gulf in understanding between classes and races. Current population statistics demonstrate how important non-whites and women will be in our educational system and in the workforce by the year 2000. This handbook for teachers and practitioners shows how to pluralize the curriculum to encourage diversity, how to recruit and retain journalism students and faculty of color, and how to make college newsrooms and classrooms more multicultural, both in attitude and action. Academics and professionals concerned with the issues surrounding the mass media in a racially and ethnically pluralistic America will find this reference guide and text full of useful data, ideas, and resource materials.

A carefully chosen team of communications experts were recruited to contribute to this professional reference guide. The first section of the handbook serves as an introduction, providing a rationale and a brief history of efforts to pluralize journalism education to date. The second section defines ways to recruit and retain students and faculty of color. The third section systematically surveys ways to pluralize the curriculum in relation to African Americans, Latinos, Asian Americans, Native Americans, and women. It then considers stereotyping, using special presses and methods in teaching, the selection of bias-free textbooks and using laboratory and other publications. The fourth section of the work concerns pluralizing the student media through media coverage, and special campus recruitment and organizations. Bibliographies and lists of key sources of information arranged by chapter with careful cross-referencing offer resource materials for students, teachers, and journalists in mass communication and multicultural studies. A full index makes this reference guide completely accessible for many types of research. Exercises, case studies, and provocative questions make this a basic text for teaching journalism education in a pluralistic society.

This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.

Thirty years after his death, Edward R. Murrow is still a cult figure in American broadcast journalism, and his company has achieved the distinction of standard bearer in the field of broadcast news. This examination of key CBS broadcasts and the people behind them that helped to establish the network as the prototype for excellence provides a unique perspective on the early era of broadcasting. Included are interviews with major contributors such as former CBS News presidents Fred W. Friendly and Bill Leonard. Going beyond personalities, the specific focus is on major broadcasts, from the early era up to the present-day 60 Minutes, some of which have been overlooked in spite of their formative role in helping CBS to gain its reputation in the field.

This book examines why thousands of cinemas opened in Britain in the space of a few years before the start of the First World War. It explains how they were the product of an investment boom which observers characterised as economically irrational and irresponsible. Burrows profiles the main groups of people who started cinema companies during this period, and those who bought shares in them, and considers whether the early cinema business might be seen as a bubble that burst. The book examines the impact of the Cinematograph Act 1909 upon the boom, and explains why British film production seemed to decline in inverse proportion to the mass expansion of the market for moving image entertainment. This account also takes a new look at the development of film distribution, the emergence of the feature film and the creation of the British Board of Film Censors. Making systematic and pioneering use of surviving business and local government records, this book will appeal to anyone interested in silent cinema, the history of film exhibition and the economics of popular culture.

A wide range of writers are brought together for the first time in this discussion of an on-going, largely unrecognized American prose tradition: literary journalism of the nineteenth and twentieth centuries. Such writing was not new journalism and therefore simply a type of journalism; nor was it factual fiction, merely a type of realistic fiction. Rather, it can be examined as a distinct literary form, a type of cultural expression that can be defined and characterized.

Thirty-five lively and literate essays by contributing scholars analyze major writers of this literary genre or writers known for a major work in the genre, and Thomas B. Connery provides short pieces for nineteen additional figures. The volume introduction discusses definitions and characteristics of literary journalism, with reference to the patterns of reality depicted, and identifies two main types: works characterized by immersion and shorter, more impressionistic pieces. The roots of this new journalism are traced, and ideas of the theorists of this genre are explicated. Connery also provides the results of his research and uncovers the primary sources of literary journalism.

Covering a wide range of magazine work, including editing, illustration, poetry, needlework instruction and typesetting, this book provides fresh insights into the participation of women in the nineteenth-century magazine industry.

This unprecedented book provides a comprehensive examination of the issue of protecting journalists in conflict situations from both a practical and humanitarian law perspective. Violent criminals and corrupt governmental officials harass, co-opt, and kill local and foreign journalists in countries from Mexico to Afghanistan, to Russia and the Philippines. Staggeringly, there has been little or no prosecution in 89 percent of journalist murders worldwide. Such widespread impunity is arguably one of the greatest threats to press freedom. A number of international organizations and advocates have developed efforts to mitigate this problem, but belligerents continue to act with few restraints and little, if any, accountability. War on Words: Who Should Protect Journalists? is an examination of the deteriorating and dangerous environment facing journalists and what stakeholders are doing to address this serious problem threatening democracy worldwide. The authors explore the peril facing journalists, delve into the legal and practical history of press protection, evaluate current safety strategies for journalists, and gather opinions from an array of local and international correspondents and practitioners on how to improve this untenable situation. Provides descriptions of contemporary strategies used to protect journalists in conflict Contains contributions from more than 60 stakeholders interested in the protection of journalists Presents a historical background of international policies, declarations, and resolutions intended to protect journalists Contains 18 vignettes of journalists killed, harassed, or threatened when reporting from Mexico to Gaza to Pakistan and China

"The Ambivalent Welcome" describes how leading magazines and the New York Times covered and interpreted U.S. immigration policy, and public attitudes about the impact of immigrants on the American economy and social fabric. Rita J. Simon and Susan H. Alexander examine print media coverage of immigration issues from 1880, the onset of the new immigration, to the present, and find that most magazines, like most Americans, have vehemently opposed new immigrants.

Part One begins with a chapter providing statistics on the number of immigrants and refugees by country of origin from 1810 to 1990, and estimates of the number of illegals who have entered the United States. Chapter 2 discusses U.S. immigration acts and summarizes the major political party platforms on immigration from the mid-nineteenth century through the present. Results of all national poll data regarding immigrants and refugees since the availability of such data (1930s) are reported in Chapter 3. Part Two discusses in detail particular magazines, including "North American RevieW," "Saturday Evening Post," "Literary Digest, Harper'S," "Scribner's, Atlantic Monthly," "The Nation," "Christian Century," "Commentary," "Commonweal," "Reader's Digest," "Time," "Life," "Newsweek," "U.S. News and World Report," and the editorials of the "New York TimeS." Following a summary chapter, Appendix A provides a profile of each of the magazines, including the date of its founding, its editors and publishers, circulation, characteristics of its readers, and an assessment of its influence on immigration. Appendix B describes the major American anti-immigration movements.

This book is the first about military-media relations to argue for a fundamental restructuring of national journalism and the first to document the failure of American journalism in the national security field for the past thirty years. Press complaints of excessive control by the military during the Persian Gulf War of 1990-91 were the inevitable result of the failure of American journalism to train competent specialists in military reporting and to provide an organizational structure that would assure continuing, comprehensive coverage of national defense in peace and war. This, in turn, is the result of retaining the "city-room" concept as the basic organizational feature of the press, with continuing reliance on the generalist in an age that demands increasingly well-trained specialists. So long as the press fails to modernize its basic methods of training to assure well-trained defense specialists, the military will be required to closely control reporters, as in the Persian Gulf War, as a basic requirement of security for armed forces members and the national interests. Permitting the military to control how the military itself is reported is a grave danger to the democratic process. Yet, so long as the press refuses to accept responsibility for large-scale reform, the public will continue to support close military control as an essential element of safety for its sons and daughters in the armed forces, and out of concern for the success of U.S. military operations. This book will be of interest to students of the press, of the military, and of the media at large.

This book addresses the key issues, challenges and implications arising out of changes in the copyright law and corresponding judicial responses. Using concrete examples, the book does not assume any prior knowledge of copyright law, but brings together leading intellectual property researchers to consider the significant role of copyright law in shaping the needs of the modern digital world. It provides an insight into two distinct arenas: copyright and digital media. The exponential increase in the ability to multiply and disseminate information by digital means has sparked numerous conflicts pertaining to copyright - and in turn has prompted lawmakers to expand the scope of copyright protection in the digital age. Bearing in mind the new questions that the advent of the digital age has raised on the role and function of copyright, the book presents a collection of papers largely covering new frontiers and changing horizons especially in this area. The contributions intensively address core issues including the exhaustion principle, copyright and digital media, liability of hosting service providers, the originality requirement, accessibility to published works for the visually disabled, criminalization of copyright infringement, and software protection under copyright law, among others. Consisting of 14 papers, this book will be equally interesting to researchers, policymakers, practitioners and lawmakers, especially those active in the field of Intellectual Property Rights (IPR).

During the American Civil War, several newspapers remained Confederate sympathizers despite their locations being occupied by Union troops. Examining these papers, the authors explore what methods of suppression occupiers used, how occupation influenced the editorial and business sides of the press, and how occupation impacted freedom of the press.

Conventional wisdom views globalization as a process that heralds the diminishing role or even 'death' of the state and the rise of transnational media and transnational consumption. Global Media and National Policies questions those assumptions and shows not only that the nation-state never left but that it is still a force to be reckoned with. With contributions that look at global developments and developments in specific parts of the world, it demonstrates how nation-states have adapted to globalization and how they still retain key policy instruments to achieve many of their policy objectives. This book argues that the phenomenon of media globalization has been overstated, and that national governments remain key players in shaping the media environment, with media corporations responding to the legal and policy frameworks they deal with at a national level.

This book provides a comprehensive and up-to-date account of the complex interrelationship between technological change, globalisation, 'Europeanisation', national institutional structures, and the transfer of ideas in the reform of European telecommunications regulation.Globalisation, Convergence and European Telecommunications Regulation analyses the achievements and limitations of over twenty years of EU efforts to liberalise markets and to harmonise regulation. A key feature is the author's treatment of the EU's regulatory policy response to technological convergence in the information and communications sector, through its new Electronic Communications Regulatory Framework. The book explores in detail the dynamics of the complex relationship between technological and globalisation pressures, economic interests and European and national policy responses. A key finding is persistent Member State diversity in regulatory implementation alongside remarkable policy convergence on a new institutional model for the telecommunications sector. An overarching trend is the emergence of distinct features of a 'regulatory state', at national and EU level, in the telecommunications sector. Contributing to the ongoing debate on the role of the EC and the extent to which EU telecommunications policy can be described as 'supranational', this book will strongly appeal to academics, researchers, students and practitioners involved in the fields of technology, public policy and European studies.

The philosophy of public journalism, which has found converts in academia and in newsrooms nationwide, holds that traditional journalism is outmoded--values such as objectivity and detachment must give way to new values connecting journalists to their communities and committing them to a kind of reporting that will make public life go well. These new values, however, are not clearly defined, and even the main advocates of public journalism disagree on its meaning and purpose. This volume offers a thorough and devastating critique of public journalism by showing that its advocates have failed to diagnose what really ails American journalism and that their prescriptions for saving journalism are more likely to harm than to help the profession. After presenting the ideas and projects that characterize the major players in the movement, the author introduces the data from an extensive survey of newspaper editors and academics, as well as a comprehensive lexicon of public journalism.

Broadband technology is ushering the telecom industry through a unique period of change with profound business implications for suppliers and users. This single source describes the four major broadband technologies that are shaping telecommunications networks: frame relay; optical fiber (including SONET); distributed queue dual bus (DQDB); and asynchronous transfer mode (ATM).

This book is about how TV makers--notably writers, producers, and network programmers--are deeply influenced by public pressures outside their craft. Many scholars assume that the relationship between society and television is one-way, that the traffic of influence moves from the content of a program to the behavior of those who view it, and that if a show is too exploitative or violent or stereotypical, it transforms the minds of those who watch it in some manner. Authors Selnow and Gilbert maintain that the one-way influence is only half-true. Even as television makes its impact on viewers, viewers, society, and society's institutions make their impact on television, often with more noticeable effect.

Some of television's most influential and best known producers and programmers (including Grant Tinker, Norman Lear, Steven Bochco, and Gary David Goldberg) discuss the forces that affect their selection of themes and treatments, why they include or reject material, and how they view their opinion leader roles and their roles as members of the society that is so influenced by their products. Selnow and Gilbert examine many of the obvious as well as less apparent forces that affect content decisions: government regulations, interest groups, and advertisers. They argue that the rapid advancement in telecommunication technologies has as much to do with what we watch as any of the social forces. The authors look not only at the current control of content, but point toward the consortium of influences that will affect the medium as it evolves rapidly throughout the next decade.

From the blaming of Princess Diana's death on news photographers to the public apology by CNN over its erroneous Vietnam-nerve-gas story, journalism and the American media in general are being placed under the microscope. The media-now more powerful than ever before due to computer advances, cable television, and the internet-controls our opinions, tastes, and, as some would have us believe, our actions.
But has the media shed its ethics and gotten completely out of control? Has the quest to get the big scoop crippled the news media into believing "first" is better than factual? To whom is the media responsible-the public, the stockholders, the advertisers? Who decides what may "harm" an audience or what is unsuitable for children? Who, if anyone, should regulate the media? How do political agendas play into censorship (the FCC) and funding of the media?
These questions and more are probed in The Media and Morality, a wide-ranging selection of important essays that explores relationships between the media and its diverse audiences, its sponsors, stockholders, governments, and others. The authors attempt to define the obligations of the media in these relationships as well as the risks, benefits, and limits.
In addition to providing up-to-date commentary and opinion on the latest controversial and precedent-setting journalistic developments, this book will help readers toward an ethical analysis of the media in the Information Age.

This text provides an in-depth appraisal of the key environmental issues for packaging and how these considerations are increasingly affecting trends and developments in the packaging industry. It is aimed at all those concerned with the manufacture, use and distribution of packaging, including raw materials suppliers, packaging convertors, fillers, packers and retailers. In particular, it should be helpful to all management - commerical, technical or those concerned with human resources. It will also be of interest to those involved in the management of waste - local governments, waste management organizations and materials recyclers.

This book argues that journalism is a more recent invention than most authors have acknowledged so far. The profession of the journalist and the journalistic discourse are the products of the emergence, during the second half of the 19th century, of a specialized field of discursive production, the journalistic field. This book analyses the emergence of journalism and examines the development of discursive norms, practices and strategies that are characteristic of this discourse.

Breadth and balance in content are the primary attributes of this practical guide designed to equip undergraduate students for the broad range of writing tasks involved in contemporary public relations practice. A myriad of writing tasks are examined, those undertaken for print and electronic media as well as those that arise in the business component.

Breadth and balance in content are the primary attributes of this book, which is designed to equip undergraduate students for the broad range of writing tasks involved in contemporary public relations practice. This comprehensive text addresses writing tasks undertaken for print and electronic media as well as those that arise in the business component of public relations, providing: insights into the roles and responsibilities of practitioners and the nature of persuasion; techniques in message development and public relations writing; separate sets of chapters dedicated to print and electronic writing tasks; and three case histories each accompanied by a set of writing problems, to create complete flexibility for faculty.

The first five chapters of the book deal with practitioners' roles, theories of persuasion, public relations writing styles, and message development. Print-oriented chapters deal with news and feature releases, printed materials, media kits and their contents, and business writing relating to public relations practice. Electronic-oriented chapters focus on the basics of broadcast writing, audio-visual script writing, video news releases, slide-tape presentations, and public service announcements. Case histories deal with a large for-profit corporation, a not-for-profit corporation, and a charitable organization.

This book focuses on journalistic news values from an audience perspective. The audience influences what is deemed newsworthy by journalists, not only because journalists tell their stories with a specific audience in mind, but increasingly because the interaction of the audience with the news can be measured extensively in digital journalism and because members of the audience have a say in which stories will be told. The first section considers how thinking about news values has evolved over the last fifty years and puts news values in a broader perspective by looking at news consumers' preferences in different countries worldwide. The second section analyses audience response, explaining how audience appreciation and 'clicking' behaviour informs headline choices and is measured by algorithms. Section three explores how audiences contribute to the creation of news content and discusses mainstream media's practice of recycling audience contributions on their own social media channels.

A Newsman Remembered is not just the story of the life of Ralph Burdette Jordan (RBJ - or "Jock") - who was a remarkable newspaperman/motion picture publicist/war correspondent. It is also a glimpse into an era of American social and political history that is now, unfortunately, largely forgotten if not discarded. The compelling personalities with whom he engaged- Aimee Semple McPherson, William Randolph Hearst, Louis B. Mayer, General Douglas MacArthur - are but fading memories which this book briefly restores. The first half of the 20th century began as an era of optimism that encompassed a belief that working hard - along with seizing the "main chance" - would produce social, professional and financial success. Ralph Jordan certainly exuded that optimism in everything that he encountered in his short life. Along with his contemporaries, moving into the great (largely ill-defined) middle class was his overarching goal. Within this goal, family life was an important ingredient for him - marriage in his day was still a partnership with clearly defined marital roles and expectations. Ralph and Mary's marriage reflected that domestic configuration. Religious faith - if not always observed to the letter - also formed an important part of their family life. It could not be otherwise for them and those other largely third-generation descendants of Mormon pioneers (and their non-Mormon contemporaries) with whom they associated. These so-called Mormon second- and third-generation diasporans were willing - even eager - to leave behind them the remoteness of what was then described as "Zion," to seek more promising futures elsewhere, retaining as best they could their unique heritage. Thus, Ralph Jordan's story is indeed a "life and times" story worth telling