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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries
This cutting-edge book presents a detailed overview of digital
marketing strategy, which has evolved following rapid
digitalization that occurred during the COVID-19 pandemic.
Providing detailed examinations of different digital marketing
techniques, it demonstrates how organizations’ digital marketing
strategies can be developed and implemented. Digital Marketing
Strategy features a thorough analysis of how digital marketing can
be utilized to increase sales through new customer acquisition and
through increasing the life cycle value of its existing customers.
Chapters explore how buyer personas can be used to frame marketing
as an advantageous service. Ultimately, this instructive book
highlights that the core of digital marketing is based on market
analysis, the value proposition built on it, and observed
competitive advantage. With fresh insights into the developing
areas of content and influencer marketing, this book will be of
immense worth to students and scholars studying digital marketing
strategy. It will also be highly applicable to those working in the
field of digital marketing who promote products and services that
require buyer judgement.
How are digital technologies changing the creation of new ventures?
What are the critical skills for entrepreneurs in the digital age?
How does digitalization change product design and communication
with customers? How can small businesses in non-digital industries
overcome the digital divide? This book helps answer these questions
through real-world case studies and lessons learnt from the
perspectives of real entrepreneurs in various industries, countries
and types of business. Each case has abundant materials to support
learning and reflection, including: discussion questions and
assignments to stretch students decision-making simulations rich
and detailed teaching notes to help enliven your teaching.
Highlighting how entrepreneurship is changing in the digital age,
this book will be an excellent resource for teachers and students
of entrepreneurship, innovation management, new venture creation,
marketing and strategy.
This revealing book goes behind the scenes of normative principles
of media independence to investigate how that independence is
actually practiced and realized in everyday working life. Taking an
ethnographically rich journey through European news organizations,
Elena Raviola exposes the diverse and complex ways in which the
ideal of independence is upheld, and at the same time inevitably
betrayed, in the organizational life of media companies. Elena
Raviola presents a distinct organizational analysis of media
independence throughout the book, offering a close study of three
news organizations in Europe - the largest Italian financial
newspaper Il Sole-24 Ore, the largest Swedish regional newspaper
company Stampen and the French pioneer online-only news website
Rue89. In each of them, the implications of digitalization on their
practices of independence is explored and analyzed. The book
ultimately sheds light on how digital technologies are practically
reshaping democratic principles such as media independence, while
being embedded in the existing organizational and professional
structures of democratic societies. Organizing Independence will
enrich the reader's understanding of media independence in
practice, beyond the normative principles, and so will be a key
reference point for researchers in management and organization
studies, media studies and anyone interested in the future of
media.
Providing new insights into the textual and paratextual character
of brands and advertising, this innovative book showcases an
extensive selection of vivid and topical case examples that assist
the practical understanding of advertising paratexts. Chris Hackley
and Rungpaka Amy Hackley draw on many examples of creative
advertisements to illustrate the key features of paratextual
advertising and all types of brand communication, practice,
strategy and research. The book examines the idea of an
advertisement as something that is read and interpreted as a text
by an audience, drawing on some of the pioneering research
literature that introduced literary forms of analysis into
business, management and related fields of scholarship. The authors
utilise ideas from literary theory to examine how advertising can
be understood, as well as consider semiotic and anthropological
perspectives on advertising and digital media. Aiming to change the
way advertising is understood by students, scholars, and by media
and management professionals, this book will be a valuable resource
for those with an interest in advertising and promotion, marketing,
communication, business management, and branding.
Providing new insights into the textual and paratextual character
of brands and advertising, this innovative book showcases an
extensive selection of vivid and topical case examples that assist
the practical understanding of advertising paratexts. Chris Hackley
and Rungpaka Amy Hackley draw on many examples of creative
advertisements to illustrate the key features of paratextual
advertising and all types of brand communication, practice,
strategy and research. The book examines the idea of an
advertisement as something that is read and interpreted as a text
by an audience, drawing on some of the pioneering research
literature that introduced literary forms of analysis into
business, management and related fields of scholarship. The authors
utilise ideas from literary theory to examine how advertising can
be understood, as well as consider semiotic and anthropological
perspectives on advertising and digital media. Aiming to change the
way advertising is understood by students, scholars, and by media
and management professionals, this book will be a valuable resource
for those with an interest in advertising and promotion, marketing,
communication, business management, and branding.
The most definitive report ever on verdict effects, this book
gives striking new evidence that media assessments of presidential
debates sway voters. The authors conducted 2,350 surveys and
extensive analysis of news reports to scrutinize the post-debate
news of 1988. They also examined the effects of the attack ads used
by Bush and Dukakis. They found that the news media consistently
downplay debate content and instead emphasize their own views on
candidate performance--media verdicts influence voters as much as
the debates themselves.
Extensive content analyses and more than 2,350 surveys were
conducted to analyze media verdicts on the 1988 debates. The
verdicts on Bush, Dukakis, Quayle, and Bentsen announced in
post-debate newscasts are compared with those from debates in 1984,
1980 and 1976. The study finds that the news media consistently
downplay debate content and instead emphasize their own views on
candidate performance. These media verdicts influence voters as
much as the debates themselves. The study also examines the effects
of attack ads used by Bush and Dukakis, and finds that they
backfired--network news probably rebroadcast more excerpts of
attack ads in 1988 than ever before. Television journalists, the
essays in this book show, have become increasingly less interested
in how the debates served the information needs of the voters and
increasingly more preoccupied with how they affected the ambitions
of the candidates. A noticeable trend in 1988 was as the fall
debates went on, voters' beliefs that further debates would be
helpful to them went down. Another finding of the study deals with
a huge tactical error that the League of Women Voters committed by
simultaneously announcing its withdrawal and blasting the format
and ground rules imposed on it by the Commission on Presidential
Debates. Also, the spin doctors who continually spouted insider
information during the 1988 campaign gained more legitimacy and
impact than ever before--and had a very strong effect on American
public affairs journalism. This intriguing book, which also
provides policy recommendations for the debates, their sponsors,
and the news media, is useful to journalists, researchers, and
civic groups concerned with elections, government, campaign reform,
and communications.
This indispensable guide for writers provides details of hundreds
of literary agents, book publishers, and magazines; including
contact details, types of material accepted, and how to approach
them Subject indexes for each area provide easy access to the
markets you need, with specific lists for everything from romance
publishers, to poetry magazines, to literary agents interested in
thrillers. It also provides unparalleled access to international
markets. The internet has made the publishing industry more global
than ever, with markets increasingly accepting submissions by email
(some no longer accept postal submissions at all). Other
directories have failed to respond to this, continuing to focus on
one single country, but this directory provides you with that
all-important access to overseas opportunities that are now just an
email away. And by focusing exclusively on what's important to
writers - contact details for literary agents, publishers, and
magazines - this directory is able to provide more listings at a
lower price. There are no adverts, no advertorials, and no
unnecessary articles or obscure listings padding out hundreds of
pages. Two established alternative directories both run to over 800
pages, yet one has only 204 pages of publisher, agent, and magazine
listings, and the other has only 10 pages devoted to literary agent
listings This book does better on both counts, and yet remains
substantially cheaper than either alternative. The book also
includes free access to the firstwriter.com website, where you can
find even more listings. You can also benefit from other features
such as advanced searches, daily email updates, feedback from users
about the markets featured, saved searches, competitions listings,
searchable personal notes, and more
This Handbook provides a comprehensive overview of current
developments, issues and good practices regarding assessment in
social science research. It pays particular attention to the
challenges in evaluation policies in the social sciences, as well
as to the specificities of publishing in the area. The Handbook
discusses the current societal challenges facing researchers, from
digital societies, to climate change and sustainability, to trust
in democratic societies. Chapters provide ways to strengthen
research assessment in the social sciences for the better, by
offering a diverse range of experiences and views of experts from
all continents. The Handbook also outlines major data sources that
can be used to assess social sciences research, as well as looking
at key dimensions of research quality in the social sciences
including journal peer review, the issue of identifying research
quality, and gender disparities in social science research. This
book will be an essential read for scholars interested in research
assessment in the social sciences. It will also be useful to policy
makers looking to understand the key position of the social
sciences in science and society and provide appropriate frameworks
for key societal challenges.
This authoritative Handbook compiles a diverse set of contributions
on digital entrepreneurship, providing an in-depth study of how
digital entrepreneurship research has evolved over the years, and
where it stands today. Offering a snapshot of the major themes in
digital entrepreneurship research, the Handbook highlights a wide
range of both practice-engaged and practice-relevant works and
explores the fundamental concepts and common themes in the field.
Chapters examine key topics including the digital platform economy,
the digitalization of work, the blockchain economy, and the
rural-urban digital divide. The Handbook further analyzes the
history and theory of digital entrepreneurship, while also sparking
ideas for future research through a consideration of emerging
phenomena and new ways to approach research in this broad area of
study. Discussing a diverse set of questions, contexts, theories,
and methods, this Handbook will be a key resource for researchers
and advanced students with a particular interest in
entrepreneurship, innovation, technology management, and digital
business models. Managers and entrepreneurs will also find the
discussion of digital entrepreneurship in relation to financing,
social issues, and technology beneficial.
More than 100 general magazines with circulation over 100,000,
some still publishing and many memories from earlier this century,
are described in two- or three-page profiles. . . . A chronology
placing the periodicals on a time line provides an interesting,
at-a-glance look at magazines' history. Most of the important
magazines are included, except for some sports and women's
magazines slated for future companion collections. "Library
Journals"
This volume provides concise, in-depth histories of 106 of the
most significant mass-market or general magazines in the United
states--both active periodicals and those which have ceased
publication. Included are magazines such as "Life," Colliers,
"Playboy," "People," "Saturday Evening Post," and "Family Circle,"
as well as major tabloids, Sunday supplement magazines, regional
magazines, and the most widely read publications devoted to
specific audiences--"Modern Maturity," "Yankee," "Mechanix
Illustrated," "American Farmer," and so on. Although the emphasis
of the volume is the modern mass-market periodical, thirty-three
titles have been included that either existed in their entirety in
the nineteenth century or were established then. Generally,
magazines with wide audience appeal and a circulation of over
100,000 were selected for inclusion. Taken together, these profiles
offer the most comprehensive picture of American general interest
magazine publishing available to date.
The profiles are arranged alphabetically by magazine title and
see references have been included in the case of title variations.
In many instances, the history included here is the only source of
information on the magazine covered. In other cases, large amounts
of material that have been written over the years on a title have
been consolidated and the history and accompanying bibliography
provided here will serve as the definitive source on the magazine
in question. Locations have been provided in cases that might prove
problematic. An indispensable source for journalism students and
researchers, this volume belongs on the reference shelves of every
academic and large public library.
EU Telecommunications Law provides a comprehensive overview of the
current European regulatory framework as it applies to
telecommunications and examines the challenges facing regulators in
this sector. Key chapters focus on the selection of appropriate
regulatory models that serve to encourage effective investment in
next-generation networks and ensure their successful deployment.
Andrej Savin provides an up to date overview of all the relevant
sources, guiding the reader through these disparate materials in a
simple and systematized way. In particular, the book provides
analysis of the 2016 proposal for a European Electronic
Communications Code (EECC). Using the 2009 Regulatory Framework on
electronic communications as a basis the author analyses each of
the 2009 framework?s five main directives, comparing them with the
changes proposed in the EECC. Providing a comprehensive
introduction to the main areas of EU telecoms regulation, this book
will be of great value to telecoms and IT lawyers. It will also
appeal to academics carrying out research in IT law or competition
law as it relates to IT and telecoms.
The music industry is one of the most exciting, glamorous and fun
places you could ever work in. It's also a fiercely competitive
world, both for jobseekers and those already on the inside. But
opportunities arise constantly, and are within the grasp of almost
anyone with a true passion for music and a hard-working attitude.
This book aims to help you take your first step into what will
hopefully be a long and satisfying career in an endlessly
fascinating world. Each chapter covers a field of work within the
music industry - from record companies to recording studios to
roadies - and is crammed with honest, realistic, practical and
helpful advice. Insider secrets and individual case studies throw
even more light on the subject. Contents: Acknowledgements;
Foreword by Alan McGee; Preface; 1. An overview of the Music
Industry; 2. Getting a Job; 3. Record Companies; 4. Music
Publishing; 5. Music PR and Plugging; 6. Artist Managers; 7. Live
Music: Booking Agents, Concert Promoters, Tour Managers and
Roadies; 8. Music Journalism; 9. Recording Studios: Record
Producers, Sound Engineers and Studio Managers; 10. Music Retail;
Glossary; Useful Addresses; Further Reading; Index.
This Handbook offers an insightful journey through the landscape of
research methods used to study the phenomenon of creativity,
addressing the maturation of creativity research and its
methodological approaches. Offering a methodological panorama for
the global community of creativity researchers, contributors
provide markers and viewpoints to better orient scholars and
encourage reflection on how one might produce exceptional research
on the burgeoning field of creativity. Chapters provide insights
into a variety of methodological approaches, contemplating their
benefits, limitations, scope of validity and ethical implications.
As a contrast, sharp and to the point vignettes, similar to
parables, are included to make the reader think. Allowing space for
both established methods and new approaches, this Handbook is
crucial reading for researchers interested in creativity at all
levels looking to adopt innovative methodological approaches and
broaden their research horizons. Contributors include: S. Acar, J.
Baer, D.M. Boje, I. Bouty, H. Cairns-Lee, G. Cattani, R. Chia, L.
Chiapello, A. Cropley, D. Cropley, J. Dul, S. Ferriani, G.
Formilan, V. Glaveanu, M.-L. Gomez, M. Hanchett Hanson, P. Hibbert,
R. Kark, J.C. Kaufman, A.K. Kofinas, C. Mainemelis, R.
Reiter-Palmon, R. Robinson, N. Rosenkranz, M. Runco, M. Sinclair,
P. Sowden, U. Ogurlu, M. Tempelaar, K. Unsworth
From the inventor of the PalmPilot comes a new and compelling
theory of intelligence, brain function, and the future of
intelligent machines
Jeff Hawkins, the man who created the PalmPilot, Treo smart phone,
and other handheld devices, has reshaped our relationship to
computers. Now he stands ready to revolutionize both neuroscience
and computing in one stroke, with a new understanding of
intelligence itself.
Hawkins develops a powerful theory of how the human brain works,
explaining why computers are not intelligent and how, based on this
new theory, we can finally build intelligent machines.
The brain is not a computer, but a memory system that stores
experiences in a way that reflects the true structure of the world,
remembering sequences of events and their nested relationships and
making predictions based on those memories. It is this
memory-prediction system that forms the basis of intelligence,
perception, creativity, and even consciousness.
In an engaging style that will captivate audiences from the merely
curious to the professional scientist, Hawkins shows how a clear
understanding of how the brain works will make it possible for us
to build intelligent machines, in silicon, that will exceed our
human ability in surprising ways.
Written with acclaimed science writer Sandra Blakeslee, "On
Intelligence" promises to completely transfigure the possibilities
of the technology age. It is a landmark book in its scope and
clarity.
Elgar Advanced Introductions are stimulating and thoughtful
introductions to major fields in the social sciences, business and
law, expertly written by the world's leading scholars. Designed to
be accessible yet rigorous, they offer concise and lucid surveys of
the substantive and policy issues associated with discrete subject
areas. This Advanced Introduction provides a concise yet thorough
guide to understanding and planning advertising, while answering
the key questions at the forefront of this modern topic: what is
advertising? What is its role in businesses and organizations? And
what are the implications of the offline-online shift? Key Features
include: Theoretical analysis of how advertising works with
specific research insights and practical cases Discussion of the
ethical ramifications, pitfalls and societal consequences of
current advertising practice An overview of the many contemporary
advertising formats that are present today, discussing the various
stages in the advertising planning process, and analyzing their
effects. This Advanced Introduction will be a valuable resource for
higher education students and teachers in business, marketing and
communication sciences. It will also be beneficial for advertising
professionals and brand managers who are interested in a concise
structured overview of the important issues that matter in
planning, carrying out and measuring the results of advertising
campaigns.
Elgar Research Agendas outline the future of research in a given
area. Leading scholars are given the space to explore their subject
in provocative ways, and map out the potential directions of
travel. They are relevant but also visionary. Presenting
cutting-edge thoughts on media economics, its history and
development, and looking forward to its future, this timely book
investigates the changing face of the field. With contributions
from some of the most prominent media economics scholars in the
world, this provocative and visionary Research Agenda covers theory
development, consumer and audience demand, information and cultural
goods, and technological dimensions. Chapters explore
globalization, industry organization, social and ethical aspects of
media firms, new media viability and the historical eras of media
economics. Presenting a range of streams of inquiry and topics
needing more study and development, this Research Agenda looks at
new and innovative ways to stimulate thought around key research
questions and designs. PhD students and scholars of media studies
and media economics will benefit from the expansion of basic
concepts, theories and methods found in this key book. It will also
be critical reading for media professionals looking to understand
more about the impact and importance of contemporary media
relations. Contributors include: A.B. Albarran, Ã. Arrese, M.
Barrett, A.J. Coffey, C.A. Hollifield, W.-y. Hsu, C. Kolo, Y.-l.
Liu, M. Medina, B.I. Mierzejewska, M.E. Gutiérrez-RenterÃa, U.
Rohn, A. Sánchez-Tabernero, C. Shao, X. Zhang
Information technology research - a practical guide for computer
science and informatics is targeted at senior students in any of
the many branches of information technology, including computer
science, informatics and information systems. It is intended to
introduce the student to the operation of the research process in
these subjects to an extent that will enable them to identify,
observe and master the methods used in their particular fields of
specialty. Students who need such guidance are, primarily, likely
to be those embarking on a study for the purpose of a
research-based qualification and those who are busy with a formal
research-methods course to prepare them for research.
Exploring the multiple aesthetic and cultural links between French
and Japanese cinema, The Cinematic Influence is packed with vivid
examples and case studies of films by Akira Kurosawa, Jean-Luc
Godard, Hirokazu Kore-eda, Claire Denis, Naomi Kawase, Michel
Gondry and many others. It illustrates the vast array of cinematic
connections that mark a long history of mutual influence and
reverence between filmmakers in France and Japan. The book provides
new insights into the ways that national cinemas resist Hollywood
to maintain and strengthen their own cultural practices and how
these national cinemas perform the task of informing and
enlightening other cultures about what it means to be French or
Japanese. This book also deepens our understandings of film's role
as a viable cultural and economic player in individual nations.
Importantly, the reader will see that film operates as a form of
cultural exchange between France and Japan, and more broadly,
Europe and Asia. This is the first major book to investigate the
crossover between these two diverse national cinemas by tracking
their history of shared narrative and stylistic techniques.
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