Research on federalism is rarely concerned with its philosophical foundations. However, arguments on why and how best to organise a plurality of states in a multilevel political order have first been discussed by philosophers and continue to inspire contemporary reasoning on international and supranational relations not only in political philosophy. This book offers a unique overview of the philosophical foundations of federalism from both a historical and a systematic perspective. The analyses proposed by renowned scholars from the US and from several European countries cover classic writers such as Hobbes and the authors of the Federalist Papers, Kant and Rawls, and range from anthropological justifications of federal orders to contemporary problems of EU constitutionalism, the principle of subsidiarity and the jurisdiction of the European Court of Human Rights (ECHR). The book is of relevance to anyone interested in philosophical justifications of federalism.

This text offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.

This is the third volume of Models of the History of Philosophy, a collaborative work on the history of the history of philosophy dating from the Renaissance to the end of the nineteenth century. The volume covers a decisive period in the history of modern thought, from Voltaire and the great "Encyclopedie" of Diderot and d'Alembert to the age of Kant, i.e. from the histoire de l'esprit humain animated by the idea of progress to the a priori history of human thought. The interest of the philosophes and the Kantians (Buhle and Tennemann) in the study and the reconstruction of the philosophies of the past was characterized by a spirit that was highly critical, but at the same time systematic. The material is divided into four large linguistic and cultural areas: the French, Italian, British and German. The detailed analysis of the 35 works which can be considered to be "general" histories of philosophy is preceded and accompanied by lengthy introductions on the historical background and references to numerous other works bordering on philosophical historiography.

Is self-consciousness a condition of possibility for knowledge? Does Kant's theory of self-consciousness commit us to transcendental idealism? How convincing is Kant's theory of self-consciousness? How should we understand transcendental idealism? What is Hegel's alternative? How do Kant and Hegel conceive of the beautiful? How do their conceptions of beauty relate to their metaphysics? In this volume, some of the world's most renowned Kant and Hegel scholars seek to provide answers.

Derrida and Textual Animality: For a Zoogrammatology of Literature analyses what has come to be known, in the Humanities, as 'the question of the animal', in relation to literary texts. Rodolfo Piskorski intervenes in the current debate regarding the non-human and its representation in literature, resisting popular materialist methodological approaches in the field by revisiting and revitalising the post-structuralist thought of Derrida and the 'linguistic turn'. The book focuses on Derrida's early work in order to frame deconstructive approaches to literature as necessary for a theory and practice of literary criticism that addresses the question of the animal, arguing that texts are like animals, and animals are like texts. While Derrida's late writings have been embraced by animal studies scholars due to its overt focus on animality, ethics, and the non-human, Piskorski demonstrates the additional value of these early Derridean texts for the field of literary animal studies by proposing detailed zoogrammatological readings of texts by Freud, Clarice Lispector, Ted Hughes, and Darren Aronofsky, while in dialogue with thinkers such as Butler, Kristeva, Genette, Deleuze and Guattari, and Attridge.

This book is a collection of specially commissioned chapters from philosophers, economists, and political scientists, focusing on Adam Smith's two main works Theory of Moral Sentiments and Wealth of Nations with a view to bringing Smith to a mainstream philosophy audience while simultaneously informing Smith's traditional constituency.

In this volume the philosophy of perception and observation is discussed by leading philosophers with implications in the philosophy of mind, in epistemology, and in philosophy of science. In the last years the philosophy of perception underwent substantial changes and new views appeared: the intentionality of perception has been contested by relational theories of perception (direct realism), a richer view of perceptual content has emerged, new theories of intentionality have been defended against naturalistic theories of representation (e. g. phenomenal intentionality). These theoretical changes reflect also new insights coming from psychological theories of perception. These changes have substantial consequences for the epistemic role of perception and for its role in scientific observation. In the present volume, leading philosophers of perception discuss these new views and show their implications in the philosophy of mind, in epistemology and in philosophy of science. A special focus is laid on Franz Brentano and Ludwig Wittgenstein. A reference volume for all scholars and students of the history, psychology and philosophy of perception, and cognitive science.

Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian migr , a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derridas work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstructions critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derridas work.

This book pairs close readings of some of the classic writings of existentialist philosophers with interpretations of films that reveal striking parallels to each of those texts, demonstrating their respective philosophies in action. Individual chapters include significant excerpts from the original texts being discussed and illustrated. Pairings cover Schopenhauer and Waking Life, Stirner and Hud, Kierkegaard and Winter Light, Nietzsche and The Fountainhead, Heidegger, Blade Runner and The Thin Red Line, Camus, Leaving Las Vegas and Missing, Sartre, Husbands and Wives, and Michael Collins, de Beauvoir and Revolutionary Road, and Foucault and One Flew Over the Cuckoo's Nest. Movies with Meaning offers a clear and insightful examination of the relationships between existential philosophers and film, providing both digests of their most significant texts and cinematic illustrations of what each had in mind. For the first time in one place, this book analyses the implications for film of the perspectives of a wide array of the most significant existentialist thinkers. Organized chronologically, like most existentialism anthologies, this is an ideal textbook for an intermediate level existentialism course, or as a companion to a selection of primary texts.

The philosopher of religion and critic of idealism, Ludwig Feuerbach had a far-reaching impact on German radicalism around the time of the Revolution of 1848. This intellectual history explores how Feuerbach's critique of religion served as a rallying point for radicals, and how they paradoxically sought to create a new, post-religious form of religiosity as part of the revolutionary aim. At issue for the Feuerbachian radicals was the emergence of a humanity emancipated from the constraints of mere institutions, able to express itself freely and harmoniously. Caldwell also touches on Moses Hess, Louise Dittmar, and Richard Wagner in his discussion of the time. This book reconstructs the nature of Feuerbach's radicalism and shows how it influenced early works of socialism, feminism, and musical modernism.

Martin Flanagan uses Bakhtins notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focusing particularly on the way cinematic narrative utilizes time and space in its very construction.

David Malet Armstrong (8 July 1926-13 May 2014) has been one of the most influential contemporary metaphysicians working in the analytic tradition and surely the greatest 20th century Australian philosopher. His main merit is to have reestablished metaphysics as a respectable branch of philosophy placing it at the centre of the philosophical debate, and giving it the status of an authoritative and competent interlocutor of both rational and empirical sciences. By means of a rigorously argumentative approach and a sharp prose, Armstrong has built a whole metaphysical system, that is, a comprehensive and unified picture of the fundamental structure of the world. The various chapters of the book address the key issues concerning Armstrong' view about the problem of universals, the nature of states of affairs, the ontological ground of possibility, nomic necessity, and dispositions, the truthmaker theory, and the theory of mind. This volume aims to celebrate Armstrong's memory bringing new understanding, and hopefully stimulating more work, on his philosophy, with the conviction that it constitutes an invaluable heritage for contemporary research in metaphysics.

The impact of Nietzsche's engagement with the Greek skeptics has never before been systematically explored in a book-length work - an inattention that belies the interpretive weight scholars otherwise attribute to his early career as a professor of classical philology and to the fascination with Greek literature and culture that persisted throughout his productive academic life. Jessica N. Berry fills this gap in the literature on Nietzsche by demonstrating how an understanding of the Pyrrhonian skeptical tradition illuminates Nietzsche's own reflections on truth, knowledge, and ultimately, the nature and value of philosophic inquiry. This entirely new reading of Nietzsche's epistemological and ethical views promises to make clear and render coherent his provocative but often opaque remarks on the topics of truth and knowledge and to grant us further insight into his ethics-since the Greek skeptics, like Nietzsche, take up the position they do as a means of promoting well-being and psychological health. In addition, it allows us to recover a portrait of Nietzsche as a philologist and philosophical psychologist that has been too often obscured by commentaries on his thought.
"The book addresses a number of central issues in Nietzsche's philosophy, including perspectivism and his conception of truth. The idea that his views in these areas owe much to the ancient Pyrrhonists casts them in an important new light, and is well supported by the texts. A lot of people from a lot of different areas in philosophy will have good reason to take notice." - Richard Bett, Johns Hopkins University

Helping students and researchers get to grips with the work of this compelling but often baffling thinker, this introductory guide surveys the impact and continuing influence of the work of Friedrich Nietzsche on modern European thought.

"Interpreting Nietzsche "explores how some of the most important thinkers of the 20th century have responded to the legacy of his writings. Each chapter focuses on how Nietzsche's work has been read by such major figures as:

Martin HeideggerJacques DerridaGiles DeleuzeLuce IrigarayGianni Vattimo

Encouraging students to take their studies further, each chapter also includes annotated guides to further primary and secondary reading.

This is the first English translation of one of Heidegger's most important early lecture courses, including his most extensive treatment of the topic of destruction. "Phenomenology of Intuition and Expression" is a crucial text for understanding the early development of Heidegger's thought. This lecture course was presented in the summer semester of 1920 at the University of Freiburg. At the center of this course is Heidegger's elaboration of the meaning and function of the phenomenological destruction. In no other work by Heidegger do we find as comprehensive a treatment of the theme of destruction as in this lecture course. Culminating in a destruction of contemporaneous philosophy in terms of its understanding of 'life' as a primal phenomenon, this lecture course can be seen to open the way towards a renewal of the meaning of philosophy as such. This hugely important philosophical work is now available in English for the first time.

Much has been written about Heidegger's reappropriation of Aristotle, but little has been said about the philosophical import and theoretical context of this element of Heidegger's work. In this important new book, Michael Bowler sheds new light on the philosophical context of Heidegger's return to Aristotle in his early works and thereby advances a reinterpretation of the background to Heidegger's forceful critique of the primacy of theoretical reason and his radical reconception of the very nature of philosophical thinking. This book offers a detailed analysis of the development of Heidegger's thought from his early enagagement with neo-Kantianism and Husserlian phenomenology. Through this reading, a criticism of the theoretical conception of philosophy as primordial science, especially in relation to life and lived-experience (Erlebnis), emerges. It is in this context that Bowler examines Heidegger's reappropriation of key aspects of Aristotle's thought. In Aristotle's notions of movement, life and activity proper (praxis), Heidegger perceives a new approach to the dilemma presently facing philosophy, namely how philosophy is situated within life and human existence.

This book explores how Wittgenstein's personal life provided more of a reference point for his philosophical work than has been previously thought. Focusing on two key phases in Wittgenstein's life during which he dramatically changed his philosophical orientation and reinvented both his intellectual methods and himself, the author presents and alternative understanding of Wittgenstein and his work. The book firstly addresses the period of his "anthropological turn" (1929-1932), in which Wittgenstein developed one of his central arguments concerning the role of the body in the acquisition of language and the rules of social practice. The second key phase, commencing after the end of the Second World War, was one of introspection, during which Wittgenstein became intensely preoccupied by inner events, sensations, and his own personality. As his work evolved, the anthropological aspects became the primary focus of his work by the end of his life. Providing an accessible and novel insight into Wittgenstein's work and his interest in 'continental' philosophy, this translation will appeal to a wide audience.

In this elegantly written book, Mark S. Cladis invites us to reflect on the nature and place of the public and private in the work of Rousseau and, more generally, in democratic society. Listening closely to the religious pitch in Rousseau's voice, he convincingly shows that Rousseau, when attempting to portray the most characteristic aspects of the public and private, reached for a religious vocabulary. Cladis skillfully leads the reader on an exploration of the conflicting claims with which Rousseau wrestled - prerogatives and obligations to self, friends, family, vocation, civic life, and to humanity. At the juncture of diverse theological and secular traditions, Rousseau forged a vision of human happiness found not exclusively in the public or private, but in a complex combination of the two.

The book contributes to the refutation of the separation of philosophy in the 20th century into analytic and continental. It is shown that Edmund Husserl was seriously concerned with issues of so-called analytic philosophy, that there are strict parallelisms between Husserl's treatment of philosophical subjects and those of authors in the analytic tradition, and that Husserl had a strong influence on Rudolf Carnap's 'Aufbau'.

The book offers a reflection on the nature, scope, and limits of knowledge that have been at the focus of the author's work over decades. The essays collected in this volume expound and extend these efforts in exploring the outer fringes of understanding: the outer boundaries of conceivability, the limits of cognition, and the ramifications of ineffability and paradox. They join in exploring the lay of the land at the boundaries of knowledge. The first chapters address basic facts regarding the conceptualization of knowledge. This is followed by a study on how to deal with problems relating to the affirmation and considerations of truth. The final chapters scrutinize the limits of demonstration and the inherent impossibility of realizing an ideal systematization of our knowledge of totalities. The book affords novel perspectives regarding the thought of a widely appreciated philosopher. It is an original work aimed for readers interested in the theory of knowledge and philosophy of cognition.

This book explores the Paris Ecole Militaire as an institution, arguing for its importance as a school that presented itself as a model for reform during a key moment in the movement towards military professionalism as well as state-run secular education. The school is distinguished for being an Enlightenment project, one of its founders publishing an article on it in the Encyclopedie in 1755. Its curriculum broke completely with the Latin pedagogy of the dominant Jesuit system, while adapting the legacy of seventeenth-century riding academies. Its status touches on the nature of absolutism, as it was conceived to glorify the Bourbon dynasty in a similar way to the girls' school at Saint Cyr and the Invalides. It was also a dispensary of royal charity calculated to ally the nobility more closely to royal interests through military service. In the army, its proofs of nobility were the model for the much debated 1781 Segur decree, often described as a notable cause of the French Revolution.

This book is about evolutionary theory. It deals with aspects of its history to focus upon explanatory structures at work in the various forms of evolutionary theory - as such this is also a work of philosophy. Its focus lies on recent debates about the Modern Synthesis and what might be lacking in that synthesis. These claims have been most clearly made by those calling for an Extended Evolutionary Synthesis. The author argues that the difference between these two positions is the consequence of two things. First, whether evolution is a considered as solely a population level phenomenon or also a theory of form. Second, the use of information concepts. In this book Darwinian evolution is positioned as a general theory of evolution, a theory that gave evolution a technical meaning as the statistical outcome of variation, competition, and inheritance. The Modern Synthesis (MS) within biology, has a particular focus, a particular architecture to its explanations that renders it a special theory of evolution. After providing a history of Darwinian theory and the MS, recent claims and exhortations for an Extended Evolutionary Synthesis (EES) are examined that see the need for the inclusion of non-genetic modes of inheritance and also developmental processes. Much of this argument is based around claims that the MS adopts a particular view of information that has privileged the gene as an instructional unit in the emergence of form. The author analyses the uses of information and claims that neither side of the debate explicitly and formally deals with this concept. A more formal view of information is provided which challenges the EES claims about the role of genes in MS explanations of form whilst being consilient with their own interests in developmental biology. It is concluded that the MS implicitly assumed this formal view of information whilst using information terms in a colloquial manner. In the final chapter the idea that the MS is an informational theory that acts to corral more specific phenomenal accounts, is mooted. As such the book argues for a constrained pluralism within biology, where the MS describes those constraints.

Following his opposition to the establishment of a theatre in Geneva, Jean-Jacques Rousseau is often considered an enemy of the stage. Yet he was fascinated by drama: he was a keen theatre-goer, his earliest writings were operas and comedies, his admiration for Italian lyric theatre ran through his career, he wrote one of the most successful operas of the day, Le Devin du village, and with his Pygmalion, he invented a new theatrical genre, the Scene lyrique ('melodrama'). Through multi-faceted analyses of Rousseau's theatrical and musical works, authors re-evaluate his practical and theoretical involvement with and influence on the dramatic arts, as well as his presence in modern theatre histories. New readings of the Lettre a d'Alembert highlight its political underpinnings, positioning it as an act of resistance to external bourgeois domination of Geneva's cultural sphere, and demonstrate the work's influence on theatrical reform after Rousseau's death. Fresh analyses of his theory of voice, developed in the Essai sur l'origine des langues, highlight the unique prestige of Italian opera for Rousseau. His ambition to rethink the nature and function of stage works, seen in Le Devin du village and then, more radically, in Pygmalion, give rise to several different discussions in the volume, as do his complex relations with Gluck. Together, contributors shed new light on the writer's relationship to the stage, and argue for a more nuanced approach to his theatrical and operatic works, theories and legacy.