These essays span a period of fourteen years. The earliest was written in 1960, the latest in 1983. They all represent various attempts to understand the motives and the central concepts of Husserl's transcen dental phenomenology, and to locate the latter in the background of other varieties of transcendental philosophy. Implicitly, they also con tain a defense of transcendental philosophy, and make attempts to respond to the more familiar criticisms against it. It is hoped that they will contribute to a better understanding not only of Husserl's transcen dental phenomenology but also of transcendental philosophy in gener al. The ordering of the essays is not chronological. They are rather divided thematically into three groups. The first group of six essays is concerned with relating Husserlian phenomenology to more contem porary analytic concerns: in fact, the opening essay on Husserl and Frege establishes a certain continuity of concern with my last published book with that title. Of these, Essay 2 was written for an American Philosophical Association, Eastern Division symposium in which the other symposiast was John Searle. The discussion in that symposium concentrated chiefly on the relation between intentionality and causali ty - which led me to write Essay 6, later read as the Gurwitsch Memo rial Lecture at the Society for Phenomenology and Existential Philos ophy meetings in 1982 at Penn State."

Meaning, Understanding, and Practice is a selection of the most notable essays of an eminent contemporary philosopher on a set of central topics in analytic philosophy. Barry Stroud offers penetrating studies of meaning, understanding, necessity, and the intentionality of thought, with particular reference to the thought of Wittgenstein.

Between 1931 and 1935, Bertrand Russell contributed some 156 essays to the literary pages of the American newspaper New York American. These were often fun, humorous observations on the very real issues of the day, such as the Depression, the rise of Nazism and Prohibition, to more perennial themes such as love, parenthood, education and friendship. Available for the first time in the Routledge Classics series in a single volume, this pithy, provocative and often-personal collection of essays brings together the very best of Russell's many contributions to the New York American, and proves just as engaging for today's readers as they were in the 1930s.

Descartes has often been called the 'father of modern philosophy'. His attempts to find foundations for knowledge, and to reconcile the existence of the soul with the emerging science of his time, are among the most influential and widely studied in the history of philosophy. This is a classic and challenging introduction to Descartes by one of the most distinguished modern philosophers. Bernard Williams not only analyzes Descartes' project of founding knowledge on certainty, but uncovers the philosophical motives for his search. With acute insight, he demonstrates how Descartes' Meditations are not merely a description but the very enactment of philosophical thought and discovery. Williams covers all of the key areas of Descartes' thought, including God, the will, the possibility of knowledge, and the mind and its place in nature. He also makes profound contributions to the theory of knowledge, metaphysics and philosophy generally. With a new foreword by John Cottingham.

Why is film becoming increasingly important to philosophers? Is it because it can be a helpful tool in teaching philosophy, in illustrating it? Or is it because film can also think for itself, because it can create its own philosophy? In fact, a popular claim amongst film philosophers is that film is no mere handmaiden to philosophy, that it does more than simply illustrate philosophical texts: rather, film itself can philosophise in direct audio-visual terms. Approaches that purport to grant to film the possibility of being more than illustrative can be found in the subtractive ontology of Alain Badiou, the Wittgensteinian analyses of Stanley Cavell, and the materialist semiotics of Gilles Deleuze. In each case there is a claim that film can think in its own way. Too often, however, when philosophers claim to find indigenous philosophical value in film, it is only on account of refracting it through their own thought: film philosophizes because it accords with a favored kind of extant philosophy.

"Refractions of Reality: Philosophy and the Moving Image" is the first book to examine all the central issues surrounding the vexed relationship between the film image and philosophy. In it, John Mullarkey tackles the work of particular philosophers and theorists (Zizek, Deleuze, Cavell, Bordwell, Badiou, Branigan, Ranciere, Frampton, and many others) as well as general philosophical positions (Analytical and Continental, Cognitivist and Culturalist, Psychoanalytic and Phenomenological). Moreover, he also offers an incisive analysis and explanation of several prominent forms of film theorizing, providing a metalogical account of their mutual advantages and deficiencies that will prove immensely useful to anyone interested in the details of particular theories of film presently circulating, as well as correcting, revising, and revisioning the field of film theory as a whole.

Throughout, Mullarkey asks whether the reduction of film to text is unavoidable. In particular: must philosophy (and theory) always transform film into pretexts for illustration? What would it take to imagine how film might itself theorize without reducing it to standard forms of thought and philosophy? Finally, and fundamentally, must we change our definition of philosophy and even of thought itself in order to accommodate the specificities that come with the claim that film can produce philosophical theory? If a 'non-philosophy' like film can think philosophically, what does that imply for orthodox theory and philosophy?

Eighteenth-century philosophy owes much to the early novel. Using the figure of the romance reader this book tells a new story of eighteenth-century reading. The impressionable mind and mutable identity of the romance reader haunt eighteenth-century definitions of the self, and the seductions of fiction insist on making an appearance in philosophy.

"Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Gilles Deleuze is undoubtedly one of the seminal figures in modern Continental thought. However, his philosophy makes considerable demands on the student; his major works make for challenging reading and require engagement with some difficult concepts and complex systems of thought. "Deleuze: A Guide for the Perplexed" is the ideal text for anyone who needs to get to grips with Deleuzian thought, offering a thorough, yet approachable account of the central themes in his work. The text is organised around major themes in Deleuze's oeuvre: sense; univocity; intuition; singularity; difference. His ideas related to language, politics, ethics and consciousness are explored in detail and - most importantly - clarified. The book also locates Deleuze in the context of his philosophical influences and antecedents and highlights the implications of his ideas for a range of disciplines from politics to film theory. Throughout, close attention is paid to Deleuze's most influential publications, including the landmark texts "The Logic of Sense and Difference and Repetition".

This book is a study of the impact of globalization on our political institutions and concepts. It begins with an analysis of the global economy, as this is the most powerful of the engines of globalization, then proceeds to examine the impact of the currents of globalization on national sovereignty, national identity, the structure of government, the role of government, and on the lives of individual human beings. It concludes by sketching several issues which globalization presents to political philosophy.

This combination of historiography and theory offers the growing Anglophone readership interested in the ideas of Gilbert Simondon a thorough and unprecedented survey of the French philosopher's entire oeuvre. The publication, which breaks new ground in its thoroughness and breadth of analysis, systematically traces the interconnections between Simondon's philosophy of science and technology on the one hand, and his political philosophy on the other. The author sets Simondon's ideas in the context of the epistemology of the late 1950s and the 1960s in France, the milieu that shaped a generation of key French thinkers such as Deleuze, Foucault and Derrida. This volume explores Simondon's sources, which were as eclectic as they were influential: from the philosophy of Bergson to the cybernetics of Wiener, from the phenomenology of Merleau-Ponty to the epistemology of Canguilhem, and from Bachelard's philosophy of science to the positivist sociology and anthropology of luminaries such as Durkheim and Leroi-Gourhan. It also tackles aspects of Simondon's philosophy that relate to Heidegger and Elull in their concern with the ontological relationship between technology and society and discusses key scholars of Simondon such as Barthelemy, Combes, Stiegler, and Virno, as well as the work of contemporary protagonists in the philosophical debate on the relevance of technique. The author's intimate knowledge of Simondon's language allows him to resolve many of th e semantic errors and misinterpretations that have plagued reactions to Simondon's many philosophical neologisms, often drawn from his scientific studies.

The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most important and influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Derrida's thought. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Derrida's writings and detailed synopses of his key works. The Dictionary also includes entries on Derrida's major philosophical influences and those he engaged with, such as Kant, Hegel, Husserl, Freud, Heidegger, Foucault, Lacan and Levinas. It covers everything that is essential to a sound understanding of Derrida's philosophy, offering clear and accessible explanations of often complex terminology. The Derrida Dictionary is the ideal resource for anyone reading or studying Derrida, deconstruction or modern European philosophy more generally.

Levinas's ethical metaphysics is essentially a meditation on what makes ethical agency possible - that which enables us to act in the interest of another, to put the well-being of another before our own. This line of questioning found its inception in and drew its inspiration from the mass atrocities that occurred during the Second World War. The Holocaust , like the Cambodian genocide, or those in Rwanda and Srebrenica, exemplifies what have come to be known as the 'never again' situations. After these events, we looked back each time, with varying degrees of incomprehension, horror, anger and shame, asking ourselves how we could possibly have let it all happen again. And yet, atrocity crimes are still rampant. After Rwanda (1994) and Bosnia-Herzegovina (1992-1995), came Kosovo (1999) and Darfur (2003). In our present-day world , hate crimes motivated by racial, sexual, or other prejudice, and mass hate such as genocide and terror, are on the rise (think, for example, of Burma, Zimbabwe, Sri Lanka and North Korea). A critical revaluation of the conditions of possibility of ethical agency is therefore more necessary than ever. This volume is committed to the possibility of 'never again'. It is dedicated to all the victims - living and dead - of what Levinas calls the 'sober, Cain-like coldness' at the root of all crime against humanity , as much as every singular crime against another human being .

This volume is a collection of phenomenological investigations of the political domain. Its aim is to present recent examinations of political matters and to foster a renewal of this sort of inquiry in phenomenology generally. Although it has often gone unrecognized, investigations of this sort have been a part of the phenomenological project since its inception. Two phases can be identified: the first governed primarily by the methods of realistic and constitutive phenomenology, and the second under the guidance of existential and hermeneutical approaches. Standard accounts of the history of phenomenology begin, of course, with the publication of Husserl's Logische Untersuchungen (1900-1901) in which for the first time he publicly developed and applied his distinctively descriptive approach-the so-called method of eidetic analysis with its unique emphasis on the concept of evidence understood as intention fulfillment-to the fields of logical and mathematical systems. But those around him in Gottingen quickly saw the innovative character of this method and began employing it in a wide variety of other areas of research: literature, sociology, ethics, action theory, and even theology, for example.

Walter Benjamin's work represents one of the most radical and controversial responses to the problems of 20th century culture and society. This new interpretation analyzes some of the central enigmatic features of his writing, arguing that they result from the co-presence of religious skepticism and the desire for a religious foundation of social life. Margarete Kohlenbach focuses on the structure of self-reference as an expression of Benjamin's skeptical religiosity and examines its significance in his writing on language, literature and the cinema, as well as history, politics and modern technology.

This book examines the Whig theory of resistance that emerged from the Revolution of 1688 in England, and presents an important challenge to the received opinion of Whig thought as confused and as inferior to the revolutionary principles set forth by John Locke. While a wealth of Whig literature is analyzed, Rudolph focuses upon the work of James Tyrrell, presenting the first full-length study of this seminal Whig theorist, and friend and colleague of John Locke. This book provides a compelling argument for the importance of Whig political thought for the history of liberalism.

James F. Sheridan Allegheny College As we come to the end of the century, an attentive student of con temporary European philosophy will no doubt be startled by a volume titled Husserl in Contemporary Context. Such philosophers are most likely to believe that Hussed has now been declared II classical" rather than a contemporary thinker or, worse, simply old fashioned. Access to Hussed today will most likely come through the allegedly definitive critiques of his work by Heidegger and Derrida and to a lesser extent through the readings of his work by Levinas and Merleau Ponty although Merleau-Ponty himself has been declared old fashioned by some postmodems. Hence, if by II contemporary" one understands the problematic set by the work of the late Heidegger, Derrida, Foucault, et. al., Hussed's work seems strange indeed in such a contemporary context, seems better understood as the last gasp of philosophy dominated by metaphysics and thus fit only for inclusion in courses in the history of philosophy."

In this third volume of a monumental four book survey of Phenome- nology world-wide fifty years after the death of its chief founder, Edmund Husserl, we have a collection of studies which, in the first place, consider Husserl's legacy in the postmodern world. The extent of our indebtedness to the Master is shown in explora- tions of the archeology of knowledge, hermeneutics, and critical studies of language by A. Ales Bello, P. Pefialver, P. Million, V. Martinez Guzman, H. Rodriguez Pifiero, Y. Vlaisavlevich, and others. There follow calls for renewing the critique of reason by C. Schrag, F. Bosio, and J. Lerin Riera and discussion by D. Laskey, K. G6rniak-Kocikowska, M. R. Barral, Y. Park, and N. Delle Site on A-T. Tymieniecka's phe- nomenology of life, which proposes a total reorientation of phenome- nology by introducing a conception of the human condition in which the human creative act is the Archimedean point for philosophy.

A new century, new threats to love . . . Love without risks is like war without deaths - but, today, love is threatened by an alliance of liberalism and hedonism. Caught between consumerism and casual sexual encounters devoid of passion, love - without the key ingredient of chance - is in danger of withering on the vine. In In Praise of Love, Alain Badiou takes on contemporary 'dating agency' conceptions of love that come complete with zero-risk insurance - like US zero-casualty bombs. He develops a new take on love that sees it as an adventure, and an opportunity for re-invention, in a constant exploration of otherness and difference that leads the individual out of an obsession with identity and self. Liberal, libertine and libertarian reductions of love to instant pleasure and non-commitment bite the dust as Badiou invokes a supporting cast of thinkers from Plato to Lacan via Karl Marx to form a new narrative of romance, relationships and sex - a narrative that does not fear love.

Do we really need philosophy? The present collection of jargon-free essays aims at answering the question of why philosophy matters. Each essay considers the central question (Why Philosophy?) from different angles: the unavoidability of doing philosophy, the practical consequences of philosophy, philosophy as a therapy for the whole person, the benefits of philosophy for improving public policy, etc.

George Berkeley was considered "the most engaging and useful man in Ireland in the eighteenth century." This hyperbolic statement refers both to Berkeley's life and thought; in fact, he always considered himself a pioneer called to think and do new things. He was an empiricist well versed in the sciences, an amateur of the mechanical arts, as well as a metaphysician; he was the author of many completely different discoveries, as well as a very active Christian, a zealous bishop and the apostle of the Bermuda project. The essays collected in this volume, written by some leading scholars, aim to reconstruct the complexity of Berkeley's figure, without selecting "major" works, nor searching for "coherence" at any cost. They will focus on different aspects of Berkeley's thought, showing their intersections; they will explore the important contributions he gave to various scientific disciplines, as well as to the eighteenth-century philosophical and theological debate. They will highlight the wide influence that his presently most neglected or puzzling books had at the time; they will refuse any anachronistical trial of Berkeley's thought, judged from a contemporary point of view.

This is the first comparative study of the pioneering work on language of Ludwig Wittgenstein and Hans-Georg Gadamer. The book focuses on how Wittgenstein and Gadamer treat language in their accounts of language as game and their major writings on the subject--Philosophical Investigations and Truth and Method, respectively. Chris Lawn goes on to offer a critique of Wittgenstein's account of linguistic rules, drawing upon Gadamer's philosophical hermeneutics, particularly his emphasis upon tradition, temporality, historicality and novelty. The text demonstrates how paying attention to such elements--excluded by Wittgenstein's conception of rules--in fact strengthens Wittgenstein's position from a hermeneutical perspective. Finally, Wittgenstein and Gadamer investigates the possibility of connection between Wittgenstein's focus upon lexical particularity and Gadamer's greater concern for the universal and the general. A groundbreaking work of post-analytic philosophy, Wittgenstein and Gadamer brings the work of two major modern philosophers into dialogue. It is required reading for anyone studying or researching the work of either philosopher, or the philosophy of language more generally.

Many contemporary philosophers assume that, before one can discuss prayer, the question of whether there is a God or not must be settled. In this title, first published in 1965, D. Z. Phillips argues that to understand prayer is to understand what is meant by the reality of God. Beginning by placing the problem of prayer within a philosophical context, Phillips goes on to discuss such topics as prayer and the concept of talking, prayer and dependence, superstition and the concept of community. This is a fascinating reissue that will be of particular value to students with an interest in the philosophy of religion, prayer and religious studies more generally.

Kant's Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant's notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant's aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Gunter Figal, Tom Huhn, Hans-Peter Kruger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.

French philosophy and cultural theory continue to hold a prestigious and influential position in European thought. One of the central themes of contemporary French philosophy is its concern with the theoretical and political status of the subject, a question which has been broached by structuralists and poststructuralists through an analysis of the construction of the subject in and by language, discourse, power and ideology.Contemporary French Philosophy outlines the construction of the subject in modern philosophy, focusing in particular on the seminal work of Althusser, Lacan, Derrida and Foucault. The book interrogates some of the most influential perspectives on the question of the subject to contest those postmodern voices which announce its disappearance or death. It argues instead that the question of the subject persists, even in those perspectives which seek to abandon it altogether.Providing a broad introduction to the field and an original analysis of some of the most influential theorists of the 20th Century, the book will be of great interest to political and literary theorists, cultural historians, as well as to philosophers.