Invariances in Human Information Processing examines and identifies processing universals and how they are implemented in elementary judgemental processes. This edited collection offers evidence that these universals can be extracted and identified from observing law-like principles in perception, cognition, and action. Addressing memory operations, development, and conceptual learning, this book considers basic and complex meso- and makro-stages of information processing. Chapter authors provide theoretical accounts of cognitive processing that may offer tools for identification of functional components in brain activity in cognitive neuroscience

The remarkable complexity and sophistication of our perceptual systems have evolved for ultimately one purpose - to promote efficient and effective action within a constantly changing environment. Traditionally, the route from perception to action has often been viewed as a single, one-directional sequence of stages, which begins with a stimulus presentation and ends with a response. This view has tended to emphasize the separation of perception from action, with the result that studies of stimulus and response processing have often been carried out in isolation from each other. The work in this issue takes a different approach, which reflects renewed and increasing interest in how cognitive systems for vision and action are integrated. The studies here explore multiple pathways between vision and action, the ways in which vision promotes action, and even the conditions and degree to which action and its consequences can influence vision. A variety of methods and theoretical approaches are represented, in studies examining spatial coding, object processing, motor behaviour, attentional bias, and codes for action.

Related link: Free Email Alerting

This book is a testimony to Evgeny Nikolaevich Sokolov's years of work in developing knowledge in the areas of perception, information processing and attention, and to the research it has spawned. It presents a historical account of a research program, leading the reader toward a cognitive science approach to the study of perception and attention. An understanding of neuroscience and mathematical modeling are helpful prerequisites. The co-authors collected data on orienting, attention, and information processing in the brain using single-cell recordings, central, autonomic, cognitive, behavioral, and verbal measures. This commonality brought them together for a series of meetings which resulted in the production of this book. The book ends with a review of some of the co-authors studies that have developed from or in parallel with Sokolov's research. They investigate, in particular, the concepts of attention and anticipation using a psychophysiological methodology.

This book explores the nature of one of the most ancient tools for nonverbal communication: drawings. They are naturally adaptable enough to meet an incredibly wide range of communication needs. But how exactly do they do their job so well?
Avoiding the kinds of aesthetic rankings of different graphic domains so often made by art historians and critics, Manfredo Massironi considers an extensive and representative sample of graphic applications with an open mind. He finds a deep mutuality between the material components of images and the activation of the perceptual and cognitive processes that create and decipher them.
Massironi first examines the material components themselves: the mark or line, the plane of representation (the angle formed by the actual drawing surface and the depicted objects), and the position of the viewpoint relative to the depicted objects. The roles played by these three components are independent of the content of the drawing; they function in the same way in concrete and abstract representations. He then closely scrutinizes the choices made by the person planning and executing the drawings. Given that any object can be depicted in an infinite number of different ways, the drawer performs continuous work emphasizing and excluding different features. The choices are typically unconscious and guided by his or her communicative goals. A successful graph, be it simple or complex, is always successful precisely because the emphasized features are far fewer in number than the excluded ones. Finally, he analyzes the perceptual and cognitive integrations made by the viewer.
Drawings are not simply tools for communication but important instruments for investigating reality and its structure. Richly illustrated, the book includes a series of graphic exercises that enable readers to get a sense of their own perceptual and cognitive activity when inspecting images. Massironi's pathbreaking taxonomy of graphic productions will illuminate all the processes involved in producing and understanding graphic images for a wide audience, in fields ranging from perceptual and cognitive psychology through human factors and graphic design to architecture and art history.

This book explores the nature of one of the most ancient tools for nonverbal communication: drawings. They are naturally adaptable enough to meet an incredibly wide range of communication needs. But how exactly do they do their job so well?
Avoiding the kinds of aesthetic rankings of different graphic domains so often made by art historians and critics, Manfredo Massironi considers an extensive and representative sample of graphic applications with an open mind. He finds a deep mutuality between the material components of images and the activation of the perceptual and cognitive processes that create and decipher them.
Massironi first examines the material components themselves: the mark or line, the plane of representation (the angle formed by the actual drawing surface and the depicted objects), and the position of the viewpoint relative to the depicted objects. The roles played by these three components are independent of the content of the drawing; they function in the same way in concrete and abstract representations. He then closely scrutinizes the choices made by the person planning and executing the drawings. Given that any object can be depicted in an infinite number of different ways, the drawer performs continuous work emphasizing and excluding different features. The choices are typically unconscious and guided by his or her communicative goals. A successful graph, be it simple or complex, is always successful precisely because the emphasized features are far fewer in number than the excluded ones. Finally, he analyzes the perceptual and cognitive integrations made by the viewer.
Drawings are not simply tools for communication but important instruments for investigating reality and its structure. Richly illustrated, the book includes a series of graphic exercises that enable readers to get a sense of their own perceptual and cognitive activity when inspecting images. Massironi's pathbreaking taxonomy of graphic productions will illuminate all the processes involved in producing and understanding graphic images for a wide audience, in fields ranging from perceptual and cognitive psychology through human factors and graphic design to architecture and art history.

Why do we respond to others-both to their physical appearances and to their personalities? What are the social influences on face perception? Current research perspectives on physical appearance by distinguished behavioral scientists from around the world were brought together in a special issue of Current Psychology and are offered here in a useful compendium.

Chapters and contributors include: "Assessing the State of Organizational Safety-Culture or Climate?" Kathryn J. Mearns and Rhona Flin; "Why Did It Happen to Me? Social Cognition Processes in Adjustment and Recovery from Criminal Victimization and Illness" by Malcolm D. MacLeod; "What's in a Name, What's in a Place? The Role of Verbal Labels in Distinct Cognitive Tasks" by J.B. Deegowski, D.M. Parker, and P. George; "On Disregarding Deviants: Exemplar Typicality and Person Perception" by C. Neil Macrae, Galen V. Bodenhausen, Alan B. Milne, and Luigi Castelli; "Mood in Chronic Disease: Questioning the Answers" by Marie Johnston; "The Emotional Impact of Faces (but not Names): Face Specific Changes in Skin Conductance Responses to Familiar and Unfamiliar People" by Hadyn D. Ellis, Angela H. Quayle, and Andrew W. Young; "Average Faces are Average Faces" by Jim Pollard, John Shepard, and Jean Shepard; "Computer Graphic Studies of the Role of Facial Similarity in Judgments of Attractiveness" by I.S. Penton-Voak, D.I. Perrett, and J.W. Peirce; "One Extreme or the Other, or Perhaps the Golden Mean? Issues of Spatial Resolution in Face Processing" by Dennis M. Parker and Nicholas P. Costen; "The Impact of Character Attribution on Composite Production: A Real World Effect?" by Graham Davies and Heidi Oldman; "Repetition Priming of Face Gender Judgments: An Instance Based Explanation" by Dennis C. Hay.

Validation in Psychology will benefit students, researchers, and practitioners of psychology, criminology, sociology, and experts in organizational behavior who are concerned with the impact of physical appearance on health psychology, crime, organizational safety, and above all, person perception.

This book collects both classic and contemporary articles in visual perception, providing the reader with an overview of key research ideas as they first appeared. The articles span a century of research: the earliest was published in 1894, the most recent in 1997. There are examples from each of the many disciplines that have contributed to our current understanding of vision, including experimental psychology, cognitive psychology, neurophysiology, and functional neuroimaging. The topics include theoretical perspectives, early vision, perceptual organization and constancy, object and spatial vision, and visual attention and awareness. A brief introduction to each article by the editor provides an intellectual context and pointers to subsequent developments. Suggestions for further reading and discussion questions provide a framework for students to strengthen their understanding of different topics.

This book will be an excellent source of supplementary readings in an advanced undergraduate or graduate course in vision, or a stand-alone text for an in-depth graduate seminar. Professionals in psychology, cognitive neuroscience, visual science, and cognitive science will find this a valuable addition to their personal libraries.

Related link: Free Email Alerting

A unique collection of contemporary writings, this book explores the politics involved in the making and experiencing of architecture and cities from a cross-cultural and global perspective

Taking a broad view of the word 'politics', the essays address a range of questions, including:

• 
  

  
  

• What is the relationship between politics and the making of space?
• 
  
• What role has theory played in reinforcing or resisting political power?
• 
  
• What are the political difficulties associated with working relationships?
• 
  
• Do the products of our making construct our identity or liberate us?
• 
  

A timely volume, focusing on an interdisciplinary debate on the politics of making, this is valuable reading for all students, professionals and academics interested or working in architectural theory.

The edited book series Studies in Perception and Action contains a collection of research presented at the International Conference on Perception and Action (ICPA). The Studies series has appeared in conjunction with the biennial ICPA since 1991. ICPA provides a forum for presenting new data, theory, and methodological developments relevant to the ecological approach to perceptionaction. This volume is the 9th in the Studies in Perception and Action series, and it contains research presented at the 14th ICPA meeting in the summer of 2007. The sixty papers presented in this volume represent the latest developments in ecological psychology research from four continents. In many instances, the contributions to Studies volumes reflect the first appearance of new ideas in a scientific venue. As a result, the Studies volumes contain the most recent and cutting edge research in perception and action. This volume will appeal to individuals who follow the research literature in ecological psychology, as well as those interested in perception, perceptual development, human movement dynamics, and social processes.

Originally published in 1925, this book embodies the results of research on red-green colour-blind subjects, supplemented by brief accounts of blue-yellow, total, and acquired colour-blindness to complete the description of the different forms of the defect. After a historical survey of previous work by such men as Dalton, Helmholtz, Rayleigh, Edridge-Green and others, the author deals with the most important theories of colour-blindness, and with a description of the tests and a discussion of their results.

First published in 1989. Routledge is an imprint of Taylor and Francis, an informa company.

Since 1991, the edited book series Studies in Perception and Action has appeared in conjunction with the biennial International Conference of Perception and Action (ICPA). ICPA provides a forum for researchers and academics who share a common interest in ecological psychology to come together, present new research, and foster ideas towards the advancement of the field. This volume highlights research presented at the 18th ICPA meeting, hosted by the University of Minneapolis in the summer of 2015. The short papers presented in this book represent the contributions of researchers and laboratories from across the globe, on a wide variety of topics in perception and action. This volume will especially appeal to those that are interested in James J. Gibson's ecological approach to psychology, as well as, more broadly, students and researchers of action and coordination, visual and haptic perception, perceptual development, human movement dynamics, human factors, and social processes.

This volume is the 11th in the Studies in Perception and Action series and contains research presented at the 16th International Conference on Perception and Action (ICPA) meeting in the summer of 2011. ICPA provides a forum for presenting new data, theory, and methodological developments relevant to the ecological approach to perception and action. The forty-nine papers presented in this volume are divided into five Parts and represent the latest developments in ecological psychology research from four continents. In many instances, the contributions to Studies volumes reflect the first appearance of new ideas in a scientific venue. As a result, this book contains the most recent and cutting-edge research in perception and action. This volume will appeal to individuals who follow the research literature in ecological psychology, as well as those interested in perception, perceptual development, human movement dynamics, social processes, and human factors.

This volume is the 10th in the Studies in Perception and Action series and contains research presented at the 15th International Conference on Perception and Action (ICPA) meeting in the summer of 2009. ICPA provides a forum for presenting new data, theory, and methodological developments relevant to the ecological approach to perception and action. The forty papers presented in this volume are divided into five Parts and represent the latest developments in ecological psychology research from four continents. In many instances, the contributions to Studies volumes reflect the first appearance of new ideas in a scientific venue. As a result, this book contains the most recent and cutting-edge research in perception and action. This volume will appeal to individuals who follow the research literature in ecological psychology, as well as those interested in perception, perceptual development, human movement dynamics, and social processes.

John Locke's Essay Concerning Human Understanding is among the most important books in philosophy ever written. It is also a difficult work dealing with many themes, including the origin of ideas; the extent and limits of human knowledge; the philosophy of perception; and religion and morality. This volume is original in that it focuses on the last two of these topics and provides a clear and insightful survey of these overlooked aspects of Locke's best known work. Four eminent Locke scholars present authoritative discussions of Locke's view on the ethics of belief, personal identity, free will and moral theory. Contributors include John Passmore (Australian National University), Harold Noonan (Birmingham University), Vere Chappell (University of Massachusetts, Amherst), and Daniel Flage (James Madison University).

John Locke's Essay Concerning Human Understanding is among the most important books ever written in philosophy. It is a long and complex work dealing with many themes such as the origin of ideas, the extent and limits of human knowledge, the philosophy of perception and morality and religion. This volume is original in that it focuses clearly on the last two of these topics and highlights the importance of these in the book as a whole. It presents an extensive interpretive introduction by the editors and four essays by distinguished contemporary philosophers on Locke's views on the ethics of belief, personal identity, free will and moral theory. It will interest students and specialists interested in the history of philosophy, political science, religion and history.

First published in 1987. Routledge is an imprint of Taylor and Francis, an informa company.

Originally published in 1991, the essays in this volume are written by philosophers who were convinced that Wittgenstein's investigations in philosophical psychology were of direct relevance to current experimental psychology at the time. Rather than reflecting on the nature of psychological theory at a high level of abstraction, they examined leading theories and controversies in the experimental study of vision and of language in order to reveal the conceptual problems that they raise and the philosophical theories that have exerted an influence upon them. Under the section headings 'Language and Behaviour' and 'Perception and Representation', the essays examine the work of Chomsky, Gregory, Marr, Weiskrantz and others, and discuss problems ranging from artificial intelligence to animal communications, from blindsight to machine vision. The collection aims to demonstrate that philosophical investigations can contribute to psychological science by extirpating conceptual confusions which have been woven into the fabric of empirical research. The majority of the essays had been specially commissioned, and the contributors include several of the most distinguished exponents of Wittgenstein's philosophical legacy at the time.

Originally published in 1981, perceptual organization had been synonymous with Gestalt psychology, and Gestalt psychology had fallen into disrepute. In the heyday of Behaviorism, the few cognitive psychologists of the time pursued Gestalt phenomena. But in 1981, Cognitive Psychology was married to Information Processing. (Some would say that it was a marriage of convenience.) After the wedding, Cognitive Psychology had come to look like a theoretically wrinkled Behaviorism; very few of the mainstream topics of Cognitive Psychology made explicit contact with Gestalt phenomena. In the background, Cognition's first love - Gestalt - was pining to regain favor. The cognitive psychologists' desire for a phenomenological and intellectual interaction with Gestalt psychology did not manifest itself in their publications, but it did surface often enough at the Psychonomic Society meeting in 1976 for them to remark upon it in one of their conversations. This book, then, is the product of the editors' curiosity about the status of ideas at the time, first proposed by Gestalt psychologists. For two days in November 1977, they held an exhilarating symposium that was attended by some 20 people, not all of whom are represented in this volume. At the end of our symposium it was agreed that they would try, in contributions to this volume, to convey the speculative and metatheoretical ground of their research in addition to the solid data and carefully wrought theories that are the figure of their research.

The research literature on causal attribution and social cognition generally consists of many fascinating but fragmented and superficial phenomena. These can only be understood as an organised whole by elucidating the fundamental psychological assumptions on which they depend. Originally published in 1993, Psychological Metaphysics is an exploration of the most basic and important assumptions in the psychological construction of reality, with the aim of showing what they are, how they originate, and what they are there for. Peter A. White proposes that people basically understand causation in terms of stable, specific powers of things operating to produce effects under suitable conditions. This underpins an analysis of people's understanding of causal processes in the physical word and of human action, which makes a radical break with the Heiderian tradition. Psychological Metaphysics suggests that causal attribution is in the service of the person's practical concerns and any interest in accuracy or understanding is subservient to this. A notion of regularity in the world is of no more than minor importance in causal attribution, and social cognition is not so much a matter of cognitive mechanisms or processes but more of cultural ways of thinking imposed upon tacit, unquestioned, universal assumptions. Psychological Metaphysics incorporates not only research and theory in social cognition and developmental psychology, but also philosophy and the history of ideas. It will be challenging to everyone interested in how we try to understand the world.

In this book a leading researcher and artist explores how we see pictures and how they can communicate messages to us, both directly and indirectly by making allusions to objects in space or to stored images in our minds. Originally published in 1990, Dr Wade provides fascinating examples of pictures that communicate hidden messages, either by implying something else, or by a shape or portrait which is carried covertly within another design. He analyses image processing stages in vision, demonstrating that the various stages may be related to styles in representational art. He shows how the way we have been taught to look at and recognise objects, affects the way we see them. The book lavishly illustrates with original examples of visual allusions and includes detailed practical advice on how photographers and designers can create them. Essential reading for photographers, designers, artists, people in film and television, and anyone involved in visual science , visual communication and advertising.

Originally published in 1977, this volume contains the most recent theoretical views and experimental findings by prominent psychologists at the time, working in areas they considered to be most basic to the reading processes. The material will still be of value to people interested in applied and basic aspects of reading, as well as those concerned with language processing and information processing in general. The volume divides conveniently into two areas, perception and comprehension. The initial chapters deal with the perceptual processes involved in reading. The second half of the volume delves into the area of comprehension. The interested reader will find a wide variety of topics covered in the volume that reflect the amazingly wide range of cognitive functions that are part of the reading process.

In the late 1970s, reading research had become a true interdisciplinary endeavour with flavours of anthropology, artificial intelligence, cognitive psychology, educational psychology, linguistics, neuroscience and instructional technology. Given appropriate integration, results from these diverse perspectives can enhance our understanding of reading behaviour tremendously, both in its acquisition and in its skilled functioning. Thus, the enthusiasm for such interdisciplinary interaction had been quite intense for some time. In the years before publication, the National Reading Conference had been doing everything possible to accelerate this interaction. Originally published in 1981, the chapters in this book are the fruits of that effort. The research focuses on specifying skills in identifying alphabetical elements and the rules that govern their combination, on constructing models that characterize the recognition of individual words and the interpretation of texts, and on discovering what factors are responsible for blocking the normal acquisition process in many children. Chapters 2 to 12 of this book reflect these changing foci. They are nevertheless sandwiched by two chapters that deal with the historical background and future outlook of reading instruction.

Originally published in 1989, this sourcebook for anatomic studies in the neuropsychology of visual perception contains chapters on disorders of visual agnosias, impaired object perception and spatial neglect, and abnormal visual imagery. The neurological basis of visual perception and the disorders that result from brain damage are discussed. At the time the chapters in this volume constituted a state of the art survey in this area and provided data that were essential for the development of models of normal image and object formation.

Originally published in 1981, this volume represents the edited proceedings of the third symposium on eye movements and behaviour sponsored by the US Army Human Engineering Laboratory. The conference, titled "The Last Whole Earth Eye Movement Conference" was held in Florida in February 1980. As the conference approached, seizure of the American hostages by the Iranian militants, the Russian invasion of Afghanistan, and the uncertain economic outlook around the world made it appear as though the title was a self-fulfilling prophecy. But the meeting proved highly successful and people throughout the world seemed to be adapting to the stresses of international tension, making the possibility of subsequent meetings more likely. The present volume is intended to serve as a complementary text to the earlier texts Eye Movements and Psychological Processes (Monty & Senders, 1976) and Eye Movements and the Higher Psychological Functions (Senders, Fisher & Monty, 1978), rather than a revision and update of them.