Through these broad and sprawling notebooks, Heidegger offers fascinating opinions on Holderlin, Nietzsche, Wagner, Wittgenstein, Pascal, and many others. The importance of the Black Notebooks transcends Heidegger's relationship with National Socialism. These personal notebooks contain reflections on technology, art, Christianity, the history of philosophy, and Heidegger's attempt to move beyond that history into another beginning.

Social philosophy oscillates between two opposing ideas: that individuals fashion society, and that society fashions individuals. The concept of 'situation' was elaborated by the French existentialist thinkers to avoid this dilemma. Individuals are seen as actively situating themselves in society at the same time as being situated by it. This book, first published in 1990, traces the development of the concept of situation through the work of Gabriel Marcel, Jean-Paul Sartre, Simone de Beauvoir and Maurice Merleau-Ponty. It shows how it illuminates questions of self or subjectivity, embodiment and gender, society and history, and argues that it goes far beyond the currently fashionable notions of the 'death of the subject'.

This volume illustrates the relevance of phenomenology to a range of contemporary concerns. Displaying both the epistemological rigor of classical phenomenology and the empirical analysis of more recent versions, its chapters discuss a wide range of issues from justice and value to embodiment and affectivity. The authors draw on analytic, continental, and pragmatic resources to demonstrate how phenomenology is an important resource for questions of personal existence and social life. The book concludes by considering how the future of phenomenology relates to contemporary philosophy and related academic fields.

This book, first published in 1961, is a careful analysis of this modern movement of thought, and especially of its leading German representative Martin Heidegger. This study presents a sound reading and criticism of the existentialist thinkers.

Contemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. But to sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology. The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art.

This book examines the various encounters between Jean-Luc Marion and Jacques Derrida on "the gift," considers their many differences on "desire," and demonstrates how these topics hold the keys to some of phenomenology's most pressing structural questions, especially regarding "deconstructive" approaches within the field. The book claims that the topic of desire is a central lynchpin to understanding the two thinkers' conflict over the gift, for the gift is reducible to the "desire to give," which initiates a turn to the topic of "generosity." To what degree might loving also imply giving? How far might it be suggested that love is reducible to desire and intentionality? It is demonstrated how Derrida (the generative "father" of deconstruction) rejects the possibility of any potential relation between the gift and desire on the account that desire is bound to calculative repetition, economical appropriation, and subject-centered interests that hinder deconstruction. Whereas Marion (a representative of the phenomenological tradition) demands a unique union between the gift and desire, which are both represented in his "reduction to givenness" and "erotic reduction." The book is the first extensive attempt to contextualize the stark differences between Marion and Derrida within the phenomenological legacy (Husserl, Heidegger, Kant), supplies readers with in-depth accounts of the topics of the gift, love, and desire, and demonstrates another means through which the appearing of phenomena might be understood, namely, according to the generosity of things.

Braiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cezanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.

Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Edmund Husserl's work is a cornerstone of Continental philosophy and the phenomenological tradition. Husserl stands as a key influence on such major philosophers as Heidegger, Merleau-Ponty and Sartre, and is required reading for anyone studying phenomenology and European philosophy of the last 100 years. However, the complex ideas central to his work, and the rather convoluted language in which they are expressed, mean that arriving at a full and clear understanding of Husserlian phenomenology is no small undertaking. Husserl: A Guide for the Perplexed addresses directly those major points of difficulty faced by students of Husserl and leads them expertly through the maze of complex ideas and language. In identifying and working through common sources of confusion arising from Husserl's philosophy, the book builds up a comprehensive and authoritative overview of his thought and, more broadly, of phenomenology itself. The text covers the central tenets of phenomenology, Husserl's work on consciousness, and key philosophical topics in Husserl, including psychologism, intersubjectivity, the lifeworld and the crisis of the sciences.

In this important new book, Richard Polt takes a fresh approach to Heidegger's thought during his most politicized period, and works toward a philosophical appropriation of his most valuable ideas. Polt shows how central themes of the 1930s-such as inception, emergency, and the question "Who are we?"-grow from seeds planted in Being and Time and are woven into Heidegger's political thought. Working with recently published texts, including Heidegger's Black Notebooks, Polt traces the thinker's engagement and disengagement from the Nazi movement. He critiques Heidegger for his failure to understand the political realm, but also draws on his ideas to propose a "traumatic ontology" that understands individual and collective existence as identities that are always in question, and always remain exposed to disruptive events. Time and Trauma is a bold attempt to gain philosophical insight from the most problematic and controversial phase of Heidegger's thought.

the Logische Untersuchungen, l phenomenology has been conceived as a substratum of empirical psychology, as a sphere comprising "imma nental" descriptions of psychical mental processes, a sphere compris ing descriptions that - so the immanence in question is understood - are strictly confined within the bounds of internal experience. It 2 would seem that my protest against this conception has been oflittle avail; and the added explanations, which sharply pinpointed at least some chief points of difference, either have not been understood or have been heedlessly pushed aside. Thus the replies directed against my criticism of psychological method are also quite negative because they miss the straightforward sense of my presentation. My criticism of psychological method did not at all deny the value of modern psychology, did not at all disparage the experimental work done by eminent men. Rather it laid bare certain, in the literal sense, radical defects of method upon the removal of which, in my opinion, must depend an elevation of psychology to a higher scientific level and an extraordinary amplification ofits field of work. Later an occasion will be found to say a few words about the unnecessary defences of psychology against my supposed "attacks."

Latin American and Latinx Philosophy: A Collaborative Introduction is a beginner's guide to canonical texts in Latin American and Latinx philosophy, providing the non-specialist with necessary historical and philosophical context, and demonstrating their contemporary relevance. It is written in jargon-free prose for students and professors who are interested in the subject, but who don't know where to begin. Each of the twelve chapters, written by a leading scholar in the field, examines influential texts that are readily available in English and introduces the reader to a period, topic, movement, or school that taken together provide a broad overview of the history, nature, scope, and value of Latin American and Latinx philosophy. Although this volume is primarily intended for the reader without a background in the Latin American and Latinx tradition, specialists will also benefit from its many novelties, including an introduction to Aztec ethics; a critique of "the Latino threat" narrative; the legacy of Latin American philosophy in the Chicano movement; an overview of Mexican existentialism, Liberation philosophy, and Latin American and Latinx feminisms; a philosophical critique of indigenism; a study of Latinx contributions to the philosophy of immigration; and an examination of the intersection of race and gender in Latinx identity.

This study, first published in 1984, presents an explanation and critical examination of the theories of Sartre, Heidegger, Husserl and Hegel on the fundamental relationships between persons. It also synthesizes the results into a new conception of one's relation to other people. Sartre's famous discussion of 'the Look' in his early treatise, Being and Nothingness, is the point of departure and central text. Since Sartre critically responds to his three famous predecessors, these thinkers are given an independent hearing. The book demonstrates various ways in which persons are internally related to one another, shows that one's access to other people typically does not compare unfavourably with one's access to oneself, and establishes the importance of a prior comprehension of the status of other people for an adequate treatment of knowing them.

This book, first published in 1987, is an extended examination of Merleau-Ponty's political philosophy. It describes and critically elucidates the main political themes to be found in his writings, and shows how his political ideas are related to his general phenomenological philosophy.

This book, first published in 1965, is a critical exposition of the philosophical doctrines of Jean-Paul Sartre. His contribution to ethical and political theory, and to metaphysics and ontology, is reviewed against the background of German idealism and phenomenology, and his arguments are presented clearly so that readers may assess their philosophical value in their own right.

This book, first published in 1951, discusses the fundamental concepts which have crystallized around the fatal 'crisis'. It proceeds by critically examining the theories which, from Kierkegaard to Heidegger, Sartre and their associates, have placed Existentialism in the focus of philosophical thought.

Friis and Crease capture Postphenomenology, a new field that has attracted attention among scholars engaged in technology studies. Contributors to this edited collection seek to analyze, clarify, and develop postphenomenological language and concepts, expand the work of Don Ihde, the field's founder, and scout into fields that Ihde never tackled. Many of the contributors to this collection had especially close ties to Ihde and have benefited from close work with him. This combined with the distinctive diversity of the contributors-18 people from 10 different countries-enables this volume to put on display the diversity of content and styles in this young movement.

Levinas's account of responsibility challenges dominant notions of time, autonomy, and subjectivity according to Cynthia D. Coe. Employing the concept of trauma in Levinas's late writings, Coe draws together his understanding of time and his claim that responsibility is an obligation to the other that cannot be anticipated or warded off. Tracing the broad significance of these ideas, Coe shows how Levinas revises our notions of moral agency, knowledge, and embodiment. Her focus on time brings a new interpretive lens to Levinas's work and reflects on a wider discussion of the fragmentation of human experience as an ethical subject. Coe's understanding of trauma and time offers a new appreciation of how Levinas can inform debates about gender, race, mortality, and animality.

John Sallis's thought is oriented to two overarching tasks: to bring to light the elemental in nature and to show how the imagination operates at the very center of human experience. He undertakes these tasks by analyzing a broad range of phenomena, including perception, the body, the natural world, art, space, and the cosmos. In every case, Sallis develops an original form of discourse attuned to the specific phenomenon and enacts a thorough reflection on discourse itself in its relation to voice, dialogue, poetry, and translation. Sallis's systematic investigations are complemented by his extensive interpretations of canonical figures in the history of philosophy such as Plato, Aristotle, Kant, Schelling, and Hegel and by his engagement with the most original thinkers in the areas of phenomenology, hermeneutics, and deconstruction.

Let us revive the true sense of fine arts: enchantment! In the conceptualised, commercialised, artificial approach to fine arts, we forgot its authentic experiential sense. It lies at the imaginative heart of all arts there to be retrieved by the creative recipient as the very 'truth of it all'.

The philosopher Stanley Cavell once asked, "Can a human being be free of human nature?" "On Ceasing to Be Human" examines philosophical as well as literary texts and contexts, in which various senses of Cavell's question might be explored and developed. During the past thirty or so years, the very concept of "being human" has been called into question within such fields as cybernetics, animal-rights theory, analytic philosophy (neurophilosophy in particular). This book examines these issues, but its main concern is the link between freedom and nonidentity that Cavell's question implies, and which turns out to be a major concern among the thinkers Bruns takes up in this book: Maurice Blanchot, Emmanuel Levinas, Michel Foucault, Gilles Deleuze and Felix Guattari, and Jacques Derrida. Each of these is, in different ways, a philosopher of the "singular" for whom the singular cannot be reduced to concepts, categories, distinctions, or the rule of identity.

From the twentieth century in the twenty-first, psychoanalysis and deconstruction have challenged, and continue to challenge, our conceptions of subjectivity and selfhood. Psychoanalysis revealed that even in our innermost households we are never quite alone; rather, instances of "otherness" incessantly interfere in our most intimate relation to ourselves, forcing us to adapt continuously. Deconstruction, inheriting both this psychoanalytic disclosure and Heidegger's destruction of the history of metaphysics, went to the foundations of the Western constructions of "the subject" and "the self," only to find how a destabilizing otherness was always already haunting them. What, if anything, remains of the self in the aftermath? Early on in the wake of deconstruction, a certain misconceived and simplified notion of the "death of the subject" was proclaimed and in recent years more or less successful attempts have been made at reviving the notions of "the subject," "the self," and "agency." In contrast to these attempts at revival, this book offers a two-pronged approach: On the one hand, it argues that neither psychoanalysis nor deconstruction propounds a simple annihilation of the subject or liquidation of the self; on the other hand, however, neither do they pave the way for a "return to the subject" or "resurrection of the self" that would allow us once again to become confident about our presence to ourselves. Instead, this book suggests that if we set ourselves the task of taking up the heritage from psychoanalysis and deconstruction in a serious manner, we are obliged to retrace the subject and the self as undergoing perpetual auto-deconstruction.

The aim of this volume is to critically assess the philosophical importance of phenomenology as a method for studying the normativity of meaning and its transcendental conditions. Using the pioneering work of Steven Crowell as a springboard, phenomenologists from all over the world examine the promise of phenomenology for illuminating long-standing problems in epistemology, the philosophy of mind, action theory, the philosophy of religion, and moral psychology. The essays are unique in that they engage with the phenomenological tradition not as a collection of authorities to whom we must defer, or a set of historical artifacts we must preserve, but rather as a community of interlocutors with views that bear on important issues in contemporary philosophy. The book is divided into three thematic sections, each examining different clusters of issues aimed at moving the phenomenological project forward. The first section explores the connection between normativity and meaning, and asks us to rethink the relation between the factual realm and the categories of validity in terms of which things can show up as what they are. The second section examines the nature of the self that is capable of experiencing meaning. It includes essays on intentionality, agency, consciousness, naturalism, and moral normativity. The third section addresses questions of philosophical methodology, examining if and why phenomenology should have priority in the analysis of meaning. Finally, the book concludes with an afterword written by Steven Crowell. Normativity, Meaning, and the Promise of Phenomenology will be a key resource for students and scholars interested in the phenomenological tradition, the transcendental tradition from Kant to Davidson, and existentialism. Additionally, its forward-looking focus yields crucial insights into pressing philosophical problems that will appeal to scholars working across all areas of the discipline.

Is our ego but an illusion, a mere appearance produced by a reality that is foreign to us? Is it the main source of violence and injustice? Jacob Rogozinski calls into question these prejudices that dominate current philosophy, psychoanalysis, and the human sciences. Arguing that we must distinguish the true ego from the alienated and narcissistic construct, he calls for an end to egicide, or the destruction of the ego. Ego and the Flesh offers a critique of the two masters of egicide, Heidegger and Lacan, along with a rereading of Descartes, who was the first to discover the absolute truth of "I am." The book's main purpose, however, is to provide an entirely new theory of the self, egoanalysis, which reveals a divided ego-flesh. Constantly striving to attain unity, the ego-flesh is haunted by a remainder, whose role sheds light on various enigmas: the encounter with the other, the passage from hate to love, the death and the resurrection of the I. For ego-analysis is no mere theory: it opens the way to our deliverance.

This book addresses the 'perennial' question of the meaning of life from the point of view of a novel interpretation of Aristotle's teleology. Beginning with the premise that at the core of modernity and modern moral imagination are the entropy of meaning and the sense of meaninglessness, the author critically engages with the work of the post-war existentialists, chiefly that of Albert Camus and Martin Heidegger, to argue that their analyses are unconvincing and that the question of the meaning of being should therefore be approached using different assumptions, based on the notion of flourishing life. From this Aristotelian outlook, Existence, Meaning, Excellence employs Alasdair MacIntyre's critique of modernity, together with his conceptions of practice and the narrative unity of life and tradition to provide a novel philosophical account of existence, meaning and excellence - an account which is used to contribute to debates (between Kantian and Nietzschean perspectives) on the nature of art and genius, with Mozart's genius being used by way of illustration. A fascinating and powerfully argued engagement with existentialist thought that draws on the 'virtue' tradition to explore questions of meaning, as well as wider questions within philosophy, this book will appeal to philosophers and social theorists with interests in existentialism, moral philosophy and accounts of 'the good' based on the notions of human flourishing.