There are perpetual debates about the extent of freedom in politics. Are we free to choose? Are we overdetermined by our material conditions? Some hybrid between the two? What is more, how are we to comprehend ourselves as creators of history if freedom itself is a problematic concept? And what would it mean if self-comprehension were foreclosed by this problematic? In this text, Austin Hayden Smidt analyzes an oft-overlooked text by Jean-Paul Sartre in order to ground a logical framework for exploring this paradox. In Critique of Dialectical Reason, Sartre sought to develop an historical and structural heuristic; one that would enable future theorists and activists alike to assess the pressing problems facing the various milieux of capitalist life. Through this heuristic, his intent was to develop an orientation enabling humans to transform their world in their perpetual creation of themselves (and vice versa). However, the stylistic difficulties of the text, as well as a general agreement among previous interpreters, has prevented the richness of the investigation from taking root. This book sets a new course, and invites further collaboration as - together - we create society as a work of art.

A comprehensive and scholarly exploration of the personal and philosophical origins of Andre Gorz's work, this book includes a unique analysis of his early untranslated texts, as well as critical discussion of his relationship to the work of Husserl, Sartre, Merleau-Ponty, Marx and Habermas. Reassessing pivotal notions such as the 'lifeworld' and the 'subject', it argues that Gorz has pioneered a person-centred social theory in which the motive and meaning of social critique is firmly rooted in people's lived experience.

In Diminished Faculties Jonathan Sterne offers a sweeping cultural study and theorization of impairment. Drawing on his personal history with thyroid cancer and a paralyzed vocal cord, Sterne undertakes a political phenomenology of impairment in which experience is understood from the standpoint of a subject that is not fully able to account for itself. He conceives of impairment as a fundamental dimension of human experience, examining it as both political and physical. While some impairments are enshrined as normal in international standards, others are treated as causes or effects of illness or disability. Alongside his fractured account of experience, Sterne provides a tour of alternative vocal technologies and practices; a study of "normal" hearing loss as a cultural practice rather than a medical problem; and an intertwined history and phenomenology of fatigue that follows the concept as it careens from people to materials science to industrial management to spoons. Sterne demonstrates how impairment is a problem, opportunity, and occasion for approaching larger questions about disability, subjectivity, power, technology, and experience in new ways. Diminished Faculties ends with a practical user's guide to impairment theory.

In attempting to answer the question posed by this book's title, Giorgio Agamben does not address the idea of philosophy itself. Rather, he turns to the apparently most insignificant of its components: the phonemes, letters, syllables, and words that come together to make up the phrases and ideas of philosophical discourse. A summa, of sorts, of Agamben's thought, the book consists of five essays on five emblematic topics: the Voice, the Sayable, the Demand, the Proem, and the Muse. In keeping with the author's trademark methodology, each essay weaves together archaeological and theoretical investigations: to a patient reconstruction of how the concept of language was invented there corresponds an attempt to restore thought to its place within the voice; to an unusual interpretation of the Platonic Idea corresponds a lucid analysis of the relationship between philosophy and science, and of the crisis that both are undergoing today. In the end, there is no universal answer to what is an impossible or inexhaustible question, and philosophical writing-a problem Agamben has never ceased to grapple with-assumes the form of a prelude to a work that must remain unwritten.

The concept of chiasm has played major role in continental philosophy, where it has referred to various phenomenological and hermeneutic structures of reversibility, intertwining, and encounter. In Chiasmatic Encounters: Art, Ethics, Politics, fourteen international contributors representing various fields of expertise analyze this central concept and its significance for contemporary cultural theory. The authors discuss the work of major philosophers like Merleau-Ponty, Beauvoir, Habermas, Levinas, Derrida, and Deleuze, adapting their ideas of chiasmatic relations to cultural analysis. As the internal and external horizons of perception and experience are intertwined and reversed, various cultural texts, like a Vermeer painting, a symphony of Sibelius, a David Lynch movie, or a young girl walking in her summer dress, are seen from new and unexpected angles. The book also addresses the chiasmatic crossing between ethics and politics-- between unconditional ethical responsibility and always conditional political choices. Representing the cutting edge of contemporary cultural theory and interdisciplinary thinking, Chiasmatic Encounters is essential reading for anyone working in continental philosophy, aesthetics, or political theory.

This innovative volume examines the phenomenological, existential and cultural dimensions of grief experiences. It draws on perspectives from philosophy, psychology and sociocultural studies to focus on the experiential dimension of grief, moving beyond understanding from a purely mental health and psychiatry perspective. The book considers individual, shared and collective experiences of loss. Chapters explore the intersections between the profound existential experiences of bereavement and how this is mediated by sociocultural norms and practices. It points to new directions for the future conceptualization and study of grief, particularly in the experiential dimension. Drawing on a range of interdisciplinary perspectives, this important book will appeal to academics, researchers and students in the fields of death and bereavement studies, wellbeing and mental health, philosophy and phenomenological studies.

Presents a novel framework for conceptualizing issues that have traditionally been considered by separate disciplines including psychology, philosophy, psychiatry, psychotherapy and theology. For the first time existential statuses of objects (absolute, strong, incomplete, weak and super-weak) are distinguished, and applied to describe various phenomena in science, religion and psychology.

This book explores the threshold between phenomenology and lived religion in dialogue with three French luminaries: Michel Henry, Jean-Luc Marion, and Jean-Yves Lacoste. Through close reading and critical analysis, each chapter touches on how a liturgical and ritual setting or a spiritual vision of the body can shape and ultimately structure the experience of an individual's surrounding world. The volume advances debate about the scope and limits of the phenomenological analysis of religious themes and disturbs the assumption that theology and phenomenology are incapable of constructive interdisciplinary dialogue.

On Beauty and Measure features renowned philosopher John Sallis' commentaries on Plato's dialogues the Symposium and the Statesman. Drawn from two lecture courses delivered by Sallis, they represent his longest and most sustained engagement to date with either work. Brilliantly original, Sallis's close readings of Plato's dialogues are grounded in the original passages and also illuminate the overarching themes that drive the dialogues.

Jan Patocka, perhaps more so than any other philosopher in the twentieth century, managed to combine intense philosophical insight with a farsighted analysis of the idea and challenges facing Europe as a historical, cultural and political signifier. As a political dissident in communist Czechoslovakia he also became a moral and political inspiration to a generation of Czechs, including Vaclav Havel. He accomplished this in a time of intense political repression when not even the hint of a unified Europe seemed visible by showing in exemplary fashion how concrete thought can be without renouncing in any way its depth. Europe as an idea and a political project is a central issue in contemporary political theory. Patocka's political thought offers many original insights into questions surrounding the European project. Here, for the first time, a group of leading scholars from different disciplines gathers together to discuss the specific political impact of Patocka's philosophy and its lasting significance.

This book proposes that entrepreneurial practice is often considered an "applicable" paradigm. An "applicable" paradigm - which focus too much on planned, analytical, calculable, tool-based and ready-to-hand modes of decision making action. Hence, the equally important "theory of Nothing" has not received the attention it deserves. With reference to Heidegger's existence oriented philosophy, Heidegger and Entrepreneurship: A Phenomenological Approach indicates how nothing can be a condition for an entrepreneurial applicable paradigm. It is suggested that the "theory of Nothing" bears the possibility of further development and can re-create the entrepreneurial paradigm of applying and decision making. This may also indicate a structure for understanding the new possibilities in entrepreneurship practice, such as entrepreneurial education and research. The book will be of value to students, researchers, and academics with an interest in entrepreneurship, management, and innovation.

Sustainable Action and Motivation proposes individual competencies and institutional policies that can help overcome the motivational hurdles that hamper sustainable action. Following the Paris Agreement of 2015 and the UN Sustainable Development Goals, the political momentum urgently to begin the drastic reduction of greenhouse gas emissions has increased significantly. Affluent, high-income OECD countries are expected to take the lead in the global transition to a low carbon society. Given this, we need a better understanding of the motivational problems that people in affluent countries face with acting sustainably. This book investigates the above questions by analysing three fundamentally different perspectives: individuals and their motivation to act sustainably; institutions who take responsibility for issuing policies that steer us towards taking sustainable action; and humanity, each individual member of which ought to understand his or her non-sustainable behaviour in relation to the continued existence of the collective of human beings. Using theories from empirical psychology and a phenomenological approach to the research, this book will be of great interest to students and scholars of practical philosophy, psychology of motivation and environmental psychology, as well as policymakers looking for ways to implement effective policies that encourage pro-environmental behaviour.

This book critically examines the debate on Martin Heidegger's concept of Entscheidung ("decision") and his engagement and confrontation with Nazism in terms of his broader philosophical thought. It argues that one cannot explain Heidegger's actions without accounting for his idea of "decision" and its connection to his understanding of individual "fate" and national (and European) "destiny." The book looks at the relation of biography to philosophy and the ethical and political implications of appropriating Heidegger's thinking in these domains of inquiry. It highlights themes such as Heidegger's differences with the neo-Kantians in Germany; Heidegger on Kant and practical reason; and his reading of Nietzsche and Hegel. It offers a philosophical assessment grounded in Heidegger's own texts, with reference to historical and other philosophical commentaries on the rise of National Socialism in post-Weimar Germany and the philosophical issues associated with the interpretation of Nazi genocide and ideology. An important intervention in Western philosophy, this book will be of great interest to scholars and researchers of political philosophy, continental philosophy, German philosophy, philosophy in general, and political studies.

This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricoeur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricoeurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.

Jan Patocka, perhaps more so than any other philosopher in the twentieth century, managed to combine intense philosophical insight with a farsighted analysis of the idea and challenges facing Europe as a historical, cultural and political signifier. As a political dissident in communist Czechoslovakia he also became a moral and political inspiration to a generation of Czechs, including Vaclav Havel. He accomplished this in a time of intense political repression when not even the hint of a unified Europe seemed visible by showing in exemplary fashion how concrete thought can be without renouncing in any way its depth. Europe as an idea and a political project is a central issue in contemporary political theory. Patocka's political thought offers many original insights into questions surrounding the European project. Here, for the first time, a group of leading scholars from different disciplines gathers together to discuss the specific political impact of Patocka's philosophy and its lasting significance.

Explores the philosophy of walking by following the author on the walks made by Sartre, Kierkegaard, Nietzsche, Rousseau and other philosophers. Walking is fundamental to the work of some famous philosophers but until this book has been a neglected topic. Also includes chapters on Coleridge, Andre Breton and surrealism and Virginia Wolff to consider the wider intellectual context of walking. Bruce Baugh travelled extensively to retrace the walks by these figures, so the book is able to relate the walks themselves to the ideas of the philosophers discussed.

Explores the philosophy of walking by following the author on the walks made by Sartre, Kierkegaard, Nietzsche, Rousseau and other philosophers. Walking is fundamental to the work of some famous philosophers but until this book has been a neglected topic. Also includes chapters on Coleridge, Andre Breton and surrealism and Virginia Wolff to consider the wider intellectual context of walking. Bruce Baugh travelled extensively to retrace the walks by these figures, so the book is able to relate the walks themselves to the ideas of the philosophers discussed.

Presents a novel framework for conceptualizing issues that have traditionally been considered by separate disciplines including psychology, philosophy, psychiatry, psychotherapy and theology. For the first time existential statuses of objects (absolute, strong, incomplete, weak and super-weak) are distinguished, and applied to describe various phenomena in science, religion and psychology.

Absurdity, time, death-each poses a profound threat to Being, compelling us to face our limits and our finitude. Yet what does it mean to fully realize and experience these threats? Finite Transcendence: Existential Exile and the Myth of Home presents a thoughtful and thorough examination of these challenges and questions, arguing the universality of the realization of finitude in the experience of exile. By tracing the historical presence and experience of notions of "faith" and "exile" in Western thought from the Ancient Greeks to the present, Steven A. Burr demonstrates the character of each as fundamental constitutive components of what it means to be human. The book discusses essential elements of each, culminating in a compelling account of "existential exile" as a definitive name for the human experience of finitude. Burr follows with a comprehensive analysis of the writings of Albert Camus, demonstrating an edifying articulation of, engagement with, and reconciliation of the condition of existential exile. Finally, based on the model suggested in Camus's approach, Burr discusses responses to exile and articulates the meaning of home as the transcendence of exile. Finite Transcendence is a work that will be of great value to anyone working in or studying existentialism, philosophy of religion, hermeneutics, and social theory, as well as to anyone interested in questions of faith and society, religion, or secularity.

This book challenges the widespread view of Kierkegaard's idiosyncratic and predominantly religious position on mimesis. Taking mimesis as a crucial conceptual point of reference in reading Kierkegaard, this book offers a nuanced understanding of the relation between aesthetics and religion in his thought. Kaftanski shows how Kierkegaard's dialectical-existential reading of mimesis interlaces aesthetic and religious themes, including the familiar core concepts of imitation, repetition, and admiration as well as the newly arisen notions of affectivity, contagion, and crowd behavior. Kierkegaard's enduring relevance to the malaises of our own day is firmly established by his classic concern for the meaning of human life informed by reflective meditation on the mimeticorigins of the contemporary age. Kierkegaard, Mimesis, and Modernity will be of interest to scholars and advanced students working on Kierkegaard, Continental philosophy, the history of aesthetics, and critical and religious studies.

Sonic Intimacy asks us who-or what-deserves to have a voice, beyond the human. Arguing that our ears are far too narrowly attuned to our own species, the book explores four different types of voices: the cybernetic, the gendered, the creaturely, and the ecological. Through both a conceptual framework and a series of case studies, Dominic Pettman tracks some of the ways in which these voices intersect and interact. He demonstrates how intimacy is forged through the ear, perhaps even more than through any other sense, mode, or medium. The voice, then, is what creates intimacy, both fleeting and lasting, not only between people, but also between animals, machines, and even natural elements: those presumed not to have a voice in the first place. Taken together, the manifold, material, actual voices of the world, whether primarily natural or technological, are a complex cacophony that is desperately trying to tell us something about the rapidly failing health of the planet and its inhabitants. As Pettman cautions, we would do well to listen.

Human thinking depends not only on words but also on visual imagery. Visual argumentation directly exploits the logic of the pictorial, while verbal arguments, too, draw on figurative language, and thus ultimately on images. In the centuries of handwritten documents and the printed book, our educational culture has been a predominantly verbal one. Today the challenge of the pictorial is explicit and conspicuous. In the digital world, we are experiencing an unprecedented wealth of images, animations and videos. But how should visual content be combined with traditional texts? This volume strives to present a broad humanities background showing how going beyond the word was always an issue in, and by now has become an inevitable challenge to, pedagogy and philosophy.

This book offers the first comprehensive assessment of Heidegger's account of affective phenomena. Affective phenomena play a significant role in Heidegger's philosophy - his analyses of mood significantly influenced diverse fields of research such as existentialism, hermeneutics, phenomenology, theology and cultural studies. Despite this, no single collection of essays has been exclusively dedicated to this theme. Comprising twelve innovative essays by leading Heidegger scholars, this volume skilfully explores the role that not only Angst plays in Heidegger's work, but also love and boredom. Exploring the nature of affective phenomena in Heidegger, as well as the role they play in wider philosophical debates, the volume is a valuable addition to Heideggerian scholarship and beyond, enriching current debates across disciplines on the nature of human agency.

Once a prophet of critical, "other" thought, Heidegger has now for many become the epitome of the unthinkable, in the light of the Black Notebooks controversy. The unthinkable here is anti-Semitism. The encounter between Heidegger and the Jews has thus come to signify - very much in the spirit of Heidegger's own anti-Judaism - the end of thought. The present volume resists this view by positing not only Heidegger but also the Jewish people as representing thought. The encounter between Heidegger and various traditions of Jewish thought is conceived here as a conversation inter alia, an exchange between real or perceived "others": others to the philosophical tradition, to mainstream modernity, to Western Christian metaphysics, to each other, and even to themselves. The conversation takes shape in this volume as a symposium of seventeen essays by leading scholars both of Heidegger's philosophy and of Jewish Studies.

Most readers of Sartre focus only on the works written at the peak of his influence as a public intellectual in the 1940s, notably "Being and Nothingness". "Jean-Paul Sartre: Key Concepts" aims to reassess Sartre and to introduce readers to the full breadth of his philosophy. Bringing together leading international scholars, the book examines concepts from across Sartre's career, from his initial views on the "inner life" of conscious experience, to his later conceptions of hope as the binding agent for a common humanity. The book will be invaluable to readers looking for a comprehensive assessment of Sartre's thinking - from his early influences to the development of his key concepts, to his legacy.