In the sixth Logical Investigation, Husserl defines meaning, objectivity, and knowledge by appealing to "syntheses of fulfilment" each act of conscious ness has a meaning-intention whereby it anticipates a range of fulfilling intuitions, whose ongoing synthesis would identify intended objects in the face of their changing appearances. Synthesis is essential to phenomenological description. But what does it mean to say that one experience is combined with others? This monograph is a speculative-exegetical Husserlian analysis of the ground, the mechanisms, and the results of synthesis. Focusing on Husserl's Logical Investigations, I argue that synthesizing consciousness must be a self-propelling, self-explicating system of interpretative acts driven by ongoing forward and backward references, grounding its structures as it proceeds, and positing its origins as that which must have been given "in advance." To this end, I develop a dialectical reading of Husserl's largely untreated category of "referring backward" (zuruckweisen). Treatments of Husserl's concept of synthesis have tended to focus on Husserl's later work on passive synthesis. By drawing out the centrality of the concept of synthesis in the Logical Investigations, I show how synthesis is at the foundation of intentionality as such, and also indicate the continuity of descriptive categories that run through both the early and the late Husserl. The Introduction to this study schematizes the modem history of the concept of synthesis, and reviews the secondary literature on Husserl's concept of synthesis."

This volume develops a historically informed phenomenology of caste and untouchability. It explores the idea of 'Brahmin' and the practice of untouchability by offering a scholarly reading of ancient and medieval texts. By going beyond the notions of purity and pollution, it presents a new framework of understanding relationships between social groups and social categories. An important intervention in the study of caste and untouchability, this book will be an essential read for the scholars and researchers of political studies, political philosophy, cultural studies, Dalit studies, Indology, sociology, social anthropology and Ambedkar studies.

Philip Blosser and Thomas Nenon The essays in the volume were assembled in honor of Lester Embree, who celebrated his 70th birthday on January 9, 2008. A preview of this volume was presented to Professor Embree at a reception sponsored by the Center for Advanced Research in Phenomenology that was held in his honor at the 2008 meeting of the Husserl Circle at Marquette University in Milwaukee, Wisconsin. The title Advancing Phenomenology is purposely ambiguous. On the one hand, these essays document the progress that phenomenology as an ongoing and vibrant movement has made in the period of over a century since its inception. They ill- trate the advance of phenomenology both in terms of the range of topics represented in this volume and in terms of the disciplinary and geographical diversity of the scholars who have contributed to it. The topics range from scholarly appropriations of past achievements in phenomenology, to concrete phenomenological investi- tions into ethics, gender, and environmental philosophy, as well as phenomenolo- cal reflections on the foundations of disciplines outside philosophy such as psychology, history, the social sciences, and archeology. The contributors come both from philosophy departments and from a number disciplines outside of philosophy such as sociology, psychology, and archeology; and they come from all around the world - from North America, from Western and Eastern Europe, from Latin America, and from several different countries in Asia.

This volume investigates the intersection of phenomenology and posthumanism by rethinking the human and nonhuman specifically with regard to boredom, isolation, loneliness, and solitude. By closely examining these concepts from phenomenological, philosophical, and literary perspectives, this diverse collection of essays offers insights into the human and nonhuman in the absence of the Other and within the postapocalyptic. Topics of interest include modalities of presence and absence with regard to body, time, beast, and things; the phenomenology of corporeity; ontopoiesis and the sublime; alienation, absurdity, and phenomenology of existence; memory, posthistoricity, posthuman nihilism, and posthumanity; speculative cosmology, cosmic holism, and consciousness; ecophenomenology; and the philosophy of the aesthetic. These essays parse and probe distinct aspects of the posthuman condition and what it means to exist in a posthuman world, thereby furthering the vast, rich scope of phenomenological research and study. This text appeals to students and researchers working in these topics and fields.

Few contemporary intellectuals have attempted to inform theory, the academy and social change as does Lewis Gordon. Following his own path of Fanon, Cesaire and Said, Gordon's work is an urgent call to action that is critical 'in the trying times' in which we find ourselves. In this important book, international scholars from many disciplines and areas of life engage in Gordon's work to prod, rattle and rethink our thinking to inform and change our practices as humans in institutions, politics, and the personal, legal and social paradigms. The book focuses on the importance of radical theory and thinkers to push for projects of change in the area of Black Existentialism. Gordon's now extensive oeuvre personifies this. The essays use the work of Lewis Gordon to demonstrate how theory and thought be can used for transformation of existence, antiracism and critiques of alterity, resistance, pedagogy, political action theory and disciplinary decadence in the academy and beyond.

Architecture and urban design are rarely considered as technology, but more frequently as a result of artistic creativity performed by gifted individuals. Postphenomenology and Architecture: Human Technology Relations in the Built Environment considers buildings and cities as technologies, from a postphenomenological perspective. This book argues that buildings and the furniture of cities-like bike lanes, benches, and bus stops-are inscribed in a conceptual framework of multistability, which is to say that they fulfill different purposes over time. Yet, there are qualities in the built environment that are long lasting and immutable, and transcend temporal functionality and ephemeral efficiency. The contributors show how different perceptions, practices, and interpretations are tangible and visible as we engage with these technologies. In addition, several of the chapters critically assess the influence of Martin Heidegger in modern philosophy of architecture., this book reads Heidegger in the perspective of architecture and urban design as technology, shedding light on what it means to build and dwell.

The discussion on the phenomenology of life will continue to be crucial to the general outlook and direction of phenomenological investigations. The imp- tance of it is not only the fact that it is an innovation in the philosophical circle, but it is also an effort that contributes to the re-reading of the hitherto ex- gerated differences between phenomenology and metaphysics. What is new and signi?cant about life is that even though it is evident in the ?ow of the history of philosophy, no philosopher has seriously addressed it. Not many philosophers have said something in particular about life in serious philoso- ical re?ection. The discussion on life by Henri Bergson attests to this and one 3 can hardly point to other deep re?ections elsewhere about the subject. The advantage here about our area is not only that it has extended the horizon of phenomenological thinking, it has also helped to lead phenomenology from the constitutive analysis to a creative impetus that has brought a new point of view to the ?eld, hence raising questions about the general philosophical t- dition from ancient times. This is a reading which my philosophy attempts to investigate about Tymienieckan thought. The emphasis in philosophy till now has been more on reason in its int- lection and pure rational dimension based on the earliest conception of the human person distinguished by rationality.

Introduction to Phenomenology is an outstanding and comprehensive guide to phenomenology. Dermot Moran lucidly examines the contributions of phenomenology's nine seminal thinkers: Brentano, Husserl, Heidegger, Gadamer, Arendt, Levinas, Sartre, Merleau-Ponty and Derrida.
Written in a clear and engaging style, Introduction to Phenomenology charts the course of the phenomenological movement from its origins in Husserl to its transformation by Derrida. It describes the thought of Heidegger and Sartre, phenomonology's most famous thinkers, and introduces and assesses the distinctive use of phenomonology by some of its lesser known exponents, such as Levinas, Arendt and Gadamer. Throughout the book, the enormous influence of phenomenology on the course of twentieth-century philosophy is thoroughly explored.
This is an indispensible introduction for all unfamiliar with this much talked about but little understood school of thought. Technical terms are explained throughout and jargon is avoided. Introduction to Phenomenology will be of interest to all students seeking a reliable introduction to a key movement in European thought.

In volume I, Kleinberg-Levin interprets five key words in Heidegger's project. In this second volume, he illuminates their significance for Heidegger's phenomenology of perception and his philosophy of history. At stake is the possibility of a new experience and understanding of being. Taking us beyond the metaphysical understanding of being, Heidegger proposes to introduce a new key word Seyn (beyng). Beyng is the Da-sein-appropriating event in which a clearing occurs as an open dimension for the time-space interplay of concealment and unconcealment, an interplay within which beings are experienced in regard to the various modes and inflections of presence and absence that the grammar of temporalities articulates. Concentrating on the appropriation of seeing and hearing as capacities and capabilities bearing promising potentialities that could be developed, Kleinberg-Levin examines seeing and hearing in the context of Heidegger's critique of the history of metaphysics, wherein vision has served as paradigm for knowledge, truth, and reality. He shows that, in Heidegger's philosophy of history, seeing and hearing are given a role in the transformation of the character of humanity, redeeming their own inherent potential. Perceptual experience has undergone accelerating processes of deformation and reification, encouraging a disposition that makes it serve technological and technocratic imperatives; but we might begin to redeem the promising potential in seeing and hearing, turning their damaged and dehumanized character, and their violence, towards the creation of a new planetary existence-what Heidegger imagines through the topology of the fourfold: earth and sky, mortals and the gods who embody our ideals. In this project, we are put in question by a responsibility that summons us, in our seeing and hearing, to the response-abilities most befitting our historically shared sense of an achieved humanity.

Legendary director, actor, author, and provocateur Werner Herzog has incalculably influenced contemporary cinema for decades. Until now there has been no sustained effort to gather and present a variety of diverse philosophical approaches to his films and to the thinking behind their creation. The Philosophy of Werner Herzog, edited by M. Blake Wilson and Christopher Turner, collects fourteen essays by professional philosophers and film theorists from around the globe, who explore the famed German auteur's notions of "ecstatic truth" as opposed to "accountants' truth," his conception of nature and its penchant for "overwhelming and collective murder," his controversial film production techniques, his debts to his philosophical and aesthetic forebears, and finally, his pointed objections to his would-be critics--including, among others, the contributors to this book themselves. By probing how Herzog's thinking behind the camera is revealed in the action he captures in front of it, The Philosophy of Werner Herzog shines new light upon the images and dialog we see and hear on the screen by enriching our appreciation of a prolific--yet enigmatic--film artist.

What makes individuals what they are? How should they judge their social and political interaction with the world? What makes them authentic or inauthentic? This original and provocative study explores the concept of "authenticity" and its relevance for radical politics. Weaving together close readings of three 20th century thinkers: Martin Heidegger, Karl Jaspers and Jean-Paul Sartre with the concept of authenticity, Stephen Eric Bronner illuminates the phenomenological foundations for self-awareness that underpin our sense of identity and solidarity. He claims that different expressions of the existential tradition compete with one another in determining how authenticity might be experienced, but all of them ultimately rest on self-referential judgments. The author's own new framework for a political ethic at once serves as a corrective and an alternative. Wonderfully rich, insightful, and nuanced, Stephen Eric Bronner has produced another bookshelf staple that speaks to crucial issues in politics, philosophy, psychology, and sociology. Existentialism, Authenticity, Solidarity will appeal to scholars, students and readers from the general public alike.

This clear and accessible introduction offers detailed coverage of, and invaluable guidance on, Sartre's fictional writings."Sartre and Fiction" offers a clear and accessible introduction to the extensive fictional writings of Jean-Paul Sartre.Providing comprehensive coverage of his short stories, novels and plays, the book examines the close links between the ideas and themes in his fiction and those put forward in his formal philosophical works. Sartre wrote fiction as a means of developing and enriching his philosophical ideas.Gary Cox reveals the extent to which Sartre's fictional writings are truly philosophical and an integral part of his overall intellectual vision. He also explores the ways in which Sartre's fictional writings reflect the personal, historical and political context in which they were written. Aside from yielding a wealth of personal and historical detail, this fascinating book demonstrates that the only way to fully appreciate Sartre's grand philosophical project is to understand the man himself and the troubled times though which he lived and wrote.Ideal for undergraduate students encountering Sartre for the first time, this book offers the first sustained introduction to Sartre's fictional oeuvre.

This collection examines the instrumental role of intersubjectivity in Husserl's philosophy and explores the potential for developing novel ways of addressing and resolving contemporary philosophical issues on that basis. This is the first time Iso Kern offers an extensive overview of this rich field of inquiry for an English-speaking audience. Guided by his overview, the remaining articles present new approaches to a range of topics and problems that go to the heart of its core theme of intersubjectivity and methodology. Specific topics covered include intersubjectivity and empathy, intersubjectivity in meaning and communication, intersubjectivity pertaining to collective forms of intentionality and extended forms of embodiment, intersubjectivity as constitutive of normality, and, finally, the central role of intersubjectivity in the sciences. The authors' perspectives are strongly influenced by Husserl's own methodological concerns and problem awareness and are formed with a view to applicability in current debates - be it within general epistemology, analytic philosophy of language, philosophy of mind, meta-ethics or philosophy of science. With contributions written by leading Husserl scholars from across the Analytic and Continental traditions, Husserl's Phenomenology of Intersubjectivity is a clear and accessible resource for scholars and advanced students interested in Husserl's phenomenology and the relevance of intersubjectivity to philosophy, sociology, and psychology.

In volume I, Kleinberg-Levin interprets and defines the five key words in Heidegger's project. In this second volume, he makes use of these words, illuminating their specific concrete meaning and significance for Heidegger's phenomenology of perception and his philosophy of history. At stake in Kleinberg-Levin's project, coming after Heidegger, is the possibility of another experience and understanding of being. Concentrating on the appropriation of seeing and hearing as capacities and capabilities bearing promising potentialities that could be developed, he shows how these modes of perception should be understood in the context of Heidegger's critique of the history of metaphysics, wherein vision has served as paradigm for knowledge, truth, and reality. He also shows that seeing and hearing need to be understood in the context of Heidegger's philosophy of history, in which seeing and hearing are both given a role in the transformation of the character of our humanity, redeeming their own inherent potential. Kleinberg-Levin shows how and why, in the world of today, the formation of the perceptual Gestalt has undergone an accelerating process of deformation and reification, encouraging a disposition for violence that makes perception serve unrelenting technological and technocratic imperatives; and he shows how we might begin to redeem the promising potential in seeing and hearing, turning their damaged and dehumanized character, and their violence, into ways of taking part in the creation of a new planetary existence-what Heidegger imagines through the topology of the fourfold, the gathering of earth and sky, mortals and their gods, around all the things we live with. Retrieving the latent potential in our seeing and hearing for the sake of a better, more benevolent world, another epoch in the history of being, Kleinberg-Levin proposes important new ways to experience and think about the fundamental disposition of these capacities and capabilities, emphasizing our responsibility, not only for the beings that pass through our world, but for being itself, namely, the opening of a perceptual field, a universe of discourse, a world: the necessary conditions for experiencing beings in regard to their being. This responsibility, he argues, summons us to the response-abilities befitting our true humanity. Thus, the subtitle for this volume: "Learning to See, Learning to Hear." Concentrating on the development of our natural capacities, Kleinberg-Levin explores the question of our potential for growing in our humanity, growing in our sense of what it means to be human. In this way, he connects his thinking, after Heidegger, not only to the history of European thought, but also to the philosophical contributions of Emerson and Dewey, the best among the Americans to continue the Enlightenment Project.

This book is dedicated to a critical analysis of race relations and inequality through the prism of Schutzian social phenomenology, which focuses on the world of intersubjectivity and the complex of meanings that orient the conduct of individuals and groups. The phenomenological approach provides a more intimate look at how the societal imposition of negative racial meanings on racialized persons crucially determines the construction of the minority subjectivity as essential otherness, thus becoming a pivotal support of race-based inequality.

This is the first sustained phenomenological approach to modern art, taking a new approach and drawing upon an unusual selection of thinkers. As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. "The Phenomenology of Modern Art" uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Paul Crowther explores this thematic in a new way, addressing specific visual artworks and tendencies in detail and introducing a new methodology - post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some unexpected phenomenological resources. Gilles Deleuze, rarely associated with phenomenology, in fact employs an overriding phenomenological orientation in his focus on modern art. Crowther uses Deleuze's important phenomenological insights as a starting point and goes on to develop arguments found in two other thinkers, Nietzsche and Merleau-Ponty, as well as addressing those figures and tendencies in relation to whom twentieth-century critical appropriations of Kant have been most influential. Illustrated throughout, the book offers the first sustained phenomenological approach to modern art.

This book, first published in 1987, is a study of the development of Sartre's political thought from the late 1920s to the liberation of France in 1944, concentrating particularly upon his concept of freedom. It is argued that the evolution of Sartre's thinking can be regarded as constituting a series of problematics each of which has a corresponding notion of freedom, and these problematics are elucidated in turn.

This study, first published in 1984, presents an explanation and critical examination of the theories of Sartre, Heidegger, Husserl and Hegel on the fundamental relationships between persons. It also synthesizes the results into a new conception of one's relation to other people. Sartre's famous discussion of 'the Look' in his early treatise, Being and Nothingness, is the point of departure and central text. Since Sartre critically responds to his three famous predecessors, these thinkers are given an independent hearing. The book demonstrates various ways in which persons are internally related to one another, shows that one's access to other people typically does not compare unfavourably with one's access to oneself, and establishes the importance of a prior comprehension of the status of other people for an adequate treatment of knowing them.

Social philosophy oscillates between two opposing ideas: that individuals fashion society, and that society fashions individuals. The concept of 'situation' was elaborated by the French existentialist thinkers to avoid this dilemma. Individuals are seen as actively situating themselves in society at the same time as being situated by it. This book, first published in 1990, traces the development of the concept of situation through the work of Gabriel Marcel, Jean-Paul Sartre, Simone de Beauvoir and Maurice Merleau-Ponty. It shows how it illuminates questions of self or subjectivity, embodiment and gender, society and history, and argues that it goes far beyond the currently fashionable notions of the 'death of the subject'.

This book, first published in 1987, is an extended examination of Merleau-Ponty's political philosophy. It describes and critically elucidates the main political themes to be found in his writings, and shows how his political ideas are related to his general phenomenological philosophy.

This book, first published in 1965, is a critical exposition of the philosophical doctrines of Jean-Paul Sartre. His contribution to ethical and political theory, and to metaphysics and ontology, is reviewed against the background of German idealism and phenomenology, and his arguments are presented clearly so that readers may assess their philosophical value in their own right.

This book, first published in 1953, was one of the first written in English that attempted to provide a sympathetic analysis of the new movement of Existentialism. In the attempt to bring out what is of permanent value in what was at the time a study yet to gain academic recognition, it is a valuable work that presents a clear-eyed analysis from the ground up.