`I send you fondest thoughts on your birthday. On this day I will think a lot of all the beautiful things which were, and are contained in our work together, and which now always stand so beautifully before my inner eye when I describe them. Let me assure you that I write this description with love.' - Rudolf Steiner to Marie Steiner, 13 March 1925 Containing all the correspondence between Rudolf and Marie Steiner to be found in their respective estates, this volume provides unique insight into the couple's pivotal relationship. The years 1901-25 were a time of struggle, as Rudolf Steiner - faithfully supported by the young Marie von Sivers (later to become Marie Steiner in 1914) - endeavoured to build a completely new spiritual movement on earth. Their letters cover everything from the esoteric view of evolution and human advancement to dealing with organizational details, challenging personalities and, of course, their own relationship. In addition to the correspondence, a number of documents have been inserted chronologically throughout the text. The famous `notes' written by Rudolf Steiner for Edouard Schure, for example, provide a unique introduction to the volume, giving profound insights into the development of the anthroposophical movement. Also included are the many versions of Rudolf Steiner's will. Comprehensive notes are provided, as well as an index of persons and an itinerary giving dates of relevant lectures and eurythmy performances.

As a practising Christian priest, Hermann Beckh was profoundly aware that the mystery of substance - its transmutation in the cosmos and the human being - was a mystical fact to be approached with the greatest reverence, requiring at once ever-deepening scholarship and meditation. He viewed chemistry as a worthy but materialistic science devoid of spirit, while the fullness of spiritual-physical nature could be approached by what he preferred to call 'chymistry' or 'alchymy', thereby taking in millennia of spiritual tradition. In consequence, Beckh's Alchymy, The Mystery of the Material World is not limited to the conventional workings of Western alchemy, nor to what can be found in the Bible from Genesis to Revelation - although he does unveil hidden riches there. Neither should Beckh be considered only as a learned Professor with impeccable academic qualifications and European-wide recognition. Beckh writes about such topics as 'Isis', 'the Golden Fleece', traditional fairy-stories and Wagner's Parsifal in a way that enables the reader to catch glimpses of the Mystery of Substance; to share the writer's authentic experience of the divine substantia - the living reality - of Christ in the world. Beckh's Alchymy set an entirely new standard, and went on to become his most popular publication. This is the first time that it has been translated into English, along with updated footnotes, making his ideas and insights accessible to a wide readership. In addition, this edition features translations of Beckh's 'The New Jerusalem', where theology could best be expressed in verse; his exemplary essay on 'Snow-white'; observations on 'Allerleirauh', and a substantial excerpt from Gundhild Kacer-Bock's biography of Beckh.

`The study of music is the study of the human being. The two are inseparable, and eurythmy is the art which brings this most clearly to expression. In these lectures, Rudolf Steiner guides us along a path toward an understanding of the human form as music comes to rest - the movements of eurythmy bringing this music back to life.' - Dorothea Mier `Fundamentally speaking, music is the human being, and indeed it is from music that we rightly learn how to free ourselves from matter.' - Rudolf Steiner The focus of these eight lectures is the source of movement and gesture in the human being. The movement in musical experience is thus traced back to its origin in the human instrument itself. Like the degrees of the musical scale, Rudolf Steiner leads his select audience of young artists through eight stages, focusing on the living principles of discovery and renewal. Eurythmy was born in the turbulent decades of the early twentieth century. From an individual question as to whether it was possible to create an art based on meaningful movement, Rudolf Steiner responded with fresh creative possibilities for a renewal of the arts in their totality. The new art of eurythmy was an unexpected gift. Today, music eurythmy, along with its counterpart based on speech, is practiced as an art, taught as a subject in schools, enjoyed as a social activity and applied as a therapy. This definitive translation of Steiner's original lecture course on eurythmy includes a facsimile, transcription and translation of the lecturer's notes, together with an introduction and index. The volume is supplemented with an extensive `companion', featuring full commentary and notes compiled by Alan Stott, as well as a translation of Josef Matthias Hauer's Interpreting Melos.

`We must draw the slumbering soul away from the darkness of sleep so that it no longer vanishes from its own scrutiny but stands before itself as a being of pure spirit which, in volition, is creatively active through - yet also beyond - the body.' - Rudolf Steiner. According to Rudolf Steiner's independent research, the soul or psyche has a relationship to both the body and the spirit. Psychologists and psychotherapists can only work in a truly healing way, he says, if they take this spiritual fact into account. This expertly-compiled anthology explores the nature of the soul as elaborated by Steiner in his writings and lectures. However, the book comprises more than an account of the psyche and life of the soul, but deals equally with the methodology for comprehending it - the scientific, and above all spiritual-scientific, means of doing so. Steiner questions methods and thought structures that are fundamental to contemporary psychology. Rather than looking backwards to conditions that influence how we are today, he focuses on our further development as beings that think, feel and act with intentionality. Given the soul's close affinity with pictorial images, he elaborates a therapeutically-innovative meditative schooling of the faculty of imagination. As Steiner states here, his methods, `...do not draw only on the rules of the ordinary mind but first prepare in the human soul another kind of consciousness, another state of awareness, with which we then enquire into the psyche... to approach and penetrate realities of the soul.'

The healthy social life is found When in the mirror of each human being The whole community finds its reflection And when in the community The virtue of each one is living. From the beginning of his public work, Rudolf Steiner saw his spiritual mission as civilizational. He understood that individual spiritual development means little unless, spreading through a community of practitioners, it leads to larger societal and cultural transformation. As always, his views were radical. He realized that a healthy social life would depend, above all, on the transformation of work from a commodity into a gift. As he said in 1905: Evolution is moving towards totally uncompensated work. No one rejects the idea and no one can change it. Whereas Greek workers performed their work in bondage to their master and modern workers are compelled to work for pay, in the future all work will be performed freely. Work and income will be completely separated. That is the healthy state of social conditions in the future. That same year, he formulated what he called "the fundamental social law" The wellbeing of an entire group of individuals who work together becomes greater the less individuals claim the income resulting from their own accomplishments for themselves-that is, the more they contribute this income to their fellow workers, and the more their own needs are met not through their own efforts but through the efforts of others. In this important book, Peter Selg shows us a different Rudolf Steiner. Here, the emphasis of his teaching is mostly on the need to cultivate selflessness and readiness to sacrifice. Selg first describes the context in which Steiner expressed these ideas, how much they meant to him, and how, when they fell on barren ground, he selflessly laid them aside while holding them in his heart in the hope of a more opportune moment. He goes on to show how this moment came after World War I, when Rudolf Steiner dedicated himself tirelessly to the Threefold Social Organism, lecturing extensively on economics and social policy. Finally, in a last, extraordinarily moving chapter, Selg shows the essential Christ- and Gospel-inspired nature of these ideas: As long as you feel pain That passes me by, The Christ works unrecognized... Weak is the spirit That can feel suffering Only in its own body. Anyone interested in a just, equitable, healthy, and spirit-based social future should read this important book

Building on her fundamental texts The Art of Acting and The Art of Speech, Dawn Langman shows how the great dramas of Western heritage illuminate the evolution of human consciousness - from the past and into the future - thus providing a context in which actors can consciously evolve their art. Having laid her foundation by exploring the Eleusis Mysteries - the seed point of Western drama - she moves to the end of the nineteenth century, when drama and performance practice prepared for its next great evolutionary leap. She explores the connection of this leap to the evolutionary threshold facing human beings at the end of what occult history calls Kali Yuga. Weaving back and forth between future, past and present - guided by the great cyclic themes of human soul and spiritual development - Langman shows how the inspiration of our greatest artists springs from a source of knowing that encompasses the high calling of the human being to mature beyond its biological inheritance, and to become a conscious co-creator with the macrocosmic powers that serve the evolution of the universe. In doing so, she clarifies the specific function drama has in our contemporary development within the spectrum of the arts.

Civil Society has become a major power in the world. The stunning defeat of the controversial and secretive Multilateral Agreement on Investments, the massive worldwide WTO protests and the yearly meetings of the World Social Forum are testimony to its coming of age. From these significant victories, civil society continued to catch world attention with the Arab Spring, the grassroots movement that helped elect former US President Barack Obama and the significant gains of the anti-fracking campaign. With tens of millions of citizens and over a trillion dollars involved in advancing its agenda, civil society now joins the state and the market as the third key institution shaping globalization. However, it cannot fully mobilize its resources and power as it currently lacks clear understanding of its identity. Shaping Globalization argues that global civil society is a cultural institution wielding cultural power, and shows how - through the use of this distinct power - it can advance its agenda in the political and economic realms of society without compromising its identity. Nicanor Perlas outlines the strategic implications for civil society, both locally and globally, and explains that civil society's key task is to inaugurate `threefolding': the forging of strategic partnerships between civil society, government and business. Such authentic tri-sector partnerships are essential for advancing new ways for nations to develop, and for charting a different, sustainable type of globalization. Using the model of the Philippine Agenda 21, we are shown how civil society and progressive individuals and agencies in government and business are demonstrating the effectiveness of this new understanding to ensure that globalization benefits the environment, the poor and society as a whole. This reprinted edition includes a new Afterword.