In what has been referred to as 'the most advanced course in anthroposophy', Rudolf Steiner addresses one of the great questions of our time: the role of evil in human development. He speaks of the year 666, when three time streams intersected - the familiar linear stream and two 'lateral' streams - and the reoccurrence of the 666-year rhythm in history. At the heart of this mystery is the being Sorat ('the beast'), who attempted to flood humanity with premature spiritual knowledge by inspiring the scholars of the ancient Academy of Gondishapur. Although responsible for the saving of Aristotle's works, Steiner describes how the Academy generated tremendous but dangerous gnostic wisdom, which eventually spread through the Christian monasteries and inspired Western scientific thought. Its immediate negative impact, however, had to be counteracted by the Prophet Muhammad and the founding of Islam. In contrast to the 666-year rhythm in history, the 333-year rhythm is connected to the healing forces of the Mystery of Golgotha. The year 333 was a central point in the post-Atlantean age, but also a pivotal moment in establishing the Christ Impulse and the new equilibrium it brought to humanity, allowing people to gain wisdom through their own efforts. Such wisdom enables insight into three key areas: supersensible knowledge of birth and death; understanding of an individual's life; and the ability consciously to confront the adversarial beings of Lucifer and Ahriman. Steiner addresses a host of additional themes, including occult Freemasonry in Anglo-American countries; materialism in the Roman Catholic Church; prophetic and apocalyptic vision; dualism and fatalism in pre-Christian times; and the delusion of time and space. Seeking to awaken his listeners to the urgency of the tasks ahead of them, he urges that spiritual understanding be enlivened with enthusiasm, fire and warmth of heart.

Based on many years of medical, artistic, therapeutic and anthroposophical experience, the author presents a concentrated foundation for the development of artistic therapy and the training of therapists. Although written with the painting therapist in mind, this clearly-formulated book - the fundamental work in its field - will also be of interest to those involved in medical and general therapeutic work, as well as to serious students of anthroposophy. It includes fifty full-colour examples from Hauschka's course at the School for Artistic Therapy. MARGARETHE HAUSCHKA (1896-1980) studied Medicine in Munich and worked as a doctor at the Ita Wegman Clinic, where she had responsibility for artistic therapy and helped develop Rhythmical Einreibungen, a method of rhythmical massage. After marrying Rudolf Hauschka, she worked at the Biologischen Hospital in Hollriegelskreuth. From 1950, she devoted herself to course and seminar activity, and in 1962 she founded the School for Artistic Therapy and Massage in Boll, Germany.

'I rang the bell, the door opened, and there stood Rudolf Steiner in person. I was so taken aback that I dropped the basket which burst open and all my clothes and underclothes, together with my other belongings, were lying at the feet of the Doctor. A ball of wool got away and rolled between Dr Steiner's feet into the long corridor. Somewhat surprised, but amused, he said: "I have never been greeted in this way."' Anna Samweber (1884-1969), an active coworker in Berlin with Rudolf Steiner and Marie Steiner-von Sivers, presents a lively, homely, and often moving collection of anecdotes and recollections. Recorded by Jacob Streit during an intensive two-day session, this short work offers a warm, illuminating and intimate picture of Rudolf Steiner, the man and his work, during a critical phase in the development of anthroposophy.

In a radical approach to understanding current affairs and history, Rudolf Steiner presents a method of penetrating to the hidden causes and realities that lie behind outer appearances. Contemporary life cannot fully be understood by an analysis that is restricted to external events, he says. Deeper levels of meaning are revealed when one begins to view such events as symptoms. The causes of these symptoms - the reality behind them - are to be discovered on other levels of existence. Steiner demonstrates such a 'symptomatological' approach in these lectures, surveying some of the great developments in consciousness that have helped form the world over the last centuries. He examines the role of true socialism, the rise of nationalism, and characterises contrasting approaches to religion by drawing a distinction between 'the People of the Christ' in Russia, 'the People of the Church' in Central Europe, and 'the People of the Lodges' in the West. Amongst the wealth of material covered here, Rudolf Steiner discusses 'the mystery of evil' and 'the mystery of death', the birth of the consciousness soul, the significance of the scientific mode of thought, the metaphysical element in the study of history, as well as specific events such as the Russian Revolution and the suppression of the Knights Templar. He also reviews the circumstances surrounding the publication of new editions of his books The Philosophy of Freedom and Goethe's World View. Anyone seeking a more profound understanding of our times will find a firm basis for a meaningful exploration in this course of lectures.

The Art of Speech presents a dynamic path of practice leading to an experience of the Word as a living, healing and creative power. Helping to deliver Western intellectual speech from what Artaud described as 'shrivelled throats' and 'monstrous talking abstractions', Langman brings to life the spiritual realities out of which a true Art of Speech arises. Inspired by Rudolf Steiner and pioneered initially in the German language by Marie Steiner, this artform is illuminated here through the genius of the English language. Langman builds a bridge between mainstream research into the intrinsic nature of Speech, and the levels of spiritual cognition that led to Rudolf Steiner's insights. Speech and language can no longer be reduced to an arbitrary collection of abstract symbols, she asserts. This book will inspire those working with these disciplines as practitioners (both artistic and therapeutic) as well as those who wish to understand their significance in human evolution, both past and future. Following her first book The Art of Acting, this volume completes a foundation of understanding for an exploration - in the conclusion of Langman's trilogy - of an integrated art of speech and acting. Grounded in the spiritual reality of the human being, Langman presents a systematic methodology with which to explore Rudolf Steiner's Speech and Drama Course.

What is the historical and evolutionary relationship between man and animal? In this classic text, based on the anthroposophical science founded by Rudolf Steiner, Poppelbaum, trained in Biology, compares the outer forms of man and animal, revealing their essential differences and contrasting inner experiences. Drawing a bold and clear delineation between the fundamental nature of man and that of the animal, Poppelbaum argues that human beings are not the accidental outcome of animal development, but the hidden source of evolution itself. He goes on to discuss the true relationship of both man and animal to their environment, and develops a critique of contemporary theories regarding human and animal evolution. He argues that, rather than a simple reflex of the nervous system, the human spirit is a microcosmic reflection of the spiritual macrocosm, and our individual consciousness is a crucial seed for future evolution. 'To be man is to know the animals and all the creatures of the earth; it is to recognize our responsibility towards these beings, once of the same order as ourselves, but now obliged to live beside us in an incompleteness that never ceases its appeal to human beings - warning us to make ourselves worthy of the trust invested in us.' - Hermann Poppelbaum