This work offers a seminal research into Arabic translations of the Pentateuch. It is no exaggeration to speak of this field as a terra incognita. Biblical versions in Arabic were produced over many centuries, on the basis of a wide range of source languages (Hebrew, Syriac, Greek, or Coptic), and in varying contexts. The textual evidence for this study is exclusively based on a corpus of about 150 manuscripts, containing the Pentateuch in Arabic or parts thereof.

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to "revealed" books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, "Bible," and a bibliographic one, "book." The Literary Imagination in Jewish Antiquity suggests ways of thinking about how Jews understood their own literature before these categories had emerged. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Mroczek tells an unfamiliar story about sacred writing not bound in a Bible. In many texts, we see an awareness of a vast tradition of divine writing found in multiple locations only partially revealed in available scribal collections. Ancient heroes like David are not simply imagined as scriptural authors, but multi-dimensional characters who come to be known as great writers and honored as founders of growing textual traditions. Scribes recognize the divine origin of texts like the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of material we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. While listening to the way ancient writers describe their own literature-their own metaphors and narratives about writing-this book also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions.

This volume is a collection of essays on transregional aspects of Malay-Indonesian Islam and Islamic Studies, based on Peter G. Riddell's broad interest and expertise. Particular attention is paid to rare manuscripts, unique inscriptions, Qur'an commentaries and translations, textbooks, and personal and public archives. This book invites readers to reconstruct the ways in which Malay-Indonesian Islam and Islamic studies have been structured. Contributors are Khairudin Aljunied, Majid Daneshgar, R. Michael Feener, Annabel Teh Gallop, Mulaika Hijjas, Andrew Peacock, Johanna Pink, Gregorius Dwi Kuswanta, Michael Laffan, Han Hsien Liew, Julian Millie, Ervan Nurtawab, Masykur Syafruddin, Edwin P. Wieringa and Farouk Yahya.

The Dead Sea Scrolls at Qumran and the Concept of a Library presents twelve articles by renowned experts in the Dead Sea Scrolls and Qumran studies. These articles explore from various angles the question of whether or not the collection of manuscripts found in the eleven caves in the vicinity of Khirbet Qumran can be characterized as a "library," and, if so, what the relation of that library is to the ruins of Qumran and the group of Jews that inhabited them. The essays fall into the following categories: the collection as a whole, subcollections within the overall corpus, and the implications of identifying the Qumran collection as a library.

The Ancient Sefer Torah of Bologna: Features and History contains studies on the most ancient, complete Pentateuch scroll known to date. It was considered in the Middle Ages and the Renaissance as the archetypal autograph written by Ezra the Scribe. The scroll was rediscovered by Mauro Perani in 2013 at the University Library of Bologna. In this volume, leading specialists study the history, textual and material features, and different halakhot or norms to copy a Sefer Torah, as adopted in the pre-Maimonidean scrolls. The Hebrew text is very close to the Aleppo codex, and the scroll was probably copied in Northern Iberia in ca. 1200 CE. The scroll contains letters with special shapes and tagin linking its production with a Jewish milieu which associated the scribal tradition with mystical and esoteric meanings. Besides its codicological and palaeographical interest, the "Ezra scroll" has been preserved for centuries among the treasures of the Dominican convent of San Domenico in Bologna and, in the early modern period, it was the object of reverence and curiosity among the Christians, before being almost entirely forgotten after its confiscation by the French revolutionary troops. This volume presents a detailed overview of the fascinating history and the peculiar makings of this remarkable artefact.