From Title IX cases on campus, to #metoo and #timesup, rape is a definitive issue at the heart of feminism, and lately, it's barely out of the news. Cultural critic Mithu Sanyal is picking up where Susan Brownmiller left off in her influential 1975 book Against Our Will. In fact, she argues that the way we understand rape hasn't changed since then, even as the world has changed beyond recognition. She contends that it is high time for a new and informed debate about rape, sexual boundaries and consent. Sanyal argues that the way we as a society understand rape tells us not just how we understand sexual violence, but how we understand sex, sexuality, and gender itself. For instance, why is it so hard to imagine men as victims of rape? Why do we expect victims to be irreparably damaged? When we think of rapists, why do we still think of strangers in dark alleys, rather than uncles, husbands, priests, or boyfriends? The book examines the role of race and the trope of the black rapist, the omission of male victims, and what we mean when we talk about rape culture. She provocatively takes every received opinion we have about rape, and turns it inside out - arguing with liberals, conservatives, feminists and sexists alike.

Offering an entryway into the distinctive worlds of sexual health and a window onto their spillover effects, sociologist Steven Epstein traces the development of the concept and parses the debates that swirl around it. Since the 1970s, health professionals, researchers, governments, advocacy groups, and commercial interests have invested in the pursuit of something called "sexual health." Under this expansive banner, a wide array of programs have been launched, organizations founded, initiatives funded, products sold-and yet, no book before this one asks: What does it mean to be sexually healthy? When did people conceive of a form of health called sexual health? And how did it become the gateway to addressing a host of social harms and the reimagining of private desires and public dreams? Conjoining "sexual" with "health" changes both terms: it alters how we conceive of sexuality and transforms what it means to be healthy, prompting new expectations of what medicine can provide. Yet the ideal of achieving sexual health remains elusive and open-ended, and the benefits and costs of promoting it are unevenly distributed across genders, races, and sexual identities. Rather than a thing apart, sexual health is intertwined with nearly every conceivable topical debate-from sexual dysfunction to sexual violence, from reproductive freedom to the practicalities of sexual contact in a pandemic. In this book Steven Epstein analyzes the rise, proliferation, uptake, and sprawling consequences of sexual health activities, offering critical tools to assess those consequences, expand capacities for collective decision making, and identify pathways that promote social justice.

'GORGEOUS, VIVIDLY ALIVE' NEW YORK TIMES 'BOLD, HONEST AND SUPERBLY WELL-WRITTEN' ANDRE ACIMAN, AUTHOR OF CALL ME BY YOUR NAME 'GRACEFUL AND SOUL-BARING' MELANIE REID, THE TIMES 'WHAT A GIFT . . . HAS THE RIGOR AND PRECISION OF JOAN DIDION AND MAGGIE NELSON AND A FORTHRIGHT HUMOR AND NAKED TRUTH ALL OF ITS OWN.' SARAH RUHL, AUTHOR OF SMILE I am in a bar in Brooklyn listening to two men, my friends, discuss whether or not my life was worth living. So begins Chloe Cooper Jones's bold account of moving through the world in a body that looks different than most. Born with a rare congenital condition called sacral agenesis, she must contend not only with her own physical pain, but the emotional discomfort of others. It is only when she unexpectedly becomes a mother that she confronts the demand to live life fully, propelling her on a journey across the globe, reclaiming the spaces she'd been denied, and denied herself. From Roman sculptures to a Beyonce concert, from a tennis tournament to the Cambodian Killing Fields, Jones interrogates the myths of beauty with spiky intelligence, aesthetic philosophy, love and humor, inviting us to find a new way of seeing.

This volume provides the first account of the pioneering efforts at sex reform in America from the Gilded Age to the Progressive era. Despite the atmosphere of extreme prudery and the existence of the Comstock laws after the Civil War, a group of radicals emerged to attack conventional beliefs about sex, from traditional marriage to women's chattel status in society. These men and women had in common a direct, unrespectable, iconoclastic style. They put forth outrageous journalism and had a penchant for martyrdom and for using the courts to publicize their ideologies. From rare and generally unknown sources, Hal D. Sears pieced together the story of the sex radicals and their surprising ideas. Moses Harman, a minister turned abolitionist and freethinker, is a central figure in the narrative. His Lucifer, the Light Bearer, the only journal of sexual liberty published from the early 1880s to 1907, was dedicated to free love, sex education, women's rights, and related causes. To a great degree Harman's publication defines the limits of social dissent in the late nineteenth century. Other members of the sex radical circle included E. B. Foote, a medical doctor who made a fortune with a home medical book crammed with sex information; Edwin Walker and Lillian Harman, who became a cause cElEbre among radicals when their jailhouse honeymoon in Kansas challenged the right of the state to regulate marriage; Elmina Slenker, who promoted a theory of sexual energy sublimation and the idea that women were the superior sex; and Lois Waisbrooker, Dora Forster, Lillie White, and other feminists who, almost a century ago, taught and preached the very ideas we hear today in the women's movement. Of course, all these people got into trouble with the law, mostly through the machinations of their archvillain, Anthony Comstock. Sears examines Comstock's powers of postal censorship and describes Comstock's personal vendettas against sexual dissenters, particularly the free love philosopher Ezra Heywood. He gives a legal history of obscenity and explains the sex radicals' significance in the emergence of obscenity law. Although the sex radicals attest the important reform vitality of provincial culture in late nineteenth-century America, until now they have been almost ignored by historians. Those who have studied sex radicalism at all, apart from its communitarian and sectarian aspects, have viewed it merely as a subsidiary of the more respectable feminist movement. In this book Sears gives careful consideration to the links between sex radicalism and spiritualism, feminism, anticlericalism, anarchism, and the free-thought movement. He presents sex radicalism as a separate and unique movement which illuminates new reaches of the Victorian landscape and establishes a tradition for present-day liberation trends.

Vider uncovers how LGBTQ people reshaped domestic life in the postwar United States. From the Stonewall riots to the protests of ACT UP, histories of queer and trans politics have almost exclusively centered on public activism. In The Queerness of Home, Stephen Vider turns the focus inward, showing that the intimacy of domestic space has been equally crucial to the history of postwar LGBTQ life. Beginning in the 1940s, LGBTQ activists looked increasingly to the home as a site of connection, care, and cultural inclusion. They struggled against the conventions of marriage, challenged the gendered codes of everyday labor, reimagined domestic architecture, and contested the racial and class boundaries of kinship and belonging. Retelling LGBTQ history from the inside out, Vider reveals the surprising ways that the home became, and remains, a charged space in battles for social and economic justice, making it clear that LGBTQ people not only realized new forms of community and culture for themselves-they remade the possibilities of home life for everyone.

Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism. The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010 ); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.