Yorkshireman Lionel Abson was the longest surviving European stationed in West Africa in the eighteenth century. He reached William's Fort at Ouidah on the Slave Coast as a trader in 1767, took over the English fort in 1770, and remained in charge until his death in 1803. He avoided the 'white man's grave' for thirty-six years. Along the way he had three sons with an African woman, the eldest partly schooled in England, and a bright daughter named Sally. When Abson died, royal lackeys kidnapped his children. Sally was placed in the king's harem and pined away; her brothers vanished. That king became so unpopular as a result that the people of Dahomey disowned him. Abson also mastered the local language and became an historian. After only two years as fort chief, he was part of the king's delegation to make peace with an enemy, a unique event in centuries of Dahomean history. This singular book recounts the remarkable life of this key figure in an ignominious period of European and African history, offering a microcosm of the lives of Europeans in eighteenth-century West Africa, and their relationships with and attitudes towards those they met there.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Arguably a contender for the Great American Novel, The Quest of the Silver Fleece is W. E. B. Du Bois's powerful first novel about Zora, a determined, strong Southern black woman who seeks to transcend race and social class in the late nineteenth century. Following the same path of the Greek myth after which it was named, Du Bois's novel confronts not only economic and political circumstances, but also racial and social issues of the time. Over a century after its original publication, we return to The Quest again and again for its political boldness about sexual, gender, and economic institutions. Zora, a breakthrough in the portrayal of black women, stands as a model of courage in a volatile moment in history. The novel portrays not only a story of economics but also of love, gender, and race. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by William L. Andrews, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. DuBois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. The Suppression of the African Slave Trade to the United States of America, 1638-1870, W. E. B. Du Bois's groundbreaking monograph, recounts the moral failures and missed opportunities of the American Revolution and the consequences of compromising with slavery. As Du Bois's first published work and doctoral dissertation, Suppression lays the groundwork for his early commitment to the study of the African American experience. At the time of its publication in 1896, Du Bois's monograph was at the forefront of developments in historiography, embodying a new, empirical approach to history. Suppression is integral to understanding Du Bois's early theories and his evolution into a leading scholar and activist. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Saidiya Hartman, this edition is essential for anyone interested in African American history.

Slavery in Small Things: Slavery and Modern Cultural Habits isthe first book to explore the long-range cultural legacy of slavery through commonplace daily objects. * Offers a new and original approach to the history of slavery by an acknowledged expert on the topic * Traces the relationship between slavery and modern cultural habits through an analysis of commonplace objects that include sugar, tobacco, tea, maps, portraiture, print, and more * Represents the only study that utilizes common objects to illustrate the cultural impact and legacy of the Atlantic slave trade * Makes the topic of slavery accessible to a wider public audience

Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level.
Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera -- Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focused on Angelo Agostini the "Brazilian Daumier") and some of the greatest photographers of the nineteenth century, led by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mold-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora.

In Slavery Unseen, Lamonte Aidoo upends the narrative of Brazil as a racial democracy, showing how the myth of racial democracy elides the history of sexual violence, patriarchal terror, and exploitation of slaves. Drawing on sources ranging from inquisition trial documents to travel accounts and literature, Aidoo demonstrates how interracial and same-sex sexual violence operated as a key mechanism of the production and perpetuation of slavery as well as racial and gender inequality. The myth of racial democracy, Aidoo contends, does not stem from or reflect racial progress; rather, it is an antiblack apparatus that upholds and protects the heteronormative white patriarchy throughout Brazil's past and on into the present.

Examines the history of the Fante people of southern Ghana during the transatlantic slave trade, 1700 to 1807. The history of Ghana attracts popular interest out of proportion to its small size and marginal importance to the global economy. Ghana is the land of Kwame Nkrumah and the Pan-Africanist movement of the 1960s; it has been a temporary home to famous African Americans like W. E. B. DuBois and Maya Angelou; and its Asante Kingdom and signature kente cloth-global symbols of African culture and pride-are well known. Ghana also attracts a continuous flow of international tourists because of two historical sites that are among the most notorious monuments of the transatlantic slave trade: Cape Coast and Elmina Castles. These looming structures are a vivid reminder of the horrific trade that gave birth to the black population of the Americas. The Fante and the Transatlantic Slave Trade explores the fascinating history of the transatlantic slave trade on Ghana's coast between 1700 and 1807. Here authorRebecca Shumway brings to life the survival experiences of southern Ghanaians as they became both victims of continuous violence and successful brokers of enslaved human beings. The era of the slave trade gave birth to a new culture in this part of West Africa, just as it was giving birth to new cultures across the Americas. The Fante and the Transatlantic Slave Trade pushes Asante scholarship to the forefront of African diaspora and Atlantic Worldstudies by showing the integral role of Fante middlemen and transatlantic trade in the development of the Asante economy prior to 1807. Rebecca Shumway is assistant professor of history at the University of Pittsburgh.

In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdulhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn's transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M'hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources, A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.

The era known as Reconstruction is one of the unhappiest times in American history. It succeeded in reuniting the nation politically after the Civil War but in little else. Among its chief failures was the inability to chart a progressive course for race relations after the abolition of slavery and rise of Jim Crow. Reconstruction also struggled to successfully manage the Southern resistance towards a Northern, free-labor pattern. But the failures cannot obscure a number of notable accomplishments, with decisive long-term consequences for American life: the 14th and 15th Amendments to the Constitution, the election of the first African American representatives to the US Congress, and the avoidance of any renewed outbreak of civil war. Reconstruction suffered from poor leadership and uncertainty of direction, but it also laid the groundwork for renewed struggles for racial equality during the Civil Rights Movement. This Very Short Introduction delves into the constitutional, political, and social issues behind Reconstruction to provide a lucid and original account of a historical moment that left an indelible mark on American social fabric. Award-winning historian Allen C. Guelzo depicts Reconstruction as a "bourgeois revolution" - as the attempted extension of the free-labor ideology embodied by Lincoln and the Republican Party to what was perceived as a Southern region gone astray from the Founders' intention in the pursuit of Romantic aristocracy.

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of prison life in James Baldwin's novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison's Beloved was informed by Angela Y. Davis's jail writings on slavery-reminiscent practices in contemporary women's facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson's Middle Passage, and connects slavery's logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines' A Lesson Before Dying. Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society's view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery's system of dehumanization.

This book profiles the port of Charles Town, South Carolina, during the two-year period leading up to the Declaration of Independence. It focuses on the dramatic hanging and burning of Thomas Jeremiah, a free black harbor pilot and firefighter accused by the patriot party of plotting a slave insurrection during the tumultous spring and summer of 1775. To examine the world of this wealthy, slave-holding African American through his trial and execution, William R. Ryan uses a wide array of letters, naval records, personal and official correspondence, memoirs, and newspapers. He shows that the black majority of the South Carolina Low Country managed to assist the British in their invasion efforts, despite patriot attempts to frighten Afro-Carolinians into passivity and submission. Although Whigs attempted, through brutality and violence, to keep their slaves from participating in the conflict, Afro-Carolinians became actively involved in the struggle between colonists and the Crown as spies, messengers, navigators and marauders. The book demonstrates that an understanding of what was going on in this vital seaport during the mid-1770s has broader implications for the study of the Atlantic world, African American history, naval history, urban race relations, labor history, and the turbulent politics of America's move toward independence.

This long overdue, vivid and wide-ranging examination of the significance of the resistance of the enslaved themselves - from sabotage and running away to outright violent rebellion - shines fresh light on the end of slavery in the Atlantic World. It is high time that this resistance, in addition to abolitionism and other factors, was given its due weight in seeking to understand the overthrow of slavery. Fundamentally, as Walvin shows so clearly, it was the implacable hatred of the enslaved for slavery and their strategies of resistance that made the whole system unsustainable and, ultimately, brought about its downfall. Walvin's approach is original, too, in looking at the Atlantic world as a whole, including the French and Spanish Empires and Brazil, as well as Britain's colonies. In doing so, he casts new light on one of the major shifts in Western history: in the three-hundred years following Columbus's landfall in the Americas, slavery had become a widespread and critical institution. It had seen twelve million Africans forced onto slave ships; a forced migration that had had seismic consequences for Africa. It had transformed the Americas and materially enriched the Western world. It had also been largely unquestioned - in Europe at least, and among slave owners, traders and those who profited from the system. Yet, within a mere seventy-five years during the nineteenth century, slavery had vanished from the Americas: it had declined, collapsed and been destroyed by a complexity of forces that, to this day, remains disputed. As Walvin shows so clearly here, though, it was in large part overthrown by those it had enslaved.

The Routledge History of Slavery is a landmark publication that provides an overview of the main themes surrounding the history of slavery from ancient Greece to the present day. Taking stock of the field of Slave Studies, the book explores the major advances that have taken place in the past few decades of study in this crucial field. Offering an unusual, transnational history of slavery, the chapters have all been specially commissioned for the collection. The volume begins by delineating the global nature of the institution of slavery, examining slavery in different parts of the world and over time. Topics covered here include slavery in Africa and the Indian Ocean World, as well as the Transatlantic Slave Trade. In Part Two, the chapters explore different themes that define slavery such as slave culture, the slave economy, slave resistance and the planter class, as well as areas of life affected by slavery, such as family and work. The final part goes on to study changes and continuities over time, looking at areas such as abolition, the aftermath of emancipation and commemoration. The volume concludes with a chapter on modern slavery. Including essays on all the key topics and issues, this important collection from a leading international group of scholars presents a comprehensive survey of the current state of the field. It will be essential reading for all those interested in the history of slavery.

The Haitian Revolution (1791-1804) was an event of monumental world-historical significance, and here, in the first systematic literary history of those events, Haiti's war of independence is examined through the eyes of its actual and imagined participants, observers, survivors, and cultural descendants. The 'transatlantic print culture' under discussion in this literary history reveals that enlightenment racial 'science' was the primary vehicle through which the Haitian Revolution was interpreted by nineteenth-century Haitians, Europeans, and U.S. Americans alike. Through its author's contention that the Haitian revolutionary wars were incessantly racialized by four constantly recurring tropes-the 'monstrous hybrid', the 'tropical temptress', the 'tragic mulatto/a', and the 'colored historian'-Tropics of Haiti shows the ways in which the nineteenth-century tendency to understand Haiti's revolution in primarily racial terms has affected present day demonizations of Haiti and Haitians. In the end, this new archive of Haitian revolutionary writing, much of which has until now remained unknown to the contemporary reading public, invites us to examine how nineteenth-century attempts to paint Haitian independence as the result of a racial revolution coincide with present-day desires to render insignificant and 'unthinkable' the second independent republic of the New World.

There are 27 million slaves living in the world today-more than at any time in history. Three hundred thousand of them are impoverished children in Haiti, who "stay with" families as unpaid and uneducated domestic workers, subject to physical, emotional, and sexual abuse. This practice, known locally as restavek ("staying with"), is so widespread that one in ten Haitian children is caught up in this form of slavery. Jean-Robert Cadet was a restavek in Haiti from the late 1950s until the early 1970s. He told the harrowing story of his youth in Restavec: From Haitian Slave Child to Middle-Class American-a landmark book that exposed ongoing child slavery in Haiti. Now in My Stone of Hope, Cadet continues his story from his early attempts to adjust to freedom in American society to his current life mission of eliminating child slavery through advocacy and education. As he recounts his own struggles to surmount the psychological wounds of slavery, Cadet puts a human face on the suffering that hundreds of thousands of Haitians still endure daily. He also builds a convincing case that child slavery is not just one among many problems that Haiti faces as the Western Hemisphere's poorest nation. Rather, he argues that the systematic abuse of so many of its children is Haiti's fundamental problem, because it creates damaged adults who seem incapable of governing the country justly or managing its economy productively. For everyone concerned about the fate of Haiti, the welfare of children, and the freedom of people around the globe, My Stone of Hope sounds an irresistible call to action.

American Slavery, Atlantic Slavery, and Beyond provides an up-to-date summary of past and present views of American slavery in international perspective and suggests new directions for current and future comparative scholarship. It argues that we can better understand the nature and meaning of American slavery and antislavery if we place them clearly within a Euro-American context. Current scholarship on American slavery acknowledges the importance of the continental and Atlantic dimensions of the historical phenomenon, comparing it often with slavery in the Caribbean and Latin America. However, since the 1980s, a handful of studies has looked further and has compared American slavery with European forms of unfree and nominally free labor. Building on this innovative scholarship, this book treats the U.S. "peculiar institution" as part of both an Atlantic and a wider Euro-American world. It shows how the Euro-American context is no less crucial than the Atlantic one in understanding colonial slavery and the American Revolution in an age of global enlightenment, reformism, and revolutionary upheavals; the Cotton Kingdom's heyday in a world of systems of unfree labor; and the making of radical Abolitionism and the occurrence of the American Civil War at a time when nationalist ideologies and nation-building movements were widespread.

A Five Books Best Economics Book of the Year A Politico Great Weekend Read "Absolutely compelling." -Diane Coyle "The evolution of modern management is usually associated with good old-fashioned intelligence and ingenuity... But capitalism is not just about the free market; it was also built on the backs of slaves." -Forbes The story of modern management generally looks to the factories of England and New England for its genesis. But after scouring through old accounting books, Caitlin Rosenthal discovered that Southern planter-capitalists practiced an early form of scientific management. They took meticulous notes, carefully recording daily profits and productivity, and subjected their slaves to experiments and incentive strategies comprised of rewards and brutal punishment. Challenging the traditional depiction of slavery as a barrier to innovation, Accounting for Slavery shows how elite planters turned their power over enslaved people into a productivity advantage. The result is a groundbreaking investigation of business practices in Southern and West Indian plantations and an essential contribution to our understanding of slavery's relationship with capitalism. "Slavery in the United States was a business. A morally reprehensible-and very profitable business... Rosenthal argues that slaveholders...were using advanced management and accounting techniques long before their northern counterparts. Techniques that are still used by businesses today." -Marketplace (American Public Media) "Rosenthal pored over hundreds of account books from U.S. and West Indian plantations... She found that their owners employed advanced accounting and management tools, including depreciation and standardized efficiency metrics." -Harvard Business Review

The Old South has traditionally been portrayed as an insular and backward-looking society. The Old South's Modern Worlds looks beyond this myth to identify some of the many ways that antebellum southerners were enmeshed in the modernizing trends of their time. The essays gathered in this volume not only tell unexpected narratives of the Old South, they also explore the compatibility of slavery-the defining feature of antebellum southern life-with cultural and material markers of modernity such as moral reform, cities, and industry. Considered as proponents of American manifest destiny, for example, antebellum southern politicians look more like nationalists and less like separatists. Though situated within distinct communities, Southerners'-white, black, and red-participated in and responded to movements global in scope and transformative in effect. The turmoil that changes in Asian and European agriculture wrought among southern staple producers shows the interconnections between seemingly isolated southern farms and markets in distant lands. Deprovincializing the antebellum South, The Old South's Modern Worlds illuminates a diverse region both shaped by and contributing to the complex transformations of the nineteenth-century world.

How did the Civil War and the emancipation of the South's four million slaves reconfigure the natural landscape and the farming economy dependent upon it? An innovative reconsideration of the Civil War's role in southern history, Unredeemed Land uncovers the environmental constraints that shaped the rural South's transition to capitalism during the late nineteenth century. Dixie's "King Cotton" required extensive land use techniques, fresh soil, and slave-based agriculture in order to remain profitable. But wartime destruction and the rise of the contract labor system closed off those possibilities and necessitated increasingly intensive cultivation in ways that worked against the environment. The resulting disconnect between farmers' use of the land and what the natural environment could support went hand-in-hand with the economic dislocation of freedpeople, poor farmers, and sharecroppers. Erin Stewart Mauldin demonstrates how the Civil War and emancipation accelerated ongoing ecological change in ways that hastened the postbellum collapse of the region's subsistence economy, encouraged the expansion of cotton production, and ultimately kept cotton farmers trapped in a cycle of debt and tenancy. The first environmental history to bridge the antebellum, Civil War, and Reconstruction periods, this work will appeal to anyone who is interested in the landscape of the South or the legacies of the Civil War.

As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta-the economic hub of the newly emerging urban and industrial south-in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization. Hunter follows African-American working women from their newfound optimism and hope at the end of the Civil War to their struggles as free domestic laborers in the homes of their former masters. We witness their drive as they build neighborhoods and networks and their energy as they enjoy leisure hours in dance halls and clubs. We learn of their militance and the way they resisted efforts to keep them economically depressed and medically victimized. Finally, we understand the despair and defeat provoked by Jim Crow laws and segregation and how they spurred large numbers of black laboring women to migrate north. Hunter weaves a rich and diverse tapestry of the culture and experience of black women workers in the post-Civil War south. Through anecdote and data, analysis and interpretation, she manages to penetrate African-American life and labor and to reveal the centrality of women at the inception-and at the heart-of the new south.

By 1870 the sugar plantations of the Reconcavo region in Bahia, Brazil, held at least seventy thousand slaves, making it one of the largest and most enduring slave societies in the Americas. In this new translation of Crossroads of Freedom-which won the 2011 Clarence H. Haring Prize for the Most Outstanding Book on Latin American History-Walter Fraga charts these slaves' daily lives and recounts their struggle to make a future for themselves following slavery's abolition in 1888. Through painstaking archival research, he illuminates the hopes, difficulties, opportunities, and setbacks of ex-slaves and plantation owners alike as they adjusted to their postabolition environment. Breaking new ground in Brazilian historiography, Fraga does not see an abrupt shift with slavery's abolition; rather, he describes a period of continuous change in which the strategies, customs, and identities that slaves built under slavery allowed them to navigate their newfound freedom. Fraga's analysis of how Reconcavo's residents came to define freedom and slavery more accurately describes this seminal period in Brazilian history, while clarifying how slavery and freedom are understood in the present.

A fascinating anthology of narratives from the period 1735-1830, by European women who recount their enslavement in North Africa. The first such collection, it includes an extensive introduction which links the discourse on contemporary Western women captives in Iran, Afghanistan and Iraq with that of former white captives in North Africa.

My Story: Ignatius Sancho is the extraordinary true story of a young boy's life: a slave, a servant, a business owner, a campaigner, a composer, a writer. Greenwich 1738, and eight-year-old Ignatius lives with three sisters. Not as a member of their family, but more or less a pet - a toy. He serves them breakfast, lunch and dinner, fetches and carries, does their bidding and all without thanks or a smile. He lives with the constant possibility of being sent away to a sugar plantation - to endure back-breaking work away from everything and everyone he has ever known. When the threat of being sent back to the West Indies to be enslaved on a plantation becomes suddenly all too real, Ignatius must escape and start to build a real and brilliant life for himself. an inspirational story based on real life perfect for anyone wanting to understand more about Britain's role in the transatlantic slave trade an empowering and important read. "I have to sit down. I need to wipe my eyes. Imagine, me, the little boy who slaved for the sisters and had to fight so hard to be able to read and write, has become the first black man to have a say in who governs England." Experience history first-hand with My Story.

Mary Prince's narrative was one of the earliest to reveal the ugly truths about slavery in the West Indies to an English reading public that was largely unaware of its atrocities. Prince was born in Bermuda to an enslaved family. She spent her early life in harsh conditions and was eventually sold to John Adams Wood of Antigua, working as his domestic servant. She joined the Moravian Church, where she learned to read, and married Daniel James, a former slave who had bought his freedom. In 1828 she traveled to England with the Woods family and after protracted efforts by abolitionists was able to leave their control. Encouraged by her new employer, Thomas Pringle, who also served as her editor, Prince wrote and published her book in 1831 to wide acclaim. While eighteenth-century slave narratives largely focused on Christian spiritual journeys and religious redemption, Prince was part of a growing trend of abolitionist writers focused on the injustice of slavery. Her work stands alongside better-known narratives such as A Narrative of the Adventures and Escape of Moses Roper and Narrative of the Life of Frederick Douglass. Adding to its importance, few early women's slave narratives exist.

Antislavery white clergy and their congregations. Radicalized abolitionist women. African Americans committed to ending slavery through constitutional political action. These diverse groups attributed their common vision of a nation free from slavery to strong political and religious values. Owen Lovejoy's gregarious personality, formidable oratorical talent, probing political analysis, and profound religious convictions made him the powerful leader the coalition needed. Owen Lovejoy and the Coalition for Equality examines how these three distinct groups merged their agendas into a single antislavery, religious, political campaign for equality with Lovejoy at the helm. Combining scholarly biography, historiography, and primary source material, Jane Ann Moore and William F. Moore demonstrate Lovejoy's crucial role in nineteenth-century politics, the rise of antislavery sentiment in religious spaces, and the emerging congressional commitment to end slavery. Their compelling account explores how the immorality of slavery became a touchstone of political and religious action in the United States through the efforts of a synergetic coalition led by an essential abolitionist figure.