A pioneering work that demolished the widespread claims that African Americans accepted slavery and were passive. Exposed the true nature of slavery. 50th Anniversary edition (1943-1993).

For the past forty years, prominent pro-life activists, judges and politicians have invoked the history and legacy of American slavery to elucidate aspects of contemporary abortion politics. As is often the case, many of these popular analogies have been imprecise, underdeveloped and historically simplistic. In Slavery, Abortion, and the Politics of Constitutional Meaning, Justin Buckley Dyer provides the first book-length scholarly treatment of the parallels between slavery and abortion in American constitutional development. In this fascinating and wide-ranging study, Dyer demonstrates that slavery and abortion really are historically, philosophically and legally intertwined in America. The nexus, however, is subtler and more nuanced than is often suggested, and the parallels involve deep principles of constitutionalism.

Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan-and at times a specifically Dutch-identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the "Dutch cultural archive," or the Dutch "reservoir" of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.

A succinct, up-to-date overview of the history of slavery that places American slavery in comparative perspective.
Provides students with more than 70 primary documents on the history of slavery in America
Includes extensive excerpts from slave narratives, interviews with former slaves, and letters by African Americans that document the experience of bondage
Comprehensive headnotes introduce each selection
A Visual History chapter provides images to supplement the written documents
Includes an extensive bibliography and bibliographic essay

Born into slavery in Kentucky, raised on the Western frontier on the farm adjacent to Daniel Boone s, rented out in adolescence to a succession of steamboat captains on the Mississippi and Missouri rivers, the young man known as Sandy reinvented himself as William Wells Brown after escaping to freedom. He lifted himself out of illiteracy and soon became an innovative, widely admired, and hugely popular speaker on antislavery circuits (both American and British) and went on to write the earliest African American works in a plethora of genres: travelogue, novel (the now canonized Clotel), printed play, and history. He also practiced medicine, ran for office, and campaigned for black uplift, temperance, and civil rights.

Ezra Greenspan s masterful work, elegantly written and rigorously researched, sets Brown s life in the richly rendered context of his times, creating a fascinating portrait of an inventive writer who dared to challenge the racial orthodoxies and explore the racial complexities of nineteenth-century America."

The abolitionist movement launched the global human rights struggle in the 18th and 19th centuries and redefined the meaning of equality throughout the Atlantic world. Even in the 21st century, it remains a touchstone of democratic activism-a timeless example of mobilizing against injustice. As famed black abolitionist Frederick Douglass commented in the 1890s, the antislavery struggle constituted a grand army of activists whose labors would cast a long shadow over American history. This introduction to the abolitionist movement, written by African American and abolition expert Richard Newman, highlights the key people, institutions, and events that shaped the antislavery struggle between the American Revolutionary and Civil War eras as well as the major themes that guide scholarly understandings of the antislavery struggle. From early abolitionist activism in the Anglo American world and the impact of slave revolutions on antislavery reformers to the rise of black pamphleteers and the emergence of antislavery women before the Civil War, the study of the abolitionist movement has been completely reoriented during the past decade. Where before scholars focused largely on radical (white) abolitionists along the Atlantic seaboard in the years just before the Civil War, they now understand abolitionism via an ever-expanding roster of activists through both time and space. While this book will examine famous antislavery figures such as William Lloyd Garrison and Frederick Douglass, it will also underscore the significance of early abolitionist lawsuits, the impact of the Haitian Revolution on both black and white abolitionists in the United States, and women's increasingly prominent role as abolitionist editors, organizers, and orators. By drawing on the exciting insights of recent work on these and other themes, a very short introduction to the abolitionist movement will provide a compelling and up-to-date narrative of the American antislavery struggle

In the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery's defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As anti-slavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.

Contrary to popular perception, slavery persisted in the North well into the nineteenth century. This was especially the case in New Jersey, the last northern state to pass an abolition statute, in 1804. Because of the nature of the law, which freed children born to enslaved mothers only after they had served their mother's master for more than two decades, slavery continued in New Jersey through the Civil War. Passage of the Thirteenth Amendment in 1865 finally destroyed its last vestiges. The Ragged Road to Abolition chronicles the experiences of slaves and free blacks, as well as abolitionists and slaveholders, during slavery's slow northern death. Abolition in New Jersey during the American Revolution was a contested battle, in which constant economic devastation and fears of freed blacks overrunning the state government limited their ability to gain freedom. New Jersey's gradual abolition law kept at least a quarter of the state's black population in some degree of bondage until the 1830s. The sustained presence of slavery limited African American community formation and forced Jersey blacks to structure their households around multiple gradations of freedom while allowing New Jersey slaveholders to participate in the interstate slave trade until the 1850s. Slavery's persistence dulled white understanding of the meaning of black freedom and helped whites to associate "black" with "slave," enabling the further marginalization of New Jersey's growing free black population. By demonstrating how deeply slavery influenced the political, economic, and social life of blacks and whites in New Jersey, this illuminating study shatters the perceived easy dichotomies between North and South or free states and slave states at the onset of the Civil War.

In this highly original work, Steven A. Epstein shows that the ways Italians employ words and think about race and labor are profoundly affected by the language used in medieval Italy to sustain a system of slavery. The author's findings about the surprising persistence of the "language of slavery" demonstrate the difficulty of escaping the legacy of a shameful past. For Epstein, language is crucial to understanding slavery, for it preserves the hidden conditions of that institution. He begins his book by discussing the words used to conduct and describe slavery in Italy, from pertinent definitions given in early dictionaries, to the naming of slaves by their masters, to the ways in which bondage has been depicted by Italian writers from Dante to Primo Levi and Antonio Gramsci. Epstein then probes Italian legal history, tracing the evolution of contracts for buying, selling, renting, and freeing people. Next he considers the behaviors of slaves and slave owners as a means of exploring how concepts of liberty and morality changed over time. He concludes by analyzing the language of the market, where medieval Italians used words to fix the prices of people they bought and sold. The first history of slavery in Italy ever published, Epstein's work has important implications for other societies, particularly America's. "For too long," Epstein notes, "Americans have studied their own slavery as it if were the only one ever to have existed, as if it were the archetype of all others." His book allows citizens of the United States and other former slave-holding nations a richer understanding of their past and present.

'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now' A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

When thousands of African Americans freed themselves from slavery during the American Civil War and launched the larger process of emancipation, hundreds of northern antislavery reformers traveled to the federally occupied South to assist them. The two groups brought views and practices from their backgrounds that both helped and hampered the transition out of slavery. While enslaved, many Blacks assumed a certain guarded demeanor when dealing with whites. In freedom, they resented northerners' paternalistic attitudes and preconceptions about race, leading some to oppose aid programs-included those related to education, vocational training, and religious and social activities-initiated by whites. Some interactions resulted in constructive cooperation and adjustments to curriculum, but the frequent disputes more often compelled Blacks to seek additional autonomy. In an exhaustive analysis of the relationship between the formerly enslaved and northern reformers, John Cimprich shows how the unusual circumstances of emancipation in wartime presented new opportunities and spawned social movements for change yet produced intractable challenges and limited results. Navigating Liberty serves as the first comprehensive study of the two groups' collaboration and conflict, adding an essential chapter to the history of slavery's end in the United States.

The broadest and most comprehensive collection of writings available by an early civil and women's rights pioneer
Seventy-one years before Rosa Parks's courageous act of resistance, police dragged a young black journalist named Ida B. Wells off a train for refusing to give up her seat. The experience shaped Wells's career, and--when hate crimes touched her life personally--she mounted what was to become her life's work: an anti-lynching crusade that captured international attention.
This volume covers the entire scope of Wells's remarkable career, collecting her early writings, articles exposing the horrors of lynching, essays from her travels abroad, and her later journalism. "The Light of Truth "is both an invaluable resource for study and a testament to Wells' long career as a civil rights activist.

In Great Crossings: Indians, Settlers, and Slaves in the Age of Jackson, prize-winning historian Christina Snyder reinterprets the history of Jacksonian America. Most often, this drama focuses on whites who turned west to conquer a continent, extending "liberty" as they went. Great Crossings also includes Native Americans from across the continent seeking new ways to assert anciently-held rights and people of African descent who challenged the United States to live up to its ideals. These diverse groups met in an experimental community in central Kentucky called Great Crossings, home to the first federal Indian school and a famous interracial family. Great Crossings embodied monumental changes then transforming North America. The United States, within the span of a few decades, grew from an East Coast nation to a continental empire. The territorial growth of the United States forged a multicultural, multiracial society, but that diversity also sparked fierce debates over race, citizenship, and America's destiny. Great Crossings, a place of race-mixing and cultural exchange, emerged as a battleground. Its history provides an intimate view of the ambitions and struggles of Indians, settlers, and slaves who were trying to secure their place in a changing world. Through deep research and compelling prose, Snyder introduces us to a diverse range of historical actors: Richard Mentor Johnson, the politician who reportedly killed Tecumseh and then became schoolmaster to the sons of his former foes; Julia Chinn, Johnson's enslaved concubine, who fought for her children's freedom; and Peter Pitchlynn, a Choctaw intellectual who, even in the darkest days of Indian removal, argued for the future of Indian nations. Together, their stories demonstrate how this era transformed colonizers and the colonized alike, sowing the seeds of modern America.

The three most important Supreme Court Justices before the Civil War-Chief Justices John Marshall and Roger B. Taney and Associate Justice Joseph Story-upheld the institution of slavery in ruling after ruling. These opinions cast a shadow over the Court and the legacies of these men, but historians have rarely delved deeply into the personal and political ideas and motivations they held. In Supreme Injustice, the distinguished legal historian Paul Finkelman establishes an authoritative account of each justice's proslavery position, the reasoning behind his opposition to black freedom, and the incentives created by circumstances in his private life. Finkelman uses census data and other sources to reveal that Justice Marshall aggressively bought and sold slaves throughout his lifetime-a fact that biographers have ignored. Justice Story never owned slaves and condemned slavery while riding circuit, and yet on the high court he remained silent on slave trade cases and ruled against blacks who sued for freedom. Although Justice Taney freed many of his own slaves, he zealously and consistently opposed black freedom, arguing in Dred Scott that free blacks had no Constitutional rights and that slave owners could move slaves into the Western territories. Finkelman situates this infamous holding within a solid record of support for slavery and hostility to free blacks. Supreme Injustice boldly documents the entanglements that alienated three major justices from America's founding ideals and embedded racism ever deeper in American civic life.

Originally published in 1964, The Struggle for Equality presents an incisive and vivid look at the abolitionist movement and the legal basis it provided to the civil rights movement of the 1960s. Pulitzer Prize-winning historian James McPherson explores the role played by rights activists during and after the Civil War, and their evolution from despised fanatics into influential spokespersons for the radical wing of the Republican Party. Asserting that it was not the abolitionists who failed to instill principles of equality, but rather the American people who refused to follow their leadership, McPherson raises questions about the obstacles that have long hindered American reform movements.

This new Princeton Classics edition marks the fiftieth anniversary of the book's initial publication and includes a new preface by the author.

The Ties that Bind explores in depth the close affinities that bound together anti-slavery activists in Britain and the USA during the middle decades of the nineteenth century, years that witnessed the overthrow of slavery in both the British Caribbean and the American South. Drawing on a wide variety of sources, the book sheds important new light on the dynamics of abolitionist opinion building during the Age of Reform, from books and artefacts to anti-slavery songs, lectures and placards. Building an anti-slavery public required patience and perseverance. It also involved an engagement with politics, even if anti-slavery activists disagreed about what form that engagement should take. This is a book about the importance of transatlantic co-operation and the transmission of ideas and practices. Yet, at the same time, it is also alert to the tensions that underlay these 'Atlantic affinities', particularly when it came to what was sometimes perceived as the increasing Americanization of anti-slavery protest culture. Above all, The Ties that Bind stresses the importance of personality, perhaps best exemplified in the enduring transatlantic friendship between George Thompson and William Lloyd Garrison.

On the evening of August 21, 1831, Nat Turner and six men launched their infamous rebellion against slaveholders. The rebels swept through Southampton County, Virginia, recruiting slaves to their ranks and killing nearly five dozen whites-more than had ever been killed in any slave revolt in American history. Although a hastily assembled group of whites soon suppressed the violence, its repercussions had far-reaching consequences. In The Land Shall Be Deluged in Blood, Patrick H. Breen uses the dramatic events in Southampton to explore the terrible choices faced by members of the local black community as they considered joining the rebels, a choice that would likely cost them their lives, supporting their masters, or somehow avoiding taking sides. Combining fast-paced narrative with rigorous analysis, Breen shows how, as whites regained control, slaveholders created an account of the revolt that saved their slaves from white retribution, the most dangerous threat facing the slaveholders' human property. By probing the stories slaveholders told that allowed them to get non-slaveholders to protect slave property, The Land Shall Be Deluged in Blood reveals something surprising about both the fragility and power of slavery.

President Abraham Lincoln freed millions of slaves in the South in 1863, rescuing them, as history tells us, from a brutal and inhuman existence and making the promise of freedom and equal rights. This is a moment to celebrate and honor, to be sure, but what of the darker, more troubling side of this story? "Slavery's Ghost" explores the dire, debilitating, sometimes crushing effects of slavery on race relations in American history.

In three conceptually wide-ranging and provocative essays, the authors assess the meaning of freedom for enslaved and free Americans in the decades before and after the Civil War. They ask important and challenging questions: How did slaves and freedpeople respond to the promise and reality of emancipation? How committed were white southerners to the principle of racial subjugation? And in what ways can we best interpret the actions of enslaved and free Americans during slavery and Reconstruction? Collectively, these essays offer fresh approaches to questions of local political power, the determinants of individual choices, and the discourse that shaped and defined the history of black freedom.

Written by three prominent historians of the period, "Slavery's Ghost "forces readers to think critically about the way we study the past, the depth of racial prejudice, and how African Americans won and lost their freedom in nineteenth-century America.

Following the publication of Adam Smith's The Wealth of Nations, nineteenth-century liberal economic thinkers insisted that a globally hegemonic Britain would profit only by abandoning the formal empire. British West Indians across the divides of race and class understood that, far from signaling an invitation to nationalist independence, this liberal economic discourse inaugurated a policy of imperial "neglect"-a way of ignoring the ties that obligated Britain to sustain the worlds of the empire's distant fellow subjects. In Empire of Neglect Christopher Taylor examines this neglect's cultural and literary ramifications, tracing how nineteenth-century British West Indians reoriented their affective, cultural, and political worlds toward the Americas as a response to the liberalization of the British Empire. Analyzing a wide array of sources, from plantation correspondence, political economy treatises, and novels to newspapers, socialist programs, and memoirs, Taylor shows how the Americas came to serve as a real and figurative site at which abandoned West Indians sought to imagine and invent postliberal forms of political subjecthood.

Slavery, Empathy, and Pornography considers the operations of slavery and of abolition propaganda on the thought and literature of English from the late-eighteenth to the mid-nineteenth centuries. Incorporating materials ranging from canonical literatures to the lowest form of street publication, Marcus Wood writes from the conviction that slavery was, and still is, a dilemma for everyone in England, and seeks to explain why English society has constructed Atlantic slavery in the way it has.

Art historian Henry M. Sayre traces the origins of the term "value" in art criticism, revealing the politics that define Manet's art. How did art critics come to speak of light and dark as, respectively, "high in value" and "low in value"? Henry M. Sayre traces the origin of this usage to one of art history's most famous and racially charged paintings, Edouard Manet's Olympia. Art critics once described light and dark in painting in terms of musical metaphor-higher and lower tones, notes, and scales. Sayre shows that it was Emile Zola who introduced the new "law of values" in an 1867 essay on Manet. Unpacking the intricate contexts of Zola's essay and of several related paintings by Manet, Sayre argues that Zola's usage of value was intentionally double coded-an economic metaphor for the political economy of slavery. In Manet's painting, Olympia and her maid represent objects of exchange, a commentary on the French Empire's complicity in the ongoing slave trade in the Americas. Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet's painting bears. Locating the presence of slavery at modernism's roots, Value in Art is a surprising and necessary intervention in our understanding of art history.

The Slavery Reader brings together the most recent and essential writings on slavery. The focus is on Atlantic slavery - the enforced movement of millions of Africans from their homelands into the Americas, and the complex historical story of slavery in the Americas. Spanning almost five centuries - the late fifteenth until the mid-nineteenth - the articles trace the range and impact of slavery on the modern western world. Key themes include:
* the origins and development of American slavery
* work
* family, gender and community
* slave culture
* slave economy
* resistance
* race and social structure
* Africans in the Atlantic world.
Together with the editors' clear and authoritative commentary and a substantial introduction, this volume will become central to the study of slavery.

First appearing in 1845 The Narrative of the Life of Frederick Douglass, with its painfully vivid depiction of life in bondage, was both a bestseller in its day and one of the most powerful, authoritative texts lending support to the abolitionist movement. The author traces his life from an infant born into slavery and taken from his mother at birth, to a displaced child hungry for knowledge, to an abused and beaten laborer seeking freedom and a chance to marry the woman he loved. Offering bright, cameo glimpses into a world that should not be forgotten, Douglass chronicles both the cruel violence of a system that saw him as little more than livestock, and the brighter moments of success, of courageous support from friends and allies. Initially greeted by some with doubt that it could have been written by a black man and former slave, the book had a profound effect on American society, making the author something of a celebrity and his cause less an abstract ideal and more of an urgent human concern. Solemn, powerful and passionate The Narrative of the Life of Frederick Douglass is more than an important historical document-it is a personal account of striving for human freedom in a world where the author was regarded as neither free nor human. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Narrative of the Life of Frederick Douglass is both modern and readable.

'Black but Human' is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb 'Black but Human' is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for critical and emancipatory practices by Afro-Hispanics themselves. The African presence in the Iberian Peninsula between the late fifteenth century and the end of the seventeenth century was as a result of the institutionalization of the local and transatlantic slave trades. In addition to the Moors, Berbers, and Turks born as slaves, there were approximately two million enslaved people in the kingdoms of Castile, Aragon, and Portugal. The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective resistance. It is visually articulated by Afro-Hispanic and Spanish artists in religious paintings and in the genres of self-portraiture and portraiture. This extraordinary imagery coexists with the stereotypical representations of African slaves and ex-slaves by Spanish sculptors, engravers, jewellers, and painters mainly in the religious visual form and by European draftsmen and miniaturists, in their landscape drawings, and sketches for costume books.