A Story of Two Birminghams examines the roles played by two cities and the areas in which they are situated in the long history of people of African origin and their ancestors who were taken into slavery, experienced a phoney freedom and subsequently experienced racism, segregation and violence. From the eighteenth century the industrial city of Birmingham in England was involved in the manufacture of guns used in the African slave trade and then later, in the production and export of the steam engines used on the sugar plantations in the West Indies. In northern Alabama, on land where another industrial city of the same name would later develop, African slaves worked on cotton plantations owned by planters who would later make their fortunes by selling the mineral rich land. Abolitionists in Birmingham UK, and in the Southern States fought against much opposition to achieve freedom for the slaves. But this was often a phoney freedom: for example, under an apprenticeship system in Jamaica people endured conditions often worse than under slavery, and in Alabama they endured hard labour in the development of the new industrial city and under the Convict Lease system. Slavery, Freedom and Conflict follows the life path of descendants of slaves into the twentieth century, the difficulties experienced by West Indian immigrants in Birmingham UK, the segregation laws imposed in Birmingham, Alabama and the US Civil Rights movement which followed. Later in the century, riots occurring in Handsworth (Birmingham UK), the election of a far-right, racist politician in nearby Smethwick and the infamous speech of Enoch Powell indicated that, as in Birmingham, Alabama many black people were still suffering from the iniquities of the slave trade inflicted upon their ancestors more than two hundred years previously. This book is essential reading for all those with an interest in the history of slavery, and in the local history of the West Midlands of England and the Northern counties of Alabama.

Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize "Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper's Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery."-Ira Berlin From the author of Tacky's Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The Reaper's Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in America-and a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in Jamaica-belonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, "mortuary politics" played a consequential role in determining the course of history. Insightful and powerfully affecting, The Reaper's Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.

This critical edition documents Frederick Douglass's relationship with Britain through unexplored oratory and print culture. With an unprecedented and comprehensive 60,000-word introduction that places the speeches, letters, poetry and images printed here into context, the sources provide extraordinary insight into the myriad performative techniques Douglass used to win support for the causes of emancipation and human rights. Editors examine how Douglass employed various media - letters, speeches, interviews and his autobiographies - to convince the transatlantic public not only that his works were worth reading and his voice worth hearing, but also that the fight against racism would continue after his death.

'I cannot help but see the bodies of my near ancestors in the current caravans of desperate souls fleeing from place to place, chased by famine, war and toxins. Ideas honed in slavery - of the otherness, the boorishness, the inferiority of thy neighbour - have continued to travel through American society.' The story of slavery in America is not over. It lives on in how we speak to one another, in how we treat one another, in how our societies are organised. In Giving a Damn, the legal scholar Patricia Williams finds that when you begin to unpick current debates around immigration, freedom of speech, the culture wars and wall-building, beneath them lies the unexamined history of enslavement in the West. Our ability to dehumanize one another can be traced all the way from the plantation to the US President's Twitter account. Williams begins in the American South with Gone With the Wind (still the second most popular book in the USA after the Bible), that nostalgic tale full of the myths of the Southern belle, Southern culture, 'good food and good manners'. The scene is seductive, from a distance. How nice it is to paper over the obliging slavery at the novel's core, and enjoy the wisteria-covered plantations, now the venue for weddings. But Williams's maternal great-grandmother was a slave, her great-grandfather a slave-owner, and papering over has left us in a world that has never been more segregated, incarcerated or separated from each other. Williams wants to know which ideas brought the richest and most diverse nation on the planet to the brink of resurgent, violent division and what this means for the rest of the world. And she finds that most of those ideas began in slavery.

Archetypal Grief: Slavery's Legacy of Intergenerational Child Loss is a powerful exploration of the intergenerational psychological effects of child loss as experienced by women held in slavery in the Americas and of its ongoing effects in contemporary society. It presents the concept of archetypal grief in African American women: cultural trauma so deeply wounding that it spans generations. Calling on Jungian psychology as well as neuroscience and attachment theory, Fanny Brewster explores the psychological lives of enslaved women using their own narratives and those of their descendants, and discusses the stories of mothering slaves with reference to their physical and emotional experiences. The broader context of slavery and the conditions leading to the development of archetypal grief are examined, with topics including the visibility/invisibility of the African female body, the archetype of the mother, stereotypes about black women, and the significance of rites of passage. The discussion is placed in the context of contemporary America and the economic, educational, spiritual and political legacy of slavery. Archetypal Grief will be an important work for academics and students of Jungian and post-Jungian studies, archetypal and depth psychology, archetypal studies, feminine psychology, women's studies, the history of slavery, African American history, African diaspora studies and sociology. It will also be of interest to analytical psychologists and Jungian psychotherapists in practice and in training.

Anticolonial theorists and revolutionaries have long turned to dialectical thought as a central weapon in their fight against oppressive structures and conditions. This relationship was never easy, however, as anticolonial thinkers have resisted the historical determinism, teleology, Eurocentrism, and singular emphasis that some Marxisms place on class identity at the expense of race, nation, and popular identity. In recent decades, the conflict between dialectics and postcolonial theory has only deepened. In Decolonizing Dialectics Geo Maher breaks this impasse by bringing the work of Georges Sorel, Frantz Fanon, and Enrique Dussel together with contemporary Venezuelan politics to formulate a dialectics suited to the struggle against the legacies of colonialism and slavery. This is a decolonized dialectics premised on constant struggle in which progress must be fought for and where the struggles of the wretched of the earth themselves provide the only guarantee of historical motion.

"This magisterial study is a triumph of scholarship....Must reading for anyone interested in American legal history or the Civil War."--Virginia Quarterly Review

A powerful and riveting condemnation of American slavery, 12 Years a Slave is the harrowing true story of Solomon Northup who was kidnapped and sold into slavery, enduring unimaginable degradation and abuse until his rescue twelve years later. Steve McQueen's powerful film adaptation starring Chiwetel Ejiofor, Brad Pitt, Michael Fassbender and Benedict Cumberbatch won Best Picture at both the Oscars and the Golden Globes in 2014. Tricked by two men offering him a job as a musician in New York State in 1841, Solomon Northup was drugged and kidnapped. His life is jeopardy, he was forced to assume a new name and fake past. Taken to Louisiana on a disease-ridden plague ship, he was initially sold to a cotton planter. In the twelve years that follow he is sold to many different owners who treat him with varying levels of savagery; forced labour, scant food and numerous beatings are his regular fare. Against all odds, Northup eventually succeeds in contacting a sympathetic party and manages to get word to his family. The ensuing rescue and legal cases are no less shocking and intriguing than the rest of the tale. A true-life testament to tremendous courage and tenacity in the face of unfathomable injustice, Northup's account also provides a rare insight into a murky past being meticulous first-hand recordings of slave life. A new film premiering in 2013, featuring Brad Pitt and Benedict Cumberbatch, is sure to introduce this amazing story to a new audience.

This Modern Library Paperback Classics edition combines the two most important African American slave narratives into one volume.
Frederick Douglass's Narrative, first published in 1845, is an enlightening and incendiary text. Born into slavery, Douglass became the preeminent spokesman for his people during his life; his narrative is an unparalleled account of the dehumanizing effects of slavery and Douglass's own triumph over it. Like Douglass, Harriet Jacobs was born into slavery, and in 1861 she published Incidents in the Life of a Slave Girl, now recognized as the most comprehensive antebellum slave narrative written by a woman. Jacobs's account broke the silence on the exploitation of African American female slaves, and it remains crucial reading. These narratives illuminate and inform each other. This edition includes an incisive Introduction by Kwame Anthony Appiah and extensive annotations.

"From the Trade Paperback edition."

For centuries, slaveholding was a commonplace in Brazil among both whites and people of color. Abolition was only achieved in 1888, in an unprecedented, turbulent political process. How was the Abolitionist movement (1879-1888) able to bring an end to a form of labor that was traditionally perceived as both indispensable and entirely legitimate? How were the slaveholders who dominated Brazil's constitutional monarchy compelled to agree to it? To answer these questions, we must understand the elite political world that abolitionism challenged and changed-and how the Abolitionist movement evolved in turn. The Sacred Cause analyzes the relations between the movement, its Afro-Brazilian following, and the evolving response of the parliamentary regime in Rio de Janeiro. Jeffrey Needell highlights the significance of racial identity and solidarity to the Abolitionist movement, showing how Afro-Brazilian leadership, organization, and popular mobilization were critical to the movement's identity, nature, and impact.

In Figuring Racism in Medieval Christianity, M. Lindsay Kaplan expands the study of the history of racism through an analysis of the Christian concept of Jewish hereditary inferiority. Imagined as a figural slavery, this idea anticipates modern racial ideologies in creating a status of permanent, inherent subordination. Unlike other studies of early forms of racism, this book places theological discourses at the center of its analysis. It traces an intellectual history of the Christian doctrine of servitus Judaeorum, or Jewish enslavement, imposed as punishment for the crucifixion. This concept of hereditary inferiority, formulated in patristic and medieval exegesis through the figures of Cain, Ham, and Hagar, enters into canon law to enforce the spiritual, social, and economic subordination of Jews to Christians. Characterized as perpetual servitude, this status shapes the construction of Jews not only in canon law, but in medicine, natural philosophy, and visual art. By focusing on inferiority as a category of analysis, Kaplan sharpens our understanding of contemporary racism as well as its historical development. The damaging power of racism lies in the ascription of inferiority to a set of traits and not in bodily or cultural difference alone; in the medieval context, theological authority affirms discriminatory hierarchies as a reflection of divine will. Medieval theological discourses created a racial rationale of Jewish hereditary inferiority that also served to justify the servile status of Muslims and Africans. Kaplan's discussion of this history uncovers the ways in which racism circulated in pre-modernity and continues to do so in contemporary white supremacist discourses that similarly seek to subordinate these groups.

Compelling work traces the formidable journey of an Igbo prince from captivity to freedom and literacy and recounts his enslavement in the New World, service in the Seven Years War with General Wolfe in Canada, voyages to the Arctic with the Phipps expedition of 1772-73, six months among the Miskito Indians in Central America, and a grand tour of the Mediterranean as a personal servant to an English gentlemen. Skillfully written, with a wealth of engrossing detail, this powerful narrative deftly illustrates the nature of the black experience in slavery.

Countering the widespread misconception that slavery existed only on plantations, and that urban areas were immune from its impacts, Slavery in the City is the first volume to deal exclusively with the impact of North American slavery on urban design and city life during the antebellum period. This groundbreaking collection of essays brings together studies from diverse disciplines, including architectural history, historical archaeology, geography, and American studies. The contributors analyze urban sites and landscapes that are likewise varied, from the back lots of nineteenth-century Charleston townhouses to movements of enslaved workers through the streets of a small Tennessee town. These essays not only highlight the diversity of the slave experience in the antebellum city and town but also clearly articulate the common experience of conflict inherent in relationships based on power, resistance, and adaptation. Slavery in the City makes significant contributions to our understanding of American slavery and offers an essential guide to any study of slavery and the built environment.

Slavery's expansion across the globe often escapes notice because it operates as an underground criminal enterprise, rather than as a legal institution. In this volume, Elizabeth Swanson and James Brewer Stewart bring together scholars from across disciplines to address and expose the roots of modern-day slavery from a historical perspective as a means of supporting activist efforts to fight it in the present. They trace modern slavery to its many sources, examining how it is sustained and how today's abolitionists might benefit by understanding their predecessors' successes and failures. Using scholarship also intended as activism, the volume's authors analyze how the history of African American enslavement might illuminate or obscure the understanding of slavery today and show how the legacies of earlier forms of slavery have shaped human bondage and social relations in the twenty-first century.

Winner, 2021 Rene Wellek Prize, given by the American Comparative Literature Association Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave. Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide-we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.

The most famous memoir of its kind and a key text in the anti-slavery movement, Narrative of the Life of Frederick Douglass tells the striking and emotionally charged story of one man's journey from slavery to freedom. Complete & Unabridged. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Dr Lydia Plath. Born into a life of slavery in Maryland in 1818, Frederick Douglass spent his youth passed from master to master, from city to field, and subjected to unimaginable cruelty. Along this journey he sought knowledge, he learned to read and write, and he discovered that education was his key to salvation. Using everything he learned and fuelled by all he was forced to endure, Douglass managed to escape and then, eventually, to free himself from slavery. Narrative of the Life of Frederick Douglass, a startlingly honest account of his struggle, played a fundamental role in the abolition of slavery, a movement that Douglass dedicated his life to.

Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all. But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved. As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say. In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?

A major contribution to our understanding of slavery in the early republic, Deliver Us from Evil illuminates the white South's twisted and tortured efforts to justify slavery, focusing on the period from the drafting of the federal constitution in 1787 through the age of Jackson.
Drawing heavily on primary sources, including newspapers, government documents, legislative records, pamphlets, and speeches, Lacy K. Ford recaptures the varied and sometimes contradictory ideas and attitudes held by groups of white southerners as they tried to square slavery with their democratic ideals. He excels at conveying the political, intellectual, economic, and social thought of leading white southerners, vividly recreating the mental world of the varied actors and capturing the vigorous debates over slavery. He also shows that there was not one antebellum South but many, and not one southern white mindset but several, with the debates over slavery in the upper South quite different in substance from those in the deep South. In the upper South, where tobacco had fallen into comparative decline by 1800, debate often centered on how the area might reduce its dependence on slave labor and "whiten" itself, whether through gradual emancipation and colonization or the sale of slaves to the cotton South. During the same years, the lower South swirled into the vortex of the "cotton revolution," and that area's whites lost all interest in emancipation, no matter how gradual or fully compensated.
An ambitious, thought-provoking, and highly insightful book, Deliver Us from Evil makes an important contribution to the history of slavery in the United States, shedding needed light on the white South's early struggle to reconcile slavery with its Revolutionary heritage.

Originally published in 1930, this volume documents the years 1746-1757 from the perspective of an Irish slave-dealer, Nicholas Owen, travelling between Africa and America.

Between the Revolution and the Civil War, non-slave black Americans existed in the no-man's land between slavery and freedom. The two generations defined by these two titanic struggles for national survival saw black Bostonians struggle to make real the quintessential values of individual freedom and equality promised by the Revolution. Levesque's richly detailed study fills a significant void in our understanding of the formative years of black life in urban America. Black culture Levesque argues was both more and less than separation and integration. Poised between an occasionally benevolent, sometimes hostile, frequently indifferent white world and their own community, black Americans were, in effect, suspended between two cultures.

This Norton Critical Edition includes: The first edition (1861), with the editors' explanatory annotations, introduction, and glossary of the people of Incidents in the Life of a Slave Girl. Three illustrations. Key public statements by Harriet Jacobs, William C. Nell, the Reverend Francis J. Grimke, and others. A rich selection of correspondence by Harriet Jacobs, Lydia Maria Child, and John Greenleaf Whittier, suggesting Incidents's initial reception. Ten major critical essays, six of them new to the Second Edition. A Chronology and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

From the colonial period through the early nineteenth century, Father Thomas J. Murphy writes a compelling chronology and in depth analysis of Jesuit slaveholding in the state of Maryland.

The Fearless Benjamin Lay chronicles the transatlantic life and times of a singular and astonishing man-a Quaker dwarf who became one of the first ever to demand the total, unconditional emancipation of all enslaved Africans around the world. He performed public guerrilla theatre to shame slave masters, insisting that human bondage violated the fundamental principles of Christianity. He wrote a fiery, controversial book against bondage that Benjamin Franklin published in 1738. He lived in a cave, made his own clothes, refused to consume anything produced by slave labour, championed animal rights, and embraced vegetarianism. He acted on his ideals to create a new, practical, revolutionary way of life.

Throughout the nineteenth century British governments engaged in a global campaign against the slave trade. They sought through coercion and diplomacy to suppress the trade on the high seas and in Africa and Asia. But, despite the Royal Navy's success in eradicating the transatlantic commerce in captive Africans, the forced migration of labour and other forms of people trafficking persisted. This collection of essays by specialist international, naval and slave trade historians examines the role played by individuals and institutions in the diplomacy of suppression, particularly the personnel of the Slave Trade Department of the Foreign Office and of the Mixed Commission Courts; the changing socio-religious character and methods of anti-slavery activists and the lobbyists; and the problems faced by the navy and those who served with its so-called 'Preventive Squadron' in seeking to combat the trade. Other contributions explore the difficulties confronting British diplomats in their efforts to reconcile their moral objections to slavery and the slave trade with Britain's imperial and strategic interests in Ottoman Turkey, Persia and the Arabian Peninsula; British reactions to the continued exploitation of forced labour in Portugal's African colonies; and the apparent reluctance of the Colonial Office to attempt any systematic reform of the 'master and servant' legislation in force in Britain's Caribbean possessions. The final chapter brings the story through the twentieth century, showing how the interests of the Foreign Office sometimes diverged from those of the Colonial Office, and considering how the changing face of slavery has made it the world-wide issue that it is today.